19 958 résultats
19612142618Turnhout: Brepols 1961. XIX, (1), 345, (1) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1976100846<p>New York April 19 1976. 1976. Fine. - Over 60 words typed on 10-1/2 inch high by 7-1/4 inch wide "MET: Metropolitan Opera Association Lincoln Center" stationery. The executive director of the Metropolitan Opera Anthony Bliss replies to City Center's former producer and director Jean Dalrymple's suggestion that she could be helpful to City Center again in managing the four ballet companies associated with the MET "Regardless of what kind of arrangements we may make on behalf of the ballet companies we certainly will want to get the benefit of your ideas and experience." Signed "Tony". Folded for mailing else fine.</p><p>Together with the retained copy of Jean Dalrymple's letter of April 6 1976.</p><p>The executive director of the Metropolitan Opera Anthony A. Bliss 1913-1991 gave up his law practice in 1974 to take over what was then a financially troubled organization. He co-operated with music director & chief conductor James Levine and the director of production John Dexter in the early 1980's. Bliss was also co-chairman of the Joffrey Ballet. Though tall and distinctive looking his wife Sally described him as "the most unsophisticated man I ever met. I pick out his clothes." and elaborated by saying "He has no gourmet instincts: I could feed him a can of Alpo." With a sense of humor Bliss then started keeping a can of dog food on his desk. President Lyndon Johnson appointed Bliss to the original National Council on the Arts.</p><p>The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, April 19, 1976. hardcover
198028607New York: October 14 1980. 1980. Very good. - sc Quarto 11 inches high by 8-3/8 inches high. 201 words typed on a sheet of cream paper with her address typed at the top. Signed "Constance DeJong". The left edge of the paper is darkened & there is a light paper-clip mark to the top left corner with a small light stain just below the body of the letter. Very good. <p>DeJong writes to Gary Wilkie of Contexts in Seattle to ask if she could present her new work there as part of a tour that will take her to Portland Oregon. She encloses a photo and resume: "It's not very up to date in terms of the new work I'd be presenting or the recently completed book and opera I wrote with Philip Glass." A publicity sheet from Art Performances New York states: "Constance DeJong is one of the young post-modern writers who has made performance a natural extension of her work as a writer. By blending some of the traditional techniques of theatre - lighting movement music - performances extend her work beyond the written word into an almost tactile presence a context where the narrative can come to life. New York: October 14, 1980. unknown
<br/>Collana NARRA 57<br/>Legatura brossura con bandelle<br/>Formato Ottavo<br/>Num Pagine 502<br/>Illustrazioni in b/n fuori testo<br/>Traduttore Gioia Angiolillo Zannino<br/>Prima Edizione
21 cm, brossura illustrata con qualche traccia d'uso alle copertine; pp. 178, alcuni esempi musicali
