Hector BerliozBiblio.com
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0259757845.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259039292.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0483018813.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192620110525131414Choudens 1926. Paper Back. Acceptable. Rubbed and stained score browned but unmarked. Signatures are uncut. First signature has come loose from binding. Choudens unknown
ria9783846018156_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
0243066120.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0266317707.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266375413.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
185912<p>Hector Berlioz. Les grotesques de la Musique. Paris Librairie Nouvelle 1859 in-12 demi maroquin rouge à la bradel dos lisse avec titre doré couvertures et dos conservés non rogné reliure signée V. Champs.</p><p>Edition originale rare de ce recueil de critiques musicales du grand musicien. Bel exemplaire dans une fine et élégante reliure de Victor Champs.</p><p>Reliure un peu frottée. Quelques rousseurs en tout début d'ouvrages. Papier bien blanc. Très frais.</p><p>Very good copy of the first edition of Les grotesques de la Musique by Hector Berlioz in a nice and fresh binding signed V. Champs</p> Librairie nouvelle hardcover
185968513Paris: A. Bourdilliat & Cie 1859. Fine. A. Bourdilliat & Cie Paris 1859 11.50 x 18 cm reliure de l'éditeur Les Grotesques de la musique The Musical Madhouse A. Bourdilliat & Cie Paris 1859 11.5 x 18 cm publisher's original binding First edition. Publisher's green cloth spine and boards ruled in blind yellow endpapers and pastedowns pastedowns soiled edges spotted. A little light foxing. A rare and handsome autograph inscription signed by Hector Berlioz in pencil to title: ""à mon ami Théodore Ritter souvenirs affectueux"" Théodore Ritter son of composer Eugène Prévost was Berlioz's student for whom he composed a piano arrangement of L'Enfance du Christ The Childhood of Christ Berlioz inscriptions are rare and highly sought-after. A. Bourdilliat & Cie hardcover
0656939389.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
75-1525Paris FR: Costallat & Cie. 1800s. 4to. Soft covers. Very Good. 38 pp.Musical notation for opera by Berlioz.En Francais. There might be an additional charge due to the large size of the book. Paris, FR: Costallat & Cie., [1800s] paperback
0265388783.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1890HW23 /11<p>Calmann- Levy. Paris Circa 1890. Good. 12cm x 18cm x 2cm. Maroon cloth binding with tan title plate and gilt title on the spine.</p><ul><li><p><strong>We provide an in-depth photographic presentation of this item to stimulate your feeling and touch. More traditional book descriptions are immediately available</strong></p></li></ul><p>As the photographs illustrate this remains a quality work. This work first published in 1852 is a collection of short stories already serialized in the press the subjects of which revolve around music. The pretext is as follows: the musicians of a northern European orchestra are in the habit "during the performance of mediocre operas" of reading studying or telling stories to each other in turns. "The author" is the rapporteur and sometimes himself is the narrator of anecdotes and "little novels".</p><p>Louis-Hector Berlioz 11 December 1803 – 8 March 1869 was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy choral pieces including the Requiem and L'Enfance du Christ his three operas Benvenuto Cellini Les Troyens and Béatrice et Bénédict and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.</p><p>The elder son of a provincial physician Berlioz was expected to follow his father into medicine and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830 but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence.</p><p>At the age of twenty-four Berlioz fell in love with the Irish Shakespearean actress Harriet Smithson and he pursued her obsessively until she finally accepted him seven years later. Their marriage was happy at first but eventually foundered. Harriet inspired his first major success the Symphonie fantastique in which an idealised depiction of her occurs throughout.</p><p>Berlioz completed three operas the first of which Benvenuto Cellini was an outright failure. The second the epic Les Troyens The Trojans was so large in scale that it was never staged in its entirety during his lifetime. His last opera Béatrice et Bénédict – based on Shakespeare's comedy Much Ado About Nothing – was a success at its premiere but did not enter the regular operatic repertoire. Meeting only occasional success in France as a composer Berlioz increasingly turned to conducting in which he gained an international reputation. He was highly regarded in Germany Britain and Russia both as a composer and as a conductor. To supplement his earnings he wrote musical journalism throughout much of his career; some of it has been preserved in book form including his Treatise on Instrumentation 1844 which was influential in the 19th and 20th centuries. Berlioz died in Paris at the age of 65.</p> Calmann- Levy. hardcover
1878956Y21Paris : Calmann Levy 1878. Leather. Very Good. 7.5" by 5". None. A handsomely bound third edition of Hector Berlioz's highly entertaining narrative centring on the exchanges of orchestral performers. The third edition under publisher Calmann Levy. Another third edition was published under Michel Levy in 1871. Bound in quarter crushed morocco with marbled paper covered boards and endpapers. This charming narrative takes the reader through twenty-five evenings in the company of various groups of musicians who tell tales and exchange gossip in between their performances of fashionable operas in northern Europe. From French Romantic composer and conductor Hector Berlioz whose own operas include 'Benvenuto Cellini' and 'Les Troyens'. Bound in quarter crushed morocco with marbled paper covered boards and endpapers. Externally smart with rubbing to the extremities notably to the spine head. Internally firmly bound. Pages are lightly age toned with scattered spots throughout. Very Good Calmann Levy hardcover
0243040768.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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0331625768.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
