[VISTA OPTICA]Biblio.com
889 résultats
175014000Paris 1750. 315x445mm. 12½x17½". Grabado. Paris 1750. 315 x 445mm. Grabado al cobre. Coloreado a mano de época. Vista óptica del conjunto arquitectónico que mandó construir el Conde Duque de Olivares para retiro de Felipe IV y como un lugar de recreo para la corte. Compuesto por más de 20 pabellones bellos jardines suntuosas fuentes y un gran estanque hoy sólo se conserva el Salón de Baile Casón del Buen Retiro el Salón de Reinos Museo del Ejército y parte de los jardines Parque del Retiro. unknown
052110N. p. : N. p. 18-19th century. Soft cover. Very Good. 8vo - over 7¾ - 9¾" tall. Original b/w lithographer print of Medina. 215x175 cm. In Arabic. 1 p. A FINE LITHOGRAPHED MEDINA Medina al-Munawwara ali sâhibhâ afzal al-tahiyya. It shows Medina city with its building and walls besides its environment. Medina is the capital of the Al-Madinah Region in Saudi Arabia. At the city's heart is al-Masjid an-Nabawi 'The Prophet's Mosque' which is the burial place of the Islamic prophet Muhammad. Medina is one of the three holiest cities in Islam the other two being Mecca and Jerusalem. Medina was Muhammad's destination in his Hijrah migration from Makkah and became the capital of a rapidly increasing Muslim Empire under Muhammad's leadership serving as the power base of Islam and where Muhammad's Ummah Community composed of both locals and immigrants from Muhammad's original home of Mecca developed. Medina is home to three prominent mosques namely al-Masjid an-Nabawi Quba Mosque and Masjid al-Qiblatayn 'The mosque of the two Qiblas'. Muslims believe that the chronologically final surahs of the Quran were revealed to Muhammad in Medina and are called Medinan surahs in contrast to the earlier Meccan surahs. <br/> <br/> N. p. (18-19th century) paperback
1801SKU0075596Vista Higher Learning 2018-01-01. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Vista Higher Learning hardcover
188054523Solothurn n.d. ca. 1880. Leporello 165 x 148 cm. in orig. clothcovers with ties. Original printed pictorial wrapper on frontboard. Tinted lithography by X. Amiet Solothurn. On foot "Vom Weissenstein aufgenommen". Clean and fine. hardcover
BN92357Programmieren lernen - Grundlagen Windows XP / Windows Vista / Windows 7 <br/><br/>Programmieren lernen - Grundlagen Windows XP / Windows Vista / Windows 7 Programmieren lernen - Grundlagen Windows XP / Windows Vista / Windows 7 unknown
34729Ottawa. Published byWilliam S. Hunter. 1855. 25.5x 33.5cm sepia tone lithograph by J.H.Buffords Litho. Boston fine. One of the best views in this Ottawaseries. Buffords fame came mainly as the printer of the Currier Ivesprints. Homer Winslow 1836-1910. "Probably the first book to includelithographs drawn by Winslow Homer who was apprenticed to Bufford's ofBoston at the relatively late age of eighteen for a period of two years.The present work includes the apprentice's first substantial published lithograph the third plate View of the Locks Entrance of Rideau Canalwhich is initialed by Homer and the large title vignette and five otherplates that are attributable to him on grounds of style". Tatham suggeststhat "Interests seeking Ottawa's selection as the nation's Capitol mayhave been behind it or The Ottawa and Prescott Railway which linked thetown to Montreal might have funded it in an attempt to encouragetourism. ". - Tatham. Winslow Homer and the Illustrated Book1992. Ottawa. Published byWilliam S. Hunter. 1855 unknown
154334139XNew. Brand new and still unused unknown
D32062018MUG156628Vista Higher Learning 2014-01-01. Textbook Binding. New. No Priority shipping available on this item. No international shipping. 7ae- Vista Higher Learning unknown
52923Paris: Daumont c.1760. Overall sheet size 33.5 x 47cm. Plate mark 27 x 38cm. Original hand-coloured engraving. Very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont, [c.1760] unknown
52920London Published according to Act of Parliament. 1751. Overall sheet size 35.5 x 50cm. Plate mark 24.5 x 39.5cm. Original hand-coloured engraving. Light water stain to upper and right margin otherwise very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. [London] Published according to Act of Parliament. 1751. unknown
52921Paris: Daumont. c.1760. Overall sheet size 35.5 x 53.5cm. Plate mark 29.5 x 43cm. Original hand-coloured engraving. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1760] unknown
52918Paris: Daumont. c.1760. Overall sheet size 34.5 x 50cm. Plate mark 30 x 44cm. Original hand-coloured engraving. c.1760 Trivial spotting to bottom margin but image itself very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1760] unknown
