89 résultats
186611193Paris Bureau de la Revue des Deux Mondes 1866 -in-8 demi-Maroquin un fort volume, reliure demi-maroquin cerise grand in-octavo à coins (binding half morocco with corners), reliure d'époque signée "PETIT" successeur de "SIMIER", dos 4 nerfs (spine with raised bands) décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaison frappés "or" (gilt title and volume numbering) dans un encadrement d'un double filet fin "or", triple filets fins "or" en place des nerfs avec un filet à froid de part et d'autre des nerfs, plats décorés or (gilt decoration on the cover) avec 3 filets fins "or" aux mors et aux coins (joints and corners with three gilt line), papier marbré aux plats (cover with marbled paper), toutes tranches lisses (all edges smoothes) peignées (painting edges) rouge et bleu, sans illustrations (no illustration), 1056 pages, 1866 Paris Bureau de la Revue des Deux Mondes Editeur,
183030318A Paris, aux Bureaux de la Chanson du Jour illustrée, sans date (vers 1830) . Album relié demi-toile rouge au format 27 x 18 cm, 30 livraisons de "Conservatoire Populaire du Chant", 4 pages chacune ayant paru "tous les samedis" (première série. Il ne semble pas y avoir eu d'autres séries au même titre). Oeuvres présentes : Adolphe et Clara, Gulistan ou le Hulla de Samarcande, Colinette à la cour, Alceste, Cosi fan Tutte, Obéron, Adieu, Vivre loin de ses Amours, La Molinara, Didon, Les deux jaloux, la Dot de Suzette, Gulnare, Camille ou le souterrain, Les Maris garçons, Les deux aveugles, La fausse magie, La belle Arsène, Annette & Lubin, Ariodant, Ernelinde, L'italienne à Londres, L'attente, Zoroastre, Blaise & Babet, Les Danaïdes, Nina, La création, La servante maitresse, Persée, - Puis 18 numéros de "La Chanson du jour", aux Bureaux de la Chanson illustrée dont les titres sont : Oui ! j'aime à rire, Mon chien fidèle, Aux fleurs la brise, Rose & marguerite, Le compagnon maçon, Le printemps, Légende de l'ange gardien, La dernière pensée du Christ, Les deux Pierrots, L'écaillère, La fête-Dieu, Que dites-vous ?, La réponse de Rosette, Grandis mon fils, Les rêves au pays breton, Le bon pasteur, Le loup & le chien, Page & chatelaine, Puis 24 numéros de "Les Chants de la Maison" (recueil bi-mensuel dirigé par M. Alberty, chez Amand Chevé, sans date, vers 1840).- Revues peu courantes dont les textes sont de Marsollier, Henri second, Marc Constantin, Jeaure, Marmontel, Favart, Poinsinet, Cahuzac, Monvel, Comte de Ségur, Baurans, Quinault etc.- Musique de Dalayrac, Grétry, Gluck, Werer, Shubert, Boieldieu, Paisiello, Piccinni, Madame Gail, Mehul, Monsigny, Martini, Phildor, Cimarosa, A. Pilati, Rameau, Dezède, Salieri, Haydn, Pergolèse etc.- 710g.- Très bon état.
