353 résultats
19792142622Turnhout: Brepols 1975-1979. XV, (1), 1144, (2) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckeln und Rücken sowie rotgefärbten Kopfschnitten. [Hardcover / fest gebunden].
19692142972Turnhout: Brepols 1969. XXXVIII, 395, (3) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
19692142936Turnhout: Brepols 1969. 510 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1985100069<p>New York October 8 1985. 1985. Fine. - Over 30 words penned on her embossed 4-1/8 inch high by 6-1/8 inch wide personal postcard stock. The actress Kitty Carlisle thanks her good friend City Center producer Jean Dalrymple "What a good friend you are! I will follow the prescription to the letter & pray that its sic not too late!!" Signed "Kitty". The card is addressed in her hand on the verso and postmarked from New York on October 8 1985. Fine.</p><p>Inducted into the American Theater Hall of Fame in 1999 Kitty Carlisle Hart 1910-2007 was an American stage & screen actress opera singer and television personality. A spokesperson for the arts she served on the New York State Council for the Arts for 20 years. Kitty Carlisle played the leading lady opposite Groucho in the Marx Brothers movie "A Night at the Opera" and regularly appeared on "To Tell the Truth".</p><p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, (October 8), 1985.
198447889Melbourne, Thomas Nelson Australia., 1984. 192 S. Gr.-8°, Kt. Used, but good condition. / Leichte Gebrauchsspuren, sonst gut erhalten.
19742124817Monachii (München) in Aedibus Chr. Kaiser 1963-1974. Unbeschnitten und teils ungeöffnet. 8° (21 x 14 cm). Orig.-Interimsbroschuren. [Softcover / Paperback].
19261701310064xbvkLeipzig, Breitkopf und Härtel, 1926. 46 Seiten, mit 2 Notenbeispielen; 2 S. Verlagswerbung zu Werken Busonis. - Kartonierter Originalumschlag mit Deckeltitel; 8vo.(ca. 21 x 16 cm).
2000148599Leiden, Boston & Köln: Brill 2000. XLVII, 224 Seiten. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
191147710BBLeipzig, Xenien Verlag, 1911-1912. 8°. 21 cm. XIII, 234 und XIII, 222 Seiten. Private Pappbände unter Verwendung der Original-Einbanddeckel mit goldgeprägtem Rückentitel.
1976100846<p>New York April 19 1976. 1976. Fine. - Over 60 words typed on 10-1/2 inch high by 7-1/4 inch wide "MET: Metropolitan Opera Association Lincoln Center" stationery. The executive director of the Metropolitan Opera Anthony Bliss replies to City Center's former producer and director Jean Dalrymple's suggestion that she could be helpful to City Center again in managing the four ballet companies associated with the MET "Regardless of what kind of arrangements we may make on behalf of the ballet companies we certainly will want to get the benefit of your ideas and experience." Signed "Tony". Folded for mailing else fine.</p><p>Together with the retained copy of Jean Dalrymple's letter of April 6 1976.</p><p>The executive director of the Metropolitan Opera Anthony A. Bliss 1913-1991 gave up his law practice in 1974 to take over what was then a financially troubled organization. He co-operated with music director & chief conductor James Levine and the director of production John Dexter in the early 1980's. Bliss was also co-chairman of the Joffrey Ballet. Though tall and distinctive looking his wife Sally described him as "the most unsophisticated man I ever met. I pick out his clothes." and elaborated by saying "He has no gourmet instincts: I could feed him a can of Alpo." With a sense of humor Bliss then started keeping a can of dog food on his desk. President Lyndon Johnson appointed Bliss to the original National Council on the Arts.</p><p>The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, April 19, 1976. hardcover
198265740München, Kindler, 1982. Erste deutsche Ausgabe. 215 SS. mit vielen Abbildungen. 8°, Original-Pappband mit Schutzumschlag.
190591187Parisiis (= Paris): Ludovicus Vivès 1872-1905. Gr. 8° (23 x 15 cm). Private Halbleinenbände der Zeit mit goldgeprägten Rückentiteln. [Hardcover / fest gebunden].
195492007USA: Angel Records 1954. USA 35035 Three mono LP record in paper jackets in the original box with the libretto booklet. Tullio Serafin conducts the Orchestra and Chorus of La Scala Opera House with Maria Callas in the title role Giuseppe di Stefano Nicola Rossi-Lemeni Rolando Panerai and others. This is the first recording of this opera and I believe it was the first operaic set issued on the then just new Angel label. No visible faults to record surfaces in Fine box includes the libretto booklet. 2.3 JM FRT03secondtop. Vinyl LP. Fine. Illus. by . Used Vinyl LP records. Angel Records Paperback
195191989USA: Angel Records 1951. USA 3517 C Three mono LP records in Original jackets in the original box with the libretto booklet. Tullio Serafin conducts the Orchestra and Chorus of La Scala Opera House with Maria Callas in the title role Mario Filippeschi Ebe Signani Nicola Rossi Lemeni and others. No visible faults to surfaces Fine in Near Fine box includes the libretto booklet. 2.3 JM FRT01. Vinyl LP. Fine. Vinyl LP records. Angel Records Paperback
1963032497Au Pont des Arts, Paris 1963. Hardcover Sehr gut
199353996Deutsche Grammophon, 1993. 435782-2 3 CD, Schuber, 121 S.; Abb. CD
19607942EBBudapest und Mainz, Verlag der Ungarischen Akademie der Wissenschaften/B. Schott's Söhne, 1960. 4°. 27 x 20 cm. 470 und 29 Seiten. 2 Original-Leinenbände mit Original-Schutzumschlägen im einfachen Pappschuber.
