178 résultats
1730E1Q9EQ01U79OAmsterdam: Reinier and Josua Ottens 1730. Mounted and framed. With title in banner at top centre arms of the city at top right city seal at top left and the primary locations with captions. Large engraved panorama on 4 sheets ca. 42 x 218 cm as assembled. Rare large engraved view of Amsterdam as seen from the inlet known as the IJ published by Reinier and Josua Ottens ca. 1730 with numerous ships on the IJ. It's the last state of the view by Jacob Savry published in 1647 and partly updated including the changes made by Visscher in his issue from 1653. Most obvious are the changes on the east part of the city with several new buildings including ''s Lands Zeemagazijn' now known as the Netherlands Maritime Museum.Washed and with one minor professional restoration near the title. Very good copy of a beautifully executed an detailed view of Amsterdam.l D'Ailly Profielen 186; De Vries Atlas van Amsterdam 14; cf. D'Ailly Profielen 55 & 74. Reinier and Josua Ottens, unknown
172891I90T01U79OAmsterdam 1728. Leonardus Schenk Framed 82.5 x 121 cm. Large engraved wall print on 2 sheets together 57.5 x 97 cm showing the Leiden city wall between the Koepoort and Zijlpoort with various windmills and prominent buildings in the background identified by name. The title appears in a banderole at the head with putti on either side holding the arms of Leiden and Holland. Leonardus Schenk's name appears as engraver and publisher at the right end of the banderole. Large view of the city of Leiden by the Amsterdam engraver and publisher Leonardus Schenk. The viewer observes the city from the south from between the city's Koe and Zijl gates. In the background several windmills and a few characteristic buildings are identified by name in the engraving including the university the library the Pieterskerk the Town Hall the Mare kerk the "Burcht" the fort and the Hooglandse kerk. On the quay outside the wall groups of people walk sporadically passed by small boats on the nearby city moat. In the foreground we see a typical Dutch landscape with grazing cattle farm workers a loaded hay cart and haystacks in the field. We know of several other wall prints by Schenk depicting local situations with almost photographic detail. Thanks to this detail important socio-historical aspects have been passed on to later generations giving these prints an important cultural meaning today. A few spots formerly folded otherwise in very good condition.l Overvoorde Catalogus van de prentverzameling der Gemeente Leiden 1906 no. 640; Waller Biogr. woordenb. Noord Ned. graveurs p. 287. unknown
1728A2RGD4WT38YEAmsterdam: Leonardus Schenk 1728. In black passepartout and gilt frame 82 x 121 cm. Large engraved wall print on 2 sheets together 58 x 97 cm the sheets overlapping each other slightly showing the traditional business centre of the city of Leiden. The title both in Dutch and French is printed in a banderole at the head with putti on each side supporting the arms of Leiden and Holland. Leonardus Schenk's name appears as engraver and publisher at the right tip of the banderole. A large engraved wall print in two sheets showing the trading and commercial centre of the city of Leiden at the convergence of the Oude Rijn and Nieuwe Rijn canals. Unlike most other Dutch towns Leiden had no central market square so that the waterways formed the major access routes for merchandise. On the banks of the canals there is a lively market that converges on the bridge central in the print. Market traders and customers come and go. Women from the coastal fishing villages of Katwijk and Noortwijk display fresh fish for sale. Right in the print we see the monumental "Waag" the weigh-house built in 1658 following a plan by the Dutch architect and engraver Pieter Post. The splendid relief designed by Rombout Verhulst that crowns the entrance is reproduced with a sharp eye for detail. In front of the building commercial goods are hoisted up from carts and a number of ships for transport to the weigh-house. Several other ships had moored and now continue to their destination. A boat flying the Dutch flag brings in a prominent party while a herald standing precariously at the bow trumpets for right of way. We know of several other wall prints by Schenk depicting local situations with almost photographic detail. Thanks to this detail important socio-historical aspects have been passed on to later generations giving these prints an important cultural meaning today. With some faint foxing otherwise in very good condition.l Overvoorde Catalogus van de prentverzameling der Gemeente Leiden 1906 no. 964; Waller Biogr. woordenb. Noord Ned. graveurs p. 287. Leonardus Schenk, unknown
