907 résultats
19952020161121011Warner Classics 1995-11-21. Audio CD. Like New. CD plays perfectly & the case looks good. Warner Classics unknown
2004Q-0590461516Scholastic Inc 2004-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Scholastic Inc paperback
1994Q-0590461508Scholastic 1994-11-01. Library Binding. New. In shrink wrap. Looks like an interesting title! Scholastic unknown
Mm 250x300 Volume cartonato, custodia editoriale protettiva muta, 144 pagine profusamente illustrate in nero e a colori. Indice diei nomi e bibliografia in chiusura. Opera in condizioni di nuovo-new. Spedizione in 24 ore dalla conferma dell'ordine.
1995043221Philips 1995-09-19. audioCD. New. 5x5x1. New CD set. In original shrink wrap. Bela Bartok 1881-1945. 4 CDs. Featuring Zoltan Kocsis piano on the first 3 CDs. Ivan Fischer on 4th CD. Philips unknown
1990Box23-01-07-25-003POLYGRAM CLASSICS 1990-10-25. audioCD. Good. 5x5x1. Disks in good condition.Ships same day in most cases!The image in this listing is stock photo for reference. Actual item may differ. Any queries just ask for photos. Your satisfaction matters!Textbooks may not include supplemental items i.e. CDs access codes etc. POLYGRAM CLASSICS unknown
1990200-04100Newport Classics 1990. audioCD. Good. Good condition CD with case and notes. Looks like an interesting title. Newport Classics unknown
a94679New York 1944. First edition. Souvenir program. 4to. color cover. Many bw photo illus and a few in color . About 50pg. VG light wear. no owner marks. . unknown
MUSI0155o.J. 297 S., mit 6 Abb., flex. OKart., nur geringe Gebrauchsspuren. In Englisch.
c14528HARMONIA MUNDI USA. audioCD. New. 5x4x0. Brand New factory sealed in original shrink wrap. HARMONIA MUNDI USA unknown
199658029Teldec 1996-04-09. Audio CD. Like New. Shrink wrap away from new in original packaging. Please email for photos. Teldec unknown
19902561191026058Philips 1990-10-25. Audio CD. Like New. CD plays perfectly & the case looks good. Philips unknown
1994ZCD-1Teldec 1994-12-20. Audio CD. Very Good. Very nice shape 60 discs and book box in good shape no damage. Sent insured with signature confirmation. Teldec unknown
132172Audio CD. Condition: Very Good. Archiv 2010. 22 discs. Disc Quality: Excellent. Size: 5.2 x 4.9 x 2.2. Music CD CD43 unknown
19952209180421061Sony 1995-06-27. Audio CD. Like New. CD plays perfectly & the case looks good. Sony unknown
128875Audio CD. Condition: Very Good. Archiv 1993. 5 discs. Disc Quality: Excellent. Size: 5.5 x 5 x 0.5. Music CD CD19 unknown
19952502060012Sony Classical 1995-10-17. audioCD. Like New. 5x0x5. Cd is in excellent shape Sony Classical unknown
2002250902021Deutsche Grammophon 2002-10-08. Audio CD. Used: Very Good. 5x0x4. Very good condition. From a private collection. Comes from non smoking home. Deutsche Grammophon unknown
1950B12NS1226Eulenburg Leipzig No Date c. 1950s. Reprint. SOFTCOVER. Octavo size 8vo in paper wrappers 36pp miniature score. Braithwaite This copy signed by Braithwaite on the front cover __CONDITION : VERY GOOD covers dusty small nick to bottom edge of spine small original booksellers stamp to front cover. . __We always ship in PROTECTIVE CARD PARCELS Eulenburg, Leipzig paperback
RO50041638HEUGEL & Cie.. Non daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 2 pages de partitions. Tampon de Palace- Chansons.. . . . Classification Dewey : 780.26-Partitions
1963333931963. unknown
1971254891971. 1971. Very good. - 6 bars of "String Quartet in D" penned on a 12-1/2 inch high by 9-1/4 inch wide sheet of ruled music paper inscribed and signed below the music: "For . / With the best wishes of the composer / Richard Bales / 7/26/71". The top corners of the music paper are lightly creased. The sheet has been folded twice for mailing & there is slight creasing to & 2 tiny chips out of the margins at the folds. Very good. 1971. unknown
1902100898<p>Boston Massachusetts May 1 1902. 1902. Fine. - Three lines of music penned on a 5-7/8 inch high by 7-7/8 inch wide watermarked paper. Identified in an unknown and as "Birds of a Feather" at bottom left of the page with the words and date "Modella 1882" penned by Bimboni at top right. The composer has signed and dated the quotation under the last line of music "Oreste Bimboni / Boston Hall / 1 May 1902". Near fine.</p><p>A RARE autograph.</p><p>The conductor and opera composer Oreste Bimboni 1846-1905 was with his nephew Alberto part of a long legacy of Florentine musicians. Both spent an extensive time abroad especially in the United States. As an opera conductor in Florence Oreste worked with some of the most significant singers of his time such as Adelina Patti and Emma Calve. He is first recorded as arriving in the United States in 1896. He moved to California in 1898 where he conducted opera. He moved back to the United States in 1902 after spending some time in Florence and taught at the New England Conservatory for three years before moving back to Europe.</p> Boston, Massachusetts, May 1, 1902.
