Gottfried HoneggerLivre Rare Book
L'espace Architecture de L'univers flammarion
1963400045607Editions Flammarion 1963 1963. Gottfried Honegger - L'espace Architecture de L'univers / Flammarion 1963
Démons et Merveilles · Joinville, France15,00 €
464 résultats
2007I-367-026Fage Editions 2007. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Fage Editions paperback
BN316917Fage Editions. Softcover. L'art un credo <br/><br/>L'art un credo Gottfried Honegger Serge Lemoine et Lydie Echasseriaud Fage Editions paperback
19992091202133207902Fondation Cartier pour l'art contemporain 1999. Soft Cover. Fine. Volume: 1 Fondation Cartier pour l'art contemporain paperback
1963400045607Editions Flammarion 1963 1963. Gottfried Honegger - L'espace Architecture de L'univers / Flammarion 1963
20132-8867211064Edizioni Del Baldo 2013. Perfect Paperback. New. Italian language. 9.37x7.56x1.34 inches. Edizioni Del Baldo paperback
69720Feldmeilen Verlag Vontobel-Druck AG 1973 Auflage: 1. kartoniert gebunden; schwarzer farbig illustrierter Einband / Anz. Seiten: 121 / 22 x 26 cm / mit 1 Abbildung auf Titelblatt; Umschlaggestaltung: Michael Kaiser / Zustand: gut leichte Gebrauchsspuren; Einband leicht berieben Papier geringfügig gebräunt Schnitt etwas gebräunt Eins von 220 nummerierten und vom Künstler signierten Exemplaren; beigebunden eine signierte Radierung; mit einem Vorwort von Karl Landolt Feldmeilen, Verlag Vontobel-Druck AG, 1973, Auflage: 1. unknown
102 S. 8°. Opp. Frontisp. Portr. Werkverz. Bibliotheksexpl. mit Stempel und Barcode auf Vorsatz.
102 S. 8°. Opp. Frontisp. Portr. Werkverz.
1957899530.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1957899530-11-1Quill & Flame Publishing House. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Quill & Flame Publishing House unknown
1964726077.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003Q-1574670417Amadeus Press 2003-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Amadeus Press hardcover
PJH51862Scalo 1987. Mint in publishers decorated boards still shrink wrapped. 310pp. 1st edition of Honneger's stunning book ISBN 3908247314 Scalo 1987 hardcover
1986R200000810BORDAS. 1986. In-8. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 700 pages.. Avec Jaquette. . . Classification Dewey : 780-Musique
28433Bordas ,1979, 2 vol. in-8 1220 pages ,illustrations in-texte ,cartonné éditeur ,Bon état , .(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
1986R200000812BORDAS. 1986. In-8. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 542+550 pages, jaquettes du tome 2 très abimé.. . . . Classification Dewey : 780-Musique
19934721Bordas Editions 1993 542 pages 18x5 6x24 2cm. 1993. Relié. 542 pages. Ouvrage de Marc Honegger publié chez Bordas qui explore les liens entre la science et la musique probablement à travers des aspects physiques acoustiques mathématiques ou historiques de la musique
19661339027New York: St Martins Press 1966. Hardcover. Octavo; G/G Hardcover w/ Dustjacket; Off White spine with Red and Black text; Dustjacket has some edgewear some shelfwear small open and closed tears along head edge of spine fraying and small open tears at corners browning along edges; Boards have some edgewear some shelfwear bowing to front cover; Textblock clean; 141 pp. 1339027. FP New Rockville Stock. St Martins Press hardcover books
192528589Paris: Editions Maurice Senart PN E.M.S. 6938 1925. Folio. Original publisher's ivory printed wrappers. 1f. recto title verso dedication 1f. recto cast list verso notes on first performance 112 pp.<br/><br/>Occasional performance annotations in pencil.<br/><br/>Wrappers somewhat worn and soiled; small perforations to upper; small tears repaired with no loss; spine reinforced with tape; small oval handstamp to front free endpaper. Slightly browned; contemporary signature to upper outer corner of title; small perforations to preliminary leaves. First Edition. Sprat 53a.<br/><br/>"Honegger. provided incidental music for Judith another of Morax's biblical dramas: this score too was reworked producing both an opéra sérieux 1925 and an action musicale for the concert hall 1927." Geoffrey K. Sprat in Grove Music Online. <br/><br/>"A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. Honegger. provided incidental music for Judith another of Morax's biblical dramas: this score too was reworked producing both an opéra sérieux 1925 and an action musicale for the concert hall 1927." op. cit. Editions Maurice Senart [PN E.M.S. 6938] unknown books
195228373Lausanne: Fœtisch Frères S.A. PN F. 6001 F. 1952. Folio. Original publisher's ivory rinted wrappers. 1 dedication 2 blank 3 title with woodcut illustration by "J.M." 4 contents 5-93 i blank pp.<br/><br/>With occasional performance annotations in pencil.<br/><br/>Wrappers slightly worn stained and creased; small price label to lower. Dedication leaf with ink marking covered by small label to upper outer corner. "Le roi David. in its original version as a 27-movement incidental score for Morax's drame biblique was composed in two months between February and April 1921. The première of this staged version 11 June 1921 was followed by 11 further performances and the favourable response from audience and critics encouraged Morax and Honegger to produce a concert version for larger forces 1922; apart from rescoring the music remained unchanged. With a narration provided by Morax to link the items this 'psaume symphonique' was widely performed: in Paris for instance it was mounted on consecutive nights for three months. The work secured Honegger's international reputation and he was soon dubbed 'Le roi Arthur'. A series of tonal and thematic correspondences unite the work whose dramatic impact is ensured by the tightly controlled relationship between the dramatic and musical emotive peaks." Geoffrey K. Sprat in Grove Music Online. <br/><br/>"A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. While he undoubtedly benefited from the immense publicity accorded to 'Les Six' his own distinctive musical language attracted widespread acclaim even before his music for René Morax's Le roi David 1921 catapulted him to international prominence." op. cit. Fœtisch Frères (S.A.) [PN F. 6001 F.] unknown books
195228592Lausanne: Fœtisch Frères S.A. PN F. 5990 F. 1952. Folio. Original publisher's ivory wrappers printed in red and black. 1f. recto dedication verso blank 1f. recto title verso contents in French 5-93 i contents in German pp. Text in French and German.<br/><br/>Wrappers very slightly worn. Minor creasing to corners. "Le roi David. in its original version as a 27-movement incidental score for Morax's drame biblique was composed in two months between February and April 1921. The première of this staged version 11 June 1921 was followed by 11 further performances and the favourable response from audience and critics encouraged Morax and Honegger to produce a concert version for larger forces 1922; apart from rescoring the music remained unchanged. With a narration provided by Morax to link the items this 'psaume symphonique' was widely performed: in Paris for instance it was mounted on consecutive nights for three months. The work secured Honegger's international reputation and he was soon dubbed 'Le roi Arthur'. A series of tonal and thematic correspondences unite the work whose dramatic impact is ensured by the tightly controlled relationship between the dramatic and musical emotive peaks." Geoffrey K. Sprat in Grove Music Online. <br/><br/>"A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. While he undoubtedly benefited from the immense publicity accorded to 'Les Six' his own distinctive musical language attracted widespread acclaim even before his music for René Morax's Le roi David 1921 catapulted him to international prominence." op. cit. Fœtisch Frères (S.A.) [PN F. 5990 F.] unknown books
192235817Paris: Éditions Salabert E.M.S. 6617; Philharmonia W.Ph.V. 287 1922. Good. Small octavo. Wrappers. 20 pp.<br/><br/>From the collection of noted musicologist Stanley Boorman his signature to uppers.<br/><br/>Lightly browned. Reprint. Éditions Salabert [E.M.S. 6617]; Philharmonia [W.Ph.V. 287] unknown books
193733825Paris: Maurice Senart PN E.M.S. 8737 1937. Original publisher's dark ivory wrappers with titling in red within ruled border. Unbound as issued. 1f. recto title verso blank 22 pp.<br/><br/>Somewhat browned. First Edition. Spratt 109.<br/><br/>"A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. Despite his admiration for Debussy and Ravel his music is often rugged and uncompromising." Geoffrey K. Spratt in Grove Music Online. Maurice Senart [PN E.M.S. 8737] unknown books
1956153720New York: Verlag George Wittenborn 1956. Original; one of 30 copies printed. Small folio. Contents VG- with light age toning to edges of most "pages." Small spot at bottom edge of publication card. All color lithos are pristine except for one that has age toning to fore edge not affecting the image. White covers are soiled with a tiny tear at head of spine and a number ink in ink at bottom. White card folio with bw image and lettering on cover; French flaps. Contents include 7 card pages folded in half vertically with text and a total of: 5 bw photographs and 5 original multi-colored lithographs. This publication of the work of Swiss artist Gottfried Honegger contains both original text In German and original lithographs. The text consists of 24 short paragraphs beginning."The art created by people shows their philosophical or ideological position; art is a contribution to the public discussion. The art is a collection of the difficulties and joys of all people; art is active history." The illustrations include 4 bw scientific photographic images 1 bw relief photo and 5 multi-colored original lithographs none signed. The colors on the lithographs are vibrant and rich. The lithos were pressed by Marcel Wild Zurich and only 30 copies were produced according to the text. The typography by Dolf Hurlimann also in Zurich and 100 copies of the text were produced. Very scarce. Only one other copy found at the Schweizerische Nationalbibliothek Swiss National Library. Verlag George Wittenborn unknown books
2004153100Rudolfstetten: Galerie ArtPoint 2004. Softcover. G Ex-art library with red dot label on front cover; average wear to cover edges; otherwise nice. White & color illus. wraps 24 pp. 19 color illus. 1 BW illus. Text is in German. Issued in conjunction with a 2004 exhibition of work by American pop-op artist James Rosenquist b. 1933. With an essay by Gottfried Honegger a chronology and remarks by the artist as well as 19 full-color examples of his work. Galerie ArtPoint paperback books