17883741<p><strong>Harvard College -- "the earliest engraving of the College</strong><strong> which one may reasonably hope to obtain"</strong></p><p>This engraving entitled "View of the ancient Buildings belonging to Harvard College Cambridge New-England" appeared in the December 1788 issue of <em>The Columbian Magazine.</em> Bail notes that the view is based on the Burgis-Price print of 1743 which in turn was a slight modification of the Burgis view of 1726. The view taken from a point in front of the present Johnston Gate shows three College buildings in 1726 from left to right: the second Harvard College the first Stoughton Hall and the still-standing Massachusetts Hall. Although unsigned the engraving is undoubtedly the work of James Trenchard a co-owner of <em>The Columbian</em> <em>Magazine </em>and the engraver of nearly all the plates which appeared in it. <br /><br />Of the<em> Columbian</em> <em>Magazine</em> view Bail states: "In spite of the fact that the print is solely an adaptation it is important because of its early appearance and relative scarcity. This is the earliest engraving of the College which one may reasonably hope to obtain."</p><p>The engraving is accompanied by a disbound example of the December 1788 <em>Columbian Magazine</em> in which it appeared. It includes a 5-page "An Account of the ancient Colleges of Cambridge in New-England." Most of this is a republication of material from "a very scarce and valuable pamphlet" printed in London in 1642. In addition to a description of the College "The edifice is very fair and comely within and without." the rules and curriculum of the College are provided.</p><p>A very desirable engraving of Harvard with an example of the magazine in which it originally appeared.</p><p><strong>References:</strong> For the engraving: Bail <em>Views of Harvard</em>: 13; Plate XVII illustrated. Fielding <em>American Engravers upon Copper and Steel</em>: 1819. <br /><br /><strong>Condition: </strong>Image is age-toned with some generally light foxing. Darkening to margins outside of platemark where previously matted; remnant of strip of masking tape at upper margin on verso. The <em>Magazine</em> is complete and quite bright and clean although several pages are detached from the balance of the text.<br /><br />ICN 3431. <br /><br /><br /><br /></p> Printed for the Proprietors by W. Spotswood.
17893750<p><b>Contemporary Image of the First Capitol of the United States</b></p><p>In September 1788 Congress selected New York City as the temporary site of the new government. "The citizens of New York desirous of testifying their attachment to the new national government and of making their city the place of permanent residence of the Federal Legislature have enlarged and repaired their city Hall and made it a convenient and elegant structure worthy of the respectable body for whose use it is designed." <i>Columbian Magazine</i> p. 473. <br /></p><p> The conversion of City Hall to the "Federal Edifice" or Federal Hall was directed by L'Enfant at a cost of $65000. The Executive offices the Senate and House chambers and the Supreme Court were all housed in this building. It was the nation's first Capitol under the Constitution. Although New York City's tenure as the new nation's capital was brief lasting only until 1790 Federal Hall was the site of several highly significant historic events. Washington's inauguration was held on the balcony of Federal Hall and he gave his inaugural address in the Senate chambers. Also the Hall was the meeting place of the first Congress; it was here that Congress adopted the Bill of Rights. <br /></p><p>There is no engraver noted on the image but several other engravings in <i>The</i><i>Columbian Magazine</i> from this time period have been ascribed to James Trenchard the <i>Magazine's</i> publisher. The image appeared a year before Amos Doolittle's famous and virtually unobtainable engraving which portrays Washington's inauguration on the balcony of Federal Hall. <br /></p><p><b>References:</b> Cresswell <i>The American Revolution in Drawings and Prints</i>: 554 illustrated p. 203. Lewis <i>Guide to Engravings in American Magazines 1741-1810</i>: p. 6. For the Doolittle engraving see Deak <i>Picturing America 1497-1899</i>: 181. <br /></p><b>Condition: </b> A strong clean image with original fold lines present. Lower half of left margin replaced with a portion of the inner and outer neat lines and a tiny portion of the image manually recreated. Otherwise very good. <p>ICN 3112. <br /></p><br /> From the August, 1789 issue of The Columbian Magazine.
