BERLIOZ (Hector), JULLIEN (Adolphe).Livre Rare Book
95 résultats
188613601886 Paris, Librairie d’Art, 1886. In-4 br., couverture illustrée, 390 pp. Édition originale contenant de nombreux documents, dont 14 lithographies originales de Fantin-Latour, des portraits du compositeur par Émile Signol (1804-1892), Amédée Charpentier (né en 1822), Charles Baugniet (1814-1886), Adam-Salomon (1818-1881), Etienne Carjat (1828-1906), etc. Fac-similés de lettres et partitions, dessins, gravures, caricatures, autographes, reproductions des premières photographies de l’époque.
18552667651855. unbound. 1 page 5.25 x 8 inches no place no date circa 1855 in full: "Bonjour! Je suit mort mais ca commence a ailler. "H. Berlioz." Minor spotting with mounting remnants on verso. Very good condition.<br/><br/> French composer noted as the Father of modern Orchestration.<br/><br/> unknown books
184440297Paris, Jules Labitte, 1844. 2 vol. in-8 de (6)-422 pp. et (4)-370 pp., demi-veau blond, dos lisse orné (reliure de l'époque).
184423701Paris: Jules Labitte 1844. First Edition. Hardcover. Three quarter gilt lettered black morocco marbled boards and marbled endpapers. 2 Vols. Very good. 422 370 pages. 21.5 x 13 cm. It was this period in his life 1840's Berlioz spent much of his time making music outside France. He struggled to make money from his concerts in Paris and learning of the large sums made by promoters from performances of his music in other countries he resolved to try conducting abroad. His extensive German tour in twelve German cities received enthusiastic receptions. The German public was better disposed than the French to his innovative compositions and his conducting was seen as highly impressive. He extravagantly praised Beethoven's symphonies and Gluck's and Weber's operas and scrupulously refrained from promoting his own compositions. One quire in Vol. I toned balance of interior clean and bright. Text in French. Jules Labitte hardcover
18571053<p><b>BERLIOZ Hector 1803-1869 French composer. </b>An 11-line ALS to "Monsieur" signed "H. Berlioz." 1 full p. 8vo. N. p. Paris 30 December 1857. </p><p>Berlioz writes to an unnamed correspondent about what he wrote as music critic for the <i>Journal des Débats</i> 17 November in reply to M. Benoît Jouvin's comments in <i>Figaro. </i>According to the Hector Berlioz website Berlioz had written about the first production of <i>Margot </i>a comic opera in three acts at the Théâtre Lyrique 5 November 1857 by Jules-Henri Vernoy de Saint-Georges and Adolphe de Leuven music by Antoine-Louis Clapisson and also wrote there about "Inauguration de la salle Beethoven. CONCERT D'OUVERTURE." Berlioz writes about a response from Jouvin the publisher of <i>Figaro</i> a man about whom it has been said always left the theater irritated. Berlioz writes: "It is in the Journal des Debats of November 17th that I have replied to the few lines that Mr. Jouvin has published in the Figaro. But as regards to the article that he wrote in answer to my reply I did not have to answer it and I did not do so. Many thanks for all the gracious things for me contained in your letter receive my best feelings." From 1834 to 1863 Berlioz wrote more than 400 contributions to the prestigious and influential Paris paper the <i>Journal des Débats</i> which represent rather less than half of his entire output as music critic. Apparently unpublished and not one of his well over 3000 letters found in his <i>Correspondance </i> <i>général</i> 1972-2003. Very good with edges slightly browned and three edges very slightly rough. </p><br />
186073029Nadar | Paris s. d. [circa 1860] | 6.50 x 10.30 cm | une photographie
181621648Paris, Croullebois, (imprimerie de Crapelet), 1816 ; in-8 (210 mm), demi-veau bleu outremer, dos à nerfs, titre doré, couverture bleu délavé de l’époque avec l’étiquette imprimée sur le plat, tête arasée, tranches non rognées (rel. de l’époque); VI, 343, [1bl.] pp., [2] pp. d’errata.
