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1502334097.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Book shows a little wear to covers, corners. Binding is solid, text and interior are clean with no marking of any kind. 402 pages with b&w photos throughout. " if you want to find the right shop to build you a wooden boat, if you're a boathuilder and want to tune in to the wooden boat "grapevine, " or if you simply want to study the stat of a highly skilled traditional craft in contemporary America, this book is for you. The author's experiences as a wooden boatbuilder in Maine led him to want to find out more about the craft throughout the United States. He traveled 40,000 miles in search of his answers, visiting wooden boat shops in almost every active boatbuilding community. He took with him a carefully prepared questionnaire...." This book is the result.
191018913london Longmans Green 1910 in-8 oblong pleine percale un volume, reliure pleine percale éditeur verte (green boards) in-octavo (17 x 23,5 cm), dos long avec titre frappé or, texte en anglais, orné de graphiques et diagrammes in texte en noir + 2 grands Diagrammes dépliants in-fine en noir, l06 pages, 1910 London Longmans Green Editeurs,
26225Paris, Delagrave, technologie des fabrications mécaniques, 1983. Plaquette (290x195mm) brochée, 79 p. Ill. en noir. Bon état général - petites rousseurs sur les tranches.
1966Cyb-2328Librairie Commerciale et Technique Licet Malicorne sur Sarthe, 72, Pays de la Loire, France 1966 Book condition, Etat : Bon broché In-8 1 vol. - 168 pages
18932518FB[Stuttgart], bei Max Waag, [1893.]. Groß-8°. 24 x 16,5 cm. XII, 663 Seiten. Leinenband mit goldgeprägtem Deckel- und Rückentitel.
47158Anthropos.2003.In-8,couv.souple ill.245 p. BE.
200011266Wien, [ohne Drucker], um 2000. Gicléedruck auf Büttenpapier, vom Künstler signiert und bezeichnet. Blattgröße: 40 x 32 cm.
15972Paris, Maurice, 1825, 1 demi basane, dos orné, tranches marbrées. in-8 de (4)-495 pp. + 2 grandes planches dépliantes de 102 figures ;
192625125Paris Dunod 1926 In-12 170 pp, exemplaire non coupé
1878254041878 Leeds the Company 1878.in4 broché,étroit ,couv.ill.,- 48 pages,bon état.
VAP12P., Dunod, 1881. In-8, 92 pages, un tableau dépliant hors-texte, broché.
51521Delagrave, 1919 11,5 x 17,5, 407 pp., 276 figures, cartonnage, Etat moyen - reliure usagée, nouvelle édition
#350 of 700 facsimile copies of the 1746 first edition specially reprinted in 1970. [10], 118, 15 [plates] pages. "Being the first part of Le Blond's Elements of War - written in French by that eminent mathematician, for the use of Lewis Charles of Lorraine, Count de Brionne, and published for the introduction of the young gentlemen in the armies of France." - subtitle. "Was a standard reference on the continent. Covers much the same field as Muller and Rudyerd in the period just prior to the French and Indian Wars." - dust jacket. Armorial bookplate upon front free endpaper, otherwise book clean, bright and unmarked with very light wear. Average wear to dust jacket which is now preserved in archival-grade Brodart. Book
1020813040.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
16008Cincinnati: The R. K. Leblond Machine Tool. Co. Very Good. N.D. Spiral bound. Light cover soil. Includes pictures & info on the regal lathes parts & accessories. Also includes a letter from LeBlond to an individual which accompanied an instruction book which is not included ; the letter opens up to a nice 2 page ad for the super regal lathes. ; Small 4to 9" - 11" tall; 42 pages . The R. K. Leblond Machine Tool. Co. unknown
185654024Lawrence MA 1856. 16mo pp. 2 138 2 plus 24 pages of blank ruled paper for notes; original brown cloth with title stamped in gilt on spine and upper cover; edgewear contemporary owner's signature on endpaper very good. Key by number to patterns of gears hangers and pulleys giving weights diameters remarks etc. 3 in OCLC as of May '19. <br/><br/> hardcover books
2003x-3540201211Springer Verlag 2003. Paperback. New. 1st edition. 504 pages. 9.25x6.25x1.00 inches. Springer Verlag paperback
9713depuis les grecs jusqu’à nos jours. In 8 reliure éditeur, cartonnée rouge, à décor passe-partout. Faux-titre, frontispice, titre, 160 pages, 26 gravures dans le texte et à pleine page Maison Didot –Firmin –Didot & Cie éditeurs, sans date (1890) Très bon état
1956Cyb-355Sciences et Avenir Malicorne sur Sarthe, 72, Pays de la Loire, France 1956 Book condition, Etat : Bon broché, sous couverture illustrée In-4 1 vol. - 40 pages
1961Cyb-428Sciences et Avenir Malicorne sur Sarthe, 72, Pays de la Loire, France 1961 Book condition, Etat : Bon broché In-4 1 vol. - 45 pages
192043960Philadelphia: Lanston Monotype Machine Company 1920. Miniature book approx. an inch-and-a-half square 38 x 38 mm unpaged text printed on rectos only; illustrations; printed staplebound self-wrappers volume laid into publisher's printed bifolium toned accompanied by one piece of type measuring 1/6 of an inch square on which is cast the Lord's Prayer; tear and loss to bifolium the former crudely repaired the latter not affecting text; text volume and cast fine. The Lord's Prayer "can be plainly read with the aid of a good reading glass." <br/><br/> Lanston Monotype Machine Company unknown books
