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0428837743.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Mm 130x195 Brossura editoriale di pagine 464, piatti brunitim cartew ingiallite. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
200523796New York City NY: Harpercollins Publishers 2005. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. New York City NY: Harpercollins Publishers 2005. Hardcover. Fine/Fine. First Edition/First Printing. 244 pages. The author's concise biography on subject. One of the best books on Ludwig Van Beethoven ever written in and for our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and as part of the indispensable "Eminent Lives" Series. The First Edition is now scarce. Presents Edmund Morris' "Beethoven: The Universal Composer". That is the very first composer in the history of Western civilization to compose with all of Mankind with all of his fellow human beings in mind. For layman and professional musician alike this is one of the most engaging moving and simply brilliant books ever written on its monumental subject - and succinctly at that not a word wasted. "Above all a study of genius in action of one of the few giants of Western culture" Publisher's blurb. "His book is a perfect marriage - or should one say duet - of subject and author every word as masterly as the notes of the artist it illuminates" Christopher Buckley. "This is not just criticism but poetry in itself with the additional and inestimable merit of being true" Washington Post. An absolute "must-have" title for Ludwig Van Beethoven and Edmund Morris collectors. This copy is very prominently and beautifully signed dated in the month and year of publication and inscribed in black ink-pen on the title page by the author: "With best wishes Edmund Morris. Oct. 2005". It is signed directly on the page itself not on a tipped-in page. The recipient who is named is personally known to the author and cannot be named here. This copy comes with a lovely 4 X 6 inch Bookplate that is neatly pasted on the front free endpaper also very boldly and beautifully signed in black pen-marker by Jonas Kauffmann the greatest tenor of our time and a Beethoven specialist. This title is a contemporary classic. This is the only such signed publication-month dated and inscribed copy with Signed Bookplate of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have serious flaws because they were avidly read or are in multiple subsequent printings. This is surely an accessible and lovely alternative. A rare double-signed copy thus. One of the finest writers of our time on the second greatest composer of all time. A fine copy. . ISBN 0060759747. Harpercollins Publishers hardcover
200454210Animato, 2004. ACD6086 CD Digipak
In-8, brossura, pp. 201. In buono stato (good copy).
190765697[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765694[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765692[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765691[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765699[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765693[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765698[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765696[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765695[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190761279[Wien, Wiener Werkstätte, 1907]. 4°. Mit einem Holzschnitt-Titel u. 11 Orig.-Farbholzschnitten auf Japanbütten (alles unter Passepartout). Lose in Orig.-Kassette m. Tunkpapierbezug, goldgepr. Deckelvignette u. Kantenvergoldung (Innendeckel m. dem goldgepr. Stempel der Wiener Werkstätte sowie den goldgepr. Monogrammen von Josef Hoffmann [Entwurf] u. des Buchbinders C. Beitel).
150 S. 4°. Ecken bestossen. Umschlag fleckig.
a64663Leipzic c. 1820. Breitkopf & Hartel. Piano music score. Oblong 4to. 41pp. wraps. Good moderately foxed. Scarce. paperback
195819484Bonn, Henle, 1958. Gr. 8°, 79 Seiten. mit 88 Notenbeispielen. Orig.Karton.
2nd impression. VG paperback. Cover spine frayed at the top edge. (The musical pilgrim). 9105. eng
156 S. Pp.
197 S. + Abb. auf Tafeln. Pp.
195419407Bonn, Beethovenhaus, 1954. Gr. 8°, Seiten 80-102 mit vielen Notenbeispielen. Orig.Karton.
