907 résultats
Mm 170x240 Collana "Storia delle Arti Figurative a Faenza". Brossura originale, 364 pagine con numerose figure in nero e a colori nel testo. In appendice: "Ceramica a Faenza dall'alto Medioevo al tardo Gotico" di Carmen Ravanelli Guidotti. Indice dei nomi e bibliografia in chiusura. Condizioni del libro: nuovo-new. Spedizione in 24 ore dalla conferma dell'ordine.
COME NUOVO
36 racconti d'un maestro elementare, duodecima edizione riveduta dall'autore, marzo 1845; con molte illustrazioni. cm11x16, pagg 134; in più che buone condizioni, con qualche fioritura interna. Rilegato
Formato: 35x23 Legatura: In seta nera Orient, con plancetta a colori e cofanetto ( Black Orient silk, with tipped-in colour plate and library case) Pagine: 169 Illustrazioni: 73 illustrazioni a colori Particolari: Edizione Italiana - Carta a mano Ingres, azzurra, Cartiere Miliani di Fabriano
2012RO40045879ALTAYA. 2012. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 57 pages illustrées en couleur.. . . . Classification Dewey : 370-Education
AA.VV Idee, proposte suggerimenti per l'aggiornamento e il lavoro del maestro. , Centro di iniziativa democratica degli insegnanti 1982, Copertina flessibile cartonata leggermente brunita; pagine integre Buono (Good) . <br> <br> Copertina flessibile <br> 286<br>
Mm 240x280 Brossura editoriale con alette, 230 pagine con numerose illustrazioni in nero e a colori nel testo. Opera in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLD WIDE DELIVERY.
1 24x16,5 cm., legatura in piena tela con riproduzione in bianconero della copertina originale e titoli in oro al piatto, ripetuta all'interno, fregi e titoli in oro al dorso, pp. VIII (2), 285, numerose tavole illustrate in bianconero nel testo, testatina, in italiano, buone condizioni.
Mm 250x330 Volume realizzato dall'Editore per conto del "Consorzio fra le Banche Popolari dell'Emilia Romagna Marche" - Volume in copertina rigida con sovraccoperta, custodia protettiva editoriale, 319 pagine pagine profusamente illustrate perlopiù a colori. Condizioni del libro: nuovo. Spedizione in 24 ore dalla conferma dell'ordine.
1985Q-0690044704Crowell 1985-10-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Crowell hardcover
0780729927.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992Q-0060200561HarperCollins 1992-01-30. Library Binding. New. In shrink wrap. Looks like an interesting title! HarperCollins unknown
2000Q-0064451178HarperCollins 2000-01-26. Paperback. New. In shrink wrap. Looks like an interesting title! HarperCollins paperback
1992Q-0060200553Harpercollins Childrens Books 1992. hardcover. New. In shrink wrap. Looks like an interesting title! Harpercollins Childrens Books hardcover
brossura Il presente lavoro analizza il "Commento al Vangelo di Giovanni" di Meister Eckhart, opera che fa della radicalità speculativa entro la relazione Dio-uomo il suo principale fulcro problematico. Non dimenticando gli approdi raggiunti da Eckhart nelle altre opere, latine e tedesche, e facendo riferimento all'influsso sul pensiero di Niccolò Cusano, il testo mira a sondare la natura della divinità, l'origine dell'uomo e le modalità del rapporto tra l'ente situato e la sua prima sorgente all'interno della filosofia eckhartiana. La divinità, intesa come abisso e grazia, costituendo l'uomo secondo una dinamica di univocità dell'essere e analogia di attribuzione, crea un ente a cui è affidata la possibilità di confermare l'eccellenza della imago Dei. L'Abgeschiedenheit e la Gelassenheit rappresentano l'opera interiore in grado di conferire all'essere umano lo statuto divino, uno stato supremo dell'essere e del conoscere che può tradursi nelle opere dell'uomo e transitare lungo i sentieri della molteplicità.