186073029Paris: Nadar 1860. Fine. Nadar Paris s. d. circa 1860 6.50 x 10.30 cm une photographie Original albumen photograph carte-de-visite format mounted on card from Nadar studio 35 boulevard des Capucines. Manuscript annotations on verso. A copy of this photograph is held in the Music Department of the Bibliothèque Nationale de France. Nadar unknown
188894091Librairie De L Art. As New. 1888. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 338 pages. -- with a bonus offer-- . Librairie De L Art paperback
18643769Mai 1864 Berlioz, en habitu du festival de Bade [il y avait cr son opra Batrice et Bndict], organis tous les ans par Edouard Bnazet, annonce David Hermann Engel, la suppression du rendez-vous musical allemand :...M. Bnazet est venu passer quelques jours Paris, et la saison de Bade est supprime. Il m'a dit de suspendre tous mes prparatifs ; il n'y aura pas de festival. J'avais dj parl de vous et vous tiez adopt. Si cela se raccommode, je vous le ferai savoir.. Il ajoute, sans espoir ...Mais, ...Bellum ruit... Il nous manquait cela....Dans ses Mmoires, au chapitre 59, Berlioz crivit : M. Bnazet, le directeur des jeux, m'a engag plusieurs fois venir organiser et diriger le festival annuel de Bade, en mettant ma disposition pour excuter mes Suvres, tout ce que je pouvais demander. Sa gnrosit, en pareil cas, a dpass de beaucoup ce qu'ont jamais fait pour moi les souverains de l'Europe dont j'ai le plus me louer , puis dans une lettre sa sSur Adle, date du 11 mars 1858 (Corr. Gnrale, n 2283) : Bade c'est diffrent; on y gagne de l'argent, et on y fait de bonne musique, et on y trouve une foule de gens d'esprit, et on y parle franais ..BERLIOZ ET LE FESTIVAL DE BADE EN ALLEMAGNE : Bade tient une place de choix dans la longue histoire des rapports entre Berlioz et l'Allemagne : nulle autre ville allemande ne sera visite avec une telle frquence. De 1853 1863 le compositeur franais se rendra Bade plus d'une dizaine de fois et y retournera chaque anne partir de 1856. Ce qui l'amenait Bade : les Bnazet : le pre Jacques Bnazet (mort en 1848), puis le fils douard Bnazet (1801-1867) qui prit la succession de son pre la direction du casino de Bade. douard Bnazet, qui a tudi au Conservatoire de Paris, tait un homme cultiv qui entretenait de nombreuses connaissances dans le monde des arts. L'ambition de Bnazet tait de rehausser la petite ville thermale au rang de centre artistique qui attirerait l'lite de la socit europenne.Dans les annes 1850, Bnazet s'emploie raliser son projet ; il cre de nouvelles salles de jeux, un grand champ de course Iffezheim; un nouveau thtre qui ouvre ses portes avec l'opra de Berlioz Batrice et Bndict en 1862 (d'aprs la pice de Shalespeare "Beaucoup de bruit pour rien"). Mais, Bnazet, se dsintresse peu peu de Bade. Dans une lettre Camille Pal, Berlioz livre sa crainte...de perdre 2000 f de rente, par cessation de mon engagement annuel pour Bade, la suppression des jeux est toujours annonce et ds lors plus de musique. En outre, Bnazet parat dcid ne plus donner de festival... David Hermann Engel avait tenu l'harmonium au festival de Bade en 1859.Correspondance gnrale d'Hector Berlioz (P. Citron - Mac Donald, Flammarion 2001), Vol. VII, N 2859.
