HIEGEL PierreLivre Rare Book
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6892textes de Roger Baschet,Luc Bérimont,Mario Bois,José Bruyr, Jacques Bureau,Hélène Cadou etc.harmonisés par pierre Hiégel.In folio reliure éditeur pleine toile écrue,titre en noir,en long,au dos,titre en noir er le premier plat Faux-titre,titre,394 pages sur papier couché,texte sur 2 colonnes,Nombreuses illustrations,dans le texte,pleine page,en noir et en couleurs.Les éditions de l’Illustration 1967.Quelques petites rousseurs sur le premier plat,sinon très bon état
Mm 105x195 Volume di 110 pp. nella sua brossura editoriale e con illustrazioni nel testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
17466On letterhead of the Grand Hotel Eastbourne. 8 October 1925. 2pp. 4to. In good condition lightly-aged. Unsigned copy of typed letter. with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas the Referee. amended in autograph from 'the Rat' A cutting however from the Ref reached me here today containing an article of yours wherein you place me among your Hebrew musical collaborators. But I am not a Jew and after our close friendship of 35 years I thought you knew.' He appends four numbered 'Biographical Facts' including 'I went to a Protestant School and was baptized at St. John's Church Waterloo Bridge Road not far from the Old Vic' and 'My mother was born in Hereford. I have never heard of a Hereford Jewess.' The letter now takes an antisemitc turn with Finck suggesting that it was 'my nose that has deceived you all this time! But Jimmy Glover has a nose three times the size of mine. Must he be a Jew And after all Arthur Collins is only half a mo!' He does not ask for a disclaimer but to be flung 'back among the Christians' adding 'Seriously I wish I were a Jew. I would by now be a rich man.' He ends by suggesting that Newton get 'Bernard Marks to translate this back into my supposed tongue'. In a postscript he tells a story 'apropos St John's Church' his father and violin lessons. On letterhead of the Grand Hotel, Eastbourne. 8 October 1925. unknown
19689London and Eastbourne: between 1918 and 1937. Finck was a well-respected and much-loved figure on the London musical and theatrical scene. His 'In the Shadows' was among the last tunes played as RMS Titanic went down. This miscellaneous collection of nine items in fair overall condition on lightly aged and worn paper. ONE: Autograph Manuscript by Finck contained names and outlines of anecdotes for inclusion in his memoirs. 2pp. 12mo. On letterhead of 212 Finchley Road London. As an example here is the text at the foot of one page: 'Include A. C. M. Club in Club stories. R. A. Roberts – Colisseum “By God! I'll ride to York.†Ralph Reader “Have you ever written a Ballet – about 50.†“Have you ever arranged one.â€' TWO: Autograph Card Signed 'Paps' from Finck to his wife Mabel 'Darling Mams'. On letterhead of the Grand Hotel Eastbourne; 27 December 1918. A high-spirited missive beginning: 'I hope you all arrived safely & lost neither the bags or dogs.' On the address side Finck writes: 'I sent the wires I had a share I'm sending parcel to <Brennan>. I tipped the Chambermaid. I cannot get Laundry done. I've been for a week I had a rotten lunch. I'm having tea I bid you adieu.' THREE: Typed contract between Finck and the London publishers Hutchinson & Co. for a book to be titled 'In the Chair'. 19 October 1937. Signed by the firm's chairman Walter Hutchinson 1887-1950 and witnessed by 'W. T. Kimber' who was to go on and found his own firm. Possibly an intended follow-up to Finck's 'My Melodious Memories' which the firm published in 1937. FOUR: Typed Letter Signed from <James Baine> of London literary agents Curtis Brown Ltd. 20 October 1937. Regarding Item One which has been 'duly stamped at Somerset House'. FIVE and SIX: Manuscript Letter addressed to 'Dear George' the author's initials as signature being indecipherable. On letterhead of the Savage Club London. 6 December 1920. Thanking him for the 'generous cheque': 'but for those damned Cassells I would not have taken a penny'. Enclosing a Barclays Bank cheque for four guineas to 'Dr. Conran' signed by Finck 29 October 1927. Endorsed on reverse: 'p.p. P. C. Conran F. E. Munt'. SEVEN: Photographic image of Elizabethan gentleman on which is written by one of Finck's daughters the heading 'My 21st. Birthday April 17th. 1926.' Written over the image are various signatures in pencil including that of Finck. EIGHT: Typed carbon copy of letter from Finck to Sir Landon Ronald at the Guildhall School of Music. 19 May 1924. Accepting 'the Diploma of Fellowship of the Guildhall School of Music which the Music Committee of the Corporation of the City of London have so graciously offered to me.' NINE: Typed note: 'Mr. Herman Finck is of the opinion that there is something very illogical in the demand for a tax on his income from a Government which by rendering through noise his house useless for a composer to work in makes the earning of that income impossible.' On reverse in pencil: 'Book Mams “You've done a job of work in your time!â€' London and Eastbourne: between 1918 and 1937. unknown
