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192332048Chicago: Rural Publishing Corporation 1923. Text paper tanned but supple light edge wear creasing closed tear to right front edge paper loss at spine ends not affecting title lettering or date cover appears to have been separated and re-glued small loss at upper and lower left corners a good copy. 32048. Octavo single issue pictorial wrappers. Pulp Magazine. The first issue of this important 20th century magazine. Includes stories by Anthony M. Rud Otis Adelbert Kline R.T.M. Scott Joel Townsley Rogers Howard Ward and many others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Rural Publishing Corporation unknown
192332049Indianapolis IN: Rural Publishing Corporation 1923. Text paper mildy tanned vertical crease to front cover series of small holes along left edge-likely from being bound at some point a little paper loss to spine ends some rubs to spine edge a good to very good copy. 32049. Octavo single issue pictorial wrappers. Pulp Magazine. The second issue of this important 20th century magazine. Includes stories by Howard Ward Anthony M. Rud Otis Adelbert Kline Francis Grierson Ted Olson and many others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Rural Publishing Corporation unknown
189724<i>This book is over 122 years old. <br />"The Raven"</i> in particular—Poe investigates the loss of ideal beauty and the difficulty in regaining it. These pieces are usually narrated by a young man who laments the untimely death of his beloved. <i>"To Helen"</i> is a three stanza lyric that has been called one of the most beautiful love poems in the English language. The subject of the work is a woman who becomes in the eyes of the narrator a personification of the classical beauty of ancient Greece and Rome. <i>"Lenore"</i> presents ways in which the dead are best remembered either by mourning or celebrating life beyond earthly boundaries. In <i>"The Raven"</i> Poe successfully unites his philosophical and aesthetic ideals. In this psychological piece a young scholar is emotionally tormented by a raven's ominous repetition of "Nevermore" in answer to his question about the probability of an afterlife with his deceased lover. Charles Baudelaire noted in his introduction to the French edition of <i>"The Raven"</i>: "It is indeed the poem of the sleeplessness of despair; it lacks nothing: neither the fever of ideas nor the violence of colors nor sickly reasoning nor drivelling terror nor even the bizarre gaiety of suffering which makes it more terrible." Poe also wrote poems that were intended to be read aloud. Experimenting with combinations of sound and rhythm he employed such technical devices as repetition parallelism internal rhyme alliteration and assonance to produce works that are unique in American poetry for their haunting musical quality. In <i>"The Bells"</i> for example the repetition of the word "bells" in various structures accentuates the unique tonality of the different types of bells described in the poem.Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories poems and critical theories which established a highly influential rationale for the short form in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story Poe was also the principal forerunner of the "art for art's sake" movement in nineteenth-century European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities Poe focused his criticism on the specifics of style and construction that contributed to a work's effectiveness or failure. In his own work he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly influenced the French Symbolists of the late nineteenth century who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance in literary history.<br /><br />This book contains the first collection of Poems Poems and Tales. See Pictures Houghton Mifflin Company hardcover
192731906Camden NJ: Personal Arts Company Publishers 1927-1928. Issues slightly trimmed for binding otherwise quite fine with little tanning to text paper mostly cream colored. At the base of the spine is stamped "Dunninger Collection." A lovely presentation. 31906. Octavo five issues pictorial wrappers bound in blue boards with gold stamping to spine. A bound volume of all five issues that were noted magician Joseph Dunningers copy with his signed name and also inscribed and signed by editor/author Walter Gibson to Joe Dunninger. Gibson wrote several books about magic for Dunninger they were lifelong friends. This is likely a presentation volume to Dunninger. Tales of Magic and Mystery was a short lived magazine which published stories and articles about magic and the occult as well as some short fiction. The March 1928 issue published the H. P. Lovecraft short story "Cool Air." Other authors of fiction include Frank Owen Miriam Allen de Ford Archie Binns Robert Leslie Bellem and others. Gibson wrote most non-fiction material under his own name and also using the pseudonyms Alfred Maurice and Bernard Perry. Personal Arts Company, Publishers unknown
