Berlioz, HectorBiblio.com
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5519152748.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
5519152330.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
101328Leipzig Gustav Heinze 1864. 8vo. VII blank 285 1 pp. 70 lith. pp. with music. The title page with paper repair in corner minor spotting. Worn contemporary half calf spine gilt with black label . Owner’s stamp of Lindskog. unknown
101556304X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1015468381.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
101573880X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1015468136.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016627041.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266429157.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
133378869X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1333818815.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265621496.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
233541 page. Folio. In French with translation. <br/><br/>Berlioz outlines fees for musicians singers and tuners and costs for rehearsals composition and copying associated with the premiere of the work. <br/><br/>Slightly worn; creased at folds; a few very small holes as a result of ink oxidation. Berlioz was the leading French composer conductor and critic of his age. <br/><br/>"In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance. and though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." Hugh Macdonald in Grove Music Online. <br/><br/>Berlioz's Requiem the Grande Messe des Morts was first performed on December 5 1837 at St. Louis des Invalides on the occasion of the funeral of General Danrémont. <br/><br/>"Berlioz admits that when the chance of composing a Requiem came his way he fell on it like a man possessed. The opportunity was a philanthropic commission set up by Gasparin Minister of the Interior in order to re-establish the prestige of sacred music and Berlioz was the first to receive such a commission. It was briskly composed in a fever of inspiration in the summer of 1837 but as is the way with bureaucratic patronage the performance was cancelled for political reasons after Berlioz had gone to the expense of copying the parts and engaging performers. Only after urgent appeals and persistent complaints was an excuse found for staging the performance after all: the death of a French general in the war of conquest in Algeria. So the Requiem was first heard in the church of the Invalides. in a ceremony of pomp and grandeur which the French do with particular style. It was a stirring public occasion and although it was marred for Berlioz by the conductor Habeneck taking a pinch of snuff at the most dramatic entry of the Tuba mirum the truth of the anecdote is disputed it signified for him the blessing of official approval and the wider knowledge in Parisian circles of how powerful and novel his music was. No one was left in any doubt of the force and originality of Berlioz's genius." Macdonald: Berlioz pp. 33-34. unknown books
BN261832Idee und Erscheinungsformen des Dramatischen bei Hector Berlioz Schacher Thomas <br/><br/>Idee und Erscheinungsformen des Dramatischen bei Hector Berlioz Schacher Thomas Idee und Erscheinungsformen des Dramatischen bei Hector Berlioz Schacher Thomas unknown
1390145123.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391314727.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Mm 150x230 Collection "Les marches du temps". Préface d'Olivier Schefer. Brossura editoriale di 291 pagine. Esemplare in perfette condizioni, come nuovo. Testo in lingua francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1944LFA011a4Un ouvrage de 269 pages, format 140 x 220 mm, illustré, broché, publié en 1944 (édition originale), A. Marmonnier, bon état
1975LFA-126714657Un ouvrage de 378 pages, format 140 x 210 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 1975, Presses de la Cité, bon état
282 S. 8°. 1 Faksim. Falttafel. OLn. Bibliotheksexpl. mit Stempel, Zettel und Barcode auf Vorsatz.
354 S. Unaufgeschnittenes Expl. Mit eigh. Widmung des Verfassers.
198pp., Edition originale, 18cm., br.orig., pour la plupart non coupé, qqs.rousseurs, bon état, M82856
198pp.+ frontispice (portrait de Berlioz) et une planche (autographe en facsimile), Edition originale, 18cm., reliure cart. (plats marbrés, dos en toile rouge avec titre doré), rousseurs (texte toujours bien lisible), bon état, M82961
198 S. 12°. Lithogr. Frontispiz. Portr. und 1 Faks. Inhalt gering gebräunt. Gelegentlich Unterstreichungen mit Bleistift.
