907 résultats
1071207083.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781070249483Paperback / softback. New. paperback
1070249483.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
226243Adelaide: Penman and Galbraith Litho 2nd Edition. Price 4 shillings. Played every evening by the Societys Orchestra during Art Loan and Industrial Exhibition held in the Town Hall Adelaide June 1882. Decorated wrappers pp. 8 345 x 245 mm. Has been lightly trimmed and disbound; otherwise near fine. unknown
2090502113706943Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1502251102020Music and Arts Programs 2015-02-10. Audio CD. Used: Very Good. 5x5x0. Very good condition. From a private collection. Comes from non smoking home. Music and Arts Programs unknown
4796One without date and place but after 1952 the other postmarked London 2 August 1955. Both cards self-stamped. CARD ONE is very good and has printed on it a stamp of Queen Elizabeth II. Addressed to Powell and his wife it does not appear to have gone through the mails. 'Most kind of you to write - we led a quick <> in the car & then a meeting in the afternoon. We <>: Jill also who we havent seen lately. Many thanks signed Adrian C. B.' CARD TWO is somewhat aged with a stain and some wear on the address side. It reads 'I too have written to Kellogg's! signed Adrian C Boult'. One without date and place [but after 1952], the other postmarked London, 2 August 1955. unknown
45195-nnew. unknown
45195like new. unknown
2001Q-0072132043McGraw-Hill Companies 2001-10-29. Paperback. New. In shrink wrap. Looks like an interesting title! McGraw-Hill Companies paperback
2002Q-0072224177McGraw-Hill/OsborneMedia 2002-09-04. Paperback. New. New. In shrink wrap. Looks like an interesting title! McGraw-Hill/OsborneMedia paperback
63-9198Havana Cuba: Maestro Cigars ca. 1950. Cut-out Standing Advert mounted on heavy card stock. Folio. Very Good. Illustrated. [Havana, Cuba?]: Maestro Cigars, [ca. 1950]. unknown
18795First produced at Covent Garden 20 Nov. 1936. Circa 70 pages folio 12 staves to a full page. The complete string parts with the firsdt claribet first and second bassoon and double bassoon parts "Fagots". Printed entry from auction catalogue prob. Sotheby's on wrapping 28 October 1974 item 99. Although unsuccessful in the theater Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936 in advance of its stage première." Wikipedia. [First produced at Covent Garden, 20 Nov. 1936] unknown
19341742ALondon Cobden-Sanderson One Montague Street Printed in Great Britain 1934. HB NODJ November 1934 1st UK edition 2nd Impression Stated Beautiful SalmonPink Cloth Cover lettered on Spine Interior Nice Tight Clean light Wear FoX Fine-/NF AS-IS NODJ 170 pages Tiny nick side Spine & lihgt Rub Wear Cover Slight Sun spine & Bk back extremities but Titles Bright. First Edition. Hard Cover. London Cobden-Sanderson One Montague Street Printed in Great Britain hardcover
1992Q-0395511208Clarion Books 1992-03-01. Library Binding. New. New. In shrink wrap. Looks like an interesting title! Clarion Books unknown
0395511208.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Mm 135x220 Prefazione di Henry Miller. Edizione a cura di Giuliano Boccali - Volume nella sua brossura originale con sovraccoperta figurata, 221 pagine. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2014ovscd166xDeutsche Grammophon 2014. audioCD. Like New. 8x8x5. Brand New Box Set factory sealed in original shrink wrap. Deutsche Grammophon unknown
76103Very Good. Quarto one and a half pages on one leaf 7 November 1882. Light horizontal and vertical creases where folded for posting; small piece of clear tape to a short split at one end of the crease across the middle on the blank bottom half of the second page well clear of any text; an appealing item in excellent condition. The catalyst for the discord appears to have been Hippeau's biting lampoon of Gounod in the issue of 29 October 1882. Saint-Saëns had hitherto been listed prominently on the covers as an official collaborator of the magazine; his name is absent from the issue of 13 November. His relationship with Hippeau however amicable was already strained. 'The clearly pro-Wagner inclination of the editor quickly created a violent polemic between Hippeau and Saint-Saëns founder of the Société nationale de musique. Saint-Saëns harshly criticized Hippeau's Wagnerian opinions considering them a danger for the future of French music' Doris Pyee: 'La Renaissance musicale 1881-1883' Baltimore 2007. <p>The lengthy letter pulls no punches. After some initial expressions of friendship Saint-Saëns leaves us in no doubt about the strength of his attitude and sentiments. A broad translation of the second part follows: 'Standing back to avoid being hurt is not in my character. I must be forthright and no finessing of details can save my name at the head of a journal like a banner from being associated with it in the eyes of the public. The stance of the journal not being in accordance with my ideas I cannot allow my name to remain attached to it. My decision I have told you and I repeat it again is irrevocable. I do not know what obligations you are under and I am not anxious to know. I only regret in every respect that you have failed to understand the advantage you might have gained in publishing a paper that is truly French as well as truly modern. <p>Now it is too late; you have equivocated too long and if against all probability you wished to take this path it could be only with a new journal and a new organisation. I do not know if you know me well enough to understand what it has cost me to act in this way. I hope you do however and will not cease to count on your friendship and assure you that you may always count on mine in everything that does not do damage to my artistic conscience. Affectionately yours C. Saint-Saëns'. unknown
B9781078468121Paperback / softback. New. paperback
1078468125.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
199044706Minneapolis: Dinkytown Antiquarian Bookstore 1990. First Edition. Printed purple wrappers hand sewn. A NF copy. Unpaginated 32 pp. printed in black and blue. 8vo. 9-5/8" x 6-1/8" <br/><br/>Number 366 of 750 printed on Mohawk Superfine out of a total edition of 776. Dinkytown Antiquarian Bookstore unknown books
Mm 155x210 "Ulisse" collana di studi umanistici. Brossura editoriale, sovraccoperta originale, 182 pagine il tutto in condizionii di nuovo. Spedizione in 24 ore dalla conferma dell'ordine.
22031On his Roman letterhead: Via dei Foraggi 74 Roma. 1 March 1965. 1p 4to. In good condition lightly aged. In reply to a letter by Hodes he writes that he is 'happy to hear that Beethoven's Missa Solemnis has made such a deep impact on you which it should make on every listener'. He feels 'very much privileged indeed for having been granted the possibility to present this work for the first time in Israel' and hopes 'to have occasion to perform that great piece there again as well as others which will be important and good to hear'. On his Roman letterhead: Via dei Foraggi 74, Roma. 1 March 1965. unknown
19972609191222061Verve/Polygram Records 1997-07-29. Audio CD. Like New. CD plays perfectly & the case is faded. Verve/Polygram Records unknown
