408 résultats
18361715Paris: H. Fournier Aine 1836. Hardcover. Very Good. Grandville j. j. Raffet. Octavo. Three 3 volumes. lxxxi 375; 399; 400pp. Half maroon cloth with marbled boards. Black morocco spine label with lettering in gilt. Minimal to no edge wear to volumes each with a later glassine protector. Bindings square and tight. Volume one with early bookseller's catalogue description for this set tipped in with light remnants of other possible clippings and an early paper repair to page 159 in margin. Each volume clean and tight with sporadic foxing throughout. Over 100 in-text illustrations by J. J. Grandville and Raffet. A very nice set. H. Fournier Aine hardcover
BN108089Hermes Science Publications. Hardcover. CORROSION ET ANTI-CORROSION <br/><br/>CORROSION ET ANTI-CORROSION Hermes Science Publications hardcover
4532685Short description: In Russian. Beranger Pierre Jean. Songs of Beranger. 1810-1816. K.N. Milevsky type. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU4532685 unknown
5236981Short description: In Russian. Beranger Pierre-Jean. Complete collection of Beranger songs translated by Russian writers. K.P. Kozlovsky type. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5236981 unknown
43092Perrotin Editeur 1847- 1857 3 volumes In-8 25 cm 451-401-376pp. illustr. portrait frontispice et fac-simile d'une lettre de l'auteur sur planches dépliantes gravures hors-texte avec quelques rousseurs éparses reliures demi-cuir chagrin rouge de l'époque dos a nerfs ornés de caissons filets dorés sur les plats unknown
2001-11Paris Garnier 1869/1876. 2 vols. gr.-8°. 4 Bll. 411 1; 3 Bll. 401 1 S. Mit 53 Stahlstichtafeln nach Charlet A. de Lemud Johannot Grenier Jacque Pauquet Penguilly de Rudder Raffet Sandoz u. 1 Faks. HLdr. d. Zt. Mit reicher Rückengoldpräg. Tlw. stockfleckig vgl. Vicaire I 415 ff. - Beigaben: 1. BERANGER. Dernieres Chansons. De 1834 a 1851 avec une preface de l'auteur illustrées de 14 dessins de A. de Lemud. Gravés sur acier. Ebda. 1875. 2 Bll. III 574 S. HLdr. d. Zt. 2. BERANGER. Oeuvres posthumes. Ma Biographie. Avec un appendice et des notes. Ebda. 1875. 4 Bll. 415 S. Mit 1 Frontisp. 1 photogr. Abb. u. 8 Stichen. 3. Album Béranger par Grandville. Mit Illustr. auf 53 Taf. 4. BERAT Frederic. Musique des chansons de Béranger. Aires notés ancienns et modernes. Ebda. o. J. 1 Bll. 344 S. Mit zahlr. Notenbeisp.u. 32 Taf. m. Illustr. - Zus. 5 uniform gebundene Bände. Paris, Garnier 1869/1876. unknown
184749325Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first printing of the beautiful romantic illustrations. Half red shagreen bindings spines with four raised bands set with gilt borders decorated with double gilt and black compartments enhanced with gilt typographical motifs double gilt fillets on red paper boards endpapers and pastedowns of marbled paper contemporary binding. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Pleasant copy. Perrotin hardcover
3-58399Paris H. Fournier Ainé 1836 opera completa in tre volumi in-8vo 235 x 16 cm. solida e pregevole rilegatura coeva in mezzo marocchino verde con quattro nervi fregi e titoli dorati ai dorsi piatti marmorizzati un grande ed elaborato Ex-Libris applicato a ciascun contropiatto anteriore una tavola xilografica ad ogni antiporta pp. 4 LXXXI 375 4 399 4 4 400 con numerosissime 349 illustrazioni in nero fuori testo di Grandville molte delle quali 229 protette da velina. Completo dei facsimile di due lettere dell'A. e Grandville allegati al vol. I e vol. III. Fioriture diffuse ma ottima copia. unknown
2015Atlantic-9781848218598Wiley-ISTE 2015. Hardcover. New. Wiley-ISTE hardcover
2015Atlantic-9781848218598Wiley-ISTE 2015. Hardcover. New. Wiley-ISTE hardcover
192339215Paris: Aux dépens d'un amateur 1923. A great example of erotica with 16 delicate and extremely obscene hand-colored etchings by Chas-Laborde 15 of which are full-page and hors-texte graphically depicting both heterosexual and homosexual acts having both in the same book is extremely unusual for French erotica before 1950. From a total edition of 260 numbered copies this is one of 250 on fine Montgolfier wove paper. Large 8vo. Original wraps lightly worn. Internally uncut FINE AND BRIGHT. <br/><br/> Aux dépens d'un amateur paperback
