19 958 résultats
129638aafParis, Marcel Sautier, s. d., (vers 1945), gr. in-8vo, 192 p., avec dessin original au crayon de Mariano Andreü (’46), ill. par des lithographies originales de Mariano Andreü, Ex. sur vélin pur fil à la forme des Manufactures de Lana nº 281 sur 310, reliure en plein cuir (sans la pièce de titre au dos) dos légèrement insolé, tranche supérieure dorée.
192920354Paris: Opéra Privé de Paris 1929. Good/No Dust Jacket As Issued. <br /> RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE.<br /> A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929 this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine.<br /> <br /> Founded immediately following the death of Sergei Diaghilev the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers designers and musicians associated with the Russian diaspora transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris.<br /> <br /> PHYSICAL DESCRIPTION: Quarto format approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin executed from stage maquettes by Alexandre Korovine together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout including several full-page advertisements.<br /> <br /> CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue.<br /> <br /> Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market especially in near-complete condition. HISTORICAL SIGNIFICANCE -<br /> The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history.<br /> <br /> Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage.<br /> <br /> This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929 Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades.<br /> <br /> The production of Rimsky-Korsakov's 'Tsar Saltan' adapted from Pushkin's fairy-tale poem provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery combined with the scenic interpretation of Alexandre Korovine preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century.<br /> <br /> Beyond its theatrical importance the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements portraiture typography and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars.<br /> <br /> SUBJECTS: Ballets Russes Legacy Ivan Bilibin Stage Design Russian Émigré Art Paris Theater History Rimsky-Korsakov Tsar Saltan Interwar Opera Culture Russian Opera In Paris Chromolithographic Illustration Illustrated Performance Programs Opera Ephemera Theater History Russian Modernism Illustrated Programs. Opéra Privé de Paris unknown
elala5277Toronto: March 31 1962. Toronto: March 31, 1962 unknown
195422318American Book Institute Calif. 1954. HBDJ Lightly stained & soiled Red & White illustrated DJ approx 2 in. chip top not affecting print or illustration 1st edition 1954 Orange cloth lettered on Front VG/G AS-IS Interior nice tight clean light wear FoX 197 pages . Anyone looking at slides of this lantern is immediately carried away into worlds of their wish-fulfilment & to search for Secret Word. RARE & SCARCE. First Edition. Hard Cover. Very Good/Good. American Book Institute Calif. hardcover
195424868American Book Institute Calif. 1954. HBDJ Lightly stained & soiled Red & White illustrated DJ Of 2 children viewing the lantern 1st edition 1954 Orange cloth lettered on Front in Gold Gilt VG/VG- AS-IS Interior nice tight clean light wear FoX 197 pages DJ Light Wear Soil & Tiny Chips Tears extremities .Anyone looking at slides of this lantern is immediately carried away into worlds of their wish-fulfilment & to search for Secret Word. RARE & SCARCE. First Edition. Hard Cover. American Book Institute Calif. hardcover
In 8° legatura mezza pelle piatto cartonato, dorso con titolo e autore, pagg.112 con due tavole incise, fuori testo, ogni capitolo si chiude con un finale inciso su legno. Ottimo stato, pagine bianche
3 Voll. In-4 (32 x 23,5) pp. LXXVI-766 - 222 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 3. A cura di Marco Beghelli e Stefano Piana. Testi in Italiano. COME NUOVO
3 Voll. In-4 (32 x 23,5) pp. LIII-1040 - 259 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima Opere Teatrali, volume 13. A cura di Margaret Bent. Normali segni del tempo. OTTIMO
3 Voll. In-4 (32 x 23,5) pp. XXI-192 - XXI-366 - 150 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Terza, Musica Sacra, Volume 4, 5. A cura di Davide Daolmi. Testi in lingua italiana COME NUOVO
3 Voll. In-4 (32 x 23,5) pp. LV-1149 - 162 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione prima, opere teatrali, volume 30. A cura di Gabriele Dotto. COME NUOVO
4 Voll. In-4 (32 x 23,5) pp. LXXII-1141 - 185 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 33. A cura di Helen Greenwald e Kathleen Kuzmick Hansell. Edizione in lingua italiana COME NUOVO
3 Voll. In-4 (32 x 23,5) pp. LXXIV-942 - 220 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 35. A cura di Janet L. Johnson. COME NUOVO
3 Voll. In-4 (32 x 23,5) pp. LXXXV-870 - 205 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 15. A cura di Vincenzo Borghetti. OTTIMO
3 Voll. In-4 (32 x 23,5) pp. LVII-657 - 162 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 14. A cura di Paolo Pinamonti, con la collaborazione per il commento critico di Maurizio Corbella e Federico Lazzaro. COME NUOVO
3 Voll. In-4 (32 x 23,5) pp. LVII-657 - 162 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 14. A cura di Paolo Pinamonti, con la collaborazione per il commento critico di Maurizio Corbella e Federico Lazzaro. COME NUOVO
Chants et chansons populaires de la France - ed. 1854 Nouvelle é,dition illustré,e d'aprè,s les dessins de MM. E. de Beaumont, Daubigny, Dubouloz, E. Giraud, Meissonnier, Pascal, Staal, Steinheil et Trimolet Opera completa in due tomi Tomo 1: chansons choisies - romances, rondes, complaintes et chansonnettes Tomo 2: chants guerriers et patriotiques - chansons bachiques et burlesques Pag. 340 circa cad. Legatura in mezza pelle - Testo in francese. Condizioni generali buone. Segni di foxing naturale.  ,
Musica - Lotto fotografie e documenti musicologo Federico Mompellio 12 foto e una ventina di documenti tra biglietti e lettere. Condizioni molto buone. Federico Mompellio (Genova, 9 settembre 1908 &ndash, Domodossola, 7 agosto 1989) è, stato un musicologo italiano.