17621105901762. In der Platte signiert "Piranesi F." und mit dem Titel "Sepolcro di Cecilia Metetla". 45 x 64, 5 cm (Plattengröße).
179846894ABPrag, [Johann Gottfried] Calve, 1798. 4°quer (23x28), [1] Bl. S. [1-3], IX S., [3] Bl., S.4-267, mit Titelkupfer und SchlußVignette, sowie 14 (1 farb Plan, 13 lavierte), Kupfertafeln, flex Pbd d.Zt., stärker berieben und bestossen, Papier teils fleckig, randig und mit kleineren Randläsuren, 1. Schutzpergamin fehlt, Tafeln sauber und gut, ordentliches festes Exemplar,
177620735London, Printed for G. Robinson, 1776. In-8 de [27]-XXI-[1]-266 pages,plein veau marron, dos à nerfs ornés de filets dorés, pièces de titre rouge, tranches rouges.
178621009Paris, l’Auteur, Lottin de S. Germain, 1786 ; 2 tomes in-8, veau marbré, dos à nerfs, décoré et doré, pièce de titre grenat et de tomaison bronze, tranches rouges (reliure de l’époque) ; XXVI, 480 ; VI, 497 pp. et en tout 4 planches hors-texte dont le portrait de l’auteur, pensionaire du Roy, gravé par B.A. Nicollet d’après Le Sueur, et trois planches techniques.
1780141383Augsburg: Kaiserliche Kunstakademie, um 1780. Bildausschnitt ca. 25 x 38,5 cm, Blattgr. ca. 34,5 x 45 cm [6 Warenabbildungen]
178519222Paris, Chez Onfroi, 1785, 1786. 3 volumes in-8 de X-395-[3]; [2]-310; [2]-310 pages. plein veau moucheté brun, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison beige, tranches rouges.
170658556ABBerlin, bey Joh. Andreas Rüdiger : Buchhändler, [1706 / 1712]. kl8° (17x11), 3 Bl., S. 547 - 702; [58] S. Register & Errata, mit 40 teils eingefalteten Kupfertafeln, Hldr d.Zt, mit goldRückenprägung, nur Band 3 von 3, [7 Warenabbildungen] Kanten bestossen, etwas berieben, die Rückenvergoldung ebenfalls etwas berieben, gutes sauberes nur wenig braunfleckiges Exemplar,
1770241361770. A Coutances et se vend ˆ Paris chez Esnauts & Rapilly s.d. circa 1770. Dimensions ˆ vue : 528 x 352 mm passe-partout cadre. Rare et importante vue perspective - en coloris du temps - figurant l'ensemble de la citÂŽ. LÂŽgendes et adresse en marge infÂŽrieure. PrÂŽsentÂŽe sous cadre baguette dorÂŽ. Marges lÂŽgÂrement oxydÂŽes. DiscrÂtes plissures au centre de l'ÂŽpreuve. Encrage de la partie lÂŽgendÂŽe parfois un peu faible. Du reste belle condition. Rare. b42961 unknown
177024136A Coutances et se vend à Paris, chez Esnauts & Rapilly, s.d. [circa 1770]. Dimensions (à vue) : 528 x 352 mm + passe-partout + cadre.
173246892ABAugsburg, Jeremias Wolff, 1732. gr4°quer Folio (29x42), 13 Karton-Bl., mit 13 fachmännisch montierten/aufgezogenen Blättern, zeigt Kupfertitel und 12 (von 16 Kupfertafeln), die Blätter nahe am Rand beschnitten, stimmige Restauration, späterer Pbd mit Kleisterbezug, minimalst berieben, gutes gepflegtes Exemplar,
17521105871752. In der Platte signiert "Piranesi F." und mit dem gestochenen Titel "Veduta della gran Curia Innocenziana edificata sulk rovine dell` Anfiteatro di StatilinTatiro, cheformano todierno Monte Citorio". Mit der gestochenen Nr. "723" bzw. "39". Ausgezeichneter, gegensatzreicher Druck auf vollrandigem festen Velin. 40,7 x 62,3 cm (Plattengröße). 58,6 x 85 cm (Papier).
