Marsh, Michelle Dunn, Negarra A. Kudumu, Thomas, Hank Willis ; Deborah Willis; Rene? De GuzmanMareMagnum
141 résultats
A new, unread book in excellent condition. 96 pages. 9 1/8"w x 10 1/4"h. Thirty black artists explore contemporary visual traces of the Black Panther Party. From the publisher: In 1966 Huey Newton and Bobby Seale, two college students in Oakland, California, launched The Black Panther Party for Self-Defense. Officially active for less than twenty years (1966-1982), the Panthers indelibly pierced the public consciousness, and for many its legacy remains controversial witness the virulent responses to Beyonce Knowles? 2016 Super Bowl performance that included an homage to the Panthers through dancers in berets and black leather outfits. That visua gun-toting, well-dressed black men with berets and gun-toting, well-dressed women with Afros is what most of mainstream America, if they know anything at all, think of with regard to the Black Panther Party. This book, All Power: Visual Legacies of the Black Panther Party, evolved from correspondence and conversation with a select list of contemporary black artists who answered the call and submitted work that was from their perspective related to the Party. They include emerging and internationally acclaimed practitioners from around the nation, women and men spanning thirty to seventy years of age.
Newton Compton, febbraio 2012. Rilegato con sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First italian edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
Libro in brossura buone condizioni; Copertina morbida; Normali segni del tempo
IN-16°, PP. 184, ILL. IN NERO, B.N. E COL. N.T., BROSS. EDIT., COP. ILL. COL. (LIEVISSIME TRACCE D'USO), COME NUOVO (M), (UNIVERSALE ELECTA / GALLIMARD. SCIENZA E NATURA; 54). 635 68A
Libro rilegato come nuovo; Copertina rigida; Sovracoperta strappata/rovinata
In 16. Pp. 251 - 268. Brossura muta. Estratto dalla Raccolta di Opuscoli Scientifici e Filologici. Tomo XX. Cosimo Mei, fiorentino, (1718 - 1790 ), fu letterato e poeta. ' Analisi della questione della gravita' positiva con ampi riferimenti a Torricelli ma anche a Galileo e Newton '.... in trattando intorno questa materia di essa ne abbiano quistionato senza assegnarlene vera ragione...'. ....Tradusse in italiano il Museo Mazzucchelliano ma gli procurarono maggior fama i sermoni di Mimismo Ceo indirizzati ad Alvise Vallaresso....' Lombardi, Storia della Letteratura Italiana del secolo XVIII, 1829.
In 16, pp. 102. Br. Epistolario del celebre poeta con Mattia Damiani da Volterra, anch'egli poeta e scienziato del '700, autore di una serie di curiosi 'poemi scientifici'. Il carteggio si protrasse dal 1732 al 1776, anno della morte del Damiani.
Features: Cover photo of Jeff Astle and John Hurst; Bobby Moore writes - 'West Ham will never become a defensive team'; b/w photo of Peter Bonetti (Chelsea and England); The Leeds leader who hates to lose - Billy Bremner; Colour photos of Keith Newton (Blackburn) and Mike Bailey (Wolves); Bright, Brighter, Brighton; Soccer's 9 quid per minute men! - George Best, Johnny Hayes; Great colour centerfold photo of Stoke City - Pride of the Potteries; Focus on Tom Smith (Liverpool); Colour photos of Jim Bone, Jim Forrest and Stan Ternent; David Webb - Chelsea's loyal defender; Joe Royle - Man. United fan - yet he scores goals for Everton; Great black and white photo of Peter Mellor making a save on Alan Hinton; The Crushing defeats that brought England the World Cup!; Colour photo of Tommy Carroll (Ipswitch Town) on back cover; and more. Unmarked. Modest wear. A quality copy. Book
Features: Cover photo of John Greig (Rangers and Scotland); Bobby Moore writes about Jimmy Greaves "the best of enemies'; b/w photo of Per Bartram (Crystal Palace); The Top 'Doog' - Derek Dougan is soccer's supreme showman; Soccer's rolling stones - players who move from team to team; Colour photos of Alan Gilvean (Spurs) and Fred Pickering (Blackpool); b/w photo of Ian Gibson (Coventry City); Rangers are riding high again; Match-winning 'robots' - teams who get goals from 'dead-ball starts'; Colour centerfold photo of Everton - the Blues of Goodison Park; b/w photo of Mick Jones (Leeds United) and John Winfield (Nottingham Forest); England's Football 'Test' Team; Paul Went (Charlton); George Connelly (Celtic); Focus on Brian Kidd (Man. U.); b/w photo of Drew Jarvis (Airdrie); First Class players in the Second Division - Derek Possee, Dixie Hale, Eric McMordie, Tony Green (Blackpool), Keith Newton (Blackburn Rovers); Tragedy for Liverpool's Gallant 'Reds' - knocked out by 'Goals that Never Were'. Colour photo of Terry Paine (Southampton) on back cover; and more. Unmarked. Modest wear. A quality copy. Book
Mm 160x240 Collana "Geni della Matematica" - Volume in copertina rigida figurata, 157 pagine con numerose figure in nero nel testo. Copia pari al nuovo; spedizione in 24 ore dalla conferma dell'ordine.