199529254Valois (UMIS - Universal Import) 1995. total playing time 66,45 min Audio CD
1985109551Turnholti: Typographi Brepols editores pontificii, 1985. 25,5 cm ; Leinen
1944039413New York: E. Weyhe 1944. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. 404 Pp. Black Cloth First Printing One Of 1675 Copies This One Inscribed To Architect Edmund R. Purvis Aia With A Unique Typewritten Sheet Tipped On To P. 401 Updating Armitage's Autobio In Brief To 1958 Also Signed By Armitage. Near Fine Bump To Lower Front Tip; Dj Clean And Unfaded Small Edge Tears A Few Minute Losses. Edmund R. Purves 1897-1964 Was Born In Philadelphia And Graduated From The Germantown Friends School In 1914. His Career At The Univeristy Of Pennsylvania Which He Entered In 1914 Was Interrupted By World War I; But He Received Is B.S. In Architecture In 1920. After Graduation Purves Returned To France Where He Attended The Atelier Gromort From 1920 To 1921. Upon His Return To Philadelphia Purves Joined The Firm Of Zantzinger Borie & Medary Where He Remained Through 1927 Only Spending 1925 With Willing Sims & Talbutt. In 1927 Purves And Another University Of Pennsylvania Graduate Kenneth M. Day Set Up Their Own Firm Of Purves & Day. Edmund R. Purves Joined The Aia In 1930 And Became A Fellow In 1944. In 1932 Purves Began To Work Independently. In 1937 Purves Thomas Pym Cope And Harry Stewart Established Purves Cope & Stewart Which Endured Until 1941. Again A War Intervened And Purves Moved To Washington Dc Where He Served As The Aia's Representative. He Volunteered For War Action Again However And By 1942 Was With The U.S. Air Force In The Pacific Theatre. In 1945 He Returned To Washington Dc And Resumed Work With The Aia As Director Of Public And Professional Relations And In 1949 He Was Promoted To Executive Director For The Institute A Position In Which He Remained Until 1960. For The Last Four Years Of His Life Purves Acted As Consulting Architect For The Dc Firm Of Chatelain Gauger & Nolan Architects And Engineers. <br/> <br/> E. Weyhe hardcover
1974021488Garden City New York: Doubleday & Company 1974 First printing of the stated first edition. Light shelf wear else book and dust jacket in fine condition. Doubleday & Company hardcover
1957208291957. Press photograph archive of African American women opera singers 1957-1977 documents the emergence and international recognition of Black performers within mid twentieth century classical music and operatic institutions. The images center on four prominent singers whose careers developed during and after the era of segregation when access to major stages and audiences expanded unevenly for Black artists. Figures such as Marian Anderson who broke barriers at the Metropolitan Opera in 1955 established a precedent for subsequent generations; the performers represented here advanced that presence through sustained international careers providing visual evidence of African American participation in elite cultural institutions during a period of social and cultural change.<br /> <br /> Six black and white silver gelatin press photographs each approximately 8 x 10 inches with captions and markings on recto and verso. Subjects include Adele Addison in two studio portraits from the 1950s later known as the singing voice for Bess in Porgy and Bess 1959; Shirley Verrett in two images including an early news photograph prior to a performance at Ambassador College Auditorium and a later 1976 stage portrait in formal concert dress; Martina Arroyo in a 1977 portrait during the height of her international career; and Grace Bumbry depicted in costume as Princess Eboli in Verdi's Don Carlos at the Metropolitan Opera in 1965. The photographs capture both staged publicity portraits and performance contexts documenting professional presentation and artistic identity.<br /> <br /> Produced during decades of expanding civil rights advocacy and gradual institutional integration the archive situates African American women within a field historically shaped by exclusion and limited access. Their visibility in major opera houses and concert venues reflects broader shifts in cultural recognition and professional opportunity while also underscoring the continued significance of performance as a site of racial and gendered representation. Minor edge wear; captions remain legible; overall very good condition. unknown
1910MUSI0132Wien, Artaria u. Lpz., Breitkopf & Härtel 1910. 28x35,5 cm, 263 S., mit 7 Illustrationen, HLn. d. Zt. m. aufkasch. OTit., u. gldgepr. RüTit., geringe Gebrauchsspuren. (= Denkmäler der Tonkunst in Österreich. Jhg. XVII). Erstausgabe. [3 Warenabbildungen]
1960MUSI0069Graz, ADEVA 1960. 26,8x34 cm, 177 S., OKart. (= Denkmäler der Tonkunst in Österreich. Jhg. XXXIV - Bd. 66). (Neupreis 67.-). Unveränderter Abdruck der 1927 in Wien erschienenen Ausgabe.
