153 résultats
1930013774Paris Editions Albert Lévy 1930 In-4 En feuilles, couverture imprimée
1929013778Paris Editions Albert Lévy 1929 In-4 En feuilles, couverture imprimée
1902ABE-152500279565416 PAGES-24,5 CM X 32 CM-ILLUSTRATIONS EN COULEURS-PAGES DE COUVERTURE EN PARTIE DETACHEES
1964ABE-1526392428373130 PAGES-22,5 CM X 29 CM-EN COUVERTURE "LE TOMBEAU DE NAPOLEON, AUX INVALIDES"-LE DIALOGUE DES OPPOSITIONS, PAR GUY LABORDE-LA MISERE DES PORTUGAIS, 4P PAR MICHELE PERREIN, 4 PHOTOS, BIDONVILLE-LA TROUBLE HISTOIRE DE CHYPRE,PAR PAUL GACHE, 5P-AUX ANTILLES FRANCAISES LES POETES CHNTENT; LES FINANCIERS COMPTENT, 7P, GUADELOUPE, AIME CESAIRE-LA FATALITE DU BLOCUS CONTINENTAL, PAR RAYMOND BOURGINE, 8P, NAPOLEON-RITIQUE POUR "MORMENIL" DE PIERRE NOTHOMB-DEUX ETRES DANS LE NEANT, BEAUVOIR ET SARTRE, PAR THERESE DE SAINT-PHALLE, PHOTO-SARTRE CIBLE DE DIEU, PAR MICHEL BEAUCHAINE, PHOTO AVEC MAURIAC-LIMITES ET POUVOIRS DE FAULKNER, PAR FRANCOIS VINNEUIL, 4P, 2 PHOTOS-CRITIQUE POUR "LE SILENCE" D'INGMAR BERGMAN, 2P, 3 PHOTOS-THEATRE: UN JARDIN SUR LA MER OU SI NAPOLEON, DE CLAUDE VERMOREL, PHOTO JACQUES MAUCLAIR,SAINTE JEANNE, G.B.SHAW, PHOTO DANIELE DELORME, SPECTACLE JEAN SCHLUMBERGER, PHOTO JACQUES DUMESNIL DANS "CESAIRE OU LA PUISSANCE DE L'ESPRIT"-DANSE: BEJART AVAIT-IL LE DROIT?, "LA DAMNATION DE FAUST", 4P, 7 PHOTOS, BERLIOZ-A TRAVERS LES GALERIES: L'ORPHISME ROBERT ET SONIA DELAUNAY-LA MER ELECTRIQUE DE SAINT-MALO, 1P, PHOTO
1964SPN-505Troyes : Amis du Musée de la Bonneterie, 1964. 50 pages illustrées en noir (14 planches en fin d'ouvrage). Brochure de présentation du musée (Hôtel de Vauluisant)
1992ABE-1633974889444EN COUVERTURE, MADONNA PAR STEVEN MEISEL-LES EXPOS DU MOIS DE LA PHOTO-BETTINA RHEIMS: CHAMBRE CLOSE, 6 PAGES-LES INEDITS D'HELMUT NEWTON,10 PAGES-CARL DE KEYZER: LE MARCHE DE LA FOI, 6 PAGES-WALTER CARONE, 8 PAGES-UGO MULAS: LA MEMOIRE DE L'ART, 8 PAGES-LE "SEX" DE MADONNA, 16 PAGES-LES ANNEES LUTENS, 6 PAGES-
1920AMO-2999Très belle et très rare photographie originale ancienne (vers 1920) de l'intérieur de l'atelier Louis Blériot à Paris, rue Henri Chevreau. Photo par Yvon à St-Mandé (cachet au verso) Dimensions du tirage : 23 x 17 cm Très bon état, bon contraste, sépia. Grand format. Voir photo. Filigrane NO COPY évidemment absent de la photographie originale vendue dans cette annonce. thème : avion aviation aéronautique industrie usine ouvriers atelier
193096723CIBA 1930 In-8 cartonnage éditeur souple brun, titre doré sur premier plat, dos muet. Frontispice, 79 pages-11 planches photographiques en noir et blanc présentant les bâtiments architecturaux . Très bon état d’occasion.
