123 résultats
183026786Wien: Joseph Czerný PN J. Cz. No. 334 1830. Small oblong folio. Full modern red cloth. 1 title 2-11 i blank pp. Engraved. <br/><br/>Faded signature "Richard Paul" to lower right corner of title.<br/><br/>Slightly foxed; tear to pp. 7-8 professionally repaired; additional repairs to final leaf. First Edition second issue distinguished by the absence of a watermark. Raab p. 368k A-2. Deutsch p. 345. Hoboken 14 434. WorldCat 11 copies of which 3 are in the U.S. at the Morgan Library Harvard and Brigham Young.<br/><br/>Text by Friedrich Schiller 1759-1806. Joseph Czerný [PN J. Cz. No. 334] unknown books
183423494Vienne: Ant. Diabelli et Comp. PN D. et C. No. 5419 1834. Folio. Unbound. 1f. title with vignette of a snake on a sunburst background i blank 4-19 i blank pp. Engraved. <br/><br/>Former owner's signature in ink to head of initial blank: "Vienne noël 1925 Jacqueline Luxardo." Price struck through in pencil.<br/><br/>Slightly soiled; edges browned and frayed; upper outer corner bumped; title partially detached with slight loss to spine. First Edition later issue. Deutsch p. 353. Hoboken 14 502. Hirsch IV 616.<br/><br/>The work exists in two versions; the present edition represents the second which according to Deutsch may in fact be the work of the publisher. The first version was first published as part of the new complete edition in 2007. <br/><br/>Deutsch explains the strange motto "Notre amitié est invariable" our friendship is unchangeable thus: "Only in this second version the final section from measure 232 is set so that the players' hands cross a manner of playing that possibly is meant to illustrate and underline the motto . If the version is by Schubert himself after all . the setting could in connection with the motto point to Schubert's friendship with his duet partner Josef von Gahy. Ant. Diabelli et Comp. [PN D. et C. No. 5419] unknown books
183223454Vienne: Ant. Diabelli et Comp. PN D. et C. No. 3537 1832. Oblong folio. Disbound. i title 2-31 i blank pp. Engraved. Edges colored in green.<br /> <br /> Foliation in manuscript in red crayon to upper right corners of rectos from "52" title to "66."<br /> <br /> Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. <br /> <br /> "Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. Although familiar from the 18th century keyboard music for four hands was largely restricted to ephemeral pieces or utilitarian arrangements of orchestral works. Mozart invested the genre with more ambition but as with the lied it was Schubert who took a marginal genre and made it central. His earliest works for piano duet were three fantasies D1 9 48 while a modest rondo D608 from January 1818 and four polonaises D599 and a sonata D617 of Mozartian proportions composed in Zseliz during the summer of that year mark the beginning of Schubert's sustained interest in the genre." Maurice J.E. Brown Eric Sams and Robert Winter in Grove Music Online. Ant. Diabelli et Comp. [PN D. et C. No. 3537] unknown
183223454Vienne: Ant. Diabelli et Comp. PN D. et C. No. 3537 1832. Oblong folio. Disbound. i title 2-31 i blank pp. Engraved. Edges colored in green.<br/><br/>Foliation in manuscript in red crayon to upper right corners of rectos from "52" title to "66."<br/><br/>Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. Ant. Diabelli et Comp. [PN D. et C. No. 3537] unknown books
184423502Wien: Ant: Diabelli und Comp: PN D. & C. No. 4014 1844. Oblong folio. Unbound. 1f. decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. 14te Lieferung" i title i catalogue of series listing vols. 1-40 with note "Werden fortgesetzt" 3-11 i blank pp. Engraved.<br /> <br /> Slightly worn and soiled. First Edition later issue. Deutsch pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14 572. Hirsch IV 650. Heck 201.<br /> <br /> The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series publication of which was not completed until 1850. <br /> <br /> Schubert notated the vocal part of D716 in the bass F clef but despite its low range Diabelli changed it to the violin G clef and added some variants at the upper octave to make it performable for higher voices. <br /> <br /> D. 450 exists in two versions; the present edition includes the second. The first version was not published until 1895 as part of the complete edition. The German translation from Aeschylus The Eumenides is by Johann Mayrhofer 1787-1836 a friend of the composer. Ant: Diabelli und Comp: [PN D. & C. No. 4014] unknown