1925010664<p>New York: George H Doran 1925 310 pgs. Red cloth with pictorial pastedown in metallic gold black & red a few spots to edge of text block else a fine copy housed in the original pictorial box which is worn and soiled with a couple of breaks but complete. A gorgeous copy of Kay Nielsen's magnificent illustrated edition of Grimm's fairy tales featuring 12 tipped-in color plates and 10 full page b&w plates and decorative initials. This was the last of Nielsen's lavish gift books and no British trade edition was issued. . First Trade Edition. Pictorial Cover. Near Fine/No Jacket. Illus. by Kay Nielsen. Large Thick 4to.</p> George H Doran hardcover
193632955New York: The Carwood Publishing Co. 1936. Some darkening to text paper slight edge wear a nearly fine set. 32955. Large octavo two issues illustrated by Elmer Stoner pictorial wrappers side stapled. Pulp magazine. All published. Inspired by a radio program started in May 1931 with the same title. Several original stories were adapted from the radio program. Many of the stories were reprints from much earlier magazine publications. Reference: Parnell and Ashley Monthly Terrors pp. 296. Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 742-3. The Carwood Publishing Co. unknown
AQ32533s.i.: s.n. s.d. 8pp. With numerous woodcut illustrations in the text. Bound with: Drop-head title: The waggon load of gold. Part II. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head title: The house that jack built. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Jack jingle. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The child's new year's gift. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Little red riding hood. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Nursery rhymes. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of the children in the wood. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: History of jumping joan. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Death & burial of cock robin. s.i. s.n. s.d. 7pp 1. With numerous woodcut illustrations in the text. And: Drop-head tile: Tom tucker. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Cinderella s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of simple simon. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of Mother Goose. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: London cries. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of old Mother Hubbard. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. 16mo. Contemporary red morocco richly tooled in gilt and blind lettered in gilt 'Tales and stories' to upper board A.E.G. A trifle rubbed and marked. Internally clean and crisp. An attractively bound sammelband of sixteen diminutive chapbooks intended for a juvenile readership. The titles within all illustrated with crude yet charming wood-engravings include staples of the Victorian street literature market; compendious retellings of perennially popular nursery rhymes such as Cinderella Little Red Riding Hood and the Children in the Wood. An exception is a remarkably rare version of a recherché didactic verse curiosity The Waggon Load of Gold. Issued in two seemingly separately published parts; the work is comprised of a total of sixteen unassociated stanzas calculated to amuse the young reader and each - unusually for chapbook fare of the era - accompanied by illustrations which actually relate to the text; for example the opening couplets of the second part a celebration of the library is partnered with a depiction of a bookcase: 'The chief prize of the whole Here you now may behold 'Tis a library of choice books From the Waggon Load of Gold.' OCLC records a single copy of The Waggon Load of Gold. Part II. at Richmond Public Library Virginia Part I. is apparently unrecorded. The copy retains the original publisher's wrappers bearing the imprint 'London: Printed and published at 60 St. Martin's Lane' with the date recorded as '1820'. This would suggest that the other titles contained within this sammelband - all printed on similar paper stock and some reusing woodcut ornaments - where issued contemporaneously from the same location. . [s.n.], [s.d.] unknown
192419001TYPED LETTER SIGNED dated March 28th 1924 on RURAL PUBLISHING CORP. stationery to author and famous member of the Lovecraftian Circle Frank Belknap Long about 375 words stating that Long's story THE DESERT LICH has unfortuantely been delayed as it was decided that one man namely Edust-wrapper in Baird could not possibly have the time to be editor for WEIRD TALES DETECTIVE TALES and their new venture GHOST STORIES and thus he "will assume the editorial helm of WEIRD TALES & GHOST STORIES" that he has "read several thousand manuscripts when he was a reader for Baird and that he knows the thrill that comes of discovering a distinctively written story" that he "wishes to use DESERT LICH Long's accepted tale in the combination summer issue for June July & August which we are making triple size and putting out to clear the deck for the issuance of GHOST STORIES" "that their rates are not yet as high he would like them to be and that by summer he hopes we can pay on a pay on acceptance basis" and that "Our rates at present are one cent a word". He finishes with these plaudits for Lovecraft: "Please thank Mr. Lovecraft for me for turning THE DESET LlICH our way. And I want to thank you also for telling me of other Lovecraft stories that I have not yet seen. I would as soon think of changing a line or a word or a title of Mr. Lovecrat's work as I would rewriting an Edgar Allen Poe story. He is to my way of thinking the supreme master of weird tales whose mastery is not accidental but the result of careful and directed thought. So far I have seen Mr. Lovecraft's works only in print for I have not had the thrill of reading them in manuscript. I have not even read HYPNOS but I am looking forward to reading the page proofs of the May Weird Tales which contains the story. But those that I have read in the magazine-----THE HOUND THE RATS IN THE WALL DAGON----are marvels of writercraft." Letters from Wright the acknowledged foremost editor of Weird Tales are notoriously scarce and I know of none earlier. They rarely surface on the market place. Indeed letters with a full strong signature of Wright are rarer still as he was virtually unable to sign anything due to Parkinsons disease by 1930. So here's your chance to snatch a piece of history from one major player in the Golden Age of Science Fiction and Weird Tales specifically to another. The earliest letter I have seen by Farnsworth Wright. N.p. unknown
192732053Indianapolis IN: Popular Fiction Publishing Company 1927. Mild tanning to text paper crease to lower edge slight edge wear and some edge trims a fine copy. 32053. Octavo single issue cover art by C. C. Senf. pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn H. P. Lovecraft "The White Ship" Edmond Hamilton Eli Colter and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1904010920<p>Boston: Old Corner Book Store 1904 464 pgs. Beige cloth pictorially stamped in color on all panels mild surface rubbing light shelf wear overall a lovely clean copy. Originally published in this format in 1900 but this edition replaces the pictorial endpapers with plain all else is identical. Illustrated with a color frontis & title page the balance in b&w as full- and partial-page plus chapter heads and decorations. All iterations of Rackham's Grimm fairy tales are elusive. This one is made even more special by an autograph letter signed by Rackham addressed to Canadian author Howard Angus Kennedy declining an invite to a party held by the Candian Author's Association. Reprint. Pictorial Cloth. Very Good Plus/No Jacket. Illus. by Arthur Rackham. Thick 8vo.</p> Old Corner Book Store hardcover
120902Odesa 'Ukrains'ka knyzhka' 1919. . First edition 16mo 17.7 x 11 cm; contemporary ink ownership inscription to p.3; original printed wrappers ink inscriptions to upper and lower wrappers stain to spine and guttersmore so to preliminary leaves a good copy.<br /> A scarce collection of seven Ukrainian folk tales published in independent Ukraine.<br /><br />The publisher 'Ukrains'ka Knyzhka' was based in Lviv and was active during 1917-1922. Founded by Antin Krushel'nyts'kyi 1878 - 1937 editor publisher teacher short-term minister of education and as many Ukrainian officials executed by Bolsheviks. They produced books in a number of cities printing literature and textbooks in Ukrainian for primary schools and children. There was a huge demand for learning material in Ukrainian after decades of prohibition and the number of books published in the native language far outweighed those in Russian in 1918. Not found in WorldCat.<br /> Odesa, 'Ukrains'ka knyzhka', 1919. unknown
18992221708<p>ORIGINAL 14 PARTS</p><p>First edition in the original 14 parts. 11" x 8 1/2" circa 400 b/w illustrations by Lemercier and Helen Stratton who gets sole credit on the title page. Original stitched green pictorial wrappers. Part 14 with half title title page contents and list of illustrations 320 pages. No dust jacket. Very good minor rubbing; signs of handling and some light foxing. Scarce.</p><p>Printed by Butler & Tanner The Selwood Printing Works.</p><p>Some illustrations in first two parts are signed "Lemercier" in the plate.</p> George Newnes paperback
190861Tokyo: late-19th century. A colourful Meiji-period edition depicting a traditional fairy tale of a villainous tanuki racoon dog being defeated by a heroic rabbit. The story originated in the 16th century and remains popular to this day. It became especially widespread in the late 19th century as a moral tale targeted at young children. Kachi-kachi yama opens with an old man capturing a tanuki a well-known trickster. The animal is released by the old man's wife but then goes on to kill her. In revenge a friendly rabbit plays three increasingly violent pranks on the tanuki including setting fire to a bundle of sticks it was carrying while climbing a mountain. The story ends with the rabbit returning to the old man who is grateful for the help. Duodecimo concertina-style 118 x 89 mm. With 12 colour woodblock prints; text in classical Japanese. Original light brown cloth boards manuscript paper label on front board black speckled front panels. Housed in modern blue cloth folding case. Remains of old shelf label on rear board. Contents bright: a fine copy. hardcover
