87 résultats
190023389London: Novello Ewer and Co 1900. Cloth. Near Fine. 2 v 162 2 ads pages. 8vo. Publisher's original pebbled cloth with copper/gilt title on front cover spine blank. Signature of Julia Houston West and her address on front pastedown. Stamp of Carl Profer on title page and note written at top "J.H.W. sang the Part of the Piri - first time given in Boston by the Parker Club at Chickering Hall". Otherwise clean internally. Binding sound. Cloth. The copy of Julia Houston West called by the The New England Magazine Volume 32 Boston's greatest oratorio singer. The Parker Club was an amateur vocalist association established by James Cutler Dunn Parker in 1864. Parker was also the organist for the Boston Handel and Haydn Society hymntime dot com. A brochure for the Handel and Haydn Society season of 1898/99 for the Paradise and the Peri laid in although not apparently Julia West's performance. Novello, Ewer and Co unknown
190023390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found “antique†music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston’s first performance of his Requiem in 1892. It premiered Beethoven’s Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown
19001BislCg0028London & New York: Novello & Company Ltd./Novello Ewer & Co. 1900. Book. Good. Decorative Hardcover Cloth. Novello's Original Octavo Edition. 8vo or 8° Medium Octavo: between 6" - 9" tall . 162 v pp. A rare hard-to-find out-of-print collectible gem! A great copy! Well bound copy with extensive wear and use. Copy with clean text and moderate browning/tanning/foxing on page edges not affecting text. Cover boards moderately detached from the spine and re-taped with adhesive tape. No publishing year given. Publishing year gleaned from other sources therefore it is an approximation. No dust jacket. Novello & Company Ltd./Novello, Ewer & Co. Hardcover
1887177309Leipzig: Verl. v. Abel & Müller/ Verl. v. Carl Reißner 1887. Hardcover. VG_ overall wear to boards spine is only attached to one side inscription in ink on ffep light foxing throughout age toning to pages as expected with age of book but text and illustrations are otherwise clear. Brown boards with 3/4 black cloth black spine with gilt ruling/design and gilt lettering. Three books bound in one. First book is 69 pp with bw illustrations throughout. Second book is 96 pp with bw illustrations. throughout. Third book is 86 pp with bw illustrations throughout. Text for all three books is in German. Contains three books by Gustav Schumann bound together. The first book is illustrated by O. Carelli. The second and third are illustrated by Otto Gerlach. Verl. v. Abel & Müller/ Verl. v. Carl Reißner hardcover
1890038425London: Various Heugel Joseph Williams Hopwood & Crew Edwin Ashdown and others 1890. Book. Very Good. Hardcover. Original. Folio. over 12 scores privately bound from various publishers two with colour lithographic title pages a mix of piano scores some with vocals. Bound in green cloth covered boards with fine gilt to the spine some light wear and marking to boards. Contents clean and tight a couple of inscriptions dated 1890 and 1892 owner's name Dennis Turner in ink a few discrete stamps of music circulation companies such as Mills no other marks. A very good copy. An interesting collection of piano pieces. . Various Heugel, Joseph Williams, Hopwood & Crew, Edwin Ashdown and others Hardcover
184339396Leipzig: Breitkopf & Härtel PN 6899 1843. Folio. Sewn. 1f. recto lithographic title with decorative border printed in purple verso:blank 3-31 i blank pp. String parts in plain paper wrappers with manuscript titling to uppers. 10 10 10 10 pp. each with early owner's signature of "J. Henrigues." Engraved throughout.<br /> <br /> Publisher's small circular stamp to lower margin of title.<br /> <br /> Some wear and minor marginal staining; soiling creasing and minor fraying to lower outer corners of piano part; one corner with old paper repair. First Edition probable later issue. Scarce. Hofmann pp. 102-03. McCorkle p. 194. Hoboken 15 84. <br /> <br /> The Piano Quintet ". remains one of Schumann's most enduringly popular compositions. . It was hailed in Berlin where Clara appeared during the 1846-1847 season of the Singakademie as 'one of the most important works of its kind since Beethoven." Daverio: Robert Schumann. Herald of a "New Poetic Age" p. 256. Breitkopf & Härtel [PN 6899 ] unknown
189041110Leipzig: C. F. Peters PN 7018 1890. i series title within ornate architectural border printed in sepia 2-51 Symphony I Op. 38 52-107 Symphony II Op. 61 108-151 Symphony III Op. 97 152-189 Symphony IV op. 120 i thematic index pp. <br /> <br /> Bound with: <br /> Robert Schumann's Sämmtliche Werke. Quintett Op. 44 für Pianoforte zu 4 Händen arrangirt von Theodor Kirchner. Leipzig: C. F. Peters PN 7020 ca. 1890. i series title 2-45 i blank pp. <br /> <br /> With "J. Villant" in manuscript to upper outer corners of several leaves. Occasional annotations in pencil.<br /> <br /> Oblong folio. Half dark brown mottled calf with marbled boards spine in compartments gilt with titling gilt marbled endpapers.<br /> <br /> Binding slightly worn; head of spine chipped. Occasional small stains; some minor soiling to blank margins. "While best remembered for his piano music and songs and some of his symphonic and chamber works Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well. His dual interest in music and literature led him to develop a historically informed music criticism and a compositional style deeply indebted to literary models. A leading exponent of musical Romanticism he had a powerful impact on succeeding generations of European composers." John Daverio and Eric Sams in Grove Music Online. C. F. Peters [PN 7018] unknown
189052520Leipzig, Adolf Titze, o. J. (um 1890). 4°. Mit illustr. Vignetten bzw. Bordüren sowie 6 mont. Tafeln. 2 Bll., 80 S., Illustr.-OLwd.
