178 résultats
172052388ABUm 1720. Bildgröße ca. 34 x 40 cm, Rahmen ca. 45 x 52 cm. Altcolorierte Kupferstichkarte von Christoph Weigel. Hinter Glas, gerahmt (moderner braun-goldener Holzrahmen).
178927748PARIS Lamy 1789 une vue en noir, GRAVÉE en taille-douce SUR PAPIER vergé DE FORMAT: 53 x 35 cm., intitulée : "Vue de la Salpétrière [à Paris] prise du Boulevard". Sous le tr. c. : "Dessiné par Savard. Gravé par Duparc". No. 14.,[H. 0m208 x L. 0m341] pour la gravure elle-même, Appartient à : [Planches pour : Voyage pittoresque de la France, Paris, Lamy, 1781-1796
18004120AGParis, Chereau 1800 ca. altkolorierter Kupferstich, Darst. 36,7 x 25,5 (incl. Text); Bll. 48 x 34 gut erhalten. Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
18004041AGParis, Chereau 1800 ca. altkolorierter Kupferstich, Darst. 38,5 x 27 (incl. Text), Bll. 49 x 34,5 gut erhalten. Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
1748372021Printed for T. Osborne in Gray's Inn; A. Miller in the Strand; and J. Osborn in Paternoster Row London 1748. Unframed Print. Very Good Condition. This 1748 engraving provides a detailed depiction of ancient Carthage along with neighbouring cities such as Utica and Tunis and the Carthaginian Gulf. Carthage originally founded by the Phoenicians in the 9th century BC became a powerful city-state and later an empire known for its maritime dominance and conflicts with Rome during the Punic Wars1 folding plate. Ancient Carthage was a Semitic civilization located in North Africa. Originally established as a settlement in what is now Tunisia it evolved into a city-state and subsequently an empire. Founded by the Phoenicians in the ninth century BC Carthage attained its peak in the fourth century BC becoming one of the largest cities in the world at that time. Size: 18 x 30 cms. Category: Universal History; PRINTS : Antiquarian Interest; Printed before 1800; Special Features. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Printed for T. Osborne, in Gray's Inn; A. Miller, in the Strand; and J. Osborn, in Paternoster Row unknown
177024136A Coutances et se vend à Paris, chez Esnauts & Rapilly, s.d. [circa 1770]. Dimensions (à vue) : 528 x 352 mm + passe-partout + cadre.
1780LBW-6283[circa 1780]. 266 x 383 mm.
178727487Paris 1787 Une Estampe Originale, eau-forte au burin gravée en noir par Berthault d'après LE SAGE, format de la gravure seule : 30 cm de haut par 44 cm de large, gravure sur papier épais blanc, légères rousseurs, [Paris] [1787],
176014001London 1760. 315x445mm. 12½x17½". Grabado. London 1760. 287 x 448mm. Grabado al cobre. Coloreado a mano de época. Vista óptica de la ciudad de Lisboa Portugal desde el río. Publicado según acta del Parlamento en 1760. Se trata de la reedición de un grabado de Henry Overton II publicado originalmente en Londres por Robert Sayer en 1752. El mapa pertenece a una de las ediciones realizadas tras el terremoto de Lisboa de 1755. Suele identificarse como una edición londinense pero por sus características puede que haya sido impreso en París al estilo de Maillet de la misma época probablemente imitando las ediciones inglesas. Este mismo grabado fue copiado en muchas ediciones posteriores solo o en libros siendo una de las vistas más conocidas de Lisboa antes del Terremoto. unknown
178027937London: Robert Wilkinson 1780. First printing. Print. Very good condition. A vue optique view from a very high vantage point over Venice with period hand color featuring "eggshell" blue in the sky. Image 11 x 16" on paper 13 3/4 x 19". One small fox spot and the blue sky oxidized in one corner. Robert Wilkinson unknown
1790373368Undated c.1790. Unframed Print. Very Good Condition. The printed area measures 20 x 29.5 cms on a sheet measuring 23 x 35 cms. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Printed before 1800; Special Features. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
177620735London, Printed for G. Robinson, 1776. In-8 de [27]-XXI-[1]-266 pages,plein veau marron, dos à nerfs ornés de filets dorés, pièces de titre rouge, tranches rouges.