184423502Wien: Ant: Diabelli und Comp: PN D. & C. No. 4014 1844. Oblong folio. Unbound. 1f. decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. 14te Lieferung" i title i catalogue of series listing vols. 1-40 with note "Werden fortgesetzt" 3-11 i blank pp. Engraved.<br/><br/>Slightly worn and soiled. First Edition later issue. Deutsch pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14 572. Hirsch IV 650. Heck 201.<br/><br/>The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series publication of which was not completed until 1850. <br/><br/>Schubert notated the vocal part of D716 in the bass F clef but despite its low range Diabelli changed it to the violin G clef and added some variants at the upper octave to make it performable for higher voices. <br/><br/>D. 450 exists in two versions; the present edition includes the second. The first version was not published until 1895 as part of the complete edition. The German translation from Aeschylus The Eumenides is by Johann Mayrhofer 1787-1836 a friend of the composer. Ant: Diabelli und Comp: [PN D. & C. No. 4014] unknown books
182723466Wien: Ant. Diabelli und Comp. PN D. et C. No. 2486 1827. Oblong folio. Sewn. i title 2-7 i blank pp. Engraved. <br/><br/>Some soiling and foxing; title slightly stained.<br/><br/>An uncut copy. First separate edition. Deutsch p. 463. Hoboken 13 300 with watermark. Hirsch IV 549. Heck 111 or 113. The first edition without opus number was published as a supplement to the Wiener Zeitschrift für Kunst Theater und Mode March 25 1823.<br/><br/>With text by Karl Gottfried von Leitner 1800-1890. Ant. Diabelli und Comp. [PN D. et C. No. 2486] unknown books
183023485Wien: A. Pennauer PN 484 1830. Oblong folio. Disbound. 21 1 blank pp. Engraved. <br/><br/>Early former owner's signature "Maximilian" in brown ink to lower right corner of title.<br/><br/>Minor worming to upper inner corners from p. 9 on. <br/><br/>An attractive copy. First Edition. Deutsch p. 477. Hoboken 14 469. Hirsch IV 601. Heck 175. A. Pennauer [PN 484] unknown books
183021060Vienne: Ant. Diabelli u. Comp. PN C. et C. No. 3539-3540 1830. 2 volumes. Oblong folio. 1f. title 1 blank 2-21; 1 title 2-25 pp. Engraved. <br/><br/>Slightly browned; some minor foxing; early tape to spines; pencilled fingering; contemporary ownership inscription to corner of Cahier 2; small oval handstamp of Scharfenberg & Luis in New York to foot of titles to both parts slightly trimmed to Cahier 1. Third edition. Deutsch 819/1-6. Hoboken 13 203 and 204. <br/><br/>"Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. His unusual interest in the march scarcely stemmed from any enthusiasm for war but rather from the great range of stylistic possibilities it afforded from funeral march to evocations of toy soldiers. The best of these marches which include the six Grandes marches of 1824 exploit the full range of four hands while preserving a sense of intimate conversation." Maurice J.E. Brown Eric Sams and Robert Winter in Grove Music Online. Ant. Diabelli u. Comp. [PN C. et C. No. 3539-3540] unknown books
183026791Wien: Tobias Haslinger PN T.H. 5027 1830. Oblong folio. Unbound. 1f. title 1 blank 2-17 i blank pp. Engraved.<br/><br/>Printed from worn plates. Slightly foxed; stain to central portion of title; dampstaining to outer margins; slightly foxed; rust marks to inner margin of outer bifolium. First Edition second issue. Deutsch pp. 537-538. Raab p. 296 A-2. Hoboken 13 317. Weinmann Senefelder-Steiner-Haslinger 2 p. 8. <br/><br/>The two songs were composed in 1825 as a pair to text by Johann Ladislaus Pyrker Pyrker von Felső-Eör Oberwart 1772-1847 Austrian poet and Roman Catholic bishop. Tobias Haslinger [PN T.H. 5027] unknown books