192216857Partitions sur les travailleurs ouvriers Bénech 1922
19812111902156001786Japan Confectionery Association etc. 1981. Soft Cover. Fine. The book is in fine condition. Japan Confectionery Association, etc. paperback
193148849Brooklyn NY: Consolidated Lithographing Corporation 1931-1962. Two vols. Thick oblong elephant folio 24 x 20 x 6 in. 206; 190 pp misnumbered in ink manuscript on corners of each page. With 2375 chromolithograph and colour lithographed cigar labels and cigar box labels most printed with elaborate embossed & gilt borders many with raised lettering & printing ranging in size from 3.25 x 3.5 in. up to 12 x 18 in. outer cigar box wrappers 25 printer’s proof sample pages -- mostly for Doubleday Books and Garden City Press largely 4to and Folio sized 3 Lotos Club menus 30 elaborately printed samples of Christmas wrap for Seagrams Avon Reader’s Digest & Revlon 1 giant Seagrams Christmas promotional banner 5 ft. 9 in. x 4 ft. 3 in. several uncut proof sheets for Paul Jones and Philadelphia Gold Label Whiskey Labels and even game box labels many with extensive manuscript ink annotations indicating lithograph stone No. production run and amount and date printed. Contemporary gray-green buckram over heavy boards rounded leather reinforced corners thick card stock leaves some of the labels creased w/ minor damage some paper-clipped in multiple batches tipped-in to each other minor tears some leaves cropped with samples taken out in which the stones were no longer some labels removed edgewear rubbing to covers still a remarkable set of factory sample catalogues including numerous in-house typed memos printer’s notes and more. These colossal and striking factory sample catalogues for cigar box labels wonderfully display a chromolithographic advertising archive by one of the largest commercial printing firms in the United States from the Great Depression until the Kennedy Administration. Jacob A. Voice formed the Consolidated Lithographing Corporation around 1925 by merging Wm. Steiner & Sons Lithographers the label producing division of American Lithographic Co. in 1929 as well as two other companies. So by 1935 Voice’s company was printing 6500 different labels for over 4000 million cigars. From the 1880s until the 1950s cigar manufacturers were one of the most competitive and lucrative industries in the United States and they employed raised lettering embossing and chromolithography of exceptional quality using printing processes which remained largely unchanged until the mid-20th century when photo-mechanical colour printing largely replaced traditional lithography. These samples provide incredible visual historical records of the cigar-box labels appearing on the ends top and sides of boxes serving as vital advertising display material in cigar stores and with the inner beautifully printed labels on the inside of the lid drawing the attention of the customers. In addition these provide an invaluable cultural archive of the influence of cigars produced from Cuban Puerto Rican and Floridan tobaccos in the 20th century. Over 150 different cigar company labels are preserved in varying states some with special holiday labels others with different colour schemes for varying markets and many over decades showing the changing tastes of the consumer and the advertising art. Included are such companies as Alcazar Judge Wright Ardova Phillies Stetson Wabon Faustino Rubens La Magnitaz Treaty Bond especially striking with images of Napoleon & Jefferson Famous Players White Owl Juan de Fuca White Heather Hauptmann’s National Speaker -- Joe Cannon Havana Ribbon Villa Reina Jockeys Benson & Hedges El Macco La Palina Paramount Admiration -- E. Regensburg & Sons Wm. Penn Panatelas Socrates Muriel Gato Donalda Jose Arango Van Dyck Optimo Dutch Masters Moonshine Crooks and many others. In addition there are product labels included for White Rock Orange Soda Ginger Ale Cola Root Beer Yuban Coffee Prest-of-Flex watch bracelets Champion Prest-o-Slide Buckles Flagstaff Jellys & Preserves Rubinstein & Revlon Cosmetics and much more. Consolidated also served as the colour printers for many of the Doubleday Books published in the 1950s including McCracken Hoofs Claws & Antlers; McCracken Charles Russell; Dare Wright Lonely Doll; Palazzo Don Quixote and many others. The beautifully printed Christmas wraps for cigar companies liquor companies such as Seagrams as well as Rubinstein Avon and Revlon are striking with colour embossing and gold work. The large Seagrams Christmas advertising Banner for 1954 at over 5 feet tall is visually impressive and offers a superb example of mid-Century advertising artwork and printing by Consolidated. The numerous memos blue-lines and proof sheets inserted throughout offer a historical record of how these labels wraps posters and books were produced at the time. See: Rickards Encyclopedia of Ephemera 2000 pp. 94-96; Twyman A history of chromolithography pp. 189-191. Consolidated Lithographing Corporation, paperback
