38 résultats
186633982Eccleston St. S.W. London March 13th 1866. 1866. Good. - Over 39 words penned on a 7 inch high by 4-3/8 inch wide sheet of buff paper with an attached blank leaf. Michael Costa writes to arrange a meeting with the recipient: "On Thursday I am engaged in the morning but if you can come in the afternoon at 1/2 past three o'clock." He then closes with "Hoping your cold is better believe me truly yours" signed "M. Costa". Folded twice horizontally for mailing the letter is slightly soiled. Remnants of gray paper adhering to the right edge of the verso of the blank page would suggest that the letter was once mounted in an album. Good. <p>The Italian-born conductor and composer Michael Costa 1808-1884 studied in Naples with his father at the Real Collegia di Musica and later with Niccolo Antonio Zingarelli. Although most of his works disappeared into obscurity he composed a significant number of operas symphonies and cantatas. After a visit to Birmingham he settled in England. In 1830 working as a conductor at His Majesty's Theatre Costa was able to influence many changes there and subsequently at Covent Garden. He was admired by Meyerbeer and Verdi. Having conducted several orchestras he took on English citizenship and was subsequently knighted in 1869. Among those compositions which survived are his ballets "Kenilworth" "Une Heure a Naples" "Sir Huon" and "Alma". His operas "Malek Adhel" and "Don Carlos" were produced in Paris and London. Eccleston St. S.W. [London], March 13th, 1866. unknown
186496471August 1st 1864. 1864. Good. - A two-and-a-half page letter consisting of over 80 words penned on three sides of 8 inch high by 5-1/8 inch wide "The Opera Company" stationery. Hatton has crossed out the letterhead and penned his home address below. In his letter addressed to James Couper sp Hatton seeks to correct the assumption made in an article about the title of his forthcoming opera: "My dear Sir" he writes "There is an article in Saturday's Orchestra signed 'J.C." -- J.C. it is yours -- what put it in yr head that my opera is called 'Blue Beard' The story of my work is as unlike the career of that courageous individual as it well can be." He goes on to write that he's not yet decided on a name for his work "but I think it is likely to be 'Rose de mai-" and requests that J.C. correct the mistake. Signed "J.L. Hatton". The recipient has penciled "yes JC" in the left margin of the first page affirming that he was indeed the author of the article. Folded several times for mailing with a couple of short tears along the edges of the folds. The bottom third of the integral second leaf has been clipped without loss to the text. Apparently once mounted into an album with paper remnants along the top and inner edges of the verso of the second leaf. Good. <p>The English composer conductor pianist and singer John Liptrot Hatton 1809-1886 was a pupil of Michael Maybrick and also studied in the academy of Mr. Molyneux. An organist by the age of 16 he acted on the Liverpool stage and later performed in London in Macready's Drury Lane production of "Othello". A man of many talents he was making a name for himself as a musician and composer at the same time directing the choruses in the English Opera series at the Theatre Royal Drury Lane and composing his own works. His fist operetta "Queen of the Thames or The Anglers" was followed by a more ambitious work "Pascal Bruno". He composed numerous songs in the style of the German classics and performed as a pianist. Hatton toured in the U.S. from 1848 to 1850 performing several public and private concerts in New York City which included some of his own works. As a composer Hatton set to music various songs to poems by Robert Herrick perhaps the most famous of which was "To Anthea". Engaged as Director of Music at the Princess's Theatre in London he composed music for "Macbeth" "Sardanapalus King of Assyria" "Henry VIII" "Faust and Marguerite" and several of Shakespeare's plays. In 1864 his third opera "Rose or Love's Ransom" likely the work to which he refers in his letter was performed at the Royal English Opera Covent Garden. August 1st, 1864. unknown
1847261299no city Mexico: Le Cie de Charencey 1847. 7p. single large leaf of semi-alkaline paperstock folded twice to make 8 panels four on a side measuring 8.5x5.5 inches. Must be unfolded to read the 7 printed print-blocks the 8th being blank. Find texts in the Spanish and the Mayan languages. Marginal toning to every page deepest to outermost slightly misfolded in the printery a very good copy: the condition is near pristine. Le Cie de Charencey unknown books
19001218AGVerlag der Dürschen Buchh., o.J. (um 1900). Stahlstich von Weger in Leipzig nach einer Photographie (Brustbild). Bildgrösse: 7 x 6 cm. Blattgrösse: 30 x 22 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
19001218AGVerlag der Dürschen Buchh., o.J. (um 1900). Stahlstich von Weger in Leipzig nach einer Photographie (Brustbild). Bildgrösse: 7 x 6 cm. Blattgrösse: 30 x 22 cm.
18501201AGO.J. (um 1850). Lithographie von Willing nach Raisky (Brustbild). Bildgrösse: 11,7 x 11 cm. Blattgrösse: 16 x 11 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18501201AGO.J. (um 1850). Lithographie von Willing nach Raisky (Brustbild). Bildgrösse: 11,7 x 11 cm. Blattgrösse: 16 x 11 cm.