79214Lotto 4 album con centinaia di ritagli presi da giornali e riviste sui Beatles ed alcuni poster - anni '60 - '70 - '80 - Condizioni molto buone. unknown
58044Pagina originale manoscritta da Antifonario medievale - XV secolo - Foglio in pergamena; Canto liturgico in latino e note musicali scritte su due facciate stile gotico. - Capilettera in inchiostro rosso e blu. - Dimensioni: 24 x 33 cm ca. - Provenienza da collezione privata. - Condizioni molto buone con piccoli segni del tempo. unknown
10235The letters all on letterheads of the British Broadcasting Corporation BBC mainly from Broadcasting House London dating from between 1944 and 1952. For more information about Stephen Manton Bradbury or Stephen Manton as he was known professionally see his obituary in The Times 8 September 1970. The collection is in good condition on aged paper. The correspondence from various figures in various BBC music departments both London and regional and in a variety of formats from 4to down to 12mo breaks down to the following number of items per year: 1944 8; 1945 5; 1946 30; 1947 34; 1948 32; 1949 22; 1950 11; 1951 15; 1952 1. A businesslike correspondence with only very occasional personal asides casting an interesting light on the relations between the BBC and individual artists during the Second World War and its aftermath. Topics include contracts fees dates and times of engagements apologies for erroneous billing responses to complaints and suggestions advertising in the Radio Times. On 2 January 1950 Charles Groves writes to assure Manton that 'in speaking of your lack of heroics I was only thinking of the music which you submitted to me and I can assure you that there is no bar on you that might prevent you from singing the music for which you are suited with the Northern Orchestra'. Also present are more than thirty typewritten cast lists for performances featuring Manton separated from the relevant item of correspondence and a few drafts of Manton's letters and a small amount of correspondence from other sources including two letters apiece from his agents Wardour Agency Ltd and from the London music publishers Chappell & Co. The letters, all on letterheads of the British Broadcasting Corporation [BBC], mainly from Broadcasting House, London, dating fr unknown
Fine Turkish, Ottoman (1500-1928) Paperback. 4to. (28 x 20 cm). In Ottoman script and transcription into Latin letters. 16, [2] p. 1 b/w portrait of Samli Iskender. Leblebici Hor Hor [Aga] opereti. Chamli Isquender.= Kudmânizade Samli Iskender. Text by Takvor Nalyan. Not in Özege for this edition. Leblebici Horhor (Horhor the Chickpea Seller) is an 1875 Turkish-language operetta by the Ottoman-Armenian composer Dikran Tchouhadjian. Leblebici Horhor is often claimed as the first original Turkish operetta, though Tchouhadjian's Arif'in Hilesi (Arif's Trick) was at least year earlier - it is reported in 1874. Tigran Tchoukhajian was an Armenian composer, conductor, public activist and the founder of the first opera institution in the Ottoman Empire. He is considered the first opera composer in Turkish history.
Very Good Turkish, Ottoman (1500-1928) Original business card. Autograph notes on card. Autograph note in Ottoman script; print in French. Salih Munir Pasha was one of the grandchildren of Çorlulu Ali Pasha the grand vizier. His father, "Nafia" and Trade Minister Mahmud Jalaleddin Pasha. Salih Münir was born on November 4, 1859 in Istanbul. In 1939, at the age of 80, he died. His education was special. He was one of the first students of "Galatasaray Sultanisi". In 1869, during the wife of Napoleon's wife Empress Ojeni and the Sultan's visit to Galatasaray, 10-year-old Salih Münir's speech in French in the name of Galatasaray School, attracted a lot of attention. Because he was speaking French as his mother-language, he was chosen as a companion of Abdulhamid II the Prince in order to advance her French. Salih Münir's childhood passed with Abdulhamid's childhood, which would later sit on the throne...
19792142622Turnhout: Brepols 1975-1979. XV, (1), 1144, (2) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckeln und Rücken sowie rotgefärbten Kopfschnitten. [Hardcover / fest gebunden].
19802142665Turnhout: Brepols 1975-1980. XXVI, 808 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
This is a very good hardcover copy in a very good dustjacket with just light wear. Completely clean inside and out, no writing or marks. Text in Chinese. 227 color photographs of Nuo mask art from Guizhou, China. Nuo opera or Nuo drama is one of the most popular folk operas in southern China. Characterized by its special features such as ferocious masks, unique dresses and adornments, the strange language used in performance and mysterious scenes. 11" high X 9" wide, 147 pages. This book will be securely wrapped and packed in a sturdy box and sent with tracking.