1864404171864. Height 26.75" 68 cms. With the artist's name "Francin" to truncation of left arm; integral base inscribed "Gluck."<br /> <br /> Some wear and soiling; age-toned. In quite good condition overall.<br /> <br /> Provenance<br /> Catalogue of the Collection Musicale André Meyer 1961 Vol. I p. 97 and plate 122. Auction catalogue of Pescheteau-Badin Godeau et Leroy Collection Musicale André Meyer et a divers Paris July 2 1998 Lot 101 including color photograph. Auction catalogue of Bonhams London The Roy Davids Collection London 3 October 2005 Lot 246 illustrated. Houdon: An Exhibition of Sculpture from the Collection of Michael Hall esq. Catalogue by Christine Defazio Karl Fugelso and Philip Mezzatesta. New York: Salander-O'Reilly Galleries 1998 pp. 12-15. Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 pp. 102-108. Exposition du Centenaire de Houdon Paris: Galleries Buvelot 1928 pp. 40-41. Vitry: Une Liste d'oeuvres de J.-A. Houdon p. 9.<br /> <br /> The present sculpture exists in two versions: the present scarcer version with full shoulders and partial torso and a second version with partial shoulders and reduced torso<br /> <br /> "Following Houdon's plaster bust of Gluck shown in the Salon of 1775 . the marble was exhibited in 1777 . and destroyed in the fire at the Paris Opera 28-29 Oct. 1873. A faithful reproduction ordered in 1798 by Alexandre Lenoir for the Musée des monuments français and executed in marble by Guillaume Francin is in the Musée national du chateau de Versailles. The Louvre's plaster cast workshop distributed copies of this reproduction beginning in 1864." Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 p. 107.<br /> <br /> "The present bust is probably one of the Louvre's copies. . It was in his depiction of Gluck that Houdon first showed the ravages of smallpox on a subject - it was a common affliction in eighteenth-century France but artists were expected to flatter their subjects in this respect at least." Bonhams catalogue<br /> <br /> "Gluck was an artist a great musician and therefore must be given the attributes of a genius. His face was deeply pockmarked and the sculptor used this fact to establish his theme. He clothed him in a heavy coat whose texture is an overall pattern of slashed grooves free and direct in their expressive impact. Here there was no attempt to stimulate the appearance of the actual material but rather in a manner almost Rodinesque to bring out the quality of the clay. The open shirt the unbuttoned vest the short disheveled hair and the alert titled pose of the head all emphasize the impact of genius." Arnason: The Sculptures of Houdon p. 34. unknown
1900347151900. Verh. Dtsch. Ges. Chir. 29. - Berlin Verlag von August Hirschberg 1900 8° LVIII 220 757 1 pp. Abbildungen Holzschnitte und Autotypien und 11 Tafeln Leinenband. Erstdruck! "Um die Konstruktion von Phonationsapparaten die bei vollständigem Abschluß zwischen Trachea und Naspharynx den Luftstrom und den Ton mittelst eines Gummirohrs von vorn ind die Nase oder zwischen den Lippen in die Mundhöhle leiten hat sich später besonders Gluck verdient gemacht 1900 I.178."Friedrich Trendelenburg Die ersten 25 Jahre der Deutschen Gesellschaft für Chirurie 1923 p.231 unknown
190028561Leipzig: C. F. Peters PN 4398 1900. Large octavo. Full black textured cloth titling gilt to spine. i title within decorative border by F. Baumgarten ii note on the work 1 contents 2-178 pp.<br/><br/>Binding worn; small circular label to upper. Some signatures split; handstamps small tear and manuscript annotations to free front endpaper; library handstamps cataloguing notation in manuscript to title; library handstamp to p. 173. C. F. Peters [PN 4398] unknown books
187518913Partitions sur les Moulins,Partitions sur la Terre et paysan Avocat Gustave 1875
1895347491895. Zbl. Chir. 22/27 Bericht über die Verhandlung der Deutschen Gesellschaft für Chrirugie XXIV. Kongress. - Leipzig Verlag von Johann Ambrosius Barth 1895 8° pp.641-656; 154 pp. Halbleinenband. Erstdruck! Es "ist der Gedanke Elfenbeinstücke nicht nur zu vorübergehendem sondern zu dauerndem Einsatz von Knochendefekten und aus Elfenbein hergestellte künstliche Gelenke zum Einsatz zu benutzen von Gluck ausgegangen. Er berichtete darüber 1890 und ausführlicher in einem Vortrag im Jahre 1895 über Osteoplastik und einheilbare Prothesen der aber nicht in den gedruckten Verhandlungen aufgenommen ist. Ein Autoreferat findet sich im Zentralblatt für Chirurgie Bd. 22 pp.30 ff. Er hob darin den praktischen Nutzen von Implantation von Elfenbein und Knochen sowie vernickeltem Stahl Aluminiumbronze und dergleichen in Knochendefekten nochmals hervor. Wenn Elfenbein und Knochen auch allmählich von dem neuen sich bildenden Knochen umwachsen resorbiert substituiert würden so dienten sie doch als innere Schiene und als Reiz für die Knochenneubildung und erzwängen die Regeneration in der zweckmäßigen Bahn. Die anorganischen Fremdkörper auch künstliche Gelenke könnten für lange Zeit vielleicht dauernd einheilen und reizlos funktionieren. Dem Vortrag folgte eine reichhaltige Demonstration von Präparaten und Modellen von Elfenbeinmetallprothesen und Mittheilungen über klinische Beobachtungen. Einem großen Hunde war ein Metallscharnierapparat eingeheilt. Pean implantierte als Ersatz des resezierten Schultergelenkes ein Gelenk aus Platiniridium und Hartgummi das seit 2 1/4 Jahr tadellos funktionierte." Friedrich Trendelenburg Die ersten 25 Jahre der Deutschen Gesellschaft für Chirurgie 1923 p.163 unknown
190028577Braunschweig: Henry Litolff PN Collection Litolff No. 82 1900. Large octavo. Half brown calf with marbled boards raised bands on spine in gilt-ruled compartments titling gilt. i title within architectural border 2-3 cast list and contents 4-138 pp.<br/><br/>Binding slightly worn rubbed and bumped. Light uniform browning. First performed in Vienna at the Burgtheater on October 5 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on August 2 1774 in French to a libretto by Pierre Louis Moline after Calzabigi.<br/><br/>"Orfeo ed Euridice was the first of Gluck's three so-called reform operas written with Ranieri de' Calzabigi the other two were Alceste and Paride ed Elena in which a 'noble simplicity' in the action and the music was intended to replace the complicated plots and florid musical style of opera seria." Jeremy Hayes in Grove Music Online. Henry Litolff [PN Collection Litolff No. 82] unknown books
189928620Paris: Choudens PN A. C. 11331 1899. Large octavo. Original publisher's dark ivory wrappers printed in red and black. 1f. recto title verso blank 1f. recto notes on first performance named cast list and contents verso blank 118 pp.<br/><br/>Named cast includes Delna Bréjean-Gravière Eyreams and Chasles. <br/><br/>Wrappers slightly worn browned and chipped; former owner's signature in blue ink to upper. Some edges slightly damaged; handstamps to title; manuscript annotation to second leaf. Choudens [PN A. C. 11331] unknown books
1859231958Ed Bote & G. Bock Berlin 1859. Hardcover Leinen Großformat Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen eine Namenseintragung. Rücken Ecken Kanten gut. Innen braunfleckig. Ed Bote & G. Bock, Berlin, hardcover
189128576London: Novello and Company PN 8146 1891. Large octavo. Original publisher's dark ivory wrappers printed in dark orange. 1f. recto title verso blank 1f. recto argument verso blank 1f. index 135 i printer's' device 1f. publisher's catalogue pp.<br/><br/>Wrappers somewhat worn and torn; portions of spine lacking at head and tail. Minor wear to outer margins of first six leaves. First performed in Vienna at the Burgtheater on October 5 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on August 2 1774 in French to a libretto by Pierre Louis Moline after Calzabigi.<br/><br/>"Orfeo ed Euridice was the first of Gluck's three so-called reform operas written with Ranieri de' Calzabigi the other two were Alceste and Paride ed Elena in which a 'noble simplicity' in the action and the music was intended to replace the complicated plots and florid musical style of opera seria." Jeremy Hayes in Grove Music Online. Novello and Company [PN 8146] unknown books
1896RO50023023"Imprimerie des Annales. 8 mars 1896. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant les directeurs du conservatoire de l'époque, ""Un secret"" de M. Gruet, ""Thermidor, la dernière charette - M. Coquelin dans Labussière"".. . . . Classification Dewey : 780.26-Partitions"
1899RO50043318CHOUDENS. 1899. In-8. Broché. Bon état, Plats abîmés, Dos frotté, Intérieur acceptable. 118 pages de partitions. Premier plat illustré en noir et blanc. Inscription sur la première page blanc. Couverture plastique transparente de protection. Paroles de Moline.. . . . Classification Dewey : 780.26-Partitions
1881346331881. DMW 7/49. - Berlin August Hirschfeld 1881 4° pp.659-674 Broschur. unknown
185017851AB1850. Pest Heckenast 1850. 175 : 11 cm. Faksimiliertre Brief Vortitel gestochener Titel 2 Blatt 258 Seiten. Grüner Lederband der Zeit mit reicher Rückenvergoldung Deckelfileten dreiseitiger Goldschnitt. Seltene erste Ausgabe. - Betty Paoli eigentlich Barabara Elisabeth Glück Wien 1814 - Baden bei Wien 1894 österreichische Lyrikerin Novellistin Journalistin und Übersetzerin. Paoli offiziell die Tochter des Militärarztes Anton Glück vertraulich wurde sie aber als die natürliche Tochter des Fürsten Nikolaus von Esterhazy gennant. Mit ihren einfühlamen Gedichten und kritischen Aufsätzen wurde Betty Paoli zu einer wichtigen Figur der frühen Frauenbewegung. Durch ihre Reisen hatte sie auch Kontakt zu Bettina von Arnim. - Sehr dekorativ gebundenes Exemplar mit dem eingebundenen Faksimile eines ihrer Gedichte womöglich Geschenk-Exemplar. unknown
180518110A Paris: A L'Imprimerie du Conservatoire Faubourg Poissonniere No. 152 1805. Used; Like New/Used; Like New. Messe De Requiem Par Mozart. Exécutée pour la première fois à Paris par le Conservatoire de Musique le 30 Frimaire An 13 21 décembre 1804. Cet ouvrage est précédé d un extrait de la vie de l'Auteur par Charles-Louis de Sevelinges. Early French edition of Mozart's final opus which was performed for the first time in Paris in 1804 bound together with: De Profundis. Musique de Gluck. Ouvrage Posthume Gravé sur le Manuscrit Original de l'Auteur Paris: Faubourg 1805. 138; 15 pp. Full score with SüÃmayr's completion. Engraved throughout. Stamped on both title pages by music dealer Ãtienne Ozi. Hardcover later brown boards with gold lettering to spine. Some light corner wear and small loss to head of spine with this fragment present. Overall fine. 13.5 x 10 inches 34.3 x 25.3 cm. Hirsch IV 877. WorldCat records only three copies.<br>Mozart's Requiem remains one of his best-loved works not little because of the mythology surrounding it. Mozart left it unfinished when he died in December 1791. The completion by Franz Xaver SüÃmayr made in order to fulfill the Count von Walsegg's commission of the piece is still generally the completion performed today although several modern musicologists have offered alternative completions. The first French performance took place in Paris in 1804 with the present title page giving the date of 30 Frimaire An 13 in the French Revolutionary calendar.<br>Gluck's De Profundis is a short setting of Psalm 130 for SATB choir and small orchestra with an unusual and low instrumentation oboe viola horn three trombones cello and continuo. The work was first performed at Gluck's own funeral in November 1787 conducted by none other than Antonio Salieri. The use of trombones with the associations of death and the afterlife make it a fitting pairing with Mozart's Requiem. A L'Imprimerie du Conservatoire Faubourg Poissonniere No. 152 hardcover books
187035501793Paris, PLon, 1870 ; In 12 1/2 chagr. bleu 279 pp Edition originale, ouvrage orné de portaraits et d'autographe
1873147931873 Imprimerie veuve Bader et Cie Reliure pleine percaline, pièce de titre, 220p + 1 carte. Très bon état.
1882345871882. Arch. klin. Chir. 27. - Berlin Verlag von August Hirschwald 1882 8° IV 940 pp. zahlr. Holzschnitten 9 lith. Taf. Halbleinenband der Zeit. unknown
1886345641886. BKW 23/14-16. - Berlin August Hirschwald 1886 4° pp.217-264 feine Broschur. Ebenso wie Hansmann "fixierte Gluck im serbisch-bulgarischen Kriege im winter 1885/86 eine Schußfraktur des Femur durch seitlich aufgeschraube Stahlschienen der Verwundete konnte das Bein wie das gesunde erheben die rampfhaften Zuckungen hörten auf." Friedrich Trendelenburg Die ersten 25 Jahre der Deutschen Gesellschaft für Chirurie 1923 p. 372 unknown
1899346621899. Verh. Dtsch. Ges. Chir. 28. - Berlin Verlag von August Hirschwald 1899 8° LVI 2 184 2; 815 1 pp. Holzschnitte Autotypien 11 Tafeln Halbeinenband. Erstdruck! unknown
1900mon00000776101900-01-01. Unknown Binding. Acceptable. in x in x in. Paperback. Creased and torn cover. unknown
180940434Bonn: Chez N. Simrock PN 609 1809. Oblong folio. Quarter black leather with gilt rules mid-brown cloth boards spine in compartments gilt with titling gilt marbled edges. 1f. recto title verso cast list 3-149 pp. Text in French and German. Engraved throughout. <br /> <br /> With contemporary signature of former owner "Mappes" to upper outer corner of free front endpaper with handstamp of August Kuby in Munich below; "Amalie Mappes" to upper outer corner of title.<br /> <br /> Binding worn rubbed bumped and slightly stained. Occasional soiling; small ink stains browning and foxing to blank margins; small loss to lower outer corner of p. 27. First Edition. Hopkinson p. 41 40F. Wotquenne 40. RISM G2753 and GG2753 no copies in the U.S. <br /> <br /> Iphigenie en Aulide was first performed in Paris at the Opéra on 19 April 1774. <br /> <br /> "Judging from contemporary accounts such as the memoirs of Mannlich the several months of rehearsals for Iphigénie en Aulide must have been quite a spectacle with the irascible 60-year-old composer struggling to reform the bad habits of the singers and players of the Académie Royale to teach them his new opera. However the première of Iphigénie en Aulide in April 1774 was a triumph but the run of performances was interrupted by the death of Louis XV a month later. All the theatres closed and during the period of mourning Gluck quickly revised Orfeo ed Euridice and made a French version of the opera with a translation of the text by Pierre Louis Moline." Jeremy Hayes in Grove Music Online. Chez N. Simrock [PN 609] unknown
190028969London: Novello Ewer & Co 1900. Large octavo. Full dark red blindtooled cloth with titling gilt to upper and spine all edges gilt. 1f. recto title verso blank 1f. recto cast list and argument verso explanation of abbreviations 137 i blank 1f. recto index verso printer's device pp.<br/><br/>Binding slightly worn rubbed and bumped. Some signatures split or partially split. A tragedy in four acts to a libretto by Nicolas-François Guillard after Guymond de la Touche's Iphigénie en Tauride itself based on Euripides Iphigénie en Tauride was first performed in Paris at the Opéra on May 18 1779.<br/><br/>"Iphigénie en Tauride was the crowning achievement of Gluck's career a result of the combination of his lifelong experience as an opera composer and a libretto which is arguably the best he ever set." Jeremy Hayes in Grove Music Online. Novello, Ewer & Co unknown books
190028967Braunschweig: Henry Litolff PN Collection Litolff No. 80 1900. Large octavo. Half mid-tan mottled calf with marbled boards raised bands on spine in gilt-ruled compartments titling gilt. 1f. recto title within architectural border verso cast list and contents 3-144 pp.<br/><br/>Binding slightly worn. A tragedy in four acts to a libretto by Nicolas-François Guillard after Guymond de la Touche's Iphigénie en Tauride itself based on Euripides Iphigénie en Tauride was first performed in Paris at the Opéra on May 18 1779.<br/><br/>"Iphigénie en Tauride was the crowning achievement of Gluck's career a result of the combination of his lifelong experience as an opera composer and a libretto which is arguably the best he ever set." Jeremy Hayes in Grove Music Online. Henry Litolff [PN Collection Litolff No. 80] unknown books