Un Maestro MasonBiblio.com
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18815166La Habana: La Idea 1881. La Idea unknown
1881H80710Roma, Tipografia della Pace 1881 270pp.+ frontispice, text in Italian, hardcover (marbled plates, spine in leather, some use at ends), few foxing, good condition, [Monography on Clara of Montefalco], H80710
1847261299no city Mexico: Le Cie de Charencey 1847. 7p. single large leaf of semi-alkaline paperstock folded twice to make 8 panels four on a side measuring 8.5x5.5 inches. Must be unfolded to read the 7 printed print-blocks the 8th being blank. Find texts in the Spanish and the Mayan languages. Marginal toning to every page deepest to outermost slightly misfolded in the printery a very good copy: the condition is near pristine. Le Cie de Charencey unknown books
189729837Milano, Edoardo Sonzogno editore, 1897. Partition in-4 reliée demi-basane rouge, titre doré sur le dos, 168 pages.1240g.- exemplaire issu de la Bibliothèque de M. Louis VIALET, chef-d'orchestre au Théâtre de Monte-Carlo dans les années 1895-1920. Bon état
18322368<p>Oracion funebre en las honras celebradas en sufragio del alma de don juan jose diaz de espada y landa dignisimo obispo de esta diocesis por remigio cernadas primera edicion habana cuba 1832 nueva encuadernacionrestauradaoracion en memoria de la muerte del ilustre obispo de espada.<strong>Juan José DÃaz de Espada y Fernández de Landa</strong> más conocido como <em>Obispo Espada</em> Arroyabe >Ãlava 20 de abril de 1756 - La Habana Cuba 12 de agosto de 1832 fue un religioso >español segundo obispo de La Habana en la isla de Cuba. Director de la >Sociedad Económica de Amigos del PaÃs de La Habana y presidente de la sección de educación. >Gran Cruz de Isabel la Católica. el folleto es de una gran importancia bibliografica fue publicado por la imprenta de bolona en la habana.Los Boloña fueron una notable familia de impresores habaneros cuya trascendencia en el oficio marcó la historia de la imprenta en Cuba.</p><p>Esteban José Boloña estableció su taller en La Habana en 1776. A su muerte en 1817 ostentaba los cargos de impresor de la Marina de la Curia Eclesiástica del Tribunal del Santo Oficio e impresor de la Cámara del Rey.José Severino Boloña sustituyó a su padre en el oficio con un gran espÃritu de superación e ideas revolucionarias para su época que lo llevaron a convertirse en el impresor más sobresaliente del siglo xix en Cuba.</p><p>Su taller era de los más modernos y sus impresiones podÃan competir con las realizadas en Europa. De sus prensas salieron obras muy relevantes como <em>Teatro histórico jurÃdico y polÃtico-militar de la Isla Fernandina de Cuba </em>1789 de Ignacio José de Urrutia uno de nuestros primeros libros de historia. En 1797 publicó el estudio de Tomás Romay sobre el vómito negro y ese mismo año imprimió la primera defensa de la cirugÃa publicada en Cuba realizada por el médico español Francisco Javier de Córdova.</p><p> A José Severino Boloña se le debe la impresión de la primera novela cubana <em>El espetón de oro</em> de Cirilo Villaverde y la publicación del periódico <em>La Mujer Constitucional</em> entre 1820 y 1823 cuyo lema era "No siempre las mujeres han de tratar de dijes y alfileres"</p> Oficina de don jose bolona hardcover
1900boz_005533Oscar Louis de LAGOANERE. Lettre autographe signée et datée du 7 janvier 1900. Brève lettre en une page adressée à une connaissance dans laquelle il l'informe qu'il a besoin de lui pour une affaire "intéressante". Dimensions : 11.3 x 17.5 cm. 1 page. Etat : Bon état de conservation. Oscar de Lagoanère était un compositeur et chef d'orchestre français de Bordeaux. Il a été chef d'orchestre pour plusieurs théâtres et a écrit de nombreux opérettes. De 1908 à 1914, il est directeur musical du Théâtre de la Gaîté à Paris. Wikipédia (anglais) Envoi soigné dans un emballage rigide et étanche. Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, je reprends la marchandise avec retour à ma charge pour l'Europe et à la charge de l'acheteur pour le reste du monde. N’hésitez pas à visiter ma boutique et affiner vos recherches en fonction des catégories qui vous intéressent. Ma boutique L'Art Délivré. Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres… Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Merci de votre visite. Jérôme KAYSER.
