DIKENMANN, R. (ou: Dickenmann):Livre Rare Book
Bible Teachings
0243247486.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bonita · États-Unis55,46 $US≈ 46,92 €
3 190 résultats
1303.1aafo.J. ca. 1850, 7.3x11.1cm Leuchtend koloriertes Blatt / Gravure coloriée et gommée. 1 Blatt 14.7x20.5cm.
197866925Berlin, Festspiele GmbH, 1978. Origi.Broschur, 4°, 285 Seiten.
7395N° 270 de octobre 1978 - Broché
0243247486.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004203678Couverture souple. Broché. 144 pages.
130714aafVerlag v. Chr. Krüsi in Basel. vers 1860, image: 12x18 cm., Handkolorierter Stahlstich / Gravure sur acier coloriée, 1 Blatt / 1 feuille 15.5x23.5 cm.
165069856Ohne Ort, um 1650. Blatt ca. 9,3 x 188,4cm. 1 Blatt, verso weiß.
189656277ABStuttgart, Verlag von Robert Lutz, 1896. 4° (33x24), (VIII), 132 S., mit 100 Zinkographien (teils ganzseitige, 1 doppelt gefaltete) und 3 lithographierten doppelseitigen Stadtplänen, Oln (Kaliko) mit ornamentPräg, Deckelbild und goldTitel, SchmuckVorsätze, etwas angestaubt/angeschmutzt, kaum gelesen, gutes Exemplar,
Mm 150x210 Brossura originale con alette, 204 pagine con illustrazioni in nero nel testo. Copia in condizioni di nuovo; spedizione in 24 ore dalla conferma dell'ordine.
195499914194Masson Société Française d'Ophtalmologie / Paris Masson et Cie 1954, trés fort et grand In-8 broché, 730 pages. 169 figures + 39 tableaux . Trés bon état.
Madrid, 1997. 4to.