183482009Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13 x 22 cm 4 volumes reliés Edition with some parts in first edition illustrated with 100 of 103 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half red calf bindings with corners spines slightly faded with one raised band decorated with gilt and black romantic arabesques gilt friezes at head and foot gilt fillet frames on marbled paper boards marbled endpapers and pastedowns speckled edges some corners slightly bumped contemporary bindings. Some foxing four vignettes lacking in our copy. However our copy is complete with the two portraits of Béranger and the facsimile of a 4-page manuscript letter all placed at the beginning of volume I. Perrotin hardcover
BN106732DE L AUBE. Softcover. L'Aubrac cinquante ans de développement : L'élevage à la rencontre des enjeux du territoire <br/><br/>L'Aubrac cinquante ans de développement : L'élevage à la rencontre des enjeux du territoire DE L AUBE paperback
185885997Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
1847810F12Paris: Perrotin 1847. Leather. Very Good. 9.5" by 6.5". Not Stated. A three volume edition of the songs and music of French chansonnier Pierre-Jean de Beranger illustrated throughout. The complete three volume illustrated fourth edition of the music and songs of Pierre-Jean de Beranger the prolific French poet and chansonnier - songwriter - who enjoyed great popularity and influence in France during his lifetime.With the first two volumes consisting of de Beranger's songs and the final volume dedicated to the accompanying music.Illustrated with fifty-three plates. Collated complete.De Beranger is best known as the retrospective composer for the national anthem of Malaysia 'Negaraku' and Perak state anthem 'Allah Lanjutkan Usia Sultan'. In quarter morocco bindings with cloth covered boards. Gilt detailing to back strips. Marks and rubbing to boards most prominent to front board of volume I. Small loss to paper to rear board of volume II. Internally firmly bound. Significant spotting throughout most prominent to page perimeters. Very Good Perrotin hardcover
183424966Paris: Perrotin Editeur 1834. Ornée de 104 Vignettes en Taille-Douce desinées par les peintres les plus celèbres. Including Charlet Grandville Grenier Raffet etc. 4 vols. 8vo. Bound in contemporary dark half blue morocco over marbled boards two hinges repaired else fine. Johannot Tony. Ornée de 104 Vignettes en Taille-Douce desinées par les peintres les plus celèbres. Including Charlet Grandville Grenier Raffet etc. 4 vols. 8vo. Inserted are 8 Erotic plates by Tony Johannot Gay Bibliographie de l'Armour III p. 477. Perrotin, Editeur unknown
1850258459Paris: Perrotin 1850. 77 steel-engraved proofs before letters on INDIA PAPER mounted to thick paper after Charlet De Lemud Johannot Daubigny Pauquet Jacques Lange Pinguilly De Rudder and Raffet. Folio. Slightly later half red morocco and marbled boards by Victor Champs t.e.g. Foxing to mounts throughout rarely affecting the images. 77 steel-engraved proofs before letters on INDIA PAPER mounted to thick paper after Charlet De Lemud Johannot Daubigny Pauquet Jacques Lange Pinguilly De Rudder and Raffet. Folio. Perrotin unknown
18662091202133204289Perrotin 1866. Soft Cover. Fine. Volume: 1 Perrotin paperback
183448838Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13.50 x 21.50 cm 5 volumes reliés Edition with some parts in first edition illustrated with 104 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half cherry red calf bindings spines with four raised bands decorated with gilt and blind fillets as well as blind typographical motifs and gilt romantic arabesques gilt friezes at head and foot black shagreen title and volume labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. The illustrations are distributed as follows: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures Volume 3: 40 figures Volume 4: 6 including 1 portrait plus 1 facsimile. Our set is complete with the fifth volume consisting of the music for Béranger's songs. Handsome set almost entirely free of foxing and bound in charming contemporary romantic binding. Perrotin hardcover
182183789Paris: Chez Les Marchands de nouveautés 1821. Fine. Chez Les Marchands de nouveautés Paris 1821 - 1825 9.50 x 15.80 cm 2 volumes reliés First edition of these 3 works bound in 2 volumes. Following the Trial of messieurs de Béranger and Baudouin 14 manuscript songs retained by the prosecutor general against Béranger and censored. One understands the interest of this copy since the song collection was sold out or seized. Contemporary full straight-grained green morocco binding. Luxury binding from a major atelier but unsigned. Smooth spine decorated with a blind stamp with floral semé within a double gilt fillet frame. Boards decorated with multiple blind frames doubled with gilt fillets. Gilt edges. Triple gilt interior fillet. Spines uniformly faded. Small dark areas on the boards of one volume. Traces of rubbing. Scattered pale yellow foxing. Very handsome copies. Two days after the publication of the author's song collection published at his own expense the king's prosecutor for the Seine department filed a complaint against the chansonnier and ordered the seizure of the work the police only managed to seize 500 copies since 10000 had sold in a few days. He faced four charges: offense to morals attack on religious morality offense against the person of the king and incitement to wear a rallying sign unauthorized by the king the tricolor flag. He was condemned to a minimal sentence of three months in prison and a 500 F fine essentially for his attacks against the Capuchins and missionaries. Meanwhile his lawyer Dupin provoked a second trial by publishing his plea accompanied by the text of the incriminated songs as procedural documents. Béranger was a convinced republican and his songs became increasingly virulent under Louis XVIII. After the episode of his trial where all of Paris rushed to attend he became under Charles X an important figure of the liberal camp. An engaged author and today forgotten the chansonnier Béranger enjoyed immense celebrity but posterity has identified him with the acerbic criticisms of Flaubert and Baudelaire as a minor and bourgeois author unjustly revered. The history of his trial well before those of Baudelaire and Flaubert reveals the greater complexity of the author and stages the history of censorship under the Restoration. Chez Les Marchands de nouveautés hardcover
182131265Paris Didot 1821 Paris Plassan 1825. 8vo. Bound uncut in one nice cont. red hcalf with gilt back. Bdg. w. a few traces of use. Some brownspotting. Printed on good paper. Woodcut vignettes to all three title-pages and several text-vignettes in the last work. <br/><br/><em>First editions of both parts of Beranger's "Chansons". Béranger's famous and influential song appeared in five parts in all beginning with the "Chansons morales et autres" in 1816. The two present collections constitute part two and three. The first part from 1816 is extremely scarce but this second part merely called "Chansons" is probably the most interesting and noteworthy off all the song-collections as well as being the most comprehensive. "Une édition plus complète parut en 1821 2 vol. in 18 Paris Firmin Didot. Cette édition résultant d´une souscription patronnée par le banquier Laffitte et A.-S. L- Bérard fut tirée à 10000 exemplaires; elle fut pursuivie et l´auteur quoique habilement défendu par M. Dupin l´aîné fut condamné á trois mois de prison et á 500 fr. d´amende." Brunet 1 pp. 781. The author was prosecuted and condemned to imprisonment for three monts because of the appearance of this edition. The two last parts "Chansons inédites" and "Chansons nouvelles et dernières" appeared in 1828 and 1833. These two collections contain some of the most important of Béranger's songs among these the influential Napoleonic ones. His songs develloped from being joyous odes into strong satirical and political songs; -"le gouvernement clérical et rétrograde de la Restauration fut particulièrement visé avec une verve mordante et caractéristique. C'est pour cela peut-être qu'il est un des plus grands créateurs de la légende napoléonienne car il oppose l'époque glorieuse de l'Empire à la mesquinerie qui lui succéda." Lafont-Bompiani I:368. His obvoiusly satirical tone partly explains his great political influence at the time -he is a master of portraying the Bourbon government clericalism the old reactionary nobility and as a contrast the glorious souvenirs of Napoleon. "Voltairienne sentimentale mais frivole politique et satirique mais avec simplicité évitant toute complication de doctrine et toute morale tragique la poésie de Béranger est la représentation typique de cette première partie du XIXe siècle où la société est encore imbue des moeurs et des idées du XVIIIe et où le romantisme a peine à effacer complètement les formes littéraires et l'esprit de l'ancien régime." Bompiani I pp. 368.Carteret I:134. </em> unknown