1744est219t8Dimension extérieur 77,5 cm x 59,5, cuvette 69,3 x 52,4. Magnifique gravure de la Cathédrale de Strasbourg, dont les travaux furent commencés en 1176 et terminés totalement en 1439. En très bon état général, on remarque simplement quelques très légères rousseurs et des traces de scotch en bas et en haut de la gravure.
178541977Helmstädt und Leipzig J.G. Müllerschen Budhhandlung 1785. Small 8vo. Orig. printed blue wrappers to both issues. no backstrip. In: "Chemische Annalen.von Lorenz Crell" 1785:1. Bd. 3. Stück. a. 1785: 1.Bd. Stück 4. 2 whole issues = Stück3-4. 2196-288 a. 2291-384 a. 1 engraved plate. - Scheele's papers: pp. 229-38 a. pp. 291-299. <br/><br/><em>First appearance of these importent papers by the discoverer of oxygen. "In 1785 Scheele revised his views on the nature of air and fire the papers offered as a result of Lavoisier's observations on the increase in weight on burning phosphorus in air. He says he had also often observed the formation of water on the explosion of a mixture of inflammable air hydrogen and fire air in a bottle but had thought that the moisture was in the gases as Priestly had done in 1781.Parkinson III:p.228. "It is only the exact observation of Lavoisier which had helped me out of the dream."Scheele. </em> unknown
178541977Helmstädt und Leipzig, J.G. Müllerschen Budhhandlung, 1785. Small 8vo. Orig. printed blue wrappers to both issues., no backstrip. In: ""Chemische Annalen...von Lorenz Crell"", 1785:1. Bd., 3. Stück. a. 1785: 1.Bd., Stück 4. ( 2 whole issues = Stück3-4). (2),196-288 a. (2),291-384 a. 1 engraved plate. - Scheele's papers: pp. 229-38 a. pp. 291-299.
1780LBW-6283[circa 1780]. 266 x 383 mm.
179720333Paris, F. Buisson, an VI de la république [1797]. 2 volumes in-8 de [4]-VIII-268 et [4]-260 pages, plein veau raciné brun, dos lisses ornés de filets, roulettes et fleurons dorés, pièces de titre et tomaison havane, filet doré sur les coupes.
17703428Amsterdam 1770. Engraved view 21.5 x 36 cm with caption below the image. Nice bird's-eye view of Paramaribo and Fort Zelandia Surinam with several ships in the harbour. The view was published in Hartsinck's important Beschryving van Guiana of the Wilde Kust van Zuid-America Amsterdam 1770. With a manuscript note on Paramaribo on the back copied from De Aardbol. Magazijn van hedendaagsche land- en volkendekunde IX 1854 pp. 656-658.Some soiling and waterstaining. A good copy.l JCB Archive of Early American Images 34362; Klooster The Dutch in the Americas pl. 6.5; V. d. Krogt Advertenties 1292. unknown
17801000388AGAugsburg, Akademie Imperiale d'Empire, (1780). Kupferstich altkoloriert von F. Leizelt nach J. A. Gmeinder, Ansicht 27 x 40 cm, in Goldleiste unter Glas gerahmt 47 x 58 cm, [Schefold, Württemberg; 6262 mit Abb. 231].- Blatt ausserhalb der Darstellung gebräunt, oberer spiegelverkehrter Titel unter Passepartout, schönes dekoratives Blatt,
17801000390AGAugsburg, Akademie Imperiale d'Empire, (1780). Kupferstich altkoloriert von Balthasar Frederic Leizelt nach J. A. Gmeinder, Ansicht 28 x 41 cm, in Goldleiste unter Glas gerahmt 47 x 58 cm, [Schefold, Württemberg; 6261].- Blatt etwas gebräunt, schönes dekoratives Blatt, Rahmen an der oberen Kante mit kleiner Bestossung,
17801000389AGAugsburg, Akademie Imperiale d'Empire, (1780). Kupferstich altkoloriert von Balthasar Frederic Leizelt nach J. A. Gmeinder, Ansicht 28 x 40 cm, in Goldleiste unter Glas gerahmt 47 x 58 cm, [Schefold, Württemberg; 6265 mit Abb. 229].- Blatt etwas gebräunt, schönes dekoratives Blatt,