Neues Exemplar - Ob Goethe ganz zuletzt »Mehr Licht!« gesagt hat, werden wir nie erfahren. Fest steht, dass er es hätte sagen sollen: Der Spruch bringt Jahrzehnte seiner Forschung zu Farben, Licht und Finsternis auf den Punkt. Die Erhöhung der Helligkeit, auf die Goethe abzielte, führt zu ganz konkreten, exakt reproduzierbaren und überraschenden Experimenten. Gegen die verfehlte Goethe-Kritik zweier Jahrhunderte zeigt der Philosoph und Wissenschaftstheoretiker Olaf L. Müller anhand ausführlich illustrierter Experimente, wo Goethe gegen Newton gewonnen hat und welchen Gewinn wir daraus ziehen können. Goethe war nicht nur ein gewiefter Experimentator – er war auch ein begnadeter Wissenschaftsphilosoph. – Inhalt: Teil I. Newtons Spektrum: Farbe und Sonnenlicht – Einleitung: Frische Blicke auf den Streit zwischen Newton und Goethe – Ein beleuchtetes Prisma in der Dunkelkammer: Newton entdeckt die Heterogenität des Sonnenlichts – Newtons subjektive Experimente - und zwei genauere Blicke auf Newtons Theorie – Newtons experimentum crucis – Farblose Schlüsse aus dem Experiment – Teil II. Goethes Theorem: Die verlorene Unschuld der Finsternis – Goethe protestiert – Zwei Vollspektren: Goethe vertauscht die Rollen von Licht » und Finsternis – Theoretische Einwände gegen die Heterogenität der Finsternis – Experimentelle Einwände gegen die Heterogenität der Finsternis? – Unorthodoxe Blicke auf Newtons experimentum crucis – Anhang: Goethes Theorem und dessen Beweis – Teil III. Die Macht des Zufalls: Newton triumphiert bei Farbe, Licht und Finsternis – Goethes Pech ist Newtons Glück – Unterstützung für Goethe aus der Physik seiner Zeit – Physikalische Verrisse der Farbenlehre – Was ist Finsternis aus Sicht der modernen Wissenschaft? – Gibt es Finsternisquellen? – Anhang: Nussbaumers Entdeckung der unordentlichen Spektren – Teil IV. Philosophische Diagnose: Unterbestimmtheit – experimentum crucis oder Unterbestimmtheit? - Durch welche und wie viele Daten wären Theorien unterbestimmt? – Über die Größe von Theorien – Sparsamkeit, Einfachheit, Schönheit – Anschlussfähigkeit und andere extrinsische Tugenden – Was wäre, wenn? Kontrafaktische Physik-Geschichte – Wahl der Weltanschauung – Unversöhnlicher Ausblick – Erklärung einiger Zeichen und Symbole – Wissenschaftshistorischer Anhang – Positive fachwissenschaftliche Reaktionen auf die Physik in Goethes Farbenlehre (1810-1832) – Ambivalente fachwissenschaftliche Reaktionen auf die Physik in Goethes Farbenlehre (1810–1832) – Eindeutig negative fachwissenschaftliche Reaktionen auf die Physik in Goethes Farbenlehre (1810–1832). ISBN 9783100022073
Newton & Compton, febbraio 2001. Traduzione di Anna Pagnini. Prima edizione. Sovraccoperta con qualche traccia d'uso . Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
Newton Compton Editori, dicembre 2006. Introduzione di Tommaso Pisanti. Traduzione di Fausto Maria Martini. Collana: Classici. Edizione Integrale. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Soft cover in fine conditions, no inscriptions or markings inside. Worldwide delivery.
Rilegatura mezza pelle con scritte e decorazioni dorate su costa Buone condizioni (alcuni segni di ingallimento delle pagine per l'età del libro).
8vo., with numerous coloured and monochrome photographs in the text; original pictorial wrappers, a near fine copy. With the publisher's compliments slip loosely inserted. With numerous trade advertisements (several illustrated).
8vo., First Edition, with frontispiece, 48 plates and large folding map; original series binding of green cloth, upper board blocked in gilt, gilt back, a near fine copy in unclipped dustwrapper, the latter with minor loss at backstrip. Published in Hale's seminal 'County Books' series.
In 4o, pp. 112, tUtta tela con sovracc. (minimi difetti). Prima edizione francese dell'importante volume di Newton dedicato al nudo femminile. Ottimo esemplare (Premiere edition francaise) (00875/ FOTOGRAFIA - PHOTOGRAPHIE - PHOTOGRAPHY - NEWTON - EROTISMO - NUDO)
Sm. folio, First Edition, with numerous coloured and monochrome photographs throughout; red cloth, upper board and backstrip lettered in black, a near fine copy in unclipped dustwrapper.
In-16 (cm. 19.40), cartonato editoriale, pp. 85, (1), con illustrazioni in bianco e nero nel testo. In buono stato (good copy).
In-4 (cm. 30.50), brossura illustrata, pp. (63) senza numerazione, con illustrazioni in bianco e nero ed a colori nel testo. Text in English. Designed by Bea Feitler. Minime tracce d’uso alle punte ed alle cuffie; peraltro, volume in ottimo stato (nice copy).
8vo., First Edition, with coloured and monochrome plates, and numerous illustrations, maps and diagrams in the text; original series binding of green buckram, gilt back, a near fine copy in unclipped dustwrapper. New Naturalist 55. Dustwrapper artwork by Clifford and Rosemary Ellis.
Par feue Madame la Marquise Du Chastellet. L'opera afferma le leggi del moto di Newton, che costituiscono il fondamento della meccanica classica, anche la legge della gravitazione universale di Newton e una derivazione delle leggi del moto planetario di Keplero (che Keplero ottenne per primo empiricamente). Il Principia è "giustamente considerato come una delle opere più importanti nella storia della scienza". 2 volumi in 4to, mm. 260x205; [4], 438, [2 bl.] pagg., 9 incisioni; [4], 180, 297, [3] pag., 5 incisioni. Legatura in tutto vitello maculato coevo, piccole spellature alle punte e qualche taglietto sui dorsi. Tagli rossi. Prima edizione della traduzione francese di uno dei capolavori di Newton, illustrata con 14 incisioni (9 nel primo volume e 5 nel secondo), e vari elementi ornamentali. Molto raro. Cfr. Brunet, v. 4, c. 49. Codice inv.1031199
8vo., First Edition; cloth, gilt back, a very good, bright, clean copy in dustwrapper. ALL VOLUMES ARE SCARCE IN THIS CONDITION.
8vo., First Edition, with engraved frontispiece; nineteenth century full roan, sides with blind frame border, gilt back, uncut, patterned endpapers, backstrip chafed at extreme head, a very fresh, clean copy of a scarce work. The proposed 'Appendix' mentioned in the final leaf was not issued. The first published individual history of the county town. A VERY DESIRABLE COPY . Anderson p.143; Upcott, p.431
116p. Frontis. Small 8vo. Original cloth backed paper boards. A Publication of the Rosenbach Fellowship in Bibliography. **PRICE JUST REDUCED! REF2