184023498Wien: Ant. Diabelli und Comp. PN D. & C. No. 6704 1840. Folio. Unbound. i title 2-37 i blank pp. Engraved. <br/><br/>Former owner's handstamp to upper right corner of title and partially illegible p. 3: "Malvine Reithoffer."<br/><br/>Slightly worn and soiled; edges slightly browned and frayed; tear to title partially repaired; spine reinforced with paper tape. First Edition. Deutsch p. 608. Hoboken 14 513. Deutsch IV 623.<br/><br/>The autograph of this work is lost; an early manuscript copy is simply titled "Duo. Ant. Diabelli und Comp. [PN D. & C. No. 6704] unknown books
183023484Vienne: Ant. Diabelli & Comp. PN D. et C. No. 3552 1830. Oblong folio. Disbound with remnants of sewing. i title 2-23 i blank pp. Engraved. Edges marbled.<br/><br/>Title leaf moderately foxed stained and with small hole to center not affecting text paper reinforcement to all edges with additional repairs; some soiling and foxing; final leaf laid down to new blank leaf; spine reinforced with paper tape; most leaves partially detached; other minor imperfections. First Edition. Deutsch 886/968b p. 626. Hoboken 14 465. Hirsch IV 600. Heck 173.<br/><br/>Both marches are somewhat uncharacteristically in 6/8 meter. Ant. Diabelli & Comp. [PN D. et C. No. 3552] unknown books
183223489Wien: Ant. Diabelli & Comp. PN D. et C. No. 4105 1832. Oblong folio. Disbound with remnants of sewing. 1f. title 3-7 i blank pp. Engraved.<br /> <br /> Slightly soiled and foxed; spine reinforced with paper tape. A later edition. Formerly D. 868. Not in Deutsch. Hoboken 14 486. The first edition was published by Thaddäus Weigl in Vienna in 1830. <br /> <br /> The poem is by Ignaz Franz Castelli 1781-1862. Ant. Diabelli & Comp. [PN D. et C. No. 4105] unknown
183223489Wien: Ant. Diabelli & Comp. PN D. et C. No. 4105 1832. Oblong folio. Disbound with remnants of sewing. 1f. title 3-7 i blank pp. Engraved.<br/><br/>Slightly soiled and foxed; spine reinforced with paper tape. A later edition. Formerly D. 868. Not in Deutsch. Hoboken 14 486. The first edition was published by Thaddäus Weigl in Vienna in 1830. <br/><br/>The poem is by Ignaz Franz Castelli 1781-1862. Ant. Diabelli & Comp. [PN D. et C. No. 4105] unknown books
183041090Wien: A. Diabelli & Comp: Graben No. 1133 PN 2451 1830. Oblong folio. Disbound. 1f. recto title verso blank i blank 4-7 pp. i blank pp. Engraved throughout. On wove paper without watermark.<br /> <br /> Slightly worn and foxed; minor ink stain to blank lower margin of title; small tear to blank lower outer corner of title repaired with archival tape to verso. First separate edition second issue. Deutsch 742 p. 447. Hirsch IV 545. Raab I p. 274 A-2.<br /> <br /> Der Wachteschlag The Quail's Song set to text by Samuel Friedrich Sauter was first published in 1822 in the periodical Wiener Zeitschrift fur Kunst Literatur Theater und Mode.<br /> <br /> "The only canonic Viennese composer native to Vienna Schubert made seminal contributions in the areas of orchestral music chamber music piano music and most especially the German lied. The richness and subtlety of his melodic and harmonic language the originality of his accompaniments his elevation of marginal genres and the enigmatic nature of his uneventful life have invited a wide range of readings of both man and music that remain among the most hotly debated in musical circles." Robert Winter Maurice J.E. Brown and Eric Sams in Grove Music Online. A. Diabelli & Comp: Graben No. 1133 [PN 2451] unknown
181622690Coburg-Leipzig, ohne Verlag, 1816. 8°. XXXVI, 363 S., Marmor. Kart. d. Zt.
186038982Wien, A. Diabelli et Comp., o. J. (um 1860). Fol. Mit gest. Titel mit lithogr. Bordüre (mit einem kl. Portrait des Komponisten) u. 5 gest. S. (pag. 3-7), 2 lose Bögen.
