- Poulenc Francis - de Vilmorin LouiseLivre Rare Book
184 résultats
194030660Rouart,Lerolle 1940
19455470Eschig Max 1945
195333827Paris: Salabert PN R.L. 11708 & Cie. 1953. Folio. Original publisher's dark ivory printed wrappers with titling within ruled borders to upper publisher's catalogue "Oeuvres de Francis Poulenc" to verso of lower. 1f. recto title verso blank 68 pp.<br/><br/>Wrappers slightly worn; corners slightly creased; small date stamp to upper; very small stain to lower. Slightly browned. Second reissue of the edition published by Rouart Lerolle & Cie. ©1929. Schmidt FP49 p. 153.<br/><br/>"Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. Salabert [PN R.L. 11708 & Cie.] unknown books
191933828London: J. & W. Chester PN J.W.C. 050 1919. Folio. Original publisher's light brown printed wrappers; publisher's catalogue to verso of lower. i title 2-8 pp.<br/><br/>Wrappers somewhat browned and partially split; outer corners chipped with minor loss; previous owner's name in manuscript to upper "Richard J. MacKenzie . 1937"; small price stamp to outer corner. Slightly worn; light internal browning First Edition. Schmidt FP14 p. 33. <br/><br/>"Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. J. & W. Chester [PN J.W.C. 050] unknown books
191933828London: J. & W. Chester PN J.W.C. 050 1919. Folio. Original publisher's light brown printed wrappers; publisher's catalogue to verso of lower. i title 2-8 pp.<br /> <br /> Wrappers somewhat browned and partially split; outer corners chipped with minor loss; previous owner's name in manuscript to upper "Richard J. MacKenzie . 1937"; small price stamp to outer corner. Slightly worn; light internal browning First Edition. Schmidt FP14 p. 33. <br /> <br /> "Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. J. & W. Chester [PN J.W.C. 050] unknown
385420/02/1962 ...Si je ne tai pas crit cest que depuis fin janvier jai eu une nvrite au bras droit. Par miracle jai pu faire ma tourne avec Duval [la cantatrice Denise Duval] mais je suis toujours contract pour crire Entendu les 6 et 13... Il prcise quil sera de retour le ...27. Tlphone. Je suis fin prt pour Proko [Serge Prokofiev] et Igor [Stravinsky] ... Il ajoute : ...Duval a un succs fou ici...Le charme, la prestance et les qualits de comdienne de la jeune soprano DENISE DUVAL (ne en 1921), qui avait fait ses dbuts dans le rle de Madame Butterfly lOpra-Comique, exercrent tout de suite une fascination sur Francis Poulenc. De cette rencontre natra une amiti, une complicit qui se poursuivront jusqu' la mort du compositeur en janvier 1963. Poulenc composa pour elle en 1960 le cycle de mlodies La Courte Paille, sur des pomes de Maurice Carme. Elle cra les rles fminins de Thrse dans Les Mamelles de Tirsias en 1947, Blanche de la Force dans Dialogues des carmlites en 1957, la Femme dans La Voix humaine en 1958 et La Dame de Monte-Carlo en 1961.
5506Poulenc donne son accord, ...Tout fait entendu pour le 16 ou 17 Janvier. On rptera aprs le jour de lan. Mille bons souvenirs partager avec Antoine...
4566Poulenc recommande des adresses son ami Monsieur Gnst :& Vous pouvez crire de ma part Mr Beydts 14 rue de Bucarest je sais aussi quAuric va avoir plusieurs films 90 fg St Honor crivez lui allez aussi voir de ma part Mr Lacan ( ?) service des films 22 rue Chauchat. En esprant quau moins une de ces adresses sera bonne& N Paris dans une famille dindustriels aiss, Francis Poulenc suit trs tt des cours de piano avec le virtuose Ricardo Vins qui lui fera rencontrer Albeniz, Debussy et Ravel. De 1921 1925, Poulenc tudie la composition avec Charles Koechlin, un lve de Faur. Il reste nanmoins une sorte dautodidacte : Mon canon, cest linstinct , dit-il un jour. La premire de son ballet Les Biches, donn par les Ballets russes de Serge de Diaghilev, dans des dcors et des costumes de Marie Laurencin, a lieu en janvier 1924. Quelques annes plus tt, il avait t introduit (en 1920) dans le clbre GROUPE DES SIX sous limpulsion de Cocteau et dErik Satie, et aux cts de Darius Milhaud (un grand ami de Cocteau et de Radiguet) et de Georges Auric.