193784922Philadelphia: Lanston Monotype Machine Company 1937. Presumed First Edition First printing. Brochure String bound. Good/No Dust Jacket issued. Format is approximately 7.25 inches by 10.5 inches. Unpaginated 32 pages plus covers. Illustration. Cover label is missing. Single sheet on Monotype Goudy Village No. 410 laid in. Black and white photograph of Frederic W. Goudy 4.25 inches by 5.75 inches laid in. Founded in 1926 the Ulster Irish Society of New York seems to have been an influential group in its day hosting swish annual banquets at top hotels in New York with guest speakers such as pioneer aviator Amelia Earhart and Eleanor Roosevelt. It is interesting that there was a time when 'Ulsterness' was chic and fashionable even in the New York City of the 'Roaring Twenties'. This Tribute composed on the Monotype in fourteen-point Goudy Village with Italics was designed by Richard Ellis and printed from type under his personal supervision at The Haddon craftsmen Camden N. J. The portrait forntispeice of Mr. Goudy was mad especially for this brochure by Mary Hunt of Woodstock N. Y. IN appreciation of the honor conferred by the Ulster-Irish Society of New York upon our Art Director Frederic W. Goudy "for creations in typographic design that will endure forever" tis tribute was printed for lovers of the are preservative of all arts. Lanston Monotype Machine Company Philadelphia Pennsylvania. "Master of sheer beauty and artistry; designer of more than one hundred beautiful types; eager tireless exponent of grace simplicity and integrity in all phases of art; exemplary husband father teacher and friend; with the Medal we offer you our deepest respect and warm affection." Frederic William Goudy March 8 1865 - May 11 1947 was an American printer artist and type designer whose typefaces include Copperplate Gothic Goudy Old Style and Kennerley. He was one of the most prolific of American type designers and his self-named type continues to be one of the most popular in America. Goudy was not always a type designer. "At 40 this short plump pinkish and puckish gentleman kept books for a Chicago realtor and considered himself a failure. During the next 36 years starting almost from scratch at an age when most men are permanently set in their chosen vocations he cut 113 fonts of type thereby creating more usable faces than did the seven greatest inventors of type and books from Gutenberg to Garamond." After teaching lettering and becoming known as an advertising designer in Chicago Goudy built his reputation as a type designer. In 1895 he founded his printing shop Booklet Press later renamed Camelot Press.5 Goudy designed his first typeface Camelot in 1896. In 1903 Goudy and Will Ransom founded the Village Press in Park Ridge Illinois. The typeface used for the Village Press dubbed "Village" was originally created in 1903 for the Chicago clothing manufacturer Kuppenheimer & Company. This venture was modeled on the Arts and Crafts movement ideals of William Morris whose Golden Type many of Goudy's earliest designs echo. It was moved to Boston and then New York. In 1908 he created his first significant typeface for the Lanston Monotype Machine Company: E-38 sometimes known as Goudy Light. However in that same year the Village Press burned to the ground destroying all of his equipment and designs. In 1911 Goudy produced his first "hit" Kennerley Old Style for an H. G. Wells anthology published by Mitchell Kennerley. This success was followed by Goudy's release of the titling letter Forum. Both Kennerley and Forum were cut for private use. Although Goudy was one of the first type designers to become established without working for a foundry the American Type Founders Company ATF became interested in Goudy after his release of Kennerley and Forum. ATF commissioned Goudy to create a typeface. Goudy agreed "on the condition that his original drawings would not be subjected to interference by the founder's drawing room". This commission would become Goudy Old Style. Goudy Old Style was released in 1915 and became an instant success. Goudy was widely known from 1915 to 1940 mainly because of the success of his typefaces but also because he gave many lectures and speeches on "the great love he had for letter forms". Goudy was known to rarely turn down a speaking engagement. In 1940 he was appointed lecturer at Syracuse University's S. I. Newhouse School of Public Communications. An excerpt from a lecture he gave to the annual convention of the International Club of Printing House Craftsmen in New York in 1939 highlights Goudy's practicality and love for letterform. "My craft is a simple one. For nearly forty years I have endeavored constantly to create a greater and more general esteem for good printing and typography to give printers and reader of print more legible and more beautiful types than were hitherto available." By the end of his life Goudy had designed 122 typefaces and published 59 literary works. Lanston Monotype Machine Company unknown
192043960Philadelphia: Lanston Monotype Machine Company 1920. Miniature book approx. an inch-and-a-half square 38 x 38 mm unpaged text printed on rectos only; illustrations; printed staplebound self-wrappers volume laid into publisher's printed bifolium toned accompanied by one piece of type measuring 1/6 of an inch square on which is cast the Lord's Prayer; tear and loss to bifolium the former crudely repaired the latter not affecting text; text volume and cast fine. The Lord's Prayer "can be plainly read with the aid of a good reading glass. Lanston Monotype Machine Company unknown
0267847661.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover