169 résultats
191341394Paris: E. Demets PN E.1795 1-3 D. 1913. Small folio. Loose in original publisher's teal blue illustrated wrappers printed in dark green and dark red as issued. 1f. recto title printed in dark red verso blank 11 i blank pp. No bar lines. With publisher's catalogue to verso of lower wrapper.<br /> <br /> The first work is dedicated to Suzanne Roux the second to Edouard Dreyfus and the third to Jane Mortier.<br /> <br /> Wrappers slightly worn; spine partially separated at spine. First Edition. Orledge p. 299. <br /> <br /> Composed 30 June-4 July 1913.<br /> <br /> "Satie was an iconoclast a man of ideas who looked constantly towards the future. Debussy christened him 'the precursor' because of his early harmonic innovations though he surpassed his friend's conception of him by anticipating most of the 'advances' of 20th-century music - from organized total chromaticism to minimalism. To some extent he made a virtue of his technical limitations but his painstaking quest for perfection in simplicity coupled with his ironic wit and his shrewd awareness of developments in other fields of contemporary art made him the personification of the wartime esprit nouveau in France." Robert Orledge revised by Caroline Potter in Grove Music Online. E. Demets [PN E.1795 (1)-(3) D.] unknown
1989Q-0486259781Dover Publications 1989-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1989x-1480304670BMG Ricordi Salabert 1989. Paperback. New. seas18764 edition. 288 pages. French language. 12.25x0.25x0.75 inches. BMG Ricordi (Salabert) paperback
8488020031.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0486413918New. Brand new and still unused unknown
1989022021Paris: Editions Salabert 1989. Edition Not Stated . Soft cover. Very Good. 4to - over 9¾" - 12" tall. Integrale Des Pieces Pour Piano Editees Aux. All Piano Works Published By Sein KlavierWerk Bei. Light wear to wraps readers crease. Sheet music fine. Text in French. 288 pages. Expedited or International shipping may cost more. <br/> <br/> Editions Salabert paperback
ING9781480304673BMG Ricordi Salabert. New. Special order direct from the distributor BMG Ricordi (Salabert) unknown
19802-8845904423Biblioteca Adelphi 1980. Paperback. New. Italian language. 8.58x5.51x1.10 inches. Biblioteca Adelphi paperback
1985Q-0739006924Alfred Music 1985-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
19330600-nnew. unknown
1989185670London/ New York: M. Boyars 1989. Hardcover. VG-/VG- Ex-library with stamps and labels on spine inside front and rear covers ffep and block.Light shelfwear to boards block dj. Light age toning to pages. Black cloth boards with silver lettering; bw illustrated dj mylar cover; 239 pp; bw illustrations. "Much of the laconic wit discipline and charm of Satie's music is to be found in the man himself as demonstrated by his letters. Many of them published here for the first time in any language these letters create a uniquely revealing portrait of Satie himself his music and his time. This volume includes correspondence with such major figures as Cocteau Picasso Picabia Debussy Ravel and Stravinsky. It is illustrated with 75 line drawings by Cocteau Magritte Picasso and other contemporaries as well as drawings and musical scores by the composer himself."- dust jacket Includes bibliographical references pages 232-234 and index. M. Boyars hardcover
191421006Paris: Lucien Vogel 1914. First Edition. Limited Edition. Hardcover Portfolio with buckram cloth spine paper pasted onto boards second large paper laid onto this paper for title. Custom Quarter Calf Clamshell Box with Art Deco fabric pasted down on other surfaces. Very Good. Charles Martin. No. 95 of 225 with a total issue of 900 copies. Folio 40 by 44 cm. 20 pochoir plates 20 pages of Satie's music with music notation. The music score is printed but can easily be mistaken for manuscript handwritten with a fountain pen. The Martin pochoir plates are magnificent and although they were created before the supposed debut of Art Deco in 1923 they capture perfectly the Art Deco aesthetic. The clamshell box is 42.5 by 47.5 cm and 4 cm deep. The boards of the portfolio have a considerable amount of soiling with several dampstains overlapping on the front cover but the design of the front cover still impresses and it suffers no significant loss of integrity in our view -- the dampstains could pass as deliberate marbling we think on the underlying paper and even to some extent on the title overlay sheet. The portfolio is lacking its ribbon ties and there are a few chips on the spine edge of this paper. The first title leaf has a fair amount of foxing and dusty soiling in its margins with less on successive leaves. Most leaves have a modicum of soiling virtually always by the edges and not significantly disconcerting in our view. Early leaves do has some edge roughness including short closed tears and light creasing. Best to consult our photos to get a solid idea of what we are loosely describing. The clamshell box has some scuffs on the calf and other light wear. Overall we consider this a quite attractive copy and can comfortably peg it as Very Good. Lucien Vogel hardcover