188876843Librairie de l'art | Paris 1888 | 24.50 x 32.50 cm | relié
184462537Jules Labitte | Paris 1844 | 14.50 x 22.50 cm | 2 volumes brochés sous chemises et étuis
188876843Paris: Librairie de l'art 1888. Fine. Librairie de l'art Paris 1888 24.50 x 32.50 cm relié First edition one of 30 numbered copies on Japan paper deluxe issue. Work illustrated with 14 original lithographs by Adolphe Fantin-Latour printed on China paper as well as 12 portraits of Hector Berlioz 3 plates hors-texte and 122 engravings facsimiles of autographs caricatures. Binding in full red morocco spine with five raised bands gilt rolls on headcaps endpapers and pastedowns of combed paper fine engraved bookplate mounted on one pastedown gilt dentelle border on pastedowns covers preserved all edges gilt double gilt fillets on edges perfect contemporary binding signed Cuzin. Our copy is enhanced with an autograph note signed by Hector Berlioz mounted on an endpaper: ""Jeudi 21 / Monsieur soyez assez bon pour accorder quelques lignes à l'annonce de notre concert de mardi prochain. Vous obligerez beaucoup votre tout dévoué H. Berlioz."" ""Thursday 21st / Sir please be so kind as to grant a few lines to the announcement of our concert next Tuesday. You would greatly oblige your most devoted H. Berlioz."" Fine copy perfectly established and enhanced with an autograph note signed by Hector Berlioz. Librairie de l'art hardcover
184462537Paris: Jules Labitte 1844. Fine. Jules Labitte Paris 1844 14.50 x 22.50 cm 2 volumes brochés sous chemises et étuis Rare first edition of Hector Berlioz's first book. Some restorations to the top spine-end volume label on the spine of the second volume not fully visible boards strengthened or lined first board of the first volume some stains on the first boards of both volumes. Fine condition inside almost without any foxing. Our copy is housed in green half shagreen chemises and slipcases marbled paper boards slipcases lined with the same shagreen gilt titles and dates on the spine. Rare. Jules Labitte hardcover
18441131Paris, Jules Labitte, 1844 ; 2 vol. in-8 de [3] ff., 422 pp. ; [2] ff., 370 pp., 1 f. bl., reliures de l'époque maroquin à long grain cerise, double encadrement de filets dorés sur les plats, fleurons dans les angles, dos lisses ornés en long, roulette intérieure, tranches dorées.
18441165Paris, Jules Labitte, 1844 ; 2 vol. in-8 de [3] ff., 422 pp. ; [2] ff., 370 pp., 1 f. bl., reliures de l’époque maroquin à long grain cerise, double encadrement de filets dorés sur les plats, fleurons dans les angles, dos lisses ornés en long, roulette intérieure, tranches dorées.
186271549Michel Lévy frères | Paris 1862 | 12.50 x 19 cm | relié
185968513A. Bourdilliat & Cie | Paris 1859 | 11.50 x 18 cm | reliure de l'éditeur
186271549Paris: Michel Lévy frères 1862. Fine. Michel Lévy frères Paris 1862 12.50 x 19 cm relié First edition. Half shagreen binding spine with five raised bands with gilt decorations date at foot marbled paper covers original soft front cover preserved. Rare and precious signed autograph inscription by the composer: à mon ami Seligmann - Hector Berlioz ""to my friend Seligmann - Hector Berlioz"" Hippolyte-Prosper Seligmann 1817-1882 cellist and composer was an active member of the Philharmonic Society founded by Berlioz in 1849. Provenance: R. & B. L. library with his bookplate pasted on the back of the first endpaper. Michel Lévy frères hardcover
185968513Paris: A. Bourdilliat & Cie 1859. Fine. A. Bourdilliat & Cie Paris 1859 11.50 x 18 cm reliure de l'éditeur Les Grotesques de la musique The Musical Madhouse A. Bourdilliat & Cie Paris 1859 11.5 x 18 cm publisher's original binding First edition. Publisher's green cloth spine and boards ruled in blind yellow endpapers and pastedowns pastedowns soiled edges spotted. A little light foxing. A rare and handsome autograph inscription signed by Hector Berlioz in pencil to title: ""à mon ami Théodore Ritter souvenirs affectueux"" Théodore Ritter son of composer Eugène Prévost was Berlioz's student for whom he composed a piano arrangement of L'Enfance du Christ The Childhood of Christ Berlioz inscriptions are rare and highly sought-after. A. Bourdilliat & Cie hardcover
