19 958 résultats
1943045923New York: Hamish Hamilton 1943. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. 504 Pp. Beige Cloth Stamped In Black. First Printing. Near Fine In Near Fine Dust Jacket Priced $3.50. Small Area Of Slight Browning At Gutter Edges Of Front Endpapers And Binding Slightly And Partly Cracked After Front Free Endpaper <br/> <br/> Hamish Hamilton hardcover
Barcelona, Edic. Renard, 1998. Nombroses fotografies en b/n fora text d'Amadeu Mariner i Pau Audouard. 132 p. 8è major. Rústica editorial il·lustrada amb solapes. Apaisat. Molt bon exemplar.
2009RO80277628Nationaltheater Mannheim. 2009. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 68 pages agrafées - quelques photos en couleurs hors texte - texte en allemand et en français.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1922R240073649HEUGEL. 1922. In-12. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. 35 pages - tampon sur le 1er plat - étiquette collée sur le 1er contre plat - coins frottés - tranches salies.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
39380Ottawa. Free Press Print. 1881. 25x 16cm one sheet folded 4 pages decorated titles in frame borders with 4 local advertisments on the margins & a full last page ad for J.L. Orme & Son on fine light weight tinted grey paper in fine condition rare. On Plays with actors listed include: "A Husband in Clover" and "Old Gooseberry". "During the evening the Band of the Governor General's Foot Guards will perform. Ottawa. Free Press Print. 1881 unknown
Ambrosi Primo Cesare Ambrosi Primo Cesare. Le vie dell'abisso... Libreria Editrice Ditta Serafino Majocchi. 1922 - I. Milano, Libreria Editrice Ditta Serafino Majocchi 1922 - I italiano, in sedicesimo pp.64 29093 Le vie dell'abisso... - I ed. - in 16 - brossura - pp. 64 - ottimo
153645587Köln, Gottfried Hittorp für Eucharius Cervicornus, 1536. Fol. Mit breiter figürl. Holzschn.-Titelbordüre, zahlr. meist figürl. Holzschn.-Initialen u. 22 Textholzschnitten. 12 Bll., 442 S, 1 weißes Bl. - Angeb. - Dionysius Areopagita. S. Dionysii Areopagitae libros commentaria, studiosis omnibus hactenus multum desiderata, sed nunc primum utilitati publicae donata. Praeter haec adest hic quadruplex operum sanctissimi martyris è graeco in latinum translatio [...]. Prima [...] Iohannis Scoti Benedictini [...]. Secunda, Iohannis Sarraceni. Tertia, Ambrosii abbatis Camaldulensis. Quarta [...] Marsilij Ficini. Quinta [...] abbatis Vercellensis [...]. Köln, Peter Quentel, 1536. Mit breiter figürl. Holzschn.-Titelbordüre, einem Wappenholzschnitt u. zahlr. meist figürl. Holzschn.-Initialen von Anton Woensam. 12 nn., CCCCXIX (recte 421) num., 1 nn. Bll., Blindgepr. Ldr.-Bd. d. Zt. a. 4 Bünden.
19792142622Turnhout: Brepols 1975-1979. XV, (1), 1144, (2) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckeln und Rücken sowie rotgefärbten Kopfschnitten. [Hardcover / fest gebunden].