193680307Arrault & Cie | Tours 1936 | 12 x 19 cm | broché
193680307Tours: Arrault & Cie 1936. Fine. Arrault & Cie Tours 1936 12 x 19 cm broché First edition one of 50 numbered copies on vellum the only deluxe copies. Some foxing affecting mainly the endpapers. Preface by Francis Poulenc iconography. Autograph inscription dated December 1936 and signed by Marthe de Kerrieu to a couple of friends presenting her wishes and wishing them happy holidays for the end of year enhanced with the signature of Francis Poulenc. Arrault & Cie hardcover
0234772514.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1978201London: Dobson Books Ltd / Dennis Dobson 1978. First Edition. Hard Cover. Very Good/Very Good. Hardcover/ DJ has UK price 4.95 Pounds; both VG condition. Stated First Edition ""First Published in Great Britain in 1978"" 1st printing- no note of further ones. DJ is bright & glossy w/ light rubbing 2"" tear incorporating 1""triangular chip at top of back panel. Blue board binding is tight square & clean w/ v. narrow strip of partial sunfade along top edge. All gold spine lettering crisp & intact. Owner last name & short inscription on 1st blank page. Text is tight bright clean unmarked. NO remainder mark NOT ex library. Handsome well preserved copy- both DJ & book display very well. Dobson Books Ltd / Dennis Dobson hardcover
19534793Presses Universitaires de France 1953 180 pages in8. 1953. broché. 180 pages. Ouvrage de Boris Schloezer analysant la musique russe probablement sous ses dimensions historiques esthétiques et culturelles publié dans une collection universitaire française
19571021271957 N° 41, Août 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 47 p. - Sommaire en image
19631021981963 N° 109, Avril 1963 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 59 p. - Sommaire en image
1992Q-0711923639Chester Music 1992-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Chester Music paperback
1992DADAX0711923639Chester Music 1992-01-01. paperback. New. 9.00x0.06x12.00. Buy with confidence. Excellent Customer Service & Return policy. Chester Music paperback
75126Editions Salabert R.L. 11991 2011, fascicule de 28 pages - très bon état
1948RO50017546Editions Salabert. 1948. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 7 pages.. . . . Classification Dewey : 780.26-Partitions
192786751S. n. | Paris s. d. [ca 1927] | 12.50 x 20 cm | 1 page
192786751Paris: S. n. 1927. Fine. S. n. Paris s. d. ca 1927 12.50 x 20 cm 1 page Autograph letter signed by Francis Poulenc 15 lines in blue ink. Postal creases inherent to mailing two perforations in the left margin of the letter not touching the text. The composer has just changed address and is experiencing problems with his mail distribution: ""I take the liberty of informing you that I receive foreign newspaper clippings rather poorly; I would therefore be grateful if you would pay attention to this in the future. S. n. unknown
ROD0007582Non Renseigné. Non daté. In-8. Cartonnage d'éditeurs. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 992 pp., figures noir et blanc dans le texte, coins frottés - 1 PHOTO DISPONIBLE.. . . . Classification Dewey : 540-Chimie et sciences connexes
19849287Éditions d'Art Sefer, 1984. 2 volumes 227 x 170 mm, vol. 1 : (3) ff. blancs, 185-(5) pp., (2) ff., 1 planche double, 10 planches d'ill. + titre illustré en couleurs par Dominique Pardigon, (13) ff. : suite en Violet de Parme des illustrations in-texte, des 12 planches illustrations (dont la double planche), (2) ff. blancs + vol. 2 : (3) ff. blancs, 193-( 11) pp., (1) f., 11 pl. d'ill. couleurs dont le titre illustré, suite de 11 ill. en Violet de Parme, pour chaque volume : cadre d'enluminure à chaque page et des in-texte et culs-de-lampe en début et fin de volume. joint : (2) ff. : "Certificat d'Authenticité". Reliure d'éditeur basane, décor à froid et doré aux dos et plats, étuis, tranche sup. dorée, dos légèrement éclaircis, très bel état. Illustrations couleurs hors-texte selon les procédés de sérigraphie et d'aquarelle au pochoir. Reliure semi-artisanale, les éléments du décor sont obtenus au balancier par des repoussés en à froid agrémentés de dorure. Certificat d'authenticité, exemplaire N° 327, 1 des 200 exemplaires comprenant une suite du trait des illustrations hors-texte en violet de Parme, notre exemplaire ne comporte pas la planche hors-texte en couleurs encadrée et 1 illustration originale en couleurs annoncées dans le justificatif de tirage, tirage à 1300 ex. numérotés sur papier vélin à la cuve.
198465665Monte-Carlo / Nice, Edition d'Art Sefer. Edition Précieuse de Bibliophilie, 1984, in-4, pleine reliure éditeur, richement décorée en creux et à l'or, Tête dorée. Un des 200 ex. comprenant une illustration originale en couleurs et une planche hors-texte en couleurs, sur un tirage total de 1300 ex. Hormis une légère insolation au dos, ensemble en parfait état.
8990Paris, Charles Mendel Editeur, s.d. (vers 1900?) in 12 broché de 159 pages plus cahier de publicité