18601206AGO.J. (um 1860). Kupferstich (Brustbild). Bildgrösse: 10 x 11 cm. Blattgrösse: 28,2 x 19,4 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18601206AGO.J. (um 1860). Kupferstich (Brustbild). Bildgrösse: 10 x 11 cm. Blattgrösse: 28,2 x 19,4 cm.
18801256AGNürnberg, Carl Mayer's Kunst-Anstalt, o.J. (um 1880). Stahlstich (halbe Figur, sitzend). Bildgrösse: 13,5 x 13 cm. Blattgrösse: 23,2 x 15,6 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18801256AGNürnberg, Carl Mayer's Kunst-Anstalt, o.J. (um 1880). Stahlstich (halbe Figur, sitzend). Bildgrösse: 13,5 x 13 cm. Blattgrösse: 23,2 x 15,6 cm.
1809956AGLondon, Willhelm Daniel, 1809. Kupferdruck in Kreidemanier von W(illhelm) Daniell nach Geo. Dance. Bildgrösse: 24 x 16 cm. Blattgrösse: 40 x 32 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 956AG
1809956AGLondon, Willhelm Daniel, 1809. Kupferdruck in Kreidemanier von W(illhelm) Daniell nach Geo. Dance. Bildgrösse: 24 x 16 cm. Blattgrösse: 40 x 32 cm.
18671222AGWien, F. Glöggl, o.J. (um 1867). Stahlstich (Mischtechnik). Bildgrösse: 12,5 x 12 cm. Blattgrösse: 27,5 x 19,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18671222AGWien, F. Glöggl, o.J. (um 1867). Stahlstich (Mischtechnik). Bildgrösse: 12,5 x 12 cm. Blattgrösse: 27,5 x 19,5 cm.
186960236Portland OR: Himes & Daly Printers 1869. 12mo. 4 pp. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders very faint offsetting on back from old glue mounting marks still NF copy. First edition of this exceedingly scarce original program for the eighth concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s entertainment with local Portland dentist Dr. James Henry Hatch 1839-1921 as conductor reprised the popular Civil War-era cantata The Storm King featuring words by Howard M. Ticknor and music by Benjamin Baker first performed in 1859 in Boston. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. Worldcat locates 2 copies U of O Yale; See: Belknap Oregon Imprints 1845-1870 1312. Himes & Daly, Printers, paperback
187160237Portland OR: Himes & Bachelder Steam Printers 1871. 12mo. 4 pp unpaginated. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders folded originally a little cocked still NF copy. First edition of this exceedingly scarce original program for the 11th concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s entertainment features the return of local merchant and music enthusiast James B. Wyatt as conductor while Dr. Hatch has replaced Prof. H. Guido Grob. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870 and after that point no longer appears in census records or local directories on the West Coast. No copies in Worldcat. Himes & Bachelder, Steam Printers, paperback
186432827Boston: F. A. Searle Printer 118 Washington Street 1864. VG some creasing folding and wrinkling to edges small horizontal tear to mid left edge. One broadside sheet printed recto only. 18-1/4" x 6-1/4" <br/><br/>A scarce broadside playbill from an early American production of Gounod's Faust in five acts as originally performed at Paris' Theatre Lyrique in 1859 which would later be selected as the inaugural opera performance of the New York Met in 1883. This bill advertises research suggests the same Opera Company as first brought Faust to the States initially performing it at the Philadelphia Academy of Music 1863 cf. Armstrong. RECORD Of The OPERA In PHILADELPHIA. Includes advertisement for Miss Maggie Mitchell on May 16 1864 performing Fanchon The Cricket. F. A. Searle, Printer, 118 Washington Street unknown books
186860234Portland OR: Carter Printer 1868. 12mo. 3 4-7 1 pp. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved device of piano on front cover woodcut printer’s device on back cover couple very minor spots slight shelfwear NF copy. First edition of this exceedingly scarce original program for the fifth concert organized by the nascent Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s offerings opened with the Society Anthem soprano solo duet & chorus followed by Double Quartette a piano solo by Prof. Grob solo by his daughter Miss O. Grob and violin solo as well. Wyatt 1828-1905 was an Oregon pioneer who first emigrated to the territory from Vermont in 1850 via steamship and was a longtime hardware merchant in Portland musical enthusiast and his wife Maggie Congle Wyatt 1847-1917 was a popular singer and daughter to local and successful liveryman John Congle who had brought his family over the Oregon Trail in 1847. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. No copies in Worldcat or Belknap Oregon Imprints 1845-1870. Carter, Printer, paperback
18201210AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 28,4 x 20,7 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18201214AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 30,8 x 20,6 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18201214AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 30,8 x 20,6 cm.
18201210AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 28,4 x 20,7 cm.
1853170399Madrid: Operarios 1853. Paperback. 77p. 5x7 inches text in Spanish foxing and cover soiling slim yellow acting script. Olona was a prolific popular playwright and author of zarzuelas. Operarios paperback books
18815166La Habana: La Idea 1881. La Idea unknown