176627966London: Wichnyther 1766. Print. Good overall. A view of Westminster prior to the great fire of 1834. The Palace was not rebuilt on the site but was used for the present Houses of Parliament. 16 1/2 x 10" on paper 19 1/4 x 12 1/2". Hand colored. Wichnyther unknown
175327967London 1753. Print. Very good condition. A very early view. The gatehouse of St. James's Palace is on the left. Finely hand colored with the sky in eggshell blue and the people's dress delicately filled in. <br /> 9 3/8 x 15 1/4" on paper 12 3/4 x 18 3/4" unknown
1790373371Undated c.1790. Unframed Print. Good Condition. The printed area measures 17 x 22.5 cms on a sheet measuring 20 x 25 cms. The print shows some foxing more notable in the plain margins than the printed area. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Printed before 1800; Special Features. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
175110664London: Printed for & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. & Hen. Overton at the White Horse without Newgate 1751. Engraved by N. Parr after Canaleti. Engraving with original colour. Printed on laid paper. In good condition with the exception of being trimmed within the platemark. Corners are stained. Image size: 9 3/16 x 15 3/16 inches. A beautiful Vue d'Optique of the Rotunda House at Ranelagh.<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Printed for & Sold by Rob. Sayer at the Golden Buck, opposite Fetter Lane, Fleet Street. & Hen. Overton at the White Horse witho unknown
17605888London c. 1760. Copper engraving 25 x 40 cms bilingual title in English and French with Dutch translation in a contemporary hand beneath original hand-colour copyright date given under Hogarths Act as 1760 trivial soiling blank verso. Print unknown
175110664London: Printed for & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. & Hen. Overton at the White Horse without Newgate 1751. Engraved by N. Parr after Canaleti. Engraving with original colour. Printed on laid paper. In good condition with the exception of being trimmed within the platemark. Corners are stained. Image size: 9 3/16 x 15 3/16 inches. A beautiful Vue d'Optique of the Rotunda House at Ranelagh.<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. Printed for & Sold by Rob. Sayer at the Golden Buck, opposite Fetter Lane, Fleet Street. & Hen. Overton at the White Horse witho unknown books
1730E1Q9EQ01U79OAmsterdam: Reinier and Josua Ottens 1730. Mounted and framed. With title in banner at top centre arms of the city at top right city seal at top left and the primary locations with captions. Large engraved panorama on 4 sheets ca. 42 x 218 cm as assembled. Rare large engraved view of Amsterdam as seen from the inlet known as the IJ published by Reinier and Josua Ottens ca. 1730 with numerous ships on the IJ. It's the last state of the view by Jacob Savry published in 1647 and partly updated including the changes made by Visscher in his issue from 1653. Most obvious are the changes on the east part of the city with several new buildings including ''s Lands Zeemagazijn' now known as the Netherlands Maritime Museum.Washed and with one minor professional restoration near the title. Very good copy of a beautifully executed an detailed view of Amsterdam.l D'Ailly Profielen 186; De Vries Atlas van Amsterdam 14; cf. D'Ailly Profielen 55 & 74. Reinier and Josua Ottens, unknown
178052923Paris, Daumont, o. J. (um 1780). Altkolor. Kupferstich (Blattgröße 32,4 x 46,7 cm, Ansicht 25,1 x 39,2 cm).
173246892ABAugsburg, Jeremias Wolff, 1732. gr4°quer Folio (29x42), 13 Karton-Bl., mit 13 fachmännisch montierten/aufgezogenen Blättern, zeigt Kupfertitel und 12 (von 16 Kupfertafeln), die Blätter nahe am Rand beschnitten, stimmige Restauration, späterer Pbd mit Kleisterbezug, minimalst berieben, gutes gepflegtes Exemplar,
170658556ABBerlin, bey Joh. Andreas Rüdiger : Buchhändler, [1706 / 1712]. kl8° (17x11), 3 Bl., S. 547 - 702; [58] S. Register & Errata, mit 40 teils eingefalteten Kupfertafeln, Hldr d.Zt, mit goldRückenprägung, nur Band 3 von 3, [7 Warenabbildungen] Kanten bestossen, etwas berieben, die Rückenvergoldung ebenfalls etwas berieben, gutes sauberes nur wenig braunfleckiges Exemplar,
1780141383Augsburg: Kaiserliche Kunstakademie, um 1780. Bildausschnitt ca. 25 x 38,5 cm, Blattgr. ca. 34,5 x 45 cm [6 Warenabbildungen]
173027188paris rüe Saint Jacques Rigaud 1730 Une gravure Originale à l'eau-forte et au burin en noir : Format : 34,5 centimètres de haut par 54,5 centimètres de large, sur papier blanc, tirée des "vues de Versailles (qui en comprend douze) des Maisons Royales" de Jean-Baptiste Rigaud, Dessiné et Gravé par J. Rigaud. 1730 Se vend chez L'auteur à paris rüe Saint Jacques Editeur,
173527189paris rüe Saint Jacques Rigaud 1735 Une gravure Originale à l'eau-forte et au burin en noir : Format : 34,5 centimètres de haut par 54,5 centimètres de large, sur papier blanc, Numéro; Bas, droite; en partie basse de la cuvette, à droite, inscription imprimée encre noire; 48. Exécution-Adresse; Bas, gauche; en partie basse, à gauche, inscription imprimée encre noire; J.Rigaud In.Sculp. Exécution-Adresse; Bas, droite; en partie basse à droite, inscription imprimée encre noire; Avec Privilege du Roi. tirée des "vues de Versailles (qui en comprend douze) des Maisons Royales" de Jean-Baptiste Rigaud, Dessiné et Gravé par J. Rigaud. 1730 Se vend chez L'auteur à paris rüe Saint Jacques Editeur,