1853170399Madrid: Operarios 1853. Paperback. 77p. 5x7 inches text in Spanish foxing and cover soiling slim yellow acting script. Olona was a prolific popular playwright and author of zarzuelas. Operarios paperback books
186432827Boston: F. A. Searle Printer 118 Washington Street 1864. VG some creasing folding and wrinkling to edges small horizontal tear to mid left edge. One broadside sheet printed recto only. 18-1/4" x 6-1/4" <br/><br/>A scarce broadside playbill from an early American production of Gounod's Faust in five acts as originally performed at Paris' Theatre Lyrique in 1859 which would later be selected as the inaugural opera performance of the New York Met in 1883. This bill advertises research suggests the same Opera Company as first brought Faust to the States initially performing it at the Philadelphia Academy of Music 1863 cf. Armstrong. RECORD Of The OPERA In PHILADELPHIA. Includes advertisement for Miss Maggie Mitchell on May 16 1864 performing Fanchon The Cricket. F. A. Searle, Printer, 118 Washington Street unknown books
18671222AGWien, F. Glöggl, o.J. (um 1867). Stahlstich (Mischtechnik). Bildgrösse: 12,5 x 12 cm. Blattgrösse: 27,5 x 19,5 cm.
18671222AGWien, F. Glöggl, o.J. (um 1867). Stahlstich (Mischtechnik). Bildgrösse: 12,5 x 12 cm. Blattgrösse: 27,5 x 19,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1839617001839. unknown
1872599451 vol. in-8 reliure plein vélin blanc, toutes tranches dorées, plats ornés, initiales M. S. de M. de A. [ pour Sanchez de Movellan ] au premier plat, Imprenta de Miguel Ginesta, Madrid, 1872, 197 pp.
18201214AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 30,8 x 20,6 cm.
18201210AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 28,4 x 20,7 cm.
18201210AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 28,4 x 20,7 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18201214AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 30,8 x 20,6 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1880189AGWien, Carl Wrabetz, (um 1880). Photographie (Portrait). Format: Carte de visite.
1880189AGWien, Carl Wrabetz, (um 1880). Photographie (Portrait). Format: Carte de visite. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18501201AGO.J. (um 1850). Lithographie von Willing nach Raisky (Brustbild). Bildgrösse: 11,7 x 11 cm. Blattgrösse: 16 x 11 cm.
18501201AGO.J. (um 1850). Lithographie von Willing nach Raisky (Brustbild). Bildgrösse: 11,7 x 11 cm. Blattgrösse: 16 x 11 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18601206AGO.J. (um 1860). Kupferstich (Brustbild). Bildgrösse: 10 x 11 cm. Blattgrösse: 28,2 x 19,4 cm.
18601206AGO.J. (um 1860). Kupferstich (Brustbild). Bildgrösse: 10 x 11 cm. Blattgrösse: 28,2 x 19,4 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
186496471August 1st 1864. 1864. Good. - A two-and-a-half page letter consisting of over 80 words penned on three sides of 8 inch high by 5-1/8 inch wide "The Opera Company" stationery. Hatton has crossed out the letterhead and penned his home address below. In his letter addressed to James Couper sp Hatton seeks to correct the assumption made in an article about the title of his forthcoming opera: "My dear Sir" he writes "There is an article in Saturday's Orchestra signed 'J.C." -- J.C. it is yours -- what put it in yr head that my opera is called 'Blue Beard' The story of my work is as unlike the career of that courageous individual as it well can be." He goes on to write that he's not yet decided on a name for his work "but I think it is likely to be 'Rose de mai-" and requests that J.C. correct the mistake. Signed "J.L. Hatton". The recipient has penciled "yes JC" in the left margin of the first page affirming that he was indeed the author of the article. Folded several times for mailing with a couple of short tears along the edges of the folds. The bottom third of the integral second leaf has been clipped without loss to the text. Apparently once mounted into an album with paper remnants along the top and inner edges of the verso of the second leaf. Good. <p>The English composer conductor pianist and singer John Liptrot Hatton 1809-1886 was a pupil of Michael Maybrick and also studied in the academy of Mr. Molyneux. An organist by the age of 16 he acted on the Liverpool stage and later performed in London in Macready's Drury Lane production of "Othello". A man of many talents he was making a name for himself as a musician and composer at the same time directing the choruses in the English Opera series at the Theatre Royal Drury Lane and composing his own works. His fist operetta "Queen of the Thames or The Anglers" was followed by a more ambitious work "Pascal Bruno". He composed numerous songs in the style of the German classics and performed as a pianist. Hatton toured in the U.S. from 1848 to 1850 performing several public and private concerts in New York City which included some of his own works. As a composer Hatton set to music various songs to poems by Robert Herrick perhaps the most famous of which was "To Anthea". Engaged as Director of Music at the Princess's Theatre in London he composed music for "Macbeth" "Sardanapalus King of Assyria" "Henry VIII" "Faust and Marguerite" and several of Shakespeare's plays. In 1864 his third opera "Rose or Love's Ransom" likely the work to which he refers in his letter was performed at the Royal English Opera Covent Garden. August 1st, 1864. unknown
18801256AGNürnberg, Carl Mayer's Kunst-Anstalt, o.J. (um 1880). Stahlstich (halbe Figur, sitzend). Bildgrösse: 13,5 x 13 cm. Blattgrösse: 23,2 x 15,6 cm.
18801256AGNürnberg, Carl Mayer's Kunst-Anstalt, o.J. (um 1880). Stahlstich (halbe Figur, sitzend). Bildgrösse: 13,5 x 13 cm. Blattgrösse: 23,2 x 15,6 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