192624038Paris société générale d'imprimerie et d'édition pour la Compagnie Electro-Mécanique 1926 -in-4 broché une plaquette publicitaire, brochée (agraphée) marron in-quarto Editeur, dos muet, titre imprimé en noir sur la 1ère de couverture, toutes tranches lisses, orné d'une carte hors-texte en noir + 14 figures in-texte en noir (photographies, cartes, coupes et schémas), 15 pages (extrait de la Revue Générale de l'Electricité du 3 Juillet 1926, N°1,Tome XX), 1926 Paris société générale d'imprimerie et d'édition pour la Compagnie Electro-Mécanique Editeur,
198342001Manchester: Factory Records 1983. First Edition. Fine. VHS recording of a live performance by New Order at the Ukranian National Home designed by Peter Saville Associates. Features a portrait of Taras Schevchenko at front cover from a photograph taken at the Ukranian National Home. Reissued in 2001 the original 1983 edition is uncommon. Robertson 77. VHS tape in black plastic case 4.5" x 8" approx. with printed paper label in plastic sleeve. Clean and bright. Fine. Factory Records unknown
193946634Shanghai: Nishimura Company 1939. Edition not stated. Quarto 26.5cm; black simulated leather stamped in red and gilt in brown paper slipcover; unpaginated photo-illustrated plates w/ rice paper overlays. Wear minor scuffs and soiling to boards; toning and foxing intermittent throughout text especially on overlays; some overlays creased or torn. Slipcover worn and chapped with abrasions and two large one repaired tears across front panel. Photo-illustrated pastedowns and endpapers. Very Good in Good slipcover. All text in Japanese with some obsolete/antiquated kana/kanji oriented right to left. This is a privately-issued commemorative yearbook-type photo album shashin-cho published on behalf of the Imperial Japanese Army medical forces during the Second Sino-Japanese War 1937-1945. Specifically it was produced for those who served under military physician captains/commanding officers Nobuo Isa and Tetsuo Fukaya who were stationed in or near Shanghai at the time.<br /> <br /> By July 1939 the Imperial Japanese Army was beginning to feel the impact of its own mounting casualties and costs; the Chinese Red Army would launch a major offensive later that November. While the Japanese occupation of Shanghai was notably brutal there is little evidence of violence in this album. However some photographs do depict the aftermath of battle with ruined buildings and soldiers being treated for injuries. Other subjects are mundane in nature: Staff and group portraits hospitals and other facilities physicians at work company events and ceremonies. Also includes photographs of Shanghai and a fold-out map of the Hangzhou Bay area. Apparently not cataloged in OCLC or available commercially as of November 2019. Nishimura Company unknown
190323803LE POIRE-SUR-VIE 1903 une photographie originale albuminée en noir, USINE DE CONSERVES GENDREAU - LE POIRE-SUR-VIE - INTERIEUR DE L'USINE ('PHOTO TRES ANIMEE)1903, format : 12,2 x 16,7 cm pour la photo, 24,5 x 19,6 cm avec l'encadrement carton rigide d'époque l'entourant,
192453007Rochester NY: Consolidated Machine Tool Corp. 1924-1953. Two vols. 4to. 147; 131 leaves all w/ 278 silver gelatin photos sized 8.5 x 11 in. all preserved in archival mylar sleeves and nearly all with typed captions dated and often pen & pencil annotations on versos most with hole punches at gutter blank margin from being bound originally in 3-ring factory binders. Uniformly bound in recent black cloth post-binders gilt lettering stamped on covers & spines NF set. This remarkable factory photo archive documents the durable and invaluable machine tools which built American industrial production through the 1920s and the post-World War II era. The Colburn drill presses turning lathes boring machines and boring mills were essential for such companies as Ford Motor Co. Maxwell Motorcar Co. John Deere Oakland Motor Car Co. Delco Light Co. International Harvester Nash Motors Co. Allis Chalmers Manufacturing Co. Caterpillar Tractor Co. Monarch Tractors Co. Hughes Tool Co. of Los Angeles part of Hughes Aviation Westinghouse and so many others. Many of the images show the connecting rods gears bearings engine blocks and other parts manufactured by these massive machines. A large number of the photos in the first volume show machines built and installed for the first National Machine Tool Builders’ Exposition which was held Sept. 19-23 1927 in the Cleveland Auditorium and attracted over 12000 attendees including Henry Ford the Dodge Brothers Durant George Westinghouse and many other automotive and industrial innovators and builders at the time. A number of these