18334684AB1833. 2. verm. und verb. Aufl. Stuttgart und Tübingen J. G. Cotta 1833. 8 gef. 1 kol. lith. Taf. XXVII 962 S. Neuer Hldr.-bd. Ziegenfuß II493; Hirsch/H. V149; ADB XXXII634. - Gotthilf Heinrich Schubert 1780-1860 Schüler Schellings praktizierte in Altenburg Freiburg und Dresden. 1809-16 war er Direktor der Realschule in Nürnberg seit 1819 lehrte er Naturgeschichte an der Univ. Erlangen und seit 1827 in München. Er popularisierte die Naturphilosophie Schellings beeinflußte stark die deutsche Romantik und befaßte sich mit tierischem Magnetismus Hellsehen und Träumen. - Etwas gebräunt. Gelöschter Stempel auf Titel. unknown
183386547ABStuttgart, Cotta, 1833. 2., sehr vermehrte und verbesserte Auflage. Mit 8 (davon 1 farb.) lithogr. Taf. 27, 962 Seiten. Marmor. Pappband der Zeit. - Ecken etwas bestossen, Name auf vord. Innenspiegel, sonst schönes Expl. in guter Erhaltung. 2
1840400471840. Dritte verbesserte und vermehrte Auflage. - Leipzig F.A.Brockhaus 1840 8° VIIII 2 324 pp. Leinenband d.Zt.; St.a.Tit.; frisches Expl. Third and best Edition!. When he wrote this work of importance for the history of psychoanalysis the author was director of the Realinstitut in Nuremberg. In 1910 Wihelm Stekel in his article "Ueber den Gegensinn der Urworte" Zentralblatt für Psychoanalyse I p.63ff. showed that Freud must have read the passage in Schubert's book dealing with the ambivalence of words in dreams and concludes: "Der alte Schubert - man kann ihn ruhig als einen Vorläufer Freuds bezeichnen so tief ist er in manche Probleme der Traumdeutung eingedrungen". unknown
1840400461840. Dritte verbesserte und vermehrte Auflage. - Leipzig F.A. Brockhaus 1840 8° VIIII 2 324 pp. Pappband im Stil d. Zeit. Dritte und beste Ausgabe des erstmal 1814 erschienen Werkes. In seinem Werk 'Die Symbolik des Traumes' sagt Gotthilf Heinrich von Schubert 1780-1860 "wenn der Mensch eingeschlafen ist beginnt die Seele in einer «Bildersprache» zu sprechen im Gegensatz zur Wortsprache des Wachzustands. Es kann vorkommen daß beide Sprachen eine Zeitlang nebeneinander her fließen oder sich vermischen; aber im eigentlichen Traum bleibt nur die Traumbildersprache übrig. Sie ist eine «hieroglyphische» Sprache in dem Sinn daß sie viele Bilder oder Vorstellungen zu einem Gesamtbild zusammenfügen kann. Die Träume bedienen sich auch einer universalen Symbolsprache die bei allen Menschen auf der ganzen Welt gleich ist bei uns wie bei den «Wilden» auf Neuseeland und die ebenso für die Menschen vergangener Zeiten gilt wie für uns. Die Traumbildersprache ist «eine höhere Art von Algebra»; sie nimmt zuweilen politische Eigenschaften an manchmal ist sie ironisch wie z.B. in Träumen wo das Bild der Geburt in Wirklichkeit Tod bedeutet oder wo Exkremente Gold bedeuten. Nachts wird die menschliche Seele manchmal fähig Zukünftiges in Bildern vorauszusehen aber häufiger hat der Traum einen amoralischen und dämonischen Charakter weil die vernachlässigten verdrängten und vergewaltigten Aspekte der Persönlichkeit zum Vorschein kommen. Ähnlichkeiten zwischen den Konzepten: von SCHUBERT 'Ich-Sucht' - FREUD 'Narzißmus' von SCHUBERT 'Wandlungen im Lauf des Lebens' - C.G. JUNG 'Individuation' von SCHUBERT 'Todessehnsucht' - FREUD 'Todestrieb' von SCHUBERT 'Hieroglyphen' - FREUD 'Verdichtung' von SCHUBERT 'Universale Symbole' - FREUD 'Universale Symbole' - C.G. JUNG 'Archetypen'." Gotthilf Heinrich von Schuberet 1760-1860 war von 1819 bis 1827 Professur der Naturgeschichte an der Universität Erlangen danach an der