12208Dated "Dimanche" no year. Three pages 8vo browned paper fragile slightly chipped small closed tears on folds. Levy was the patron of St Saens during his exile in London in 1871. In 1872 Saint Saens composed Menuet en Valse op. 56 which he dedicated to Felix's wife Sarah Levy. The letter reads: "Sunday My good friend A thousand pardons for not having written to you sooner. I have started to work again and this makes me the most unreliable correspondent in the world. We will not come for dinner. I had to make a choice not wanting on the one hand to leave my mother when I am in Paris and fearing on the other that she will have a lapse in her diet and that it would happen too often. But J will certainly come to see you and when the weather is nice both of us will come. I went to lunch at Rueil this morning and I regretted not seeing you there. Madame Encort once again charmed me with her voice and her talent. All my best regards to Madame Levy and with my very best wishes to you C. Saint-Saens" "Dimanche Mon bon ami Mille fois pardon de ne pas avoir vous repondu plus tot. Je me suis remis a travailler ce qui me rend le correspondant le plus irregulier du monde. Nous n'irons pas diner chez vous. J'ai du prendre une parti general ne voulant pas d'un part laisser ma mere quand je suis a Paris et craignant d'autre part pour elle des ecarts de regime qu lei reproduiraient trop souvent. Mais j'irai certainement vous voir le soir et s'il fait beau nous irons tous les deux. Je suis alle dejeuner a Rueil ce matin et j'ai bien regrette de ne pas vous y voir. Madame Encort m'a de nouveau tout a fait charme avec sa voix et son talent. Tous mes respects a Madame Levy et avec mes meilleurs amities pour vous C. Saint-Saens". Dated "Dimanche", no year. unknown
186633982Eccleston St. S.W. London March 13th 1866. 1866. Good. - Over 39 words penned on a 7 inch high by 4-3/8 inch wide sheet of buff paper with an attached blank leaf. Michael Costa writes to arrange a meeting with the recipient: "On Thursday I am engaged in the morning but if you can come in the afternoon at 1/2 past three o'clock." He then closes with "Hoping your cold is better believe me truly yours" signed "M. Costa". Folded twice horizontally for mailing the letter is slightly soiled. Remnants of gray paper adhering to the right edge of the verso of the blank page would suggest that the letter was once mounted in an album. Good. <p>The Italian-born conductor and composer Michael Costa 1808-1884 studied in Naples with his father at the Real Collegia di Musica and later with Niccolo Antonio Zingarelli. Although most of his works disappeared into obscurity he composed a significant number of operas symphonies and cantatas. After a visit to Birmingham he settled in England. In 1830 working as a conductor at His Majesty's Theatre Costa was able to influence many changes there and subsequently at Covent Garden. He was admired by Meyerbeer and Verdi. Having conducted several orchestras he took on English citizenship and was subsequently knighted in 1869. Among those compositions which survived are his ballets "Kenilworth" "Une Heure a Naples" "Sir Huon" and "Alma". His operas "Malek Adhel" and "Don Carlos" were produced in Paris and London. Eccleston St. S.W. [London], March 13th, 1866. unknown