machines were also sold to Railroad companies including the Missouri Pacific the International & Great Northern Railway in Palastine TX the Chesapeake & Ohio Railway Co. in Huntington WV and more. The second volume includes Newton duplex milling machines cold saws and hot saws for metal especially aluminum and more. These photos show Newton machines being sold to Dodge Chrysler Buick General Motors Ford Bendix Wright Aeronautical Corp. ALCOA as well as photos showing engine blocks being milled and the internal works of many of the machines. Newton was originally founded in 1880 by Charles C. Newton who specialized as a twist drill manufacturer in Philadelphia and continued to expand operations until merged with Betts Machine Co. and Colburn Machine Tool Co. in 1922 to form the Consolidated Machine Tool Corp. of Rochester NY. Colburn Machine Tool Co. was founded sometime in 1890 by Henry J. Colburn and after his death in 1902 was run by his son Leslie who died in 1918. The Company which maintained a number of machinery patents for drill presses and table saws was merged later with Consolidated in 1922. Consolidated Machine Tool Corp. operated on Blossom Road in Rochester NY producing tools and machinery used in metal and plastics manufacturing. In 1951 they were acquired by the Farrel-Birmingham Co. operating until 1983 when they were sold to the Conlon Corp. See: Directory of American Toolmakers: Early American Industries Association 1999; Betts Machine Co. Manufacturers Index Vintage Machinery 2017; Colburn Machine Tool Co. Franklin PA Manufacturers Index Vintage Machinery 2017. Consolidated Machine Tool Corp., hardcover
194325614NANTES 1943 1 photographie originale en noir, format : 17,6 x 23,5 cm, noté au crayon en haut à gauche Expo 43, on voit bien à gauche les deux Tours de l'usine LEFEVRE-UTILE, le Chateau des Ducs de Bretagne et la Cathédrale à droite,
196625612NANTES 1966 une photographie originale en noir, format : 18,2 x 23,8 cm, sans date (1966),
1933000012662Dresden: Salem Cigarettenfabrik 1933. First edition. Photo Album. Near Very Good. 2 vol. Oblong 8vo. 2 1-23 1; 2 1-35 1 pp. Bound in red flexible paper wraps bound with gold cord in two punch holes. Gold and black decorations and lettering on the front wraps. Each album with a single introductory page of text. Text in German. Both albums illustrated with numerous leaves of mounted color cigarette cards of actors and actresses from the early years of the Golden Age of Hollywood. Each album also has plates of color illustrations taken from scenes of famous films. All of the films shown in these two albums were released in 1931 or 1932. The color cigarette cards feature actors and actresses from Germany the United States Poland Mexico and from other countries. A sticker ghost on each front wrapper a few of the tissue guards torn away two of the cards in the first album with their top margin torn away. Salem Cigarettenfabrik unknown
192061659New York: American Publishing & Engraving Co. J.J. Schultz & Co. 184 William St. Bookbinder ca. 1920-1939. Thick folio. 13 x 19 x 3.5 in. 135 leaves numbered reverse in pencil on versos of last half. on linen with 4274 camera-ready clipart samples all w/ inventory numbers rubber stamped below the image sized approx. 2 x 2 in. throughout arranged in montages of 24 28 32 & 40 per page each carefully mounted some crossed out w/ annotation “Killed†and others worn through at the lower right corner of some leaves while just a few have been removed and in once case clipped from the upper fore-edge of the leaf. Contemporary light gray/beige buckram soiled dampstained wear at fore-edges partially shaken rebacked still a VG- exemplar. An extraordinary printing & engraving firm’s factory sample catalogue for over 4000 of their camera-ready clipart advertisements for subscribing businesses following World War II through the Great Depression and the New Deal programs of President Roosevelt. This superlative archive of images traces Art Deco styles spanning nearly two decades advertising campaigns printing styles fonts and with almost not repeated images offered by American Publishing & Engraving Co. AP&E Co. to their extensive client list. In addition these engravings capture the revolutionary changes in American industry and commerce with nearly 50% devoted to the automobile industry including automobile manufacturers and dealerships accessory suppliers automobile repair public safety from bad driving the fast-growing electric motors and battery industries and more. Ford the Dodge Brothers Buick Studebaker Cadillac Plymouth Auburn Chrysler Essex Auburn-Cord DeSoto Hudson Terraplane and many others all are featured here advertising their service departments features speed and more. A significant portion also reveal the very real needs to wash the cars clean engines repaint the lacquer