18809445Bonn: Strauß 1880. 3., wesentlich vermehrte Auflage. Mit einer Porträtradierung, XVI,447 S., 8°, altes marmor. HLn. mit Rückengoldtitel
188718618ALeipzig, Breitkopf und Härtel, 1887. Ca. 22 x 15,5 cm. Porträtfrontispiz, XVI Seiten, 447 (1) Seiten. Halbleinenband der Zeit mit goldgeprägtem Rückentitel.
186517728ABerlin, Verlag von I. Guttentag, 1865. Ca. 21 x 14 cm. VI (1) Seiten, 240 Seiten. Halbleinenband der Zeit.
187929319ABerlin, Verlag von I. Guttentag (D. Collin), 1879. Ca. 21 x 14 cm. Frontispizporträt, VI (1) Seiten, 248 Seiten, mit Notenbeispielen. Dunkelblauer Original-Leinenband. Dritte, wesentlich vermehrte Auflage.
18717077BBBerlin, Guttentag, 1871. 8°. TPortrait, VII, 240 S. HLdr. der Zeit., 1Schumann - Reißmann, Robert Schumann Zweite, verbesserte Auflage
187120802Berlin, Guttentag 1871. 1871. 1 Stahlstichporträt, VI,240 S. mit zahlreichen Notenbeispielen, Oln.
1878C46059New York: Edward Schuberth & Co. 1878. Paperback . Very Good. Wraps somewhat worn and creased otherwise very good. Edward Schuberth & Co., paperback
1878C39195London 1878. First Edition. Wraps. Covers slightly worn with slight edge-chips and splitting at spine ends contents slightly foxed otherwise near very good. 8vo. pp 12. Pamphlet. paperback
19001150221.16C. F. Peters Leipzig No date: ca. 1900. Originalausgabe hohe Stimme. Hardcover. Fair. 4to hardcover no dj's. Complete 3-volume set bound in red quarter leather leather corners marbled paper-covered boards & endpapers spines in 6 compartments with 5 raised bands; top edge gilt. Fair condition. Volume 1's text-block detached from boards - boards themselves fully attached to spine so that spine/covers form a folder holding the text-block itself - with first 3 leaves front endpaper though frontis. portrait of Schumann loose laid in; text-block itself firmly bound no loose pages within. Both Volume 2 and Volume 3 front hinge split from front text-block edge - front board itself fully attached to spine leather. All volumes contents clean no foxing or smudging bindings firm. Boards of each volume moderately edge-rubbed corners rubbed through 2-inch tear to lower spine leather of Volume 1. 196 pp. & 215 pp. & 215 pp. appendices. C. F. Peters, Leipzig hardcover
190033green cloth wear at bindings front and rear covers. two previous owners name front fly leaf no other writing clean index of songs gold gilt lettering<br /> c.f.peters
1849583030Boston: Geo. P. Reed & Co 1849. Softcover. Very Good. Unknown edition. Folio. Text in English and in German. Single bifolium making four pages. Notched and worn along the fold with several holes from once being bound within an album foxing and offsetting throughout still a very good and complete copy. For voice and piano. Plate imprint 2045. The lyrics to this song are from a poem by the German poet Robert Reineck who is not credited in the piece nor is a translator credited for the English lyrics. Unrecorded by OCLC and it appears to be equally scarce in the trade. Geo. P. Reed & Co unknown