In 8, leg. ed. con sovracc., pp. XIV+610 con ill. in n. n.t., introduzione e note di Luigi Baldacci, con una postfazione di Gino Negri.Prima ed.Pieghe, piccole abrasione e tracce di sporco alla sovracc., piccole gore al dorso della sovracc., lieve spolveratura al taglio sup., alone alle sguardie, dedica d'appartenenza al frontespizio, interno in ottime condizioni.Luogo di pubblicazione MilanoEditore GarzantiAnno pubblicazione 1975Materia/Argomento Lirica, OperaPrima Edizione S
Mm 145x215 Prefazione di Marzio Pieri. Volume cartonato, legatura editoriale in tela, XXXVI-264 pagine, sopracoperta originale, alcune figure in nero nel testo. Esemplare in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE
Mm 155x235 Prefazione di Marzio Pieri. Volume in mezza pelle con scritte in oro su riquadri al dorso, XXXVI-264 pagine con alcune figure in nero non compre nel testo. Esemplare in condizioni di ottimo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE
PERFETTO, MAI SFOGLIATO; LIEVISSIMI SEGNI DEL TEMPO. Informazioni bibliografiche Titolo: Tutti i libretti di Bellini Curatore: Olimpio Cescatti Prefazione di: Marzio Pieri Editore: Milano: Garzanti, 2001 Collana: Grandi Opere ISBN: 8847901189, 9788847901186 Lunghezza: 279 pagine, 23 cm; ill. In appendice: Ernani (frammenti): melodramma in 2 atti di Felice Romani. Soggetti: Musica classica, Opera lirica, Teatro, Drammaturgia, Opere, Biografie, Vincenzo Bellini, Adelson e Salvini, Bianca e Gernando, Seconda versione, Ottocento, '800, Libretti musicali, La sonnambula, Norma, I puritani, Compositori italiani, Wagner, Classicismo, Zaira, Beatrice di Tenda, Capuleti e Montecchi, Straniera, Pirata, Sicilia, Scuola musicale napoletana, Real Circolo Bellini, Biografia, opere liriche, librettisti Parole e frasi comuni ADALGISA ADELE ADELSON Adelson e Salvini AGNESE ALAIDE ALESSIO alfin AMINA amor Antonio Tamburini ARTURO ABEATRICE Bellini belliniana BIANCA Bianca e Fernando BONIFACIO BRUNO cabaletta CAPELLIO CARLO CAVALIERI CLEMENTE contento CORASMINO CORO crudel d'amor DAMIGELLE dolor duol ELVINO ELVIRA ENRICHETTA ERNANI ERNESTO FANNY FATIMA Felice Romani FERNANDO figlio FILIPPO fuggifuror GERNANDO GERONIO e CORO gioia Giovanni Battista Rubini Giuditta Pasta giuro grido Gualtiero guerrieri IMOGENE ISOLETTA ITULBO libretto lieta LISA LORENZO LUSIGNANO MADAMA RIVERS MELEDOR mezzosoprano Milord Montolino morte musica NELLY Ah NERESTANO Norma ognor Oh ciel Oh Dio OROMBELLO OROSMANE OROVESO e CORO OSBURGO padre piange pianto pietà Pirata POLLIONE Puritani RICCARDO e GIORGIO RODOLFO ROMEO SALVINI Ah Scena quarta Scena terza signor sospiri speme sposa STRULEY suon sventurata t'amo taci Teatro TEBALDO TERESA traditor trema UGGERO VALDEBURGO VALTON veggo vendetta Vincenzo Bellini VISCARDO Zaira
Roma, Newton Compton, 2001, 8vo (cm. 22,5 x 16,5) brossura editoriale con alette, copertina illustrata a colori, pp. 863. Edizione integrale.
In-8°, legatura editoriale in finta pelle opp. XXI(1)-(2)1366(2). Testo - solo in italiano - su due colonne. La pubblicazione fu un evento editoriale per la cultura italiana; traduzioni di Cecchi, Praz, Bajocchi, Montale, Vittorini, Linati, Pavolini, Baldi, Pccoli, Castelli, Melchiori, Mabellini e altri. Esemplare allo stato di nuovo, in cofanetto muto editoriale.
In-8 (cm. 22.10), similpelle editoriale, sovracoperta editoriale illustrata, pp. 637, (3). A cura di Aldo Camerino. Minime abrasioni superficiali al piatto posteriore ed al dorso della sovracoperta; peraltro, volume in ottimo stato (nice copy).
