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0259266264.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
025929375X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332922651.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
elala5277Toronto: March 31 1962. Toronto: March 31, 1962 unknown
0243588399.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8882917193.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1944039413New York: E. Weyhe 1944. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. 404 Pp. Black Cloth First Printing One Of 1675 Copies This One Inscribed To Architect Edmund R. Purvis Aia With A Unique Typewritten Sheet Tipped On To P. 401 Updating Armitage's Autobio In Brief To 1958 Also Signed By Armitage. Near Fine Bump To Lower Front Tip; Dj Clean And Unfaded Small Edge Tears A Few Minute Losses. Edmund R. Purves 1897-1964 Was Born In Philadelphia And Graduated From The Germantown Friends School In 1914. His Career At The Univeristy Of Pennsylvania Which He Entered In 1914 Was Interrupted By World War I; But He Received Is B.S. In Architecture In 1920. After Graduation Purves Returned To France Where He Attended The Atelier Gromort From 1920 To 1921. Upon His Return To Philadelphia Purves Joined The Firm Of Zantzinger Borie & Medary Where He Remained Through 1927 Only Spending 1925 With Willing Sims & Talbutt. In 1927 Purves And Another University Of Pennsylvania Graduate Kenneth M. Day Set Up Their Own Firm Of Purves & Day. Edmund R. Purves Joined The Aia In 1930 And Became A Fellow In 1944. In 1932 Purves Began To Work Independently. In 1937 Purves Thomas Pym Cope And Harry Stewart Established Purves Cope & Stewart Which Endured Until 1941. Again A War Intervened And Purves Moved To Washington Dc Where He Served As The Aia's Representative. He Volunteered For War Action Again However And By 1942 Was With The U.S. Air Force In The Pacific Theatre. In 1945 He Returned To Washington Dc And Resumed Work With The Aia As Director Of Public And Professional Relations And In 1949 He Was Promoted To Executive Director For The Institute A Position In Which He Remained Until 1960. For The Last Four Years Of His Life Purves Acted As Consulting Architect For The Dc Firm Of Chatelain Gauger & Nolan Architects And Engineers. <br/> <br/> E. Weyhe hardcover
THPU-62112Hardcover. NEW. US Standard Edition. We will ship same day or next day with trackable delivery method. Expedited Shipping Available. We don't entertain INTERNATIONAL orders ATM. 30-day money-back guarantee. hardcover
2010123175Den Norske Opera & Ballett 2010. Trade Paperback. Very Good. 3rd Edition First Printing. Published by Norwegian National Opera & Ballet 2010. Quarto. Pictorial wraps with flaps. Book is very good; with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have shelf wear and light smudges. Text is in English and Norwegian. A very good very scarce copy of this photobook highlighting the Oslo Opera House. 80 pages. ISBN: 9788299843003. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. We Buy Books! Individual titles libraries collections. Message us if you have books to sell! Den Norske Opera & Ballett paperback
92299USA: Angel Records USA Angel 3568 -5 SL/ Three mono records 5 sides in original sleeves in box with libretto booklet. No visible fualts to surfaces Fine box Near Fine overall. Antonio Votto directs Maria Callas Nicola Zaccaria Nicola Monti Fiorenza Cossotto in this Teatro alla Scalla recording. 2.5 JM FRT01. Fine. Vinyl LP records. Angel Records unknown
195492007USA: Angel Records 1954. USA 35035 Three mono LP record in paper jackets in the original box with the libretto booklet. Tullio Serafin conducts the Orchestra and Chorus of La Scala Opera House with Maria Callas in the title role Giuseppe di Stefano Nicola Rossi-Lemeni Rolando Panerai and others. This is the first recording of this opera and I believe it was the first operaic set issued on the then just new Angel label. No visible faults to record surfaces in Fine box includes the libretto booklet. 2.3 JM FRT03secondtop. Vinyl LP. Fine. Illus. by . Used Vinyl LP records. Angel Records Paperback
91993USA: Angel Records USA 3615 C/L "S" Three stereo LP record in paper jackets in the original box with the libretto booklet. Tullio Serafin conducts the Orchestra and Chorus of La Scala Opera House with Maria Callas in the title role Franco Corelli Christa Ludwig Nicola Zaccaria and others. This is the second version of Norma recorded by EMI in 1960 which features Callas in the title role in which she renewed her collaboration with Serafin with whom she had not worked since 1953. Signs of light use to record surfaces in Very Good box which includes the libretto booklet. 2.3 JM FRT01. Vinyl LP. Very Good. Vinyl LP records. Angel Records Paperback
