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pp. (14) , 410 + Nicely illustrated. Original cloth backed paper boards. "This book has been set on the Monotype Machine in Garamont type and printed (both text and illustrations) by the Aquatone Process at the press of Edward Stern & Company, Philadelphiia, Penna." A crisp copy of one of the great classics of book collecting. REF 3
Neues Exemplar - Ob Goethe ganz zuletzt »Mehr Licht!« gesagt hat, werden wir nie erfahren. Fest steht, dass er es hätte sagen sollen: Der Spruch bringt Jahrzehnte seiner Forschung zu Farben, Licht und Finsternis auf den Punkt. Die Erhöhung der Helligkeit, auf die Goethe abzielte, führt zu ganz konkreten, exakt reproduzierbaren und überraschenden Experimenten. Gegen die verfehlte Goethe-Kritik zweier Jahrhunderte zeigt der Philosoph und Wissenschaftstheoretiker Olaf L. Müller anhand ausführlich illustrierter Experimente, wo Goethe gegen Newton gewonnen hat und welchen Gewinn wir daraus ziehen können. Goethe war nicht nur ein gewiefter Experimentator – er war auch ein begnadeter Wissenschaftsphilosoph. – Inhalt: Teil I. Newtons Spektrum: Farbe und Sonnenlicht – Einleitung: Frische Blicke auf den Streit zwischen Newton und Goethe – Ein beleuchtetes Prisma in der Dunkelkammer: Newton entdeckt die Heterogenität des Sonnenlichts – Newtons subjektive Experimente - und zwei genauere Blicke auf Newtons Theorie – Newtons experimentum crucis – Farblose Schlüsse aus dem Experiment – Teil II. Goethes Theorem: Die verlorene Unschuld der Finsternis – Goethe protestiert – Zwei Vollspektren: Goethe vertauscht die Rollen von Licht » und Finsternis – Theoretische Einwände gegen die Heterogenität der Finsternis – Experimentelle Einwände gegen die Heterogenität der Finsternis? – Unorthodoxe Blicke auf Newtons experimentum crucis – Anhang: Goethes Theorem und dessen Beweis – Teil III. Die Macht des Zufalls: Newton triumphiert bei Farbe, Licht und Finsternis – Goethes Pech ist Newtons Glück – Unterstützung für Goethe aus der Physik seiner Zeit – Physikalische Verrisse der Farbenlehre – Was ist Finsternis aus Sicht der modernen Wissenschaft? – Gibt es Finsternisquellen? – Anhang: Nussbaumers Entdeckung der unordentlichen Spektren – Teil IV. Philosophische Diagnose: Unterbestimmtheit – experimentum crucis oder Unterbestimmtheit? - Durch welche und wie viele Daten wären Theorien unterbestimmt? – Über die Größe von Theorien – Sparsamkeit, Einfachheit, Schönheit – Anschlussfähigkeit und andere extrinsische Tugenden – Was wäre, wenn? Kontrafaktische Physik-Geschichte – Wahl der Weltanschauung – Unversöhnlicher Ausblick – Erklärung einiger Zeichen und Symbole – Wissenschaftshistorischer Anhang – Positive fachwissenschaftliche Reaktionen auf die Physik in Goethes Farbenlehre (1810-1832) – Ambivalente fachwissenschaftliche Reaktionen auf die Physik in Goethes Farbenlehre (1810–1832) – Eindeutig negative fachwissenschaftliche Reaktionen auf die Physik in Goethes Farbenlehre (1810–1832). ISBN 9783100022073
1984169187Cambridge MA: Harvard University Art Museums 1984. Paperback. VG-. Ex-library with usual marks including book plate inside back cover. Soiling to covers. Generally clean contents. Pale yellow stapled wraps with color illustration. v; 38 pp. 32 BW figures 11 color plates. Published by the Center for Conversation and Technical Studies at Harvard. Essays include "The Historical Significance of Early Damage and Repair to Vincent van Gogh's Self-Portait Dedicated to Paul Gauguin" and "Van Gogh's Painting Materials: An Analysis of the Self-Portrait Dedicated to Paul Gauguin and Other Arles Period Paintings." Harvard University Art Museums paperback books
193455703Philadelphia: Privately published by the author 1934. First Edition. Small 8vo pp. not numbered. Paper wraps sewn at back. Frontis portrait. With the original mailing envelope. A fine copy. Fleck A38. A booklet intending to secure sponsors for an inexpensive and complete publication of Trollope's works. Issued to people interested in joining the Trollope Society of which Newton was founder. The purpose of the Society was to place all of Trollope's works back in print at reasonable prices. Privately published by the author unknown books
194155685NY: Parke-Bernet 1941. 8vo pp. 22. Blue paper over boards printed in dark blue with paper bookplate affixed on front. Cover little worn at corners and ends of spine o/w a VG tight copy in worn tissue dj. The prospectus for the AE Newton book auction. Parke-Bernet unknown books
8vo., First Edition, with frontispiece, 48 plates and large folding map; original series binding of green cloth, upper board blocked in gilt, gilt back, a near fine copy in unclipped dustwrapper, the latter with minor loss at backstrip. Published in Hale's seminal 'County Books' series.