51257Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 31.5 x 51cm. Original copper engraving with contemporary hand colouring. Some small loss to upper corners and upper left margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
51256Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 35 x 51.5cm. Original copper engraving with contemporary hand colouring. With a numbered key detailing the principal buildings in Vincenes. Some small loss to lower left corner and bottom margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
52104Paris c.1760. Original hand-coloured landscape engraving 23 x 42 cm overall sheet size 32 x 49.5 cm. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. [Paris c.1760] unknown
52922Paris: Jacques Chereau. c.1750. Overall sheet size 33.5 x 47cm. Plate mark 27 x 38cm. Original hand-coloured engraving. Small water stain to middle of top margin. Image itself very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Jacques Chereau. [c.1750] unknown
52925Paris: Daumont. c.1750. Overall sheet size 32.5 x 50cm. Plate mark 27 x 41cm. Original hand-coloured engraving. Small brown spot centre left otherwise very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1750] unknown
17605888London c. 1760. Copper engraving 25 x 40 cms bilingual title in English and French with Dutch translation in a contemporary hand beneath original hand-colour copyright date given under Hogarths Act as 1760 trivial soiling blank verso. Print unknown
186410253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown
194317883<p>Los Angeles: Wetzel Publishing Co. Inc 1943 First edition presentation copy. Thirteen copies in OCLC most located in California. Red cloth black lettering; in dust jacket. . Octavo. Mild shelf-wear to spine. Minor stain to upper fore-edge of back cover. Moderate chipping at dust jacket edges and head of spine. Inscribed by author with self-portrait cartoon to a friend shortly after publication. A very good copy of a scarce book published by an obscure Los Angeles publisher that operated in the 1920s through 1940s. Stine 1896-1965 born on a farm near Purdy MO moved to Los Angeles after World War I. The presentation in this copy is to Louise McAllister Tebbetts a friend of the author's from Missouri who became a writer and book reviewer in Chicago. Stine published fiction and worked as a gossip columnist and reporter for Hollywood Lowdown a picture trade paper from 1933-1936. Her other novels include Blood Kin The Talented Wench and Half World.</p> Wetzel Publishing Co., Inc hardcover
190249329Meadville Pennsylvania: Photographed for the Keystone View Company 1902. 1902. YELLOWSTONE PARK. First edition. Complete with 30 numbered silver print stereo views 8 cm x 15.5 cm on gray Keystone mounts 9 cm x 18 cm with titles beneath the image and lengthy descriptions on the reverse. Views are housed in the original slipcase 19 cm x 12 cm x 5 cm Title publisher and bands gilt stamped on the spine of the slipcase. Nice collection of views of Yellowstone that follow the tourist route through the Park beginning at the Northern Pacific depot in Gardiner and then south through the Gate and onto Mammoth into the interior of the Park. "The Yellowstone Park trip via Gardiner gives the maximum of time at all points of interest. More than that: it is scheduled to bring the Tourist to each point at a convenient hour when the time of day will permit of a full and satisfactory inspection of the formations; it also allows a full-day at Mammoth Hot Springs at the Upper Basin Old Faithful Inn and at the Grand Canyon new Canyon Hotel. It affords ample time for rest for meals for social enjoyment at each of the hotels and lunching stations and gives opportunity for fishing and for side trips to many interesting points." - from a contemporary Northern Pacific guide. The first view has a small chip at the right edge else a very good set housed in the original lightly rubbed clamshell case. Photographed for the Keystone View Company, [1902]. unknown
2001V0721mug00837Vista Higher Learning 2020-01-01. Paperback. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer Priority mail or international shipping on this item. -01x- Vista Higher Learning paperback
175327967London 1753. Print. Very good condition. A very early view. The gatehouse of St. James's Palace is on the left. Finely hand colored with the sky in eggshell blue and the people's dress delicately filled in. <br /> 9 3/8 x 15 1/4" on paper 12 3/4 x 18 3/4" unknown