1895830091895. EHON - FAIRY TALES BARBATOU P. FABLES CHOISES DE FLORIAN. The first volume only. Paris: Librairie Marpon & Flammarion; Tokyo: Shueisha Meiji 28 1895. Fukuro toji cord-bound in printed paper covers. This first volume is 26.6 X 19.8 cm with 14 full page color woodcuts by Kano Tomonobu and Kajita Hanko. #167 of 200 from a deluxe edition on Japanese hosho paper. Covers soiled and a bit edgeworn one cvorner chipped. The contents are very good and the impressions and colors are quite lovely. This work despite its French text may be seen as squarely in the tradition of the Japanese ehon and it shares many characteristics of the revival of picture book printing in mid to late Meiji demonstrated by other works: an emerging Nihonga style skilled printed increasingly restrained coloration etc. In that context the large scale of its illustrations renders it particularly interesting. The first volume only of two. unknown
1954232401954. African American Comics The first Black hero in Marvel Comics publishing history in Jungle Tales nos. 1 5 and 7. These issues date from a 1954-1955 run in which Atlas Comics the label that developed into Marvel Comics featuring one of the earliest Black lead features in American mainstream comics Waku: Prince of the Bantu. Marvel has identified Waku as the first regular Black lead character in its publishing history and these issues give the character cover billing and stories including "Fire Spirit" "Blood Brother to the Lions!" and "Trial by Fire!" alongside recurring Jann of the Jungle features such as "Rampage!" "Jungle Fangs!" and "Swamp Fever!". Jungle Tales ran for seven issues from September 1954 to September 1955 with numbering then continuing as Jann of the Jungle no. 8. <br /> Jungle Tales. New York: Classic Syndicate Inc. for Atlas Comics 1954-1955. Group of 3 issues: vol. 1 no. 1 September 1954; vol. 1 no. 5 May 1955; vol. 1 no. 7 September 1955. Each issue retains its original pictorial wrappers with full-color covers and newsprint interiors; contents across the group include Waku Prince of the Bantu Jann of the Jungle Cliff Mason White Hunter and The Unknown Jungle.<br /> 1 Jungle Tales. Vol. 1 no. 1. New York: Classic Syndicate Inc. September 1954. First issue of the series with a red cover introducing the title and cover panels for Cliff Mason Jann of the Jungle Waku Prince of the Bantu and The Unknown Jungle. The Waku feature is titled "Fire Spirit." His story opens with the death of Chief Kaba whose final command binds his son to the jungle's fire spirit and forces Waku into exile rather than immediate succession. Waku kills the wild bull marauding the village learns that the hunter Mabu has profited by sending white hunters after elephant herds and returns when Kaba's spirit releases him from his vow ending with Waku restored as leader of the Bantu beside Lalei.<br /> 2 Jungle Tales. Vol. 1 no. 5. New York: Classic Syndicate Inc. May 1955. Yellow cover with five-panel layout and the Comics Code Authority seal naming Jann of the Jungle Cliff Mason White Hunter Waku Prince of the Bantu and The Unknown Jungle. The Waku feature "Blood Brother to the Lions!" begins with h is defeat of Naru for leadership but the dispute continues when Kom drives Waku into the jungle and Lalei follows him into danger. Waku enters a lion enclosure to save Naru fights through fire gorilla attack and jungle beasts and returns on the backs of lions prompting Naru to yield leadership and call him "blood brother to all things of the jungle."<br /> <br /> 3 Jungle Tales. Vol. 1 no. 7. New York: Classic Syndicate Inc. September 1955. Final issue of the title before continuation as Jann of the Jungle no. 8 with a yellow cover again foregrounding the anthology's principal features. The Waku story "Trial by Fire!" centers on Kojii's challenge to his rule: Kojii seizes Lalei demands that Waku surrender the Bantu throne and draws him into the mountain sanctuary of the monkey people. Waku escapes captivity survives the monkey assault defeats Kojii in the trial by fire and the story closes with Lalei and the great bird carrying the Bantu out of the flames while Kojii acknowledges that Waku remains the true ruler.<br /> These issues preserve a short-lived title in which a Black hero regarded by some as a direct predecessor to the later Marvel superhero Black Panther carried a recurring feature and cover representation in a mainstream American comic. Front and back wrappers on vol. 1 no. 1 fully detached; some light toning and edge wear consistent with age and handling across the group otherwise good. Overall fair to good condition. A three-issue group of Jungle Tales featuring the earliest appearance of Waku Prince of the Bantu the first Black hero in Marvel's publishing history. unknown
1982235301982. Four Transvestite Fiction Booklets containing reflections on gender trans identity self expression from 1982-1994 including story titles such as "Sissy in Satin" "Living Doll" "Jim into Jamie" "Trapped in Panties" and "My Husband Married Me To be a Woman." A first-person passage states that a transvestite needs "feedback from others" to understand "gait" "voice" and "other mannerisms" while "perfecting a gender role" placing social performance and self-assessment inside the language of everyday presentation. The group emerged during a period when queer and trans communities faced AIDS-era stigma homophobic public discourse and the lingering legal and social memory of anti-crossdressing enforcement in American cities. By 1980 defendants had challenged cross-dressing arrests in at least sixteen cities while the domestic HIV/AIDS epidemic began in 1981 and intensified public hostility toward already stigmatized queer communities. These booklets preserve small-press fiction created for readers seeking transvestite crossdressing and transfeminine narratives outside mainstream publishing with fantasy plots gender transformation motifs and direct language about feminine identity appearing within the same print culture.<br /> <br /> Crossdressing and Transvestite Fiction Booklets. Seattle and s.l.: Empathy Press and unidentified publishers 1982 to 1994 and undated. Four staple-bound booklets each approximately 50 pages including two Empathy Press titles and two related transvestite or crossdressing fiction titles.<br /> 1 Slavik Charles. Skirted Men: Tales of Transvestism. Book 2. Seattle: Empathy Press 1982. The contents page lists "Sissy in Satin" beginning on page 4 with copyright credited to Charles Slavik and the publisher given as Empathy Press P.O. Box 12466 Seattle Washington 98111. Princeton cataloging identifies Charles Slavik as creator of another Empathy Press Skirted Men issue confirming the publisher's place within late twentieth-century LGBTQIA periodical and ephemera collecting.<br /> 2 TV Queens Fiction Digest. Number 23. Seattle: Empathy Press 1990. The contents page lists "Living Doll" "Jim into Jamie" and "Trapped in Panties" and the imprint invites readers to send material if they "enjoy writing and would like to see your fantasies in print." That solicitation places the digest within a participatory reader-writer circuit where fantasy manuscripts could move from private desire into small-run printed circulation.<br /> 3 Secret Pleasures: The Crossdressing Experience. Book 16. Seattle: Empathy Press 1994. The contents page gives the story title "My Husband Married Me To be a Woman" and the front cover identifies the work as "A Transvestite Fiction Fantasy." Gerber/Hart's transgender periodicals exhibit describes Cathy Charles Slavik's Empathy Press enterprise as evolving by the early 1970s into several concurrent trans-oriented magazines giving this later booklet a connection to a publisher with a longer transvestite and trans readership history.<br /> 4 Silky Slip-Ups. S.l.: s.n. undated. The cover caption reads "Coming out. Caught out. Found out. BUT EVENTUAL ECSTACY" using discovery exposure and eventual pleasure as the narrative promise. The cover art and title align the booklet with forced-feminization and crossdressing fiction conventions described in trans small-press fiction where many plots turn on coerced dressing transformation or power exchange.<br /> <br /> The booklets use the historical vocabulary of "transvestism" "crossdressing" "feminine identity" and "gender role" before "transgender" became the dominant umbrella term in many public and archival contexts. Their contents connect erotic fantasy to questions of passing social recognition voice gait coming out exposure and reader participation making the group especially useful for tracing how trans and crossdressing readers articulated identity through small-format fiction during the 1980s and 1990s. All four booklets are in very good condition with intact spines minor price-sticker residue light discoloration and handling wear to the covers. The group preserves an early small-press record of transvestite and crossdressing fiction made around the desires anxieties vocabulary and self-fashioning practices of its own readership. unknown
193632072Indianapolis IN: Popular Fiction Publishing Company 1936. Slight tanning to text paper clear tape to verso of edges of front cover with some darkening along the top edge. A bright just about fine copy with nice color. 32072. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Robert E. Howard "The Hour Dragon conclusion - Conan Jack Williamson Carl Jacobi Robert Bloch and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
