92 résultats
1844biblio2688<p>Boston: Thompson Brown & Company 1844. Profusely Illustrated. VeryGood Hardcover Blue cloth Gilt lettering no dj. Moderate edge wear. Some darkening of the spine . Clean Free of marks inscriptions etc. throughput. Strong original binding excellent hinges. 6.9"x5.0"x1.0". be10255</p> Thompson, Brown & Company hardcover
1882010134<p>New York: McLoughlin Bros 1882 Circa 1882. 10.75 x 8.5 in. 27 x 21 cm. Color printed card covers with light soil and surface wear 2 inch tear to rear cover. Mother Goose rhymes illustrated with four full-page chromolithographs a dual-page sepia centerfold and in-text artwork in sepia throughout. Illustrated by Walter Satterlee per American Antiquarian Society. Pictorial Wraps. Very Good/No Jacket. Illus. by W. Bruton Attrib cover & Walter Satterlee . 4to.</p> McLoughlin Bros
1888319819Tokyo: Kobunsha 1888. paperback. very good. Told in English for Children by B.H. Chamberain. Illustrated with color wood block prints on double folded crepe paper string-tied Tokyo: Kobunsha 1888.<br/> <br/> Perhaps uniquely the back cover reproduces a letter to the London publishing house Griffith Farrar & Co dated and stamped FairyLand/Jan. 1 1888 presumably asking them to order copies of the book. The front cover is somewhat faded with one of the corners curled but the interior prints are clean and bright.<br/> <br/> Kobunsha unknown
1836004859<p>Philadelphia: E. L. Carey & A. Hart 1836 189 194 pages. Two volumes bound together in the 19th century in three-quarter brown leather and marbled boards. "81" written on the spine otherwise no other marks inside or outside. Front board partially loose but holding firm. The complete set is uncommon. Small 8vo. First Edition. 3/4 Leather Binding. Very Good.</p> E. L. Carey & A. Hart hardcover
187717370ABHamburg, Friedrich Perthes, (1877). 8°. 2 Bl, (50) Bl. (mit je einer Fabel), 44 S. Mit 50 Tafeln von Otto Specker. Pappband der Zeit (gering berieben). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1880011085New York: McLoughlin Bros 1880 Circa 1880. AAS dates it to 1882 but this copy differs from their copy with no advertisements for Over the Hills by Ida Waugh. Upper cover printed in red blue and blac spine reinforced chipping to lower corner cover soil. A selection of popular Mother Goose rhymes illustrated with 6 vibrant color plates plus a dual-page centerfold. Rhymes include Pussy Cat Pussy Cat; Ride-a-Cock-Horse; Mary Mary quite contrary; Peter Peter Pumpkin Eater; Jack and Jill etc. Pictorial Wraps. Good/No Jacket. Illus. by Uncredited. Small 4to. McLoughlin Bros unknown
18839412(London), Leadenhall Press, (1883). 4to (29 x 22 cm). Mit zahlr. Holzschnitten. Titel in Rot u. Schwarz. Ca. 200 S., einzeln paginiert. Grüne OLwd. m. zweifarbiger Deckelpräg. 2 unbeschnittene Kanten.
189724<i>This book is over 122 years old. <br />"The Raven"</i> in particular—Poe investigates the loss of ideal beauty and the difficulty in regaining it. These pieces are usually narrated by a young man who laments the untimely death of his beloved. <i>"To Helen"</i> is a three stanza lyric that has been called one of the most beautiful love poems in the English language. The subject of the work is a woman who becomes in the eyes of the narrator a personification of the classical beauty of ancient Greece and Rome. <i>"Lenore"</i> presents ways in which the dead are best remembered either by mourning or celebrating life beyond earthly boundaries. In <i>"The Raven"</i> Poe successfully unites his philosophical and aesthetic ideals. In this psychological piece a young scholar is emotionally tormented by a raven's ominous repetition of "Nevermore" in answer to his question about the probability of an afterlife with his deceased lover. Charles Baudelaire noted in his introduction to the French edition of <i>"The Raven"</i>: "It is indeed the poem of the sleeplessness of despair; it lacks nothing: neither the fever of ideas nor the violence of colors nor sickly reasoning nor drivelling terror nor even the bizarre gaiety of suffering which makes it more terrible." Poe also wrote poems that were intended to be read aloud. Experimenting with combinations of sound and rhythm he employed such technical devices as repetition parallelism internal rhyme alliteration and assonance to produce works that are unique in American poetry for their haunting musical quality. In <i>"The Bells"</i> for example the repetition of the word "bells" in various structures accentuates the unique tonality of the different types of bells described in the poem.Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories poems and critical theories which established a highly influential rationale for the short form in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story Poe was also the principal forerunner of the "art for art's sake" movement in nineteenth-century European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities Poe focused his criticism on the specifics of style and construction that contributed to a work's effectiveness or failure. In his own work he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly influenced the French Symbolists of the late nineteenth century who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance in literary history.<br /><br />This book contains the first collection of Poems Poems and Tales. See Pictures Houghton Mifflin Company hardcover
1850AQ30927Glasgow: Printed for the booksellers 1850. 24pp. Disbound. A trifle creased. A Victorian anthology of twelve traditional Irish tales intended for a juvenile readership including an account of Anne Boney ‘the female pirate’. . 12mo. Printed for the booksellers unknown
1893162993NY MCLOUGHLIN 1893 1893. GILT STAMPED NAVY BLUE CLOTH OVER GLAZED BLUE PICTORIAL BOARDS FRONT FREE ENDPAPER DETACHED. VERY GOOD. Hardcover. NY, MCLOUGHLIN, 1893 hardcover
1887DEMO013716IBoston: Roberts Brothers 1887. Deluxe Limited edition. Hardcover. Very Good. Wilhelm von Kaulbach. 4to 342 pages new full dark morocco leather spine label original pictorial top cover bound in at rear .top edge gilt fore-edge untrimmed; ex libris A. Freiberg of Cincinnati. <br/><br/>No. 224 of 400 copies printed for America of the English Edition De Luxe. Twelve India Proof steel engravings after Joseph Wolf engraved by Augustus Fox. Modern form of the traditional legend of REINHART FUCHS. "Under the veil of animals the symbolic representations of the diverse passions of men stand boldly in relief ." Roberts Brothers hardcover
18200007051London: Longman Hurst Rees Orme and Brown 1820. New edition. Hardcover. Very Good. 16mo; xii iii-lxxiv 240 pages tea spots p. lxiii; 20th century full brown morocco raised bands. <br/><br/>Ritson's collection first appeared in 2 volumes in 1795. This work was designed to appeal to youth so many of Ritson's notes were removed to better appeal to young persons. Woodcuts by Thomas Bewick. Longman, Hurst, Rees, Orme, and Brown hardcover
18791266218Erfurt, Berlin u.a., C. Villaret u.a., 1856 - 1879. Zus. etwa 780 S. Neuer Lwdbd (etwas braunfleckig bzw. gebräunt).