2005Q-1423403835BMG RICORDI SALABERT 2005-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! BMG RICORDI (SALABERT) paperback
1446517209.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980BOOKS031276ILondon: Eulenburg Books. Fine copy in fine dust jacket. 1980. 1st. hardcover. 4to 179 pp. From the library of composer David Diamond with his blindstamp on the title page . Eulenburg Books hardcover
Q-0486243656Dover Publications. paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
19777083496Editions Champ Libre 1977. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:2851840738 Editions Champ Libre paperback
28543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement.<br /> In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. Alan Satié unknown
199473397Oxford: Oxford University Press 1994. Later trade paperback printing. x 227 pp w/index. Near fine in glossy illustrated wrappers. Oxford: Oxford University Press paperback books
198873355Boston: Twayne 1988. First edition. xxvi 387 pp w/index. Small corner-creases to two pages else near fine in near fine dust jacket. Boston: Twayne unknown books
1311780London: M.S.M. Music Publishers. Softcover. Quarto; VG; Paperback; Spine staple binding; Cover is cream with black print clean and bright; Text block clean and tight but for vendor stamp on title page; 8 pages of printed music. Instruments: Organ. 1311780. FP New Rockville Stock. M.S.M. Music Publishers unknown books
1989185670London/ New York: M. Boyars 1989. Hardcover. VG-/VG- Ex-library with stamps and labels on spine inside front and rear covers ffep and block.Light shelfwear to boards block dj. Light age toning to pages. Black cloth boards with silver lettering; bw illustrated dj mylar cover; 239 pp; bw illustrations. "Much of the laconic wit discipline and charm of Satie's music is to be found in the man himself as demonstrated by his letters. Many of them published here for the first time in any language these letters create a uniquely revealing portrait of Satie himself his music and his time. This volume includes correspondence with such major figures as Cocteau Picasso Picabia Debussy Ravel and Stravinsky. It is illustrated with 75 line drawings by Cocteau Magritte Picasso and other contemporaries as well as drawings and musical scores by the composer himself."- dust jacket Includes bibliographical references pages 232-234 and index. M. Boyars hardcover books
191933600Paris: Rouart Lerolle & Cie PNs R. L. & Cie. 9800 9801 9802 1919. 3 volumes. Folio. Original publisher's dark orange vols. 1 and 2 and brown vol. 3 printed wrappers. <br/>v. 1: 1f. recto title verso blank 3 pp. <br/>v. 2: 1f. recto title verso blank 3 pp. <br/>v. 3: 1f. recto title verso blank 4 pp. with publisher's advertisment to recto of lower wrapper<br/><br/>Wrappers somewhat worn soiled and chipped; some detached; occasional handstamps; other minor defects. First Edition of nos. 1 and 2 1911; later reissue of no. 3 ca. 1919. Orledge 270. <br/><br/>The Sarabande no. 2 premiered in Paris at a concert of the Société Musical Independant Salle Gaveau with Maurice Ravel at the piano.<br/><br/>"The turning-point in Satie's career came in January 1911 when Ravel performed Sarabande no. 2 at a concert of the Société Musicale Indépendante. Satie was suddenly seen in his second Sarabande as a harmonic forerunner of Impressionism: he became a focus for young composers and Debussy conducted his orchestrations of the Gymnopédies two months later at the Salle Gaveau upsetting their composer by being jealous of their success. What pleased Satie most about all this was that Demets agreed to publish his recent Véritables préludes flasques in 1912 and was soon requesting more such humorous piano pieces . Articles began to appear about his music and the celebrated pianist Viñes promoted his cause with some notable first performances." Robert Orledge in Grove Music Online. Rouart, Lerolle & Cie [PNs R. L. & Cie. 9800, 9801, 9802] unknown books
197128543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement. In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. <br/><br/> Alan Satié unknown books
1988R300322972Le Castor Astral. 1988. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 76 pages - quelques partitions de musique et illustrations en noir et blanc hors texte. Ex dono à l'encre en page de garde. Légères traces de salissure sur le 2e plat.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française