16811381899Amberes Antwerp: Geronymo Verdvssen Hieronymous Verdussen 1681. Hardcover. Volume II only. Sexto 16 674 10 pages plus engraved title page 23 full-page plates and 4 double-page plates. In Good condition. Bound in mottled full brown leather with gilt ornamentation and red leather label bearing gilt titling to spine. Very slight cracking at joints. Light plus rubbing and peeling to board surfaces and bumping to board corners; one small gouge to leather on front board and several instances of insect damage on both boards. Text block shows light plus age toning and scattered foxing throughout. Moderate plus worming in some areas impacting text. Archival repairs to fore edges of several pages; several pages inconsistently trimmed. Non-archival tape repair to verso of one plate. An ex-library copy with several stamps including "Surplus Duplicate" stamp to front free endpaper. STCV ID: c:stcv:12911236. EH Consignment. Shelved Room A Oversized. 1381899. Special Collections. Geronymo Verdvssen [Hieronymous Verdussen] hardcover
19913565082Madrid.: Sede. 1991. Hardcover. Good. 23 cm. 3 v. il. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Guardados en caja. Maestro Manuel 1942-. t. 1. Barcelona cuna del seguro español -- t. 2. De los riesgos y seguros de la carrera de Indias -- t. 3. Madrid capital aseguradora de España -- 1-3 guardados en un estuche. Historia . Seguros 368460091 Sede. hardcover
23405The page 4 1/2 x 3 7/8 inches. Very Good. unknown
R7Bsmt131106004Everest. Vinyl. Very Good. LPs look good. Color of box is green side border and yellow with black writing and black back. The box is intact with wear and has an area almost completely rubbed off. Some signs of fading on the cover. Everest unknown
17466On letterhead of the Grand Hotel Eastbourne. 8 October 1925. 2pp. 4to. In good condition lightly-aged. Unsigned copy of typed letter. with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas the Referee. amended in autograph from 'the Rat' A cutting however from the Ref reached me here today containing an article of yours wherein you place me among your Hebrew musical collaborators. But I am not a Jew and after our close friendship of 35 years I thought you knew.' He appends four numbered 'Biographical Facts' including 'I went to a Protestant School and was baptized at St. John's Church Waterloo Bridge Road not far from the Old Vic' and 'My mother was born in Hereford. I have never heard of a Hereford Jewess.' The letter now takes an antisemitc turn with Finck suggesting that it was 'my nose that has deceived you all this time! But Jimmy Glover has a nose three times the size of mine. Must he be a Jew And after all Arthur Collins is only half a mo!' He does not ask for a disclaimer but to be flung 'back among the Christians' adding 'Seriously I wish I were a Jew. I would by now be a rich man.' He ends by suggesting that Newton get 'Bernard Marks to translate this back into my supposed tongue'. In a postscript he tells a story 'apropos St John's Church' his father and violin lessons. On letterhead of the Grand Hotel, Eastbourne. 8 October 1925. unknown
19689London and Eastbourne: between 1918 and 1937. Finck was a well-respected and much-loved figure on the London musical and theatrical scene. His 'In the Shadows' was among the last tunes played as RMS Titanic went down. This miscellaneous collection of nine items in fair overall condition on lightly aged and worn paper. ONE: Autograph Manuscript by Finck contained names and outlines of anecdotes for inclusion in his memoirs. 2pp. 12mo. On letterhead of 212 Finchley Road London. As an example here is the text at the foot of one page: 'Include A. C. M. Club in Club stories. R. A. Roberts – Colisseum “By God! I'll ride to York.†Ralph Reader “Have you ever written a Ballet – about 50.†“Have you ever arranged one.â€' TWO: Autograph Card Signed 'Paps' from Finck to his wife Mabel 'Darling Mams'. On letterhead of the Grand Hotel Eastbourne; 27 December 1918. A high-spirited missive beginning: 'I hope you all arrived safely & lost neither the bags or dogs.' On the address side Finck writes: 'I sent the wires I had a share I'm sending parcel to <Brennan>. I tipped the Chambermaid. I cannot get Laundry done. I've been for a week I had a rotten lunch. I'm having tea I bid you adieu.' THREE: Typed contract between Finck and the London publishers Hutchinson & Co. for a book to be titled 'In the Chair'. 