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2019V0721mug00529Vista Higher Learning 2019. miscellaneous. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
1972743054PN. New. 1972. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
Paris, Libraire Etnographique, 1848. Folio; 2 hs., 392 pp., 2 hs. Con 106 viñetas entre el texto, de Célestin Nanteuil y una lámina retrato de Isabel II. Ejemplar carente de las 50 láminas de monumentos y trajes que acompañan al texto. Encuadernación en media piel, de la época.
2000244622000 Vue sur La Ville, Paris, 2000, in-4, toile noire éditeur, titre rouge sur la couverture, titre en long sur le dos carré, sous étui rouge à rabats noirs, 42 pages.
2019V0721mug00516Vista Higher Learning 2019. miscellaneous. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
58 pages. Undated - circa 1970s? Black and white illustrations. Articles include: A summary of Queen Charlotte Island Prehistory; A view of Island Prehistory - Archaeological Investigations at Blue Jacket's Creek 1972-73; A European History of Kiusta as compiled from the Early Chronicles; Petroglyphs on the Queen Charlotte Islands; Hat Na - the Haida Longhouse; A Japanese Gentleman on the Queen Charlottes; The Exploits of a Pioneer Issei; Four Years at Ikeda Bay; My Early life in Jedway; The old old woman of the Islands; The Dawson Caribou; NITCA - a lesson in Self-Help; Recollections in Tranquility; Kayaking on the Queen Charlotte Islands; Vancouver's Voyage to the Queen Charlotte Islands; a selected bibliography of Maritime Voyages to the Queen Charlotte Islands; Geological and Mining Index to the Queen Charlotte Islands; Excitement - Miller Creek Style; Notes on Contributors. Average wear. Unmarked. A sound copy. Book
Features/Photos: The Queen before the Taj Mahal; the royal visit to India; Deterioration in the Congo; the Queen speaks before half a million people; large photo of the U.S. Navy's 'Mothball Fleet' at San Diego; After the fire which left 8,000 homeless - a helicopter view of the Valley Road area of Kowloon; The standard Vanguard Luxury Six Estate Car; and more. Centrefold loose but present. Clean and unmarked with moderate wear. Book
188323642Fargo: F. Jay Haynes 1883. Original edition. Covers slightly darkened else about fine. 26 photo-lithograph views on 18 accordion-fold panels embossed red cloth covers 3.5x5 inches. <br/><br/>A remarkably well preserved example of this charming view book. Scarce. F. Jay Haynes hardcover
1920035107USA: Keystone View Company 1920. Hardcover. Very Good. 12mo. Boxed set of 100 stereographs of animals. May be mixed with other topics. 1905-1920 Stereographs are in fine condition. Box set is in very good condition with minor wear. Shipped from the Calico Cat Bookshop a brick and mortar bookshop established in 1975. <br/> <br/> Keystone View Company hardcover
176618808London and Paris: a Londres ches Wichnyther A Paris chez J. Chereau rue St. Jacques au dessus de la Fontaine St. Severin aux 2 Colonnes No. 257 1766. Engraving with original colour. Printed on laid paper. In good condition with mild soiling and creasing. A beautiful Vue d'Optique with strong early colour depicting the old Palace of Westminster where the Lords and Commons met.<br/> <br/> An interesting late 18th century view of Westminster prior to the great fire of 1834 which brought into being the present Houses of Parliament. Westminster had been a royal residence until Henry VIII left it after a fire to reside at Whitehall. After that the Houses of Parliament met there. During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. a Londres ches Wichnyther (?) A Paris chez J. Chereau rue St. Jacques au dessus de la Fontaine St. Severin aux 2 Colonnes No. 25 unknown
1760103861760. Engraving with original colour. Printed on laid paper. In good condition with the exception of some creases within the image. Sides have been remargined with laid paper and bottom edge is trimmed within the platemark. Surface soiling within image. Image size: 11 x 16 1/4 inches. A wonderful "vue d'optique" of Somerset House on the Strand in London.<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. unknown
176010384Paris: chez Daumont rue St. Martin 1760. Engraving with original colour. Printed on watermarked laid paper. In excellent condition with the exception of some surface soiling in the upper section of the image. Image size: 8 7/8 x 15 13/16 inches. A wonderful "vue d'optique" of St. Mary's Church in London<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. chez Daumont rue St. Martin unknown
180010694London: Printed for Bowles & Carver No. 69 St. Pauls Church Yard 1800. Engraving with beautiful hand-colour. In excellent condition with the exception of tape on the verso of sheet. Image size: 9 3/8 x 15 3/4 inches. Vue d'Optique of the Royal Palace in St. James' Park in London<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Printed for Bowles & Carver, No. 69 St. Pauls Church Yard unknown
178010559Paris: Chez. Daumont rue St. Martin. Presentement chés Lachaussée rue S. Jacques 1780. Engraving with original colour. Printed on wove paper. This is a later copy of the earlier print of St. James' published by Daumont. In good condition with the exception of some scattered brown marks. Trimmed within the platemark. Image size: 9 1/4 x 14 1/2 inches. Vue d'Optique of St. James' Park in London<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Chez. Daumont rue St. Martin. Presentement chés Lachaussée rue S. Jacques unknown
177015059Paris: Chez Daumont rue St. Martin 1770. Engraving with beautiful early colour. Printed on watermarked laid paper. In excellent condition with the exception of being trimmed within the platemark on the lower margin. Small tear on upper margin. Small puncture mark on left margin. Image size: 10 1/8 x 16 1/8 inches. This is a beautiful perspective view of the courtyard of the Royal Stock Exchange in London published by a Parisian printseller at the close of the eighteenth century.<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Chez Daumont rue St. Martin unknown
1972743057PN. New. 1972. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
2023V0722mug01339Vista Learning 2023. hardcover. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Learning hardcover
2001V0721mug00952Vista Higher Learning 2020-01-01. Hardcover. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning hardcover
2023V0722mug01341Vista Learning 2023. hardcover. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Learning hardcover
185377570Hamburg, [ca. 1853]. (= Hamburg's Vergangenheit in bildlichen Darstellungen. Gesammelt, gezeichnet, gedruckt und herausgegeben von Peter Suhr, Teil I, Bl. 14). 21,2 x 30,5 cm.
V0721mug00528Vista Higher Learning 2019-01-01. Misc. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
2019V0721mug00531Vista Higher Learning 2019. miscellaneous. New. 0x0x0. New! CODE ONLY! Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
2021V0722mug01058Vista Higher Learning 2021-01-01. Hardcover. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning hardcover
2020V0721mug00954Vista Higher Learning 2020. hardcover. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning hardcover
2021V0722mug01049Vista Higher Learning 2021-01-01. Unbound. New. 0x0x0. New! CODE ONLY. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