update the automobile tops replace batteries repair radiators and the always pressing need to maintain safety equipment and tires. Interspersed as well are automobile movers commercial body builders for trucks and commercial delivery vehicles with a significant percentage showing cylinder grinding engine rebuilding boiler repair and other very necessary secondary market needs as metal alloys and tolerances were far less durable with breakdowns an ever pressing problem for the motorist. Public safety notices reflecting the impact of the Progressive Era illustrate the dangers of the automobile with many indicating streetcars potentially hitting stalled cars which had not been repaired properly gridlock automobile accidents from ignoring traffic signals and police traffic officers as well as speeders hitting pedestrians or ignoring motorcycle police traps. Early in the sample illustrations are many reflecting the interest in building large Tudor Revival or Arts & Crafts homes installing electric lighting new furniture stylish clothes & shoes beautiful Oriental carpets and jewelry and watches for young flapper-era women. There are also promotional ads for Art & Stained Leaded Glass windows for homes interior decorators a panoply of beauty products many reflecting the Flapper Era hair and dress styles as well as evolution of the Art Deco lettering. As the AP&E Co. continued to add their sample engravings through the Great Depression not only is there a greater emphasis on repairing automobiles shoes recovering furniture and even repairing mattresses reflecting the belt tightening of the 1930’s but there are also increasing influences of more streamlined automobiles introduction of appliances such as refrigerators appearance of beer ads following the repeal of Prohibition and the fast growing radio industry. American Publishing & Engraving Co. based out of New York was one of a myriad of job printer engraving firms who emerged at the end of the 19th Century and initially specialized in publishing local histories and genealogies for historical societies by subscription typically with illustrations. Although this cataloguer could find no specific trade reference either in contemporary magazines or newspapers they appear to have operated out of the same locations as the Atlantic Publishing & Engraving Co. with some overlap and by the beginning of the 20th Century had largely dispensed with publishing local histories engraved portraits or vanity press projects. Contemporary court cases and other references indicate that they operated a subscription service for businesses advertising art to be run in magazines newspapers pulps or added to trade literature for matchbook covers business flyers etc. and by 1916-1925 were managed by Thomas W. Smith. No similar factory sample collection or published collection located in Worldcat. American Publishing & Engraving Co., J.J. Schultz & Co., 184 William St., Bookbinder, hardcover
194228458Nantes 1942 une LETTRE ORIGINALE, à en-tête illustré en rouge et noir , pré imprimée en noir et tapée à la machine en violet, format : 21,5 x 27,5 cm, tampon de l'usine de nantes en noir et signature autographe manuscrite à l'encre brune du directeur , NANTES 1942,
192428708nantes - chantenay 1924 1 document ORIGINAL, d'une feuille (2 pages), à en-tête imprimé en noir (Page encadrée d'un bandeau noir), Texte de la lettre tapée à la machine en violet , format : 21 x 27, LETTRE A EN-TÊTE DE LA SOCIETE ANONYME DES PETROLES JUPITER, - ANCIENS ETABLISSEMENTS "LES FILS DE A. DEUTSCH DE LA MEURTHE & CIE" - PARIS, RUE DE CHATEAUDUN, NANTES USINE DE LA FARDIERE, LE 6 SEPTEMBRE 1924 - LETTRE INTERNE -VENTE DE L'USINE DE LA FARDIERE (CHANTENAY),
192428695nantes - chantenay 1924 1 document ORIGINAL, d'une feuille (2 pages), à en-tête imprimé en noir (Page encadrée d'un bandeau noir), Texte de la lettre tapée à la machine en violet , format : 21 x 27, LETTRE COMMERCIALE A EN-TÊTE DE LA SOCIETE ANONYME DES PETROLES JUPITER, - ANCIENS ETABLISSEMENTS "LES FILS DE A. DEUTSCH DE LA MEURTHE & CIE" - PARIS, RUE DE CHATEAUDUN, NANTES USINE DE LA FARDIERE, LE 15 SEPTEMBRE 1924,
1930149350N.p.: N.p. 1930. Archive of six double weight borderless photographs of the Ethan Allen Creamery in Essex Junction VT circa 1930s. The photographs contain images of both the creamery buildings and interior of the facilities including the vats used to pasteurize milk at what the creamery's sign claims is "Vermont's most modern and sanitary milk plant."<br /> <br /> Photographs roughly 9.75 x 7.75 inches. Fine. Tipped onto linen on the left edge and bound with a string. Housed in a contemporary card folder with a vintage photography studio label to the rear pastedown. N.p. unknown
199031983(Paris), Centre Georges Pompidou, (1990). Un fort vol. au format in-4 (282 x 243 mm) de 479 pp., broché.