193632075Indianapolis IN: Popular Fiction Publishing Company 1936. Text paper tanned but supple slight edge wear a fine copy. 32075. Octavo single issue cover art by J. Allen St. John pictorial wrappers. Pulp Magazine. Includes stories by Robert E. Howard "The Fire of Asshurbanipal" H. P. Lovecraft "The Haunter of the Dark' Robert Bloch Amelia Reynolds Long Manly Wade Wellman Henry Kuttner and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
182634041Edinburgh and London: Archibald Constable and Co. and Longman Rees et al. 1826. 3 volumes. First Edition. With fine Scottish provenance being Ex-libris of the Bellfield Library Kilmarnock and James Buchanan merchant of Glencoe. With half-titles in each volume. 8vo handsomely bound in vellum over blue paper-covered boards with the publisher's original printed paper labels on the spines top edge gilt others untrimmed xvi 315; 332; 370 pp. A set in beautiful condition the text fresh and as pristine but for a bit of the typical mellowing or occasional age evidence. The bindings are sturdy and strong and show little wear or use a little bit of spotting from age to the bindings publisher's printed labels are fresh and very legible. Ownership signature of James Buchanan unobtrusively at top of the titlepage and stamp of the Bellfield Library on each title-page and occasionally at chapter openings no other markings within hard-to-see evidence of small circular shelf labels once being on the spine tops. FIRST EDITION OF A SCARCE AND EXCELLENT WORK THIS SET IN UNCOMMONLY FINE AND WELL-PRESERVED CONDITION and with all half-titles as is often not the case. Sir Walter Scott was considered to be the inventor of the historical novel and the success of his Waverley series was immediate and long lasting throughout the English speaking world.<br> Set shortly after the English Civil War WOODSTOCK was inspired by the legend of the Good Devil of Woodstock which in 1649 supposedly tormented parliamentary commissioners who had taken possession of a royal residence at Woodstock Oxfordshire. The story deals with the escape of Charles II in 1652 during the Commonwealth and his final triumphant entry into London on 29 May 1660. David Hume's HISTORY OF ENGLAND gave Scott most of the historical background.<br> As with all the Waverley novels prior to 1827 WOODSTOCK was published anonymously. Archibald Constable and Co. and Longman, Rees, et al. hardcover
189631358London: Dent 1896. 1st ed. Hardcover. Rackham Arthur. 1st ptg. 8vo full green pebbled cloth with pictorial gilt titling. The earliest book showing Rackham identified as illustrator on the title page and the first to display his classic style of fantastical illustration. Toning to endpapers else a fine bright interior. Dent hardcover
1930011104<p>New York: Coward McCann 1930 Orange cloth pictorially stamped in blue a few minuscule nicks from board edges previous owner's name else Fine and clean; color pictorial dust jacket with some darkening and tiny losses original price intact $3.50. An early printing bound in orange instead of blue but retaining the original design originally issued at $2.50. One of the Hader's most desirable titles. Their Picture Book of Mother Goose is illustrated on every page either in b&w or full color and printed on thick stock. First and early printings of this title are notoriously difficult to find in nice condition and almost never with a dust jacket and /or signed!. Signed by Illustrators. Early Edition. Pictorial Cloth Hard Cover. Near Fine/Near Fine. Illus. by Berta and Elmer Hader. Large Square 8vo.</p> Coward McCann hardcover
1847011072<p>Leipzig: Chez Baumgaertner 1847 1847 per institutional copies Gumuchian dates it at 1835. 6.5 x 4 inches 16.5 x 10 cm. 16 pgs. Yellow paper over boards titled in black ink some cover soil occasional light foxing offsetting opposite artwork. One in a series of books meant to teach young Germans how to read French. An abbreviated version of Perrault's tale in French with explanations of French idioms in German. Illustrated with brightly colored engravings. Some of the scenes depicted are quite violent and gruesome. Rare. Gumuchian 4454. Hard Cover. Very Good/No Jacket. Oblong 16mo.</p> Chez Baumgaertner hardcover
193529036Chicago: Popular Publications 1935. Pages browning still supple mild wear along lower edge small chip to lower left corner small rub marks to front cover a very good copy. 29036. Octavo cover by John Howitt pictorial wrappers. Pulp magazine. Fiction by Arthur Leo Zagat Arthur J. Burks E. Hoffman Price and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 660-661. Popular Publications unknown
192831659Indianapolis IN: Popular Fiction Publishing Company 1928. Text paper tanned but supple lower right corner chipped a nearly fine to fine copy. 31659. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by H. Warner Munn Edmond Hamilton August Derleth and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
193332039Indianapolis IN: Popular Fiction Publishing Company 1933. Mild tanning to text paper mild edge rubbing a fine copy. 32039. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Jack Williamson Carl Jacobi August Derleth and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