189906041022xbvkZürich, E. Speidel - Akademische Verlagsbuchhandlung, 1899. VIII, 136 Seiten; Original-Halbledereinband mit edel marmorierten Buchdeckeln, dezenter Rückenvergoldung und goldgeprägtem Rückentitel; gr.-8vo.(ca. 23 x 17 cm).
18971179382Zürich, Fretz, 1897. Quer-8vo. 30 ausklappbare lithograph. Tafeln (etwa 20 x 68 cm), davon 7 von gewandter, aber wohl nicht professioneller Hand koloriert. Illustr. OBroschur (Umschl. gebräunt, mehrfach eingerissen u. teils fleckig, einige Tafeln m. Randeinrissen u. gering fleckig, letzte Tafel knitterfaltig u. geklebt).
1829027436New York: J. & J. Harper 1829. Two volume unmatched set first American edition of this novel about the civil wars in England. Both volumes have the same publisher and date and are bound in tan paper with pink cloth spines paper spine labels but volume I is about a quarter inch taller than volume II and the volumes are faded to different degrees. Volume I contains 212 pages preceded by an eight page publisher's catalog; volume II has 208 pages. Covers heavily worn with chipping to the spine labels and fraying to the cloth externally fair to poor but bindings sound name at top of vol. 1 title page and vol. II preliminary blank pages untrimmed with wide margins foxing throughout. First US Edition. Hard Cover. Fair. 12mo - over 6¾" - 7¾" tall. J. & J. Harper Hardcover
18292706CBLeipzig, Hahn'schen Verlags-Buchhandlung, 1829. 8°. XXIV, 178, (4) S. Mit gest. Frontisp. und 12 Kupfertafeln. Original illustrierte Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Titelei 3 Teile in 1 Band. Neueste Original-Ausgabe.
1900120811London: Religious Tract Society c.1900. 1st ed. thus. Nice copy. large octavo. pictorial boards 360pp. col. frontis. illusts. Essentially a bound volume of 24 copies of Penny Tales for the People. Nice coloured engraved frontispiece & many nice illusts. in text Religious Tract Society hardcover
1869AQ22121London and Edinburgh: William and Robert Chambers 1869. 224pp. With an engraved frontispiece. Contemporary half-calf marbled boards tooled in gilt and blind contrasting red morocco lettering-piece. Heavily rubbed. FFEP torn away else internally clean and crisp. The sixth volume of short stories selected from Chamber's Journal including Anna Maria Sargeant's 'The lie of expediency' Percy B. St John's 'The rifle: a tale of Arkansas' Camilla Toulmin's 'To slay or to save' and several unattributed others such as 'Story of an Edinburgh sedan-carrier' and 'The work-girl'. . 8vo. William and Robert Chambers hardcover
18303250Derby Printed and published by Thomas Richardson; and sold by Hurst Chance and Co. London c1830. 1830 16mo. 311;311;311p. Woodcuts throughout. Contemporary quarter morocco with marbled boards rubbed but sound. The Natural History is illustrated with Bewick cuts somewhat superior to the two other sets of blocks. Free endpapers removed otherwise a very good copy of a scarce provincial chapbook collection. Not traced in the BL online. Derby, Printed and published by Thomas Richardson; and sold by Hurst, Chance, and Co., London, hardcover
1894BOOKS072948ILondon: Raphael Tuck & Sons 1894. HC. good pictorial boards maroon cloth spine hardcover. 9 Chromoliths B&W ill. UNCOMMON - not dated but a Christmas 1894 gift inscription on the half-title page. IMAGES AVAILABLE. 79pp. Raphael Tuck & Sons unknown
1842136790Pforzheim: Verlag von Dennig Finck & Co., 1842. 657 S. 12° , Hardcover/Pappeinband
18606496alJames Nichol. Fair. Hardcover. 1860. Text tanned in all volumes very readable for a copy this age. For more information see Description<br><p>Vol I: cover and spine scuffed on edges spine worn name on inside cover pa ge edge tanned and stained</p> ide cover page edge worn and tanned</p> . James Nichol hardcover