91644USA: Angel Records USA 3615 C/L Three stereo LP record in paper jackets in the original box with the libretto booklet. Tullio Serafin conducts the Orchestra and Chorus of La Scala Opera House with Maria Callas in the title role Franco Corelli Christa Ludwig Nicola Zaccaria and others. This is the second version of Norma recorded by EMI in 1960 which features Callas in the title role in which she renewed her collaboration with Serafin with whom she had not worked since 1953. No visible faults to surfaces Fine in Fine box includes the libretto booklet. 2.3 JM FRT01. Vinyl LP. Fine. Used Vinyl LP records. Angel Records Paperback
195191989USA: Angel Records 1951. USA 3517 C Three mono LP records in Original jackets in the original box with the libretto booklet. Tullio Serafin conducts the Orchestra and Chorus of La Scala Opera House with Maria Callas in the title role Mario Filippeschi Ebe Signani Nicola Rossi Lemeni and others. No visible faults to surfaces Fine in Near Fine box includes the libretto booklet. 2.3 JM FRT01. Vinyl LP. Fine. Vinyl LP records. Angel Records Paperback
1976100846<p>New York April 19 1976. 1976. Fine. - Over 60 words typed on 10-1/2 inch high by 7-1/4 inch wide "MET: Metropolitan Opera Association Lincoln Center" stationery. The executive director of the Metropolitan Opera Anthony Bliss replies to City Center's former producer and director Jean Dalrymple's suggestion that she could be helpful to City Center again in managing the four ballet companies associated with the MET "Regardless of what kind of arrangements we may make on behalf of the ballet companies we certainly will want to get the benefit of your ideas and experience." Signed "Tony". Folded for mailing else fine.</p><p>Together with the retained copy of Jean Dalrymple's letter of April 6 1976.</p><p>The executive director of the Metropolitan Opera Anthony A. Bliss 1913-1991 gave up his law practice in 1974 to take over what was then a financially troubled organization. He co-operated with music director & chief conductor James Levine and the director of production John Dexter in the early 1980's. Bliss was also co-chairman of the Joffrey Ballet. Though tall and distinctive looking his wife Sally described him as "the most unsophisticated man I ever met. I pick out his clothes." and elaborated by saying "He has no gourmet instincts: I could feed him a can of Alpo." With a sense of humor Bliss then started keeping a can of dog food on his desk. President Lyndon Johnson appointed Bliss to the original National Council on the Arts.</p><p>The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, April 19, 1976. hardcover
503462<p>8" x 10". Half-length pose by John E. Reed Hollywood signed and inscribed to Joseph Huntley. Very good.</p><p>Signed and inscribed to African-American usher and autograph collector Joseph Huntley.</p><p>Bliss 1917-2014 soprano; in various operettas on Broadway. One film credit.</p> unknown
0428814042.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528595033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
906318Mississauga Ontario: Performance Media Group Ltd A Very Solid Clean Book. Published To Support The Performance Of Wagner's Ring By The Canadian Opera Company. In Near Fine Condition No Marks Or Inscriptions. Black Boards With Pictures Of Trees Silhouetted By A Prismatic Colour Circle. No Shelf Or Reading Wear. In Excellent Condition. Performance Media Group Ltd hardcover
238167 January 1886; on letterhead of 17 Westbourne Street Hyde Park W. See his entry in the Oxford DNB. 1p 12mo. In fair condition lightly aged. Folded once. In a loose untidy hand. He is ‘much obliged for the note of the 4th.’ and as she wishes has sent instructions to ‘Davy’ to whom he asks her to ‘send all communications’. He is ‘very sorry indeed’ to ‘loose sic’ her as a tenant. 7 January 1886; on letterhead of 17 Westbourne Street, Hyde Park, W. unknown
1985100069<p>New York October 8 1985. 1985. Fine. - Over 30 words penned on her embossed 4-1/8 inch high by 6-1/8 inch wide personal postcard stock. The actress Kitty Carlisle thanks her good friend City Center producer Jean Dalrymple "What a good friend you are! I will follow the prescription to the letter & pray that its sic not too late!!" Signed "Kitty". The card is addressed in her hand on the verso and postmarked from New York on October 8 1985. Fine.</p><p>Inducted into the American Theater Hall of Fame in 1999 Kitty Carlisle Hart 1910-2007 was an American stage & screen actress opera singer and television personality. A spokesperson for the arts she served on the New York State Council for the Arts for 20 years. Kitty Carlisle played the leading lady opposite Groucho in the Marx Brothers movie "A Night at the Opera" and regularly appeared on "To Tell the Truth".</p><p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, (October 8), 1985.
189967598The American Theatre January 1899. Hardcover. Good/No Jacket. Inscribed on blank facing page ' To Homer Bassford Esq St. Louis Oct 21st 1899. Compliments M.Southwell Manager C.S.Op. Co. Bassford was general manager of the St. Louis Times. book has some dusting to cover and spine edges otherwise tight and clean The American Theatre hardcover
1883005670New York NY: Metropolitan Printing and Engraving Establishment. Offered is "The Princess of the Canaries: Opera Bouffe in Three Acts and Four Tableaux - Libretto by A. Duru and H. Chivot Music by Charles Lecocq - As Originally Performed for the First Time in America by Mr. Maurice Grau's French Opera Company at the Fifth Avenue Theatre on Monday Evening Sept. 10th 1883" published in 1883 by the Metropolitan Printing and Engraving Establishment out of New York City. A left-stitched soft cover measuring 6-1/2" by 9-7/8" and containing 76 pages including interior paginated pages as well as blue covers. Printed directly following the first performance in the United States by Maurice Grau's French Opera Company at the Fifth Avenue Theatre New York on Monday evening September 10 1883 it contains a list of Characters on the first inside page; the remaining pages contain the complete opera in three acts with dialogue and lyrics no music in both French and English with the French version appearing on the left page and the English version appearing on the right page. The rear cover contains a splendid vintage ad with illustration of "Weber Grand Square and Upright Pianos" "Most Delicate and Impressive Effect". Condition: the front cover is nearly detached but present; narrow chips along outer fold; covers lightly soiled; short closed edge tear and a few corner creases; closed tear to mid-rear cover; interior pages lightly foxed. Exceptionally rare. . Good. Wraps. 1st Edition. 1883. Metropolitan Printing and Engraving Establishment paperback
1970AG-10062<p><b><i>Red Detachment of Women full Score </i></b><b><i>红色娘å军总谱</i></b><b><i> Hong Se Niang Zi Jun</i></b><br /></p><p>Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore December 1970<b> FIRST EDITION</b>. The July 1970 Script Revised and Performed Collectively by Shanghai Peking Opera Troupe. 25×18 cm. xiv 534 1 pp. Colophon. Quotations from Chinaman Mao on the second and third page printed red tilted wrappers <i>minor tear to the cover slight tears to the foot of the binding else very fine condition.</i></p><p>北京:人民出版社,1970å¹´12月第一版,新åŽä¹¦åº—å‘行。本总谱由上海京剧演出团于1970年演出本集体改编,å‰ä¸¤é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•,书皮有轻微磨æŸï¼Œå…¶ä»–å“相éžå¸¸å¥½ã€‚</p><p>In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong. They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film.</p><p>Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows."</p><p>æœ¬ç»„å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚</p><p>æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚</p> People’s Publishing House paperback
1972AG-10060<p>Beijing: Published by Foreign Language Press 1972 <b>FIRST EDITION</b> the January 1972 Script Revised by the Song of the Dragon River Group of Shanghai. Started with Quotation from Chairman Mao on the first page large 8vo xii 44 pp. 12 colophon fine condition <i>fine condition</i><br /></p><p>北京:外è¯å‡ºç‰ˆç¤¾å‡ºç‰ˆï¼Œ1972年第一版,由上海《龙江颂》改编,开头带有毛主å¸è¯å½•。本册共44页12页彩色舞å°ç…§ç‰‡ï¼Œå“相éžå¸¸å¥½ã€‚</p><p>In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film.</p><p>Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows."</p><p>æœ¬å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚</p><p>æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚</p><p><br /></p> Foreign Language Press