(VUE D'OPTIQUE - LONDON).Biblio.com
3 191 résultats
52920London Published according to Act of Parliament. 1751. Overall sheet size 35.5 x 50cm. Plate mark 24.5 x 39.5cm. Original hand-coloured engraving. Light water stain to upper and right margin otherwise very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. [London] Published according to Act of Parliament. 1751. unknown
176627966London: Wichnyther 1766. Print. Good overall. A view of Westminster prior to the great fire of 1834. The Palace was not rebuilt on the site but was used for the present Houses of Parliament. 16 1/2 x 10" on paper 19 1/4 x 12 1/2". Hand colored. Wichnyther unknown
175327967London 1753. Print. Very good condition. A very early view. The gatehouse of St. James's Palace is on the left. Finely hand colored with the sky in eggshell blue and the people's dress delicately filled in. <br /> 9 3/8 x 15 1/4" on paper 12 3/4 x 18 3/4" unknown
2080502106915076Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1790373371Undated c.1790. Unframed Print. Good Condition. The printed area measures 17 x 22.5 cms on a sheet measuring 20 x 25 cms. The print shows some foxing more notable in the plain margins than the printed area. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Printed before 1800; Special Features. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
175110664London: Printed for & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. & Hen. Overton at the White Horse without Newgate 1751. Engraved by N. Parr after Canaleti. Engraving with original colour. Printed on laid paper. In good condition with the exception of being trimmed within the platemark. Corners are stained. Image size: 9 3/16 x 15 3/16 inches. A beautiful Vue d'Optique of the Rotunda House at Ranelagh.<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Printed for & Sold by Rob. Sayer at the Golden Buck, opposite Fetter Lane, Fleet Street. & Hen. Overton at the White Horse witho unknown
17605888London c. 1760. Copper engraving 25 x 40 cms bilingual title in English and French with Dutch translation in a contemporary hand beneath original hand-colour copyright date given under Hogarths Act as 1760 trivial soiling blank verso. Print unknown
376 p. Text browned but not brittle. Light damp stain. Page 287 torn without loss. Ink spots on title page. York County Library Company, January 1, 1823 printed bookplate on front paste down. 12mo. 165 mm. Original full leather binding, rubbed. Original leather spine label. Slight loss at tail of spine. Title continues: "Part I. Of the direct Historical Evidence of Christianity, and Wherein it is distinguished from the Evidence alledged for other Miracles. Part II. Of the Auxiliary Evidences of Christianity. Part III. A brief Consideration of some popular objections. Three Volumes In One." S&S/AI 32422. Very good. Hardbound. **PRICE JUST REDUCED! AI BX 2
196989501Dublin: Stationery Office 1969. X, 156 Seiten. Mit einigen Illustrationen auf Tafeln. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
175110664London: Printed for & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. & Hen. Overton at the White Horse without Newgate 1751. Engraved by N. Parr after Canaleti. Engraving with original colour. Printed on laid paper. In good condition with the exception of being trimmed within the platemark. Corners are stained. Image size: 9 3/16 x 15 3/16 inches. A beautiful Vue d'Optique of the Rotunda House at Ranelagh.<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. Printed for & Sold by Rob. Sayer at the Golden Buck, opposite Fetter Lane, Fleet Street. & Hen. Overton at the White Horse witho unknown books
21335soit 2 tomes, reliés en un volume in folio oblong, cartonnage de percaline marron à fers dorés spéciaux et à froid sous le titre “Souvenir des Pyrénées” par Eug. Ciceri. Lafont-libraire-Editeur 40 allées d’Etigny-Luchon, dos chagrin marron foncé, nerfs, caissons de filets dorés, titre doré, tranches dorées ; s.d. [1870 ou 1873, BNF] ; a) [1] f. de Titre, 8 pp. sur 2 colonnes, 1 plan et une carte dépliante lithographiés par Salette à Toulouse, 28 lithographies dont 8 dépliantes (2 ou 4 panneaux), tirées par Becquet à Paris pour l’éditeur Goupil. b) [1] f. de titre, 12 pp. de texte sur 2 colonnes, 32 lithographies dont 9 dépliantes (2 panneaux), idem. Soit en tout 60 lithographies dessinées et mises sur pierre par Eugène Ciceri, dont 17 dépliantes, non compris le plan et la carte également lithographiés.
pho080Stereoscopic views, each 2 X 7,5 cms, prices : A. = 20, B. = 40, C. = 20, D. = 20, E. = 30, F. =20, G. = 20
1483.1aafDruck & Verlag von G.G.Lange in Darmstadt. um 1860, 17.7x24.9 cm. Orig. Stahlstich, Einzelblatt
1484.1aafDruck & Verlag von G.G.Lange in Darmstadt. um 1860, 17.7x24.9 cm. Orig. Stahlstich, Einzelblatt
494 pages. Profusely illustrated in color and black and white. Documents the genealogy and illustrious business history of Mr. Shaw's family since 1819. Clean, bright and unmarked with negligible wear. Facsimile signature and inscription of Mr. Shaw upon second leaf. Includes slipcase. A superb copy of this important and substantive work. Book
A9781344051217Hardback. New. hardcover
Madrid, Ateneo de Madrid, 1955 ('O crece o Muere'). 8vo.; 37 pp., 2 hs. Cubiertas originales.
1994435964PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1994440381PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1994440380PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1994440382PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1994440383PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1994436571PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
E31102018MUG157306n/a 2014-01-01. Ring-bound. New. NO Priority shipping available on this item. No international shipping. -6a- n/a unknown
NOCT17-9781618532343-690Vista Higher Learning 2014-01-01. Ring-bound. New. 0x0x0. NEW TEXTBOOK SHIPS WITH EMAILED TRACKING FROM USA Vista Higher Learning unknown
