292 résultats
0834142333.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0834142473.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0267297831.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020769297.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
51-5682Paris: Chez Guillaume le BeÌ circa 1660. Folio 24 x 33cm. 8 272pp. Lacking title page and colophon . Contemporary calf covers with new goatskin spine by the artisan binder Sasha Mosalov. 268 half-page woodcuts by Jean Cousin. Original endpapers preserved with markings by previous owners.Avis au Lecteur dated 10 janvier 1660.References: Met: Accession Number: 31.65; OCLC Number 23954908.COUSIN Jean. Figures des histoires de la Sainte Bible . Suivi de Figures historiques du Nouveau Testament. Paris Guillaume Le Bé 1660 pour la 2e partie. 2 parties en pagination continue 4 272 et 2 pp. en un volume in-folio veau brun dos à nerfs orné reliure de l'époque. L'illustration se compose de 268 belles figures sur bois à mi-page d'après Jean Cousin. Il manque les 2 premiers feuillets et le dernier feuillet. La page de titre des Figures historiques du Nouveau Testament est elle bien présente. . Crayonnés sur la page titre de la seconde partie =p. 161. Paris: Chez Guillaume le BeÌ, circa 1660 unknown
005863Oregon USA: Paladin Press Reprint of the original report.no date or edition given. Soft back iv202 pages well illustrated 5.5 X 8 inches. Very good copy with light soil and marking to covers. Reprint. Paladin Press unknown
1953041724Baltimore: Poole Foundry & Machine Co. 1953. Spiral Binding. Very Good/No Jacket. Catalog No. 53. Illustrations and b/w photos within text. 136 pages. Previous owner's name and stamp on FFEP. Binding is sprial binding. Blue cover with gold gilted titles. Inside pages are clean and white. VG/-- <br/> <br/> Poole Foundry & Machine Co. unknown
21x13 cm, 21 righe a bella grafia su carta con decorazione dorata e colorata a mano. Il Calzoni dichiara appassionatamente il suo amore alla fanciulla
Note: In 4°, fascicolo illustrato b.n. di 20 pp.; strappetto alla base di pag.1; i punti metallici sono lievemente allentati; discreto es.. Editore: I.E.I. - Milano
16-4799Liège: circa 1920. . Oblong 4to. Original wraps. Manufacturer's trade catalogue. 7pp. price list of residential hardware. Liège: circa 1920. paperback
25910Haute-Marne fonderie de Broussevalvers 1860,une feuille papier pelure 48x32 cm,lithographie à multiples sujets,trés rare,mention ExP.UNIV.1855
139464Plessisville: Plessisville Foundry no date. 4to Very good plus no dust jacket. 293pp. Illustrations photographs tables diagrams graphs charts index. The corners are lightly bumped and there is a previous owner's name on the front endpaper and foreward page. Book about Grain Elevator Equipment & Road Building Equipment. Trade Catalogs Applied Science Forano Products Foundries--Canada Foundry Work Heavy Machinery Plessisville Foundry Trade Catalogs. Plessisville Foundry Hardcover
19762111902154901609New Japan Foundry and Forging Association 1976. Soft Cover. Fine. The book is in fine condition. New Japan Foundry and Forging Association paperback
19732090202120407988Maruzen 1973. Soft Cover. Fine. Number of books: 1 Maruzen paperback
19632111902156001183Nikkan Kogyo Shimbun 1963. Soft Cover. Fine. The book is in fine condition. Nikkan Kogyo Shimbun paperback
12721broché - 21x30 - 96pp - 2002 - les éditions comtoises
1949ABE-149763063633732 PAGES-28,5 CM X 38 CM-EN COUVERTURE "DEUX GRANDS ARTISTES SE RENCONTRENT A PARIS", LUISE RAINER POSANT DANS L'ATELIER DU PEINTRE ROUMAIN BEREA-EN COUVERTURE INTERIEURE: "AUX MARTYRS DE L'YONNE", VINCENT AURIOL INAUGURANT LA SCULPTURE D'HENRI LAGRIFFOUL-STRATEGIE MONDIALE: L'OCEAN INDIEN NOUVELLE MEDITERRANEE, PAR ALFRED SILBERT, 2P-SAO-PAULO VA DE L'AVANT, PAR PIERRE DENAGE, 3P-THEATRE JAPONAIS, NO DE HAGOROMO, 1P, 2 PHOTOS-CLOCHES ETERNELLES, PAR ANNE CARNAHAN, 4P, 8 PHOTOS-MARSEILLE RECOIT LA CROIX DE GUERRE, 3 PHOTOS-AUX BOUFFES-PARISIENS LE BARREAU S'AMUSE., 1P, 4 PHOTOS, MONTEIL,.-LES EXPOSITIONS, PAR MAURICE SERULLAZ: PALMEIRO, MARGOT WOODLE, JACQUES CHAPIRO, CHRISTIANE DUJARDIN-
pp. 120 num foto a p. pag. b/n. Testi di A. Serafini e G. Nardini. Il volume illustra con 94 immagini, in bianco e nero, il suggestivo mondo delle botteghe dei fonditori. Sono illustrate le fonderie Belfiore , Da Prato, GeM, L'Arte, Mariani, Versiliese.
19932091502135404613Huaxia Publishing Company 1993. Soft Cover. Fine. Number of books: 1 Huaxia Publishing Company paperback
0656073209.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
14070Harvey IL: Whiting Foundry Equipment Co. Very Good. N.D. Hardcover. No date. Probably 20's or 30's. Binder slightly soiled rubbed just a bit at the top of the spine. Some of the catalogs are only 4 to 10 pages. ; No. 21 Cranes and Air Hoists; No. 32 Illustrations of Electric Travellers and Other Cranes; No. 22 the Whiting Cupola; No. 23 Ladles; No. 24 Tumblers; No. 25 Elevators; No. 33 Elevators; No. 26 Trucks and Turntables; No. 27 Brass Foundry Equipment; No. 28 the Whiting Patent Car Wheel Foundry System; No. 29 Power Sand Sifters; No. 30 Core Oven Fittings; No. 31 Malleable and Steel Foundry Equipment; 8vo 8" - 9" tall . Whiting Foundry Equipment Co. hardcover
55671Berlin: Norddeutsche Schriftgießerei GmbH Tilsiter Straße 22 ca. 1931. Large octavo 24.9 × 19 cm. Original staple-stitched gray wrappers printed in red and black; 16 pp. Minor toning and foxing to wrappers; still very good. Appealing promotional specimen by this Berlin type foundry which was known primarily for its modernist sans-serif Grotesk typefaces including Reichsgrotesk Wotangrotesk and Lessing-Grotesk. The introductory text contextualizes the foundry's main focus: "Every era has its own rhythm which becomes a visible form of expression through human perception . The profound transformations in our worldview have led people to the purest and most natural understanding of their feelings-to simplicity clarity and practicality. In typography the unadorned forms of the Grotesk typeface have prevailed in contemporary design giving expression to the spirit of the times" p. 3.<br /> <br /> The exact publication date remains unclear but given the inclusion of publisher's ads for several contemporary novels as typograpy use cases it was printed no earlier than 1931. An article by type historian Dan Reynolds chronicles the history and later fate of the type foundry which was founded in 1921. Being situated in East Germany after World War II it was eventually expropriated and incorporated into the VEB Typoart. See "The Norddeutsche Schriftgießerei and VEB Typoart" https://www.typeoff.de/2018/04/norddeutsche-schriftgieserei-veb-typoart/.<br /> <br /> As of April 2026 KVK OCLC only show the copy or copies at the Deutsche Nationalbibliothek Leipzig. unknown
19979550Ashuelot: Trois Fontaines Golgonooza Letter Foundry 1997. One of 80 regular copies from a total issue of 109 copies 80 numbered copies 26 lettered copies and 3 Artist's Proof copies all on Arches paper each signed and numbered or lettered by the author and type designer punch cutter and printer Dan Carr and the artist and binder Julia Ferrari. The 80 numbered copies have one etching and three duotone reproductions by Julia Ferrari who has also written an "Artist Afterword" and designed the beautiful shaped colophon. As an example of contemporary book arts this may well be unique I can think of no other book of contemporary verse where the author / printer has designed and cut a unique type face for his book. Page size: 12-1/2 inches x 9-1/4 inches; 72pp. Bound by Julia Ferrari: handmade green pastepaper with black and brown overall abstract design corresponding to the frontispiece etching title in black on white label on spine. All the numbered edition copies correspond to one season depending on the frontispiece etching. That is there are four variations of the book in the numbered edition with the different pastepapers used in the binding keyed to the original frontispiece etching.<br/>Dan Carr created a type face called Regulus after the star rising through the trees when the first alphabet was completed for his verse. In the Preface he states he views "the poems are collected as an alphabet." The collections of verse he goes on are about "transformation found in the seasons of a year.my poems revealed a kind of stations of the soul the cycle of the seasons of frost and sun." The theme of transformation that occurs in nature and that constancy of change are perfectly interpreted in words and image. Trois Fontaines [Golgonooza Letter Foundry] unknown books
0266748473.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
