19 958 résultats
ISBN : 2020065746. SEUIL. 1983. In-8 Carré. Relié, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Mouillures. 634 pages augmentées de nombreuses photos en couleurs et en noir et blanc dans et hors texte - Jaquette en bon etat - Legeres traces de mouillures sur les tranches en pied des dernieres pages.
1978R160188247SEUIL. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 318+401 Pages - Quelques phrases musicales dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1983028177Paris Seuil 1983 un fort volume in-8°, 634 pp. Reliure éditeur toilée rouge, jaquette. Nombreuses illustrations en noir & blanc.
19835728Seuil 1983 In-8. Reliure éditeur sous jaquette, 634 pp. Illustrations en noir
Siena; cm. 12,5 x 17,5, 76 pp. Accademia Musicale Chigiana - Pubblicazioni edite o promosse dall'Accademia 104 gr. 76 p.
A large quarto in a red DJ Dance -- Modern dance -- United States -- History -- Alvin Ailey American Dance Theater
2011263455Spoleto: Archivio Fotografico 2011. Two related items in a clever slipcase cum snap-closer box: largely captioned portrait and group photography b&w only in the Gian Carlo Menotti honor-fest vivid color in book devoted to Carla Fendi. Neither volume paginated Fendi's is lengthy and bound in laminated colorphoto boards the Menotti in openweave black cloth and dust jacket and much shorter. Item shows very classy upper-class doings the men in formal attire the women quite variously dressed there are g-strings for burly-que fun. Readers musically in tune will recognize many faces here this cataloguer was merely Oooo! Pavarotti! Both Menotti and Fendi make people open up; he for example is the only party host who ever publicly drew out Jackie Onassis' reserve; his congrats to her on RFK's win in the 1968 CA primary was met with her flairing "Why they will just kill him like they killed my husband" a remark that made European media but not here. Archivio Fotografico unknown
2011263455Spoleto: Archivio Fotografico 2011. Two related items in a clever slipcase cum snap-closer box: largely captioned portrait and group photography b&w only in the Gian Carlo Menotti honor-fest vivid color in book devoted to Carla Fendi. Neither volume paginated Fendi's is lengthy and bound in laminated colorphoto boards the Menotti in openweave black cloth and dust jacket and much shorter. Item shows very classy upper-class doings the men in formal attire the women quite variously dressed there are g-strings for burly-que fun. Readers musically in tune will recognize many faces here this cataloguer was merely Oooo! Pavarotti! Both Menotti and Fendi make people open up; he for example is the only party host who ever publicly drew out Jackie Onassis' reserve; his congrats to her on RFK's win in the 1968 CA primary was met with her flairing "Why they will just kill him like they killed my husband" a remark that made European media but not here. Archivio Fotografico unknown books
The history of Italian opera. With 40 illustrations. Index. A little foxing to pastedowns and front free endpaper. Light soiling on dust jacket.
Music and score of F. von Flotow's opera. English translation by Natalia MacFarren. Wear to base of spine and less so to top. Some chips to edges, general edgewear and soiling.
1853RO80053474DUVIELLA Mad. V. n.. 1853. In-16. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 31 pages.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1853R240073663CHEZ MAD V. N. DUVIELLA. 1853. In-12. Broché. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Intérieur acceptable. 31 pages - coins frottés - plats salis - tranches salies - coiffe en pied légèrement abîmée .. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1921RO30320237Miranda. 1921. In-8. Broché. Bon état, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 319 pages. Nombreuses photos en noir et blanc hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
104.628Paris, Gabriel Roux et Cassanet, 1846. "13 x 22, 2 volumes (4 tomes), 340-366 + 365-388 pages, reliure dos cuir à 4 nerfs, plats en léger relief (décor floral), bon état (dos insolés; importantes rousseurs, mais le texte reste parfaitement lisible)."
14x8,5 cm; dedica autografa e firmata dalla Dal Monte sulla foto
Milano, Firenze, Lipsia. Ricordi, 1901 - . Carisch & Janichen. Venturini. Sedici opere per pianoforte, rilegate in un volume in tela di mm. 340. pp. 7;(2), 11; 3; 6; 7; 14; 5; 5; 9; 7; 11; 7; 5; 5; 7.
In 16o, pp. 118, br. Opera prima in prima edizione con dedica autografa a Carlo De Roberto, artista e critico letterario trevigiano, del poeta dialettale romano. Prefazione di Amleto Fattori. Ottimo e molto raro (00885/FEDERICO TOSTI - PRIME EDIZIONI NOVECENTO - OPERA PRIMA - ROMA - POESIA DIALETTALE)
Cm. 24,5 x 17; pp. 283 con numerose illustrazioni b/n; cartonato editoriale con titolo oro al dorso; sovraccoperta illustrata plastificata; cucito.<BR>piccola perdita al dorso della sovraccoperta; per il resto più che buono.<BR>Prima Edizione. <BR>Con uno scritto di Gianandrea Gavezzeni, un saggio critico di Giorgio Gualerzi e un omaggio di Placido Domingo.
Mm 155x215 Collana "Testi e ricerche di scienze religiose. Nuova serie". Volume nella sua brossura originale con alette, xiii + 364 pagine. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 240x280 Brossura originale con bandelle, 172 pagine con numerose figure in nero e a colori nel testo. bibliografia ed indice dei nomi in chiusura. Prefazione di Enrico Crispolti, presentazione di Peggy A. Loar, fotografie di Nicolas Sapieha. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
In 8 (19,5x13) Brossura illustrata; pp. 182; Ottimo
19931145331993 N° 1 - 1er trimestre 1993 - Edité par Semic France - In-4, broché couverutre illustrée - 67 pages - Très nombreuses illustrations et reproductions photographiques en couleurs in et hors texte
ill., br. La russa Anna Netrebko è attualmente il soprano più celebre nel mondo, considerata la vera erede di Renata Tebaldi e di Maria Callas. Qui si racconta il suo ruolo nell'arte lirica, fin da quando nella natia Krasnodar giocava al teatro nell'"Antro delle meraviglie" della cantina di casa, interpretando di preferenza la strega Baba Yaga e le saghe etniche. Ed eccola, adolescente, a Pietroburgo per affinarsi nel canto, lavando i marmi del Marinskij per mantenersi agli studi e spiare i grandi della Lirica. Lì, come in una favola, la noterà il giovane direttore artistico e d'orchestra Valery Gergiev. Verrà così il debutto con le mozartiane «Nozze di Figaro», e poi i grandi successi internazionali dovuti alla sua eccezionale bellezza, alla voce piena e limpida da "soprano drammatico d'agilità", all'abilità mimica ed interpretativa, al grande carisma iconico. Seguono le stagioni allo Staatsoper di Vienna ed al Festival di Salisburgo, al Metropolitan di New York ed alla Scala di Milano, i grandi concerti nelle capitali del mondo, con incisioni che dominano la produzione Deutsche Grammophon. Il saggio procede attraverso accurate analisi dal vivo sulle performance, recuperate grazie ad un prezioso archivio, da cui sono tratti essenziali fermi-immagine per ogni evento live: primi piani, posture, dinamiche, costumi, dettagli e le sublimi "emissioni in maschera" per un libro-spettacolo ricco di documentazione e di fascino.
24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms†which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown