Honegger

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Honegger Lavater Gottfried textABAA

Konolyi Mrs. Artur Barnwell

HONEGGER LAVATER, Warja (Winterthur, 1913 - Zurigo, 2007)Biblio.com

1962212004Basel: Basilius Presse 1962. Rilegato a soffietto Leporello book. Molto buono Very Good. Folded Story 4. Die vier Temperamente: Sanguiniker Choleriker Phlegmatiker Melancholiker oder Party bei. Leporello di 22 pagine stampato solo al recto con litografie originali in nero. Cm 125x9. pp. 22 n.n. Molto buono Very Good. Prima edizione First Edition. Warja Honegger-Lavater è"; stata un'illustratrice svizzera famosa per aver creato libri d'artista che rileggevano favole e classici della narrativa attraverso l'uso della grafica simbolica invece di figure realistiche. Dopo gli studi a Zurigo Stoccolma Basilea e Parigi aprì il suo primo studio di grafica a Zurigo nel 1937 con Gottfried Honegger suo futuro marito. Fu qui che Warja Honegger-Lavater ebbe il primo incontro con i simboli che l'avrebbero accompagnata poi per tutto il corso della sua vita artistica. Dal 1944 al 1958 lavorò moltissimo per il giornale per ragazzi Jeunesse realizzando copertine illustrazioni e diventandone successivamente l'editore responsabile. Si trasferì a New York nel 1958 dove cominciò a illustrare riviste scientifiche per l'editore Visuals. Fu proprio nel primo periodo americano che Warja Honegger-Lavater incontrò il caleidoscopico mondo della pubblicità: cominciò quindi a disegnare pittogrammi creando una nuova forma di linguaggio nei suoi lavori. Nel 1962 terminò il suo primo libro Guglielmo Tell che fu pubblicato dal MOMA di New York. Dal 1963 l'editore francese Adrien Maeght pubblicò" una serie di libri chiamati "Imageries" Immaginazioni. I libri raccontavano le favole classiche dedicate ai bambini secondo un nuovo linguaggio fatto di forme semplici e colorate: dai Fratelli Grimm a Charles Perrault e Hans Christian Andersen. I libri erano realizzati in un'unica lunga pagina rilegata a soffietto con una legenda all'inizio della storia che spiegava come leggere i personaggi. Basilius Presse, unknown

Studio Bibliografico Marini · Italie170,00 €

HONEGGER Arthur 1892 1955ABAA

King David Symphonic Psalm in Three Parts After a Drama by Rene Morax. Vocal Score English Version by Edward Agate. Piano-vocal score

195228373Lausanne: FÅ“tisch FrÃ¨res S.A. PN F. 6001 F. 1952. Folio. Original publisher's ivory rinted wrappers. 1 dedication 2 blank 3 title with woodcut illustration by "J.M." 4 contents 5-93 i blank pp. With occasional performance annotations in pencil. Wrappers slightly worn stained and creased; small price label to lower. Dedication leaf with ink marking covered by small label to upper outer corner. "Le roi David. in its original version as a 27-movement incidental score for Morax's drame biblique was composed in two months between February and April 1921. The premiÃ¨re of this staged version 11 June 1921 was followed by 11 further performances and the favourable response from audience and critics encouraged Morax and Honegger to produce a concert version for larger forces 1922; apart from rescoring the music remained unchanged. With a narration provided by Morax to link the items this 'psaume symphonique' was widely performed: in Paris for instance it was mounted on consecutive nights for three months. The work secured Honegger's international reputation and he was soon dubbed 'Le roi Arthur'. A series of tonal and thematic correspondences unite the work whose dramatic impact is ensured by the tightly controlled relationship between the dramatic and musical emotive peaks." Geoffrey K. Sprat in Grove Music Online. "A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. While he undoubtedly benefited from the immense publicity accorded to 'Les Six' his own distinctive musical language attracted widespread acclaim even before his music for RenÃ© Morax's Le roi David 1921 catapulted him to international prominence." op. cit. FÅ“tisch FrÃ¨res (S.A.) [PN F. 6001 F.] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis28,00 $US≈ 23,69 €

HONEGGER Arthur 1892 1955ABAA

Le Roi David Psaume symphonique en trois parties d'aprÃ¨s le drame de. RenÃ© Morax Partition pour Chant et Piano Klavierauszug mit Deutschem Text in Freier Nachdichtung von Hans Reinhart. Piano-vocal score

195228592Lausanne: FÅ“tisch FrÃ¨res S.A. PN F. 5990 F. 1952. Folio. Original publisher's ivory wrappers printed in red and black. 1f. recto dedication verso blank 1f. recto title verso contents in French 5-93 i contents in German pp. Text in French and German. Wrappers very slightly worn. Minor creasing to corners. "Le roi David. in its original version as a 27-movement incidental score for Morax's drame biblique was composed in two months between February and April 1921. The premiÃ¨re of this staged version 11 June 1921 was followed by 11 further performances and the favourable response from audience and critics encouraged Morax and Honegger to produce a concert version for larger forces 1922; apart from rescoring the music remained unchanged. With a narration provided by Morax to link the items this 'psaume symphonique' was widely performed: in Paris for instance it was mounted on consecutive nights for three months. The work secured Honegger's international reputation and he was soon dubbed 'Le roi Arthur'. A series of tonal and thematic correspondences unite the work whose dramatic impact is ensured by the tightly controlled relationship between the dramatic and musical emotive peaks." Geoffrey K. Sprat in Grove Music Online. "A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. While he undoubtedly benefited from the immense publicity accorded to 'Les Six' his own distinctive musical language attracted widespread acclaim even before his music for RenÃ© Morax's Le roi David 1921 catapulted him to international prominence." op. cit. FÅ“tisch FrÃ¨res (S.A.) [PN F. 5990 F.] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis44,00 $US≈ 37,23 €

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