Universität zu Erlangen. Er beeinflusste mit seinen Werken die Brüder Schlegel Kleist und E.T.A. Hoffmann. Ein Teil ihrer romantischen Dichtungen legt davon Zeugnis ab. Third and best edition on one of the leading works on dream before Freud. The philosopher G.H.Schubert 1780-1860 developed the idea that the language of the dream is wholly symbolical. He declared that when man has fallen asleep his mind starts thinking in a "picture language" in contrast to the verbal language of wacking life. Schubert's study of dreams was one of the sources for Freud's work on dreams and it is cited in his bibliography of his classical work on interpretation of dreams. H.F.Ellenberger Die Entdeckung des Unbewussten pp.291; Ziegenfuss II 493; Ellenbergr Discovery of the Unconscious pp.205-206; Leibbrandt-Wettly p.475; Laehr Gedenktage . pp.196-197; Wyss 33 unknown
181428dkHamberg 1814. Hardcover. Very Good/No Jacket. the boards are shelf worn with small tears. there is a small scar under the rear board the binding is excellent with no inscriptions. rare. copyright page dated 1814. the binding is excellent. Our orders are shipped using tracked courier delivery services. Hamberg hardcover
183623493Wien: Ant. Diabelli und Comp. D. & C. No. 5850 1836. Folio. Disbound. Pianoforte: i title 2-15 i blank pp.; Violino: i blank 2-7 i blank pp. Engraved. <br /> <br /> Handstamps to title: "Musikhaus W. E. Fuchs Leihexemplar Seiten gezählt vollständig blank" to upper left corner and "Musikalienhandlung W. E. Fuchs 16 Frankfurt a.M. Bleichstrasse 66a" and "C.A. André Musikalien-Handlung Zeil D70" "Frankfurt a.M" to foot; manuscript annotation in pencil to first blank page of Violino part: "Schubert 137 #3 Sonatine Violinstimme."<br /> <br /> Fingering bowing and articulation in pencil to first two movements of Violino part; indication in same hand to play second movement in 4/8 meter instead of 2/4. <br /> <br /> Slightly soiled and foxed; occasional dampstaining; spine of Pianoforte part reinforced with lower plain paper wrapper added; André handstamp slightly cropped. First Edition. Deutsch p. 244. Hoboken 14 501. Hirsch IV 615.<br /> <br /> The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5850] unknown
1900GD9-383Leipzig, C. F. Peters Verlag, o. J. [um 1900]. original Leinenband illustriert mit Jugendstil-Dampfpr?gung von Otto Eckmann, Kopffarbschnitt, quer-gr.-8?, 90 S.; Zustand: Einband etwas berieben, gutes Exemplar
18606779Munich: Literarisch-artistische Anstalt der F. G. Gotta'sche 1860. Fünfter unveränderter abbruct. mit einem anhange. Hardcover. Good. H. Sagert. 8vo. Pp. xiv 282. Frontis. portrait engraving. Brown cloth contrasting textured backstrip with titles stamped in gilt. Set in Fraktur. Board edges rubbed corners bumped and rubbed through spine chipped light foxing some leaves uncut/unopened. Memoirs of Duchess Helene of Mecklenburg-Schwerin Hélène Luise Elisabeth 24 January 1814 – 17 May 1858 compiled from her letters by her tutor who later became an eminent physician naturalist and professor at the University of Munich. After her 1837 marriage to Ferdinand Philippe d'Orléans at the Palace of Fontainebleau she introduced the tradition of the Christmas tree to the French. Among other curious aspects related to her life were her two sons: The eldest Philippe was later the Count of Paris and was hailed as Louis Philippe II by Royalists; the younger son Robert fought for the Union in the US Civil War. Literarisch-artistische Anstalt der F. G. Gotta'sche hardcover