200147466Warner Music, (2001). DVD DVD
19891076851989 Vol.70 N° 9 - Septembre 1989 - Revue mensuelle illustrée - Texte en anglais - In-4 - Broché - 88 pages
Pages 295-334 plus xvi pages of ads. Features: "Castlewood," the Villa of Louis Bruguierre, Esq., Newport, RI - a vast and stately building in the Georgian style; The Japanese Garden of "Yademos" - The Country Seat of Charles Phizer, Esq., Bernardsville, NJ; "Huck-Ween Lodge" - the Summer Camp of William Curtis demorest, Esq., Loon Lake, NY; Half a Dozen Great Home Trees; The Value of a Pleasant Sun Room; A Home Shrubbery; Economic Methods in Mushroom Growing; Glimpses of Old Annapolis; Sun-Dials; "White Lodge" - the residence of Charles H. Roberts, Esq., Wynnewood, PA; Well-Designed Applique - an effective means of decoration; Wonderful sepia-tone photo-illustrated back cover ad for the Victor-Victrola XX (Louis XV design) features photos of eleven opera stars; and more. Average wear. Unmarked. A sound copy of this wonderful vintage issue. Magazine
Photography by Kaz Tsuruta. Il testo è in inglese<br/>Legatura brossura con bandelle<br/>Formato Ottavo<br/>Num Pagine 111<br/>Illustrazioni numerose a colori fuori testo<br/>Prima Edizione
Amici della Scala - Le capitali della musica - Napoli - 1^ ed. 1987 Banca Sannitica Pag. 175. Con illustrazioni. Copertina rigida - Testo in italiano. Condizioni molto buone. Con custodia in cartonato.  ,
" Aminta favola boschereccia di Torquato Tasso musiche di scena di Cristoforo Gluck rappresentata in Firenze nel Reale Giardino di Boboli il 29 giugno 1939, sotto l'alto patronato di S. A. R. La Principessa di Piemonte in occasione delle nozze delle LL. AA. RR. la Principessa Irene di Grecia e Danimarca e il principe Aimone di Savoia - Aosta Stab. Vallecchi, s.d. (1939), cm 31x22, pp. non num. (pp. 48), legatura in tutto cartonato ed. rivestito in finta pergamena, piccolo fregio impresso in oro al piatto ant. Testo in quattro lingue (italiano, inglese, francese, tedesco). Condizioni di conservazione Esemplare in buone condizioni con tracce d'uso, coperta con qualche piccolissima brunitura, piatto post. con poche lievi ombre di gore che interessano in misura leggera e circoscritta il margine inf. di varie pagine senza mai coinvolgere il testo, dorso e cuffie con piccole mancanze (al dorso la mancanza è, di qualche cm). Interni buoni, margine int. di qualche pagina lievemente aperto, esemplare compatto. Libretto di presentazione dell'opera musicale "Aminta", tratta dall'omonima del Tasso e rappresentata in occasione delle nozze tra la principessa Irene di Grecia e Danimarca e il Principe Aimone di Savoia - Aosta. Testo in quattro lingue (italiano, inglese, francese, tedesco). SETT82.L7262 N "
Traduzione di Agostino Lombardo. Volume in brossura di cartoncino ruvido flessibile con illustrazione al piatto. Testi interni sulla storia delle rappresentazioni a cura di Mario Brandolin, Agostino Lombardo, Alessandro Serpieri, Roberta Gefter Wondrich,Renzo s. Crivelli, Giuseppina Restivo. Numerose immagini in bianco e nero nel testo e, fuori testo, tavole a colori a piena pagina della rappresentazione con protagonista Kim Rossi Stuart del 1998 - 99. Buono lo stato di conservazione con pagine ben tenute patinate come i tagli. Volume LXV ( 65 ) della collana. Numero pagine 152. USATO
Milano, E. Sonzogno - Paris, Heugel & Comp., 1881, in-8, br. edit., pp. 56. Bella cop. ant. ill. da Sperati: Amleto e lo spettro del Re sullo sfondo innevato del castello di Elsenore. Elencati i nomi dei cantanti e del maestro concertatore Carlo Pedrotti (Verona, 1817-1893). La prima dell'opera-ballo era avvenuta nel 1868 all'Opéra di Parigi; la prima italiana a Venezia a La Fenice nel 1876.
<br/>Legatura rilegato in cartonato editoriale<br/>Formato Ottavo<br/>Num Pagine 127<br/>Illustrazioni numerose a colori e in b/n<br/>Prima Edizione
In-8° pp. 128 con ill. n.t. Leg. in cartonato edit. ill. Come nuovo.
In-8°, 31pp,(1), libretto d’opera di Marco Coltellini, con elenco degli interpreti e coreografi, direttore d’orchestra, costumista, etc. Frontespizio xilografico figurato con due putti. Iniziali e fregi xilografici. Cartonato coevo. Weaver, Robert Lamar; Wright Weaver, Norma, A chronology of music in the Florentine Theater, 1751-1800. Operas, prologues, farces, intermezzos, concerts and plays with incidental music, Warren : Harmonie Park Press, 1993
Avvertimento 1 17,5x11 cm., in brossura, pp. 42, prima edizione, in italiano, in seconda, terza e quarta di copertina Elenco del libretti d'Opera di esclusiva propriet? di Giovanni Ricordi, buone condizioni
19782142705Turnhout: Brepols / Leuven: University Press 1978. XXX, 379, (1) Seiten. Gr.-8° (25,5 x 16 cm). Orig.-Leinenband mit vergoldeter Titelprägung auf Rücken und Deckel sowie grüngefärbtem Kopfschnitt. [Hardcover / fest gebunden].
193191946Paris Chez l'auteur 1931 1 vol. broché petit in-4, broché, non coupé, 50 pp. Édition originale de ce drame lyrique créé en juin 1931 à l'Opéra Garnier, en tirage à part de la revue Commerce (printemps 1931, n°XXVII). Un des 40 exemplaires numérotés sur Hollande, seul tirage avec 10 Japon, enrichi d'un envoi autographe signé de l'auteur à son ami "G. Jean Aubry, (qui me prêta sa belle voix), bien amicalement". Couverture bleue un peu brunie en bordure comme souvent, sinon très bel exemplaire [Karaïskakis & Chapon, 176].
193191946Paris Chez l'auteur 1931 1 vol. broché petit in-4, broché, non coupé, 50 pp. Édition originale de ce drame lyrique créé en juin 1931 à l'Opéra Garnier, en tirage à part de la revue Commerce (printemps 1931, n°XXVII). Un des 40 exemplaires numérotés sur Hollande, seul tirage avec 10 Japon, enrichi d'un envoi autographe signé de l'auteur à son ami "G. Jean Aubry, (qui me prêta sa belle voix), bien amicalement". Couverture bleue un peu brunie en bordure comme souvent, sinon très bel exemplaire [Karaïskakis & Chapon, 176].
1390249239.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
AQ25079vs.: vs. c. 1820s-1930s 12mo 8vo and quarto. The majority preserved within original publisher's wrappers. An extensive archive of theatrical publications and ephemera emanating from the recently dispersed library of Howth Castle County Dublin seat of the Gaisford-St. Lawrence family comprised of theatre programmes and libretti representing productions spanning from the late 1820s up to the 1930s both domestic and Continental in origin. The 94 individual publications comprehend: Eight playscripts and libretti printed in Paris between including an 1828 edition of Théaulon and Choquart's comic vaudeville Monsieur Jovial ou l'huissier-chansonnier 1827 and an 1882 issue of Charles Gounod's five-act opera Faust set to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite. 15 Italian productions variously printed at Rome Milan Florence and Naples in the latter half of the nineteenth century including an 1848 Neapolitan edition of Verdi's four-act opera Nabucodonosor composed to an Italian libretto by Temistocle Solera first performed at La Scala in Milan 9th March 1842; and a programme to accompany the first performance of Verdi's Attila at La Fenice in Venice 17th March 1846. An Italian language edition printed at Barcelona in 1845 of Jacopo Ferretti's libretto Eran due or son tre 1834. 70 theatre programmes operas and Italian-language libretti printed in London spanning the century between the 1830s and 1930s including: 15 issued in the 1870s as a part of 'Davidson's Musical Opera-Books' series published in conjunction with performances at 'London's Italian Opera Houses' of productions of inter alia Rossini's The Barber of Seville Bizet's Carmen and Mozart's Don Giovanni and The Magic Flute each with a parallel English translation and 'the music of the principal airs'. The first appearance in print of the libretti for five Gilbert and Sullivan productions: Patience 1881 Princess Ida 1884 The Mikado 1885 The Yeomen of the Guard 1888 and Utopia 1893. A magazine-programme for a run of performances at the Shaftesbury Theatre in 1926 of J. M. Barrie's Peter Pan; or the Boy Who Wouldn't Grow Up 1904 - a production with which Barrie was directly involved - with Dorothy Dickson in the lead role. A run of 12 programmes for the 1925/26 1926/27 seasons at the The Old Vic including 11 productions of Shakespeare's plays all notably featuring leading Shakespearean actor Baliol Holloway d. 1967. Notable members of the Gaisford-St. Lawrence family included Thomas Gaisford 1789-1855 English classical scholar sometime curator of the Bodliean Library Regius Professor of Greek at Oxford and Dean of Christ Church. Gaisford’s eldest son Thomas Gaisford of Offington Sussex 1816-1898 British Army officer married in 1859 as his second of three wives Lady Emily St Lawrence d. 1868 eldest daughter of the third Earl of Howth. Their eldest surviving son Royal Navy officer Julian Charles Gaisford-St Lawrence 1862-1932 succeeded in 1909 his uncle the fourth and last Earl of Howth and came to reside at Howth Castle in Co. Dublin. A rare opportunity to acquire an ephemeral archive which not only exemplifies the theatrical passions of a single family across least three generations but documents the evolution of nineteenth century stage production charts the popular progress of Italian-language libretti in both Britain and on the Continent and exhibits the situation of English theatre prior to the post-war dominance of television and film. . [vs.], [c. 1820s-1930s] unknown
