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04871Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> Thirty Three of Forty Hand Colored Lithograph Plates by Henri Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. Two octavo volumes 8 1/8 x 5 1/8 inches; 207 x 130 mm. ii 1-439 1 blank; iv 1-438 pp. Some light waterstaining to the top edge of the first few leaves in volume one not affecting text.<br /> <br /> Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The color plates have the original tissue guards. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39.These seven plates are highlighted below within the listing of all 40 plates.<br /> <br /> Contemporary quarter russia over blue boards spines decoratively ruled in gilt two black morocco labels lettered in gilt pink marbled endpapers. Head and tail of spines expertly and almost invisibly repaired corners rubbed. Bookplates removed from front pastedowns. A very good copy.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France. All other copies that are recorded or that we know of have the same thirty-three of forty hand colored plates. It would appear that the seven plates numbers 21 26 28 31 35 37 & 39 were either destroyed soon after printing or purposely left out in all but the very first copies.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour p. 205<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé p. 285<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard p. 315<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille p. 402<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour p. 87<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur p. 111<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers p. 169<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
05079Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> A Superb Copy in the Publisher's Original Printed Wrappers <br /> Complete with Forty Hand Colored Lithograph Plates by Henri Monnier & a Duplicate Colored Suite.<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition in the original ten parts - inscribed by the publisher/printer Rignoux. <br /> <br /> Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. ii iv 1-96; 97-192; 193-272; 273-368; 369-439 1 blank; iv 1-96; 97-208; 209-288; 289-368; 369-438 2 blank pp. Forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. With a duplicate suite of the forty colored plates. <br /> <br /> Publisher's pale green printed wrappers each with a different lithograph illustration on front cover. A very fine example of this exceptionally rare Monnier title in the original 'dix livraisons' complete with all forty hand colored plates and an additional duplicate suite. The two suites of plates are also in the publisher's pale green printed wrappers the first suite in a 2e Livraison wrapper and the duplicate suite in a 5e Livraison wrapper.<br /> <br /> Together with: BÉRANGER. Poniatowski. Hatons-Nous. Chansons Dédiées au Général Lafayette Premier Grenadier de la Garde Polonaise. Suivies 14 Juillet 1829 et des Couplets a mes Amis devenus Ministres. Poniatowski. Hate Us. Songs Dedicated to General Lafayette First Grenadier of the Polish Guard. Followed July 14 1829 and Couplets to my Friends who have become Ministers. Contains a biographical note on Joseph Prince Poniatowski by Leonard Chodzko.Paris: A l'agence du Comité. 1831. Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. 1-23 1 blank. Publisher's blue printed wrappers. Chemised in a three-quarter green morocco clamshell case spine ruled and lettered in gilt in compartments. A truly exceptional example.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> KVK locates no complete copies of the Chansons; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> <br /> 21. L'Habit de Cour<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille<br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
04859Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> Thirty Three of Forty as is often the case Hand Colored Lithograph Plates by Henri Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. Two octavo volumes 8 1/4 x 5 1/8 inches; 209 x 130 mm. ii 1-439 1 blank; ii 1-438 pp.<br /> Bound without the half-titles and the additional four-page preface in volume one. Plate 18 Le Maitre D'École and the following two leaves of text pp. 135-138 with neatly repaired tears marginal on plate. Light scattered foxing throughout mainly affecting text only.<br /> <br /> Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39. These seven plates are highlighted below within the listing of all 40 plates.<br /> <br /> Contemporary English bead-grain brown morocco covers elaborately decorated in gilt and blind. Spines with four raised bands elaborately tooled and lettered in gilt in compartments powder blue coated endpapers all edges gilt. Spines slightly darkened light rubbing to extremities. With the armorial bookplate of Stephens Lyne Stephens on front pastedowns. A very good copy in a contemporary binding.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour p. 205<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé p. 285<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard p. 315<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille p. 402<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour p. 87<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur p. 111<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers p. 169<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
1996BN206577Rotovision 1996. 1996. Hardcover. Art Directors' Index to Illustrators 16 <br/><br/>Art Directors' Index to Illustrators 16 Maurice Beranger; Colette Lehembre; Andreas Härlin; Ralf Kunstmann; Rerenc B. Regös; Minami Aoyama; Minato-ku; Takashi Asada; Takashi Asada; Jerker Eriksson u. a. Illustratoren Rotovision hardcover
1834791261834. Fine. 1834-1835 26 x 33 cm 3 volumes reliés First edition. Contemporary green half morocco bindings spines uniformly sunned with gilt fillets and dentelle motifs marbled paper covers morocco label ""Marie Seillan"" pasted on each volume spine-ends rubbed otherwise a handsome copy. Scattered foxing paper on some issues a little browned. Detailed volume contents : - Volume 1: 26 issues nos. 1 to 26 and 26 scores 2 lithographs with the first two scores an engraved portrait of Rossini vignettes in the text. - Volume 2: 25 issues nos. 27 to 52 and 26 scores vignettes in the text. - Volume 3: 26 issues nos. 1 to 26 and 26 scores two scores are missing and have been replaced by three others. Complete last volume with all lithographs as they were supplied without supplement for this new series. unknown
20171-3841684785Publicia 2017. Paperback. New. 204 pages. Spanish language. 8.66x5.91x0.46 inches. Publicia paperback
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