Christoph Willibald GluckBiblio.com
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199036322<p>The book has 71 pages three fold-out sections. The text is printed on white hand-made Fabriano Umbria paper in black ink with headings printed in five colors and the three fold-out sections are printed on different pastel shades of MacGregor-Vinzani specially made for this edition. The various cutouts and collages are in different colors as well. Michael Alpert printed the book created and constructed all the various components of the book itself and its binding. The book is bound in a hand made paper wrappper and then inserted into a binding made of paper by MacGregor-Vinzani. The book is then placed in a cloth covered clamshell box with a paper spine label. </p><p>The book also contains the two-cd set of a recording of Gluck's opera laid into pockets at the back of the book. Number 16 of an edition of 90 copies. Signed by Alpert on the colophon. </p><p>Fine in a fine clamshell box. </p><p>Alpert and the Theodore Press have collaborated on other artists' books creations with Claire van Vliet and her Janus Press particularly with her production of King Lear. All of the various materials textures and colors come together in a beautiful production. Winner of the 1990 Stephen Harvard Prize for excellence in the Book Arts.</p> Theodore Press
1396174478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366899821.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
036498404X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0656595760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391751124.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396474447.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332586987.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197221836Kassel Basel London: Barenreiter 1972. Urtext edition. Hardcover. Near Fine. 10 1/4 x 13 inches. XVI 393 pages. Light blue cloth with dark blue printing. Condition is Near Fine; Pages are very clean and unmarked binding is tight. Music STK WXH Barenreiter hardcover
1998R260149275ACTES SUD / THEATRE DE CAEN / OPERA DE MONTPELLIER. 1998. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 106 pages. Premier plat illustré en couleurs. Couverture rempliée.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1997R260149172GRAND THEATRE DE BORDEAUX. 1997. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Monographie d'opéra de 41 pages. Premier plat illustré en couleurs. Couverture rempliée. Nombreuses illustrations en noir et blanc dans le texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
186050572Darmstadt, Koehler, um 1860. Bild ca. 16 x 12 cm, Blatt ca. 24 x 17 cm. 1 Blatt, verso weiß.
1999128851Berlin: Friedenauer Presse, 1999. 99 S. ; 18 x 12 cm ; kart. ;
19841245198München: Deutscher Taschenbuch-Verlag, 1984. LVII, 484 S. kart.
1984156323München ; Zürich : Artemis-Verlag. 1984. 594 S. 18*11 cm. OLeinenband, OSchu.
1979RO50046814GERARD BILLAUDOT. 1979. In-4. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur acceptable. 24 pages de partitions. Premier plat illustré en couleur monochrome avec les photographies de : Schumann + Clementi + Glück.. . . . Classification Dewey : 780.26-Partitions
2005154065Tübingen: Mohr Siebeck. 2005. XII, 430 Seiten 22,5*14,5 cm. OBroschur.
293, Munich, F. Bruckmann, 1922., Brosschiert, Original-Umschlag, 20x28,5cm, 113-132pp, illustriert s/w.
296, Munich, F. Bruckmann, 1922.(db), Brosschiert, Original-Umschlag, 20x28,5cm, 133-159pp, illustriert s/w.
1916WRCLIT67956Np 1916. Original silver print of formal photographic portrait. 175 x 125mm. Mounted an evidently extracted from an album amicorum or scrapbook with another party's photo and inscription on verso. Mount a bit chipped and edge-torn faint crease on photo otherwise good. Enclosed in oversize half-morocco slipcase. Inscribed twice by Clemens 1874-1962 the sole surviving child of Samuel Clemens. On the photograph itself she has written: "To Miss Howland with the cordial wishes of Clara Clemens." The recipient is further identified by the inscription on the verso from Alma Gluck the Romanian-born American soprano accompanied by a clipped portrait photo from a magazine to "Enid Howland." Additionally Clemens has inscribed the mount: "Most cordially Yours Clara Clemens Sept. 16th 1916." Clara was after her father's death the controversial custodian of his estate and literary rights. She published her biography of him in 1931 along with books on other subjects and worked at a career in singing with which this artifact is likely connected. unknown books
201222298Houston TX: Museum Of Fine Arts Houston 2012. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Houston TX: Museum Of Fine Arts Houston 2012. Hardcover. Fine/Fine. First Edition/First Printing. 606 pages. Monumental Exhibition Monograph. One of the most valuable photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by the Museum of Fine Arts Houston: Oversize-volume format. The book weighs 17 pounds. Black cloth boards with titles embossed on cover and spine as issued. Photographs by various contributors THE Who's Who of the history of war photography. Curated with texts by Anne Wilkes Tucker and other prominent scholar-contributors. Printed on pristine-white thick coated stock paper by SYL in Spain to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine as issued. Published on the occasion of the landmark retrospective exhibition held at the Museum of Fine Arts Houston in 2012 which travelled on to other major venues. Presents "War/Photography: Images of Armed Conflict And Its Aftermath". Indisputably the one indispensable volume on its subject for our time: War photography the medium's oldest and in many ways most important genre. "Surveys both iconic and newly-discovered photographs of war and conflict from daguerreotypes documenting the Crimean and American Civil Wars to digital images made by soldiers in 21st-century Iraq" Publisher's blurb. The slash of the title is itself significant: There is war and there is the photography of war. They are two different phenomena even if we now experience them as one and the same thing. War imagery is familiar to every modern viewer which tells us everything about the photographically-based notion we have of reality in general the reality of war in particular. Such imagery is susceptible to familiarity precisely because the only experience most of us especially in the West will have of war is mediated - by photography and its lurid extensions television and the Internet. "Exhaustive harrowing brilliant and essential" Vince Aletti. An absolute "must-have" title for photography book collectors. This copy is very prominently and beautifully signed in black ink-pen on the half-title page by five photographers: Carolyn Cole Ashley Gilbertson Edouard H. R. Gluck David Hume Kennerly and Will Michels. They signed directly on the page itself not on a tipped-in page. It is also very prominently and beautifully signed in black ink-pen by the Editor/Curator Anne Wilkes Tucker. This title is a great photography book. As far as we know this is the only such multi-signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. Please note: There is a Limited Slipcased Edition signed by thirty-two photographers that now sells for $3000. However Ashley Gilbertson the brilliant Iraq War photographer and David Hume Kennerly the iconic Vietnam War photographer were NOT among the signatories. This is the only copy they signed. A rare signed copy thus. 525 black-and-white and color plates. Some of the greatest photographers of all time. A fine collectible copy. . ISBN 0300177380. Museum Of Fine Arts Houston hardcover
183030318A Paris, aux Bureaux de la Chanson du Jour illustrée, sans date (vers 1830) . Album relié demi-toile rouge au format 27 x 18 cm, 30 livraisons de "Conservatoire Populaire du Chant", 4 pages chacune ayant paru "tous les samedis" (première série. Il ne semble pas y avoir eu d'autres séries au même titre). Oeuvres présentes : Adolphe et Clara, Gulistan ou le Hulla de Samarcande, Colinette à la cour, Alceste, Cosi fan Tutte, Obéron, Adieu, Vivre loin de ses Amours, La Molinara, Didon, Les deux jaloux, la Dot de Suzette, Gulnare, Camille ou le souterrain, Les Maris garçons, Les deux aveugles, La fausse magie, La belle Arsène, Annette & Lubin, Ariodant, Ernelinde, L'italienne à Londres, L'attente, Zoroastre, Blaise & Babet, Les Danaïdes, Nina, La création, La servante maitresse, Persée, - Puis 18 numéros de "La Chanson du jour", aux Bureaux de la Chanson illustrée dont les titres sont : Oui ! j'aime à rire, Mon chien fidèle, Aux fleurs la brise, Rose & marguerite, Le compagnon maçon, Le printemps, Légende de l'ange gardien, La dernière pensée du Christ, Les deux Pierrots, L'écaillère, La fête-Dieu, Que dites-vous ?, La réponse de Rosette, Grandis mon fils, Les rêves au pays breton, Le bon pasteur, Le loup & le chien, Page & chatelaine, Puis 24 numéros de "Les Chants de la Maison" (recueil bi-mensuel dirigé par M. Alberty, chez Amand Chevé, sans date, vers 1840).- Revues peu courantes dont les textes sont de Marsollier, Henri second, Marc Constantin, Jeaure, Marmontel, Favart, Poinsinet, Cahuzac, Monvel, Comte de Ségur, Baurans, Quinault etc.- Musique de Dalayrac, Grétry, Gluck, Werer, Shubert, Boieldieu, Paisiello, Piccinni, Madame Gail, Mehul, Monsigny, Martini, Phildor, Cimarosa, A. Pilati, Rameau, Dezède, Salieri, Haydn, Pergolèse etc.- 710g.- Très bon état.
44206Atelier Lyrique de Tourcoing In-8 24 cm 96pp. illustr. jaquette La clémence et la peine - Titus Berenice Sextus et les autres par Sylvia Ronelt - Le Titus de Metastase par Martin Schlumpf - Metastase et Titus par Jacques Joly - Faut-il brûler Gluck par Jean-Claude Malgoire - La Clemenza di Tito opéra de C.W Gluck livret de Metastase unknown
20042092902140300810Kinokuniya Bookstore 2004. Soft Cover. Fine. Number of books: 1 Kinokuniya Bookstore paperback
1952114943U. S. A.: Columbia Productions Inc. . Very Good- with no dust jacket. 1952. Presumed First UK Edition. Paperback. In the original publisher's pictorial paper covers. Cover art is uncredited. A little light edge wear and the red titling to the spine has faded to pink but overall the covers are complete and VG Minus. States '100 Pages. All Stories New. No Reprints'. NB: The 100 pages includes the covers! . Internally the paper/text block/page fore-edges is/are tanning - as usual with this type of pulp paper - but the tanning is relatively uniform - no spots or similar. Very clean inside with NO Inscriptions or Marks. Contents include: - "Two Suspenseful Feature Novels" = This Corpse is Free featuring Race Williams by Carroll John Daly; - & - Murder Island by Sim Albert. "Short Stories" = Perfect Suicide featuring Archie McCann by David Macgregor; A-Hanging We Will Go Special Off-Trail Mystery by Hunt Collins; The Inspector took a Bride by Walter Kanitz; and - Run from the Killer by William F. Swartz. Plus "Special Features". Quite Scarce. See Images. ; Small 4to 9" - 11" tall . Columbia Productions, Inc. , paperback