19 October 1937. Signed by the firm's chairman Walter Hutchinson 1887-1950 and witnessed by 'W. T. Kimber' who was to go on and found his own firm. Possibly an intended follow-up to Finck's 'My Melodious Memories' which the firm published in 1937. FOUR: Typed Letter Signed from <James Baine> of London literary agents Curtis Brown Ltd. 20 October 1937. Regarding Item One which has been 'duly stamped at Somerset House'. FIVE and SIX: Manuscript Letter addressed to 'Dear George' the author's initials as signature being indecipherable. On letterhead of the Savage Club London. 6 December 1920. Thanking him for the 'generous cheque': 'but for those damned Cassells I would not have taken a penny'. Enclosing a Barclays Bank cheque for four guineas to 'Dr. Conran' signed by Finck 29 October 1927. Endorsed on reverse: 'p.p. P. C. Conran F. E. Munt'. SEVEN: Photographic image of Elizabethan gentleman on which is written by one of Finck's daughters the heading 'My 21st. Birthday April 17th. 1926.' Written over the image are various signatures in pencil including that of Finck. EIGHT: Typed carbon copy of letter from Finck to Sir Landon Ronald at the Guildhall School of Music. 19 May 1924. Accepting 'the Diploma of Fellowship of the Guildhall School of Music which the Music Committee of the Corporation of the City of London have so graciously offered to me.' NINE: Typed note: 'Mr. Herman Finck is of the opinion that there is something very illogical in the demand for a tax on his income from a Government which by rendering through noise his house useless for a composer to work in makes the earning of that income impossible.' On reverse in pencil: 'Book Mams “You've done a job of work in your time!â€' London and Eastbourne: between 1918 and 1937. unknown
19680On letterhead of The Palace Theatre Limited Shaftesbury Avenue London. 15 January 1912. 1p. 4to. On aged and worn paper. Reads:'To The Gentlemen of the Orchestra Commencing with February 17 '12 the system of sending deputies will be entirely abolished in this orchestra. To those members who are not desirous of continuing their engagement under this new rule I would ask that they gave their names to Mr Honrig before friday evening next in order that they may receive notice of the termination of their engagement four weeks from that date - 19th inst: Herman Finck Musical director'. Finck's 'In the Shadows' was one of the last tunes played as the Titanic went down. On letterhead of The Palace Theatre Limited, Shaftesbury Avenue, London. 15 January 1912. unknown
206548 Haycroft Road Brixton Hill London . 30 April 1899. 3pp. 12mo. In poor condition aged and worn with the two leaves of the bifolium separated. The letter begins: 'My dear J. McG. Pardon me but M. Delormel did not write “The Boulanger†March “En Revenat de la revue†nor did he write “Père la Victoire†but I dont say he didn't publish them.' Finck attributes the first to 'M. Desormes the Conductor of the Folies Bergere Paris up to the time of his death about a year ago' and the second to 'Louis Ganne who composed “Lorraine†March also that hackneyed Mazurka the name of which I forget for the moment which goes like this: - Finck has written a line of musical score here'. In a postscript he states that 'The “Star†scintillator also erred thusly in the work that has gone.' The third page carries a humorous remark attributed by Finck to Cuvier regarding 'the supposed definition of a lobster'. An extremely popular figure in London theatrical and musical circles Finck was the musical director of the Palace Theatre in Shaftesbury Avenue. His 'In the Shadows' was one of the last tunes played as RMS Titanic went down. 8 Haycroft Road, Brixton Hill [ London ]. 30 April 1899. unknown
No marks or inscriptions. No creasing to covers, very faint crease to spine. A very clean very tight copy with bright unmarked boards, yellowing to page edges and no bumping to corners. 282pp.
1884200708003The Georgia Festival Chorus. Audio CD. New. Brand-new unused unopened in perfect condition. The Georgia Festival Chorus unknown