2004125738Taschen Verlag, Köln [a.o.], 2004. 255 S. ; 30 x 22 cm ; Pp. ;
2004225511Cedarville. Ca.: Carmel Publishing. 2004. 1st Edition. Blue cloth. . A fine copy in a fine dustjacket. . oblong4to. Signed by the author on the title page. Numerous illustrations. Carmel Publishing. hardcover books
Z2476Bordas Editions relie sous jaquette papier
1987250393New York: Metropolitan Museum of Art 1987. First. hardcover. fine/fine. With 135 color illustrations; folding maps. 160 pages 4to burgundy cloth d.w. New York: The Metropolitan Museum of Art 1987. First edition. A fine copy in a fine dust wrapper.<br/><br/> Metropolitan Museum of Art unknown books
178166hardcover. many color and b/w illus. 4to cloth; front cover lightly soiled covers slightly warped. Montpelier: Vermont Historical Society 1949.<br/><br/> unknown books
1904131534Oscawana: Upland Farms 1904. hardcover. very good. Chapter I: Its Evolution Through the Life and Work of Richard Wagner. II: The Outcome of the Life-Work of Richard Wagner. 66pp. slim 8vo gilt-lettered cream cloth; rubbed covers dust soiled. Oscawana-on-Hudson NY: Upland Farms Alliance 1904. Very Good.<br/><br/> Upland Farms unknown books
SLIVCN-9780143105329Penguin Books USA (9/2009)
20041239559Berlin: Max-Planck-Institut für Wissenschaftsgeschichte, 2004. 151 S., Abb. Originalbroschur.
1982151962Sarasota FL: John and Mable Ringling Museum of Art 1982. First edition. Oblong softcover. 151 pages. Exhibition catalog for a show that ran May 14 through July 18 1982. Foreword by Barbara Novak. Essay by Michael Auping. Includes numerous color and black and white illustrations along with interviews with each of these artists: Hamish Fulton Helen and Newton Harriso Michael Singer and Alan Sonfist. A close to near fine copy in wrappers with a small faint sticker shadow to the front panel. John and Mable Ringling Museum of Art unknown books
1997021528Society of Actuaries. 1997. Hardcover. 4to 3rd printing of the second edition fine in fine dust jacket. . Society of Actuaries hardcover books
19383873.1Oak Knoll: Privately Printed 1938. 1st edition Fleck B.32. Blue paper wrappers. Blue cord tie. Nr Fine faint age toning to extremities. 12 pp. Frontis of Dyer. 12mo. <br/><br/>Present is the orange-paper insert describing his Newton's condition as "good second hand." Privately Printed unknown books
1939121686Washington: American Council on Education 1939. ix 189p. previous owner's name on front blank end paper edge worn dj with a faded spine. On inequality in the American public school system. American Council on Education unknown books
1904RFIEISM00LRHollenbeck Press 1904. Very Good. Field Jasper Newton. Isms Fads & Fakes : A Series of Sunday Night Discourses. Indianapolis: Hollenbeck Press 1904. 227pp. 16mo. Green cloth with gilt titles. Book condition: Very good with lightly bumped edges and a few faded spots to covers. There is a short tear in paper at hinge of front pastedown not affecting stability. Rear pastedown bears a small old bookseller's label. Hollenbeck Press hardcover books
1977163453New York: Harry N. Abrams Inc 1977. First edition. Large softcover. A collection of 17 folded sheets 3 of which have text by Douglas Newton and the remaining ones with striking black and white images by David Finn. Sheets in fine condition and housed in a very near fine photographically illustrated cardstock folder. Harry N. Abrams, Inc unknown books
1909292266Washington: Government Printing Office 1909. Very Good binding. The First Edition printing neatly rebound in a burgundy library style binding though not an ex-library copy. This is Volume VII only. Clean and serviceable copy. Very Good binding. Government Printing Office unknown books
193665036Philadelphia: University of Pennsylvania Press. Good. 1936. Hardcover. This is an ex-library copy with library stamps bookplates and a card pocket on the rear paste down. 116 pages 8 1/4" x 5 1/2" gilt printed brown cloth spine with brown paper covered boards. The spine ends are just a bit scuffed and there is a library stamp on the bottom corner of the front cover. Otherwise this is a bright nice copy. Good. . University of Pennsylvania Press hardcover books
19335420.2n. p.: Printed not Published for the Friends of A. E. Newton 1933. 1st edition Fleck B.27. Blue paper wrappers. Cord tie. Nr Fine. Unpaginated 18 pp. Photo frontis of a coach at Ascot. 12mo. <br/><br/> Printed, not Published, for the Friends of A. E. Newton unknown books
19324764.3n. p.: Printed not Published for the Friends of A. E. Newton 1932. 1st edition Fleck B.26. Blue paper wrappers. Cord tied. Fine. Unpaginated. Frontis reproducing a 1793 William Blake drawing. 12mo. <br/><br/>A monograph on Blake. Printed, not Published, for the Friends of A. E. Newton unknown books
19363872.2'Oak Knoll': Privately Printed 1936. 1st edition Fleck B.30. Blue paper wrappers. Blue string tie. Nr Fine. 24 pp. 3 illustrations. 12mo. <br/><br/>Present is the blue-paper Morley insert. Privately Printed unknown books