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2021V0722mug01048Vista Higher Learning 2021-01-01. Loose Leaf. New. 10x8x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
2012SONG159332524XBrand: LFB Scholarly Publishing LLC 2012-11-02. library. Used: Good. 5.75x0.55x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: LFB Scholarly Publishing LLC unknown
49436978like new. unknown
49436978-nnew. unknown
2001V0721mug00844Vista Higher Learning 2020-01-01. Misc. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
188062299CBWien / Budapest, Hartleben Verlag, [1880]. Quer 4°. 26 x 33 cm. [5 Warenabbildungen] Blau-grüner Original-Leinenband mit reicher ornamentaler Schwarz- und Goldprägung. (3), 26 Blatt [Textseiten], 25 römisch paginierte Bildtafeln.
60601BBo.J. (Crispin de Passe der Jüngere, auch Crispyn II. bzw. Crispijn II. und de Pas, geboren 1593/94 in Köln, gestorben nach 6.
1760281001760. Print. Very good overall. St. Paul's Cathedral dominates the engraving with tree dotted hills in the distance. River and foreground packed with vessels. Hand colored copper engraving trimmed with fabulous hand color. 16 3/8 x 10" mark in upper left corner otherwise very pleasant. unknown
176027965Augsburg: L'Academic Imperiale des Arts 1760. Print. Otherwise very good condition. A view of Westminster over the water with the bridge and many vessels in the foreground. Fine original hand color. 11.5 x 15.75" some rusted pin holes in the margin where the print was hung. L'Academic Imperiale des Arts unknown
1885017965Portland ME: Leighton & Frey Souvenir View Co. 1885. Book. Very good- condition. Hardcover. First Edition. 12mo - over 6¾" - 7¾" tall. Photographic view book with 33 views on 12 gate-fold sheets. Housed in the original gilt and black decorative stamped boards. One inside cover has a printed map titled "Map of the Thousand Islands Park on Wellesley Island River St. Lawrence Property of the Thousand Island Park Association." Minor rubbing to the binding extremities minor browning to the paper backing the photographs and the folds are getting a bit worn. No date of publication listed; circa 1885. Adirondack Region. First edition. Leighton & Frey Souvenir View Co. Hardcover books
200412140Washington DC: Teaching For Change 2004. First Edition. Paperback. Near fine. Signed by civil rights leader Lawrence Guyot first edition of Putting the Movement Back into Civil Rights Teaching; A Resource Guide for K-12 Classrooms by Menkart et al. Quarto xiv 562pp. Paperback title printed on spine. Stated "first edition" on copyright page. Solid text block slight wear to corners a near fine example. This copy is signed by civil rights activist Lawrence Guyot. Inscription states "To the children! You come on I must fight to be free. This Book is only the start you will determine the finish! / Lawrence Guyot 10/24/04." Lawrence Guyot graduated from Tougaloo a private HBCU in Mississippi with a degree in biology and chemistry in 1963. He was a civil rights leader and director of the Mississippi Freedom Democratic Party MFDP in 1964. Through his work with the MFDP and the Student Nonviolent Coordinating Committee he was able to help work on the Voting Rights Act of 1965. Teaching For Change paperback
191082170n.p. 1910. Very Good. 18 x 9 cm. Card almost entirely flat unlike most stereo cards. Light scuffing and wear. No caption front or back and no identification of publisher or date. BTW and three other African Americans eight white men are seated in two rowsseated at left end of back row. All men are wearing suits; two are holding white hats. We've seen other stereo card groupings of BTW with the white Tuskegee trustees. We wouldn't be surprised if many if not all of the prosperous-looking whites in this image were trustees. unknown
191082170n.p. 1910. Very Good. 18 x 9cm. Card almost entirely flat unlike some stereo cards. Light scuffing and wear. No caption front or back and no identification of publisher or date. BTW and two other African Americans are seated at left end of back row. All men are wearing suits; two are holding white hats. We've seen several groupings of BTW with the white Tuskegee trustees. This a bit more integrated but we wouldn't be surprised if many of the prosperous-looking whites were trustees. <br/><br/> unknown books
176618808London and Paris: a Londres ches Wichnyther A Paris chez J. Chereau rue St. Jacques au dessus de la Fontaine St. Severin aux 2 Colonnes No. 257 1766. Engraving with original colour. Printed on laid paper. In good condition with mild soiling and creasing. A beautiful Vue d'Optique with strong early colour depicting the old Palace of Westminster where the Lords and Commons met.<br/> <br/>An interesting late 18th century view of Westminster prior to the great fire of 1834 which brought into being the present Houses of Parliament. Westminster had been a royal residence until Henry VIII left it after a fire to reside at Whitehall. After that the Houses of Parliament met there. During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. a Londres ches Wichnyther (?) A Paris chez J. Chereau rue St. Jacques au dessus de la Fontaine St. Severin aux 2 Colonnes No. 25 unknown books
1760103861760. Engraving with original colour. Printed on laid paper. In good condition with the exception of some creases within the image. Sides have been remargined with laid paper and bottom edge is trimmed within the platemark. Surface soiling within image. Image size: 11 x 16 1/4 inches. A wonderful "vue d'optique" of Somerset House on the Strand in London.<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. unknown books
176010384Paris: chez Daumont rue St. Martin 1760. Engraving with original colour. Printed on watermarked laid paper. In excellent condition with the exception of some surface soiling in the upper section of the image. Image size: 8 7/8 x 15 13/16 inches. A wonderful "vue d'optique" of St. Mary's Church in London<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. chez Daumont rue St. Martin unknown books
178010559Paris: Chez. Daumont rue St. Martin. Presentement chés Lachaussée rue S. Jacques 1780. Engraving with original colour. Printed on wove paper. This is a later copy of the earlier print of St. James' published by Daumont. In good condition with the exception of some scattered brown marks. Trimmed within the platemark. Image size: 9 1/4 x 14 1/2 inches. Vue d'Optique of St. James' Park in London<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. Chez. Daumont rue St. Martin. Presentement chés Lachaussée rue S. Jacques unknown books
2010D32062018MUG156620Vista Higher Learning 2012-01-01. Paperback. New. New sealed. no Priority shipping available on this item. No international shipping. -7ae- Vista Higher Learning paperback
1105.1aafBlatt 30.5x47 cm. Kupferstich d. 18. Jhd’s ,
BN93362Lexware LohnGehalt Pro 2013 Version 13.00 Windows XP / Windows Vista / Windows 7 <br/><br/>Lexware LohnGehalt Pro 2013 Version 13.00 Windows XP / Windows Vista / Windows 7 Lexware LohnGehalt Pro 2013 Version 13.00 Windows XP / Windows Vista / Windows 7 unknown
2001V0721mug00854Vista Higher Learning 2020-01-01. Misc. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
2001V0721mug00842Vista Higher Learning 2020-01-01. Misc. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
35043Chicago: The World Wide View Co. Photographs. Nice collection of 83 stereoviews from The World Wide Series. They include scenes of family life African American life Japanese life views of the Coliseum Blarney Castle Nevada Falls the Grand Canyon Yosemite Valley the Cliff House in San Francisco St. Peter's St. Mark's banana plantations in the Philippines gold digging in Klondike Hindu fakirs and many others. These are all in color and in very good condition. ; 18 x 9 cm. The World Wide View Co unknown
1790135554Augsburg, ca. 1790. Format (Bildbereich): 25,5 x 38,5 cm. Blattgröße: 36,5 x 49,5 cm.