Formato cm. 21,5 x 14. Pagine XX - 1169 - (3). Rilegatura in similpelle verde con titoli in oro al dorso e al piatto anteriore. Stato di conservazione molto buono. Edizione del Centenario. Contiene le seguenti opere di Dante: Divina Commedia, Vita Nuova, Rime, De vulgari eloquentia, Monarchia, Epistole, Ecloge, Quæstio de aqua et terra
Legatura in cartoncino rigido telato, dalla copertina leggermente sbiadita, mancante di sovraccoperta, in buono stato con titolo in oro al dorso, in tasselli rossi. Ritratto fotografico dell' Autore in antiporta. Buono lo stato di conservazione complessivo, pagine perfettamente preservate, leggermente ambrate, maggiormente ai margini e ai tagli. Contiene Cronaca del Regno di Carlo IX - Mosaico - Un duplice sbaglio - Le anime del Purgatorio - La Venere d' Ille - Colomba - Arsenia Guillot - Carmen - Don Albano - Il vicolo di donna Lucrezia - La camera azzurra - Lokis - Giùman. A cura di Anton Francesco Filippini. Volume n. XI ( 11 ) della collana. Numero pagine 760. USATO
In-8°, pp. 47, bross. edit. Ripristino 1944.
23 cm, brossura illustrata da Cisari; pp. 86, testo incorniciato
Bologna, Ente Autonomo Teatro Comunale di Bologna, 1978, 8vo libretto con copertina illustrata, pp. 70 con due tavole fotografiche nel testo. Stato di nuovo. Opera e balletto. 1978 – 1979.
Stagione d'Opera 2006 - 2007. Il testo è in italiano, francese, inglese, tedesco<br/>Collana I LIBRETTI 79<br/>Legatura brossura<br/>Formato Ottavo<br/>Num Pagine 131<br/>Illustrazioni a colori e in b/n fuori testo<br/>Prima Edizione
<p>22 cm, brossura editoriale illustrata a colori da G. Cisari, p. 86. Testo in cornice tipografica rossa. Alcune illustrazioni, testatine e finalini n.t. illustrate da Cisari. Libretto della prima rappresentazione dell'opera al Teatro La Scala di Milano. Minimi segni del tempo al dorso della brossura, per il resto ottimo esemplare.</p>
2004R200102054Mairie de Bordeaux. 2004. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages augmentées de nombreuses photos et illustrations en noir et blanc,dans et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
13718o.J. Sängerin. 1841-61 Primadonna der Berliner Oper. 1824 Wien - 1883 Baden b. Wien. Halbfigur. Stahlstich von Auguste Hüssener. 200 x 170 mm.
192920354Paris: Opéra Privé de Paris 1929. Good/No Dust Jacket As Issued. <br /> RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE.<br /> A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929 this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine.<br /> <br /> Founded immediately following the death of Sergei Diaghilev the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers designers and musicians associated with the Russian diaspora transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris.<br /> <br /> PHYSICAL DESCRIPTION: Quarto format approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin executed from stage maquettes by Alexandre Korovine together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout including several full-page advertisements.<br /> <br /> CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue.<br /> <br /> Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market especially in near-complete condition. HISTORICAL SIGNIFICANCE -<br /> The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history.<br /> <br /> Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage.<br /> <br /> This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929 Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades.<br /> <br /> The production of Rimsky-Korsakov's 'Tsar Saltan' adapted from Pushkin's fairy-tale poem provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery combined with the scenic interpretation of Alexandre Korovine preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century.<br /> <br /> Beyond its theatrical importance the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements portraiture typography and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars.<br /> <br /> SUBJECTS: Ballets Russes Legacy Ivan Bilibin Stage Design Russian Émigré Art Paris Theater History Rimsky-Korsakov Tsar Saltan Interwar Opera Culture Russian Opera In Paris Chromolithographic Illustration Illustrated Performance Programs Opera Ephemera Theater History Russian Modernism Illustrated Programs. Opéra Privé de Paris unknown
100325Paris Librairie Illustrée 253x167mm Paris, Librairie Illustrée, sans date. Illustré de trente gravures hors texte et de cent vignettes dans le texte d'après les dessins de l'auteur. Frontispice en couleurs représentant la Loie Fuller. Broché, couverture illustrée, non coupée. (100325)
Milano, Mondadori, 2007, 8vo (cm 22 x 15) leg. editoriale con sovraccoperta ill, pp. 261 con tav. fot.
A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. Includes laid in typewritten letter written and signed by Kenward Elmslie to a potential reviewer.