19680On letterhead of The Palace Theatre Limited Shaftesbury Avenue London. 15 January 1912. 1p. 4to. On aged and worn paper. Reads:'To The Gentlemen of the Orchestra Commencing with February 17 '12 the system of sending deputies will be entirely abolished in this orchestra. To those members who are not desirous of continuing their engagement under this new rule I would ask that they gave their names to Mr Honrig before friday evening next in order that they may receive notice of the termination of their engagement four weeks from that date - 19th inst: Herman Finck Musical director'. Finck's 'In the Shadows' was one of the last tunes played as the Titanic went down. On letterhead of The Palace Theatre Limited, Shaftesbury Avenue, London. 15 January 1912. unknown
206548 Haycroft Road Brixton Hill London . 30 April 1899. 3pp. 12mo. In poor condition aged and worn with the two leaves of the bifolium separated. The letter begins: 'My dear J. McG. Pardon me but M. Delormel did not write “The Boulanger†March “En Revenat de la revue†nor did he write “Père la Victoire†but I dont say he didn't publish them.' Finck attributes the first to 'M. Desormes the Conductor of the Folies Bergere Paris up to the time of his death about a year ago' and the second to 'Louis Ganne who composed “Lorraine†March also that hackneyed Mazurka the name of which I forget for the moment which goes like this: - Finck has written a line of musical score here'. In a postscript he states that 'The “Star†scintillator also erred thusly in the work that has gone.' The third page carries a humorous remark attributed by Finck to Cuvier regarding 'the supposed definition of a lobster'. An extremely popular figure in London theatrical and musical circles Finck was the musical director of the Palace Theatre in Shaftesbury Avenue. His 'In the Shadows' was one of the last tunes played as RMS Titanic went down. 8 Haycroft Road, Brixton Hill [ London ]. 30 April 1899. unknown
a6859EMI CLASSICS. audioCD. New. 5x5x2. Brand New factory sealed in original shrink wrap. EMI CLASSICS unknown
c14528HARMONIA MUNDI USA. audioCD. New. 5x4x0. Brand New factory sealed in original shrink wrap. HARMONIA MUNDI USA unknown
1999Q-0930861450The Art of Nature Inc 1999-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! The Art of Nature, Inc hardcover
1989100909AS Disc 1989-01-01. Audio CD. Very Good. AS Disc unknown
1989100911AS Disc 1989-01-01. Audio CD. Very Good. AS Disc unknown
2004c12348Telarc 2004-08-24. Audio CD. New. Brand New FACTORY SEALED Telarc unknown
19902186180226031Philips 1990-10-25. Audio CD. Like New. CD plays perfectly & the case looks good. Philips unknown
19902209180421014Philips 1990-10-25. Audio CD. Like New. CD plays perfectly & the case looks good. Philips unknown
1991103530London 1991-04-05. Audio CD. New. 5x4x0. new Please email for photos. London unknown
186496471August 1st 1864. 1864. Good. - A two-and-a-half page letter consisting of over 80 words penned on three sides of 8 inch high by 5-1/8 inch wide "The Opera Company" stationery. Hatton has crossed out the letterhead and penned his home address below. In his letter addressed to James Couper sp Hatton seeks to correct the assumption made in an article about the title of his forthcoming opera: "My dear Sir" he writes "There is an article in Saturday's Orchestra signed 'J.C." -- J.C. it is yours -- what put it in yr head that my opera is called 'Blue Beard' The story of my work is as unlike the career of that courageous individual as it well can be." He goes on to write that he's not yet decided on a name for his work "but I think it is likely to be 'Rose de mai-" and requests that J.C. correct the mistake. Signed "J.L. Hatton". The recipient has penciled "yes JC" in the left margin of the first page affirming that he was indeed the author of the article. Folded several times for mailing with a couple of short tears along the edges of the folds. The bottom third of the integral second leaf has been clipped without loss to the text. Apparently once mounted into an album with paper remnants along the top and inner edges of the verso of the second leaf. Good. <p>The English composer conductor pianist and singer John Liptrot Hatton 1809-1886 was a pupil of Michael Maybrick and also studied in the academy of Mr. Molyneux. An organist by the age of 16 he acted on the Liverpool stage and later performed in London in Macready's Drury Lane production of "Othello". A man of many talents he was making a name for himself as a musician and composer at the same time directing the choruses in the English Opera series at the Theatre Royal Drury Lane and composing his own works. His fist operetta "Queen of the Thames or The Anglers" was followed by a more ambitious work "Pascal Bruno". He composed numerous songs in the style of the German classics and performed as a pianist. Hatton toured in the U.S. from 1848 to 1850 performing several public and private concerts in New York City which included some of his own works. As a composer Hatton set to music various songs to poems by Robert Herrick perhaps the most famous of which was "To Anthea". Engaged as Director of Music at the Princess's Theatre in London he composed music for "Macbeth" "Sardanapalus King of Assyria" "Henry VIII" "Faust and Marguerite" and several of Shakespeare's plays. In 1864 his third opera "Rose or Love's Ransom" likely the work to which he refers in his letter was performed at the Royal English Opera Covent Garden. August 1st, 1864. unknown
Mm 150x210 Brossura originale con copertina figurata a colori, 147 pagine con numerose figure in nero nel testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
199044706Minneapolis: Dinkytown Antiquarian Bookstore 1990. First Edition. Printed purple wrappers hand sewn. A NF copy. Unpaginated 32 pp. printed in black and blue. 8vo. 9-5/8" x 6-1/8" <br/><br/>Number 366 of 750 printed on Mohawk Superfine out of a total edition of 776. Dinkytown Antiquarian Bookstore unknown books
1988100588Aurora Contemporary 1988-01-01. Audio CD. Very Good. Aurora Contemporary unknown
26833Bayreuth 8 Parsival Strasse Stamped 1 Agug 1911 perhaps by recipient. One page 4to fold marks and a bit battered but text clear and complete as follows: At my next visit in London I shall come to you and we shall talk about your harp at the Covent Garden Theatre. I was very sorry for my not having been able to call at your house but you must excuse me and you will understand that I was prevented from coming by the troubles of changing my house. My best greetings to Mrs -Paterson. With my best regards to you and Mrs Morley I remain .Post script During the time from 20th of August until 30th of September I shall have no address here because I shall travel in Austria and Hungary." Bayreuth, 8 Parsival Strasse, [Stamped] 1 Agug 1911 (perhaps by recipient). unknown
2005251209010CPO 2005-11-15. Audio CD. New. 5x0x4. Brand new factory sealed condition. CPO unknown
1998a6778Decca 1998-10-19. audioCD. Like New. 5x5x0. Complete box set. Original CDs booklet and box all in excellent condition. Decca unknown
1919boz_005211Gustave CLOËZ. Lettre autographe signée et datée du 13 février 1919. Lettre en deux pages adressée à un ami concernant sa démobilisation : en effet, il est passé chez son correspondant, espérant le voir, mais apprend qu'il doit attendre son tour pour la démobilisation après la guerre. Il pense être bientôt mis en sursis comme rédacteur au Cri de France. Cependant, comme il est maintenant marié, il explique devoir penser au futur et demande s'il peut "entrer chez vous" en tant que pianiste. Dimensions : 12.5 x 17 cm. 2 pages. Etat : Relativement bon état de conservation. Présence d'onglets au verso. Gustave Cloëz est un chef d'orchestre français qui a été particulièrement actif à l'Opéra-Comique à Paris au milieu du XXᵉ siècle, et a fait un grand nombre d'enregistrements, accompagnant souvent les grands chanteurs de l'époque. Wikipédia Envoi soigné dans un emballage rigide et étanche. Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, je reprends la marchandise avec retour à ma charge pour l'Europe et à la charge de l'acheteur pour le reste du monde. N’hésitez pas à visiter ma boutique et affiner vos recherches en fonction des catégories qui vous intéressent. Ma boutique L'Art Délivré. Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres… Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Merci de votre visite. Jérôme KAYSER.
1991122287Uni/Philips 1991-08-13. audioCD. New. 5x5x2. New in shrink wrap. Please email for photos. Uni/Philips unknown
Mm 245x280 "L'attività progettuale 'sacra' di Le Corbusier è documentata in questo volume in modo esauriente e completo sia negli aspetti teologici e liturgici, che dal punto di vista della vasta trama di relazioni e contatti intessuta dal Maestro con numerosi uomini di chiesa. La monografia raccoglie contributi puntuali e originali di eminenti studiosi di Le Corbusier, ed è completata da una preziosa sezione documentaria" - Volume cartonato rigido con sovraccoperta, 240 pagine con numerose illustrazioni a colori. Libro in condizioni di nuovo - brand new in original shrinkwrap. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