020727Paris: Editions G. Cres & Cie 1924. No. 138 of 250 copies on Velin du Marais. Hardcover. Fine. Duodecimo 17.5 x 10 cm 7 x 4" period full blue crushed levant morocco each cover with a geometric art deco design tooled in gilt and blind and with four green morocco onlays. Spine gilt with an additional green morocco onlay blind-ruled dentelles marbled endpapers top edge gilt other edges untrimmed pp. vi 164 3. Illustrations by Joseph Hémard. Fine condition. Note: Lovely binding design and execution. Binding unsigned and binder unknown to cataloguer. <br/> <br/> Paris: Editions G. Cres & Cie, 1924. No. 138 of 250 copies on Velin du Marais. hardcover
1834118177Paris : Perrotin 1834 - 1853 - 1860. 245x160mm. frontispice - XCV - 320 pages frontispice - 413 pages frontispice - 411 pages frontispice - 397 179 pages frontispice - 407 14 pages frontispice - III - 374 43 pages frontispice - 416 pages bandeaux reliure demi-chagrin coins avec titre tomaison filets et ornementations dors au dos cinq faux-nerfs quatre nerfs trois filets dors sur les deux plats plat et garde papier marbr tranche suprieure dore. Belle reliure signe Cap. Faible parses et marginales rousseurs autrement bel exemplaire. 7430 Perrotin unknown
04871Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> Thirty Three of Forty Hand Colored Lithograph Plates by Henri Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. Two octavo volumes 8 1/8 x 5 1/8 inches; 207 x 130 mm. ii 1-439 1 blank; iv 1-438 pp. Some light waterstaining to the top edge of the first few leaves in volume one not affecting text.<br /> <br /> Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The color plates have the original tissue guards. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39.These seven plates are highlighted below within the listing of all 40 plates.<br /> <br /> Contemporary quarter russia over blue boards spines decoratively ruled in gilt two black morocco labels lettered in gilt pink marbled endpapers. Head and tail of spines expertly and almost invisibly repaired corners rubbed. Bookplates removed from front pastedowns. A very good copy.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France. All other copies that are recorded or that we know of have the same thirty-three of forty hand colored plates. It would appear that the seven plates numbers 21 26 28 31 35 37 & 39 were either destroyed soon after printing or purposely left out in all but the very first copies.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour p. 205<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé p. 285<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard p. 315<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille p. 402<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour p. 87<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur p. 111<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers p. 169<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
04859Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> Thirty Three of Forty as is often the case Hand Colored Lithograph Plates by Henri Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. Two octavo volumes 8 1/4 x 5 1/8 inches; 209 x 130 mm. ii 1-439 1 blank; ii 1-438 pp.<br /> Bound without the half-titles and the additional four-page preface in volume one. Plate 18 Le Maitre D'École and the following two leaves of text pp. 135-138 with neatly repaired tears marginal on plate. Light scattered foxing throughout mainly affecting text only.<br /> <br /> Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39. These seven plates are highlighted below within the listing of all 40 plates.<br /> <br /> Contemporary English bead-grain brown morocco covers elaborately decorated in gilt and blind. Spines with four raised bands elaborately tooled and lettered in gilt in compartments powder blue coated endpapers all edges gilt. Spines slightly darkened light rubbing to extremities. With the armorial bookplate of Stephens Lyne Stephens on front pastedowns. A very good copy in a contemporary binding.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour p. 205<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé p. 285<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard p. 315<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille p. 402<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour p. 87<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur p. 111<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers p. 169<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown