3 097 résultats
R130001463DEUTSCH GRAMMOPHON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Photo de VERSAILLES la nuit sur la couverture.. . . . Classification : 410-33 Tours
R130004295ERATO. non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs.. . . . Classification : 410-33 Tours
R130011929CBS. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Petite musique de nuit, Ouvertures: La Flûte Enchantée, Les Noces de Figaro, L'Enlèvement au Sérail. Ouvertures: Fidelio, Egmont.. . . . Classification : 410-33 Tours
R130009816CBS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre de Philadelphie, direction: EUGENE ORMANDY. Biographie de NADRE BOUCOURECHLIEV à l'intèrieur de la pochette. Au piano: RUDOLF SERKIN.. . . . Classification : 410-33 Tours
R130006423PATHE MARCONI. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en coueleurs, orchestre symphonique de Londres, direction SIR MALCOLM SARGENT. R. C. A. VICTOR symphony orchestra, direction: WILLIAN STEINBERG. Biographie de HENRY-JACQUES dérrière la pochette et discographie.. . . . Classification : 410-33 Tours
R130006441ODEON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, orchestre de chambre des concerts PASDELOUP, orchestre national de la RADIODIFFUSION française, associations des concerts PASDELOUP, Direction: EDOUARD LINDENBERG.. . . . Classification : 410-33 Tours
R130000243CBS RECORDS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs.. . . . Classification : 410-33 Tours
RO50045049ENOCH PERE ET FILS.. NON DATE. In-8. Relié. Etat d'usage, Couv. défraîchie, Dos frotté, Rousseurs. En 4 paginations : 96 pages de partitions + 80 pages de partitions + 80 pages de partitions + 128 pages de partitions. Tampon sur les 4 pages de titres. Titre et compositeurs dorés au dos de l'ouvrage avec 5 nerfs.. . . . Classification Dewey : 780.26-Partitions
200617701E2006. Original movie prop book used in the making of the film Copying Beethoven directed by Agnieszka Holland starring Ed Harris as German composer Ludwig van Beethoven Diane Kruger as his fictionalized copyist and muse Anna Holtz Joe Anderson Ralph Riach and Matthew Goode. The book is a beautifully bound oblong composition book 13†x 9 1/2†with dark green cloth at the spine and corners and marbled paper at the boards and endpapers of the score for Beethoven’s ‘Ninth Symphony.’ which is one of the two score books used by Ed Harris and Diane Kruger when she helped Harris conduct the world premiere of the 9th Symphony. The first page has a printed inscription from Beethoven to Anna: “My Dear Anna You are the angel of my soul. The only hand I trust to bear it across the tides of time.†Near fine copy.Enclosed in a morocco and cloth custom box. With a DVD of the film. hardcover books
Mm 130x195 Brossura editoriale di pagine 464, piatti brunitim cartew ingiallite. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
200523796New York City NY: Harpercollins Publishers 2005. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. New York City NY: Harpercollins Publishers 2005. Hardcover. Fine/Fine. First Edition/First Printing. 244 pages. The author's concise biography on subject. One of the best books on Ludwig Van Beethoven ever written in and for our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and as part of the indispensable "Eminent Lives" Series. The First Edition is now scarce. Presents Edmund Morris' "Beethoven: The Universal Composer". That is the very first composer in the history of Western civilization to compose with all of Mankind with all of his fellow human beings in mind. For layman and professional musician alike this is one of the most engaging moving and simply brilliant books ever written on its monumental subject - and succinctly at that not a word wasted. "Above all a study of genius in action of one of the few giants of Western culture" Publisher's blurb. "His book is a perfect marriage - or should one say duet - of subject and author every word as masterly as the notes of the artist it illuminates" Christopher Buckley. "This is not just criticism but poetry in itself with the additional and inestimable merit of being true" Washington Post. An absolute "must-have" title for Ludwig Van Beethoven and Edmund Morris collectors. This copy is very prominently and beautifully signed dated in the month and year of publication and inscribed in black ink-pen on the title page by the author: "With best wishes Edmund Morris. Oct. 2005". It is signed directly on the page itself not on a tipped-in page. The recipient who is named is personally known to the author and cannot be named here. This copy comes with a lovely 4 X 6 inch Bookplate that is neatly pasted on the front free endpaper also very boldly and beautifully signed in black pen-marker by Jonas Kauffmann the greatest tenor of our time and a Beethoven specialist. This title is a contemporary classic. This is the only such signed publication-month dated and inscribed copy with Signed Bookplate of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have serious flaws because they were avidly read or are in multiple subsequent printings. This is surely an accessible and lovely alternative. A rare double-signed copy thus. One of the finest writers of our time on the second greatest composer of all time. A fine copy. . ISBN 0060759747. Harpercollins Publishers hardcover
200454210Animato, 2004. ACD6086 CD Digipak
In-8, brossura, pp. 201. In buono stato (good copy).
190765697[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765694[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765692[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765691[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765699[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765693[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765698[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765696[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765695[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190761279[Wien, Wiener Werkstätte, 1907]. 4°. Mit einem Holzschnitt-Titel u. 11 Orig.-Farbholzschnitten auf Japanbütten (alles unter Passepartout). Lose in Orig.-Kassette m. Tunkpapierbezug, goldgepr. Deckelvignette u. Kantenvergoldung (Innendeckel m. dem goldgepr. Stempel der Wiener Werkstätte sowie den goldgepr. Monogrammen von Josef Hoffmann [Entwurf] u. des Buchbinders C. Beitel).
150 S. 4°. Ecken bestossen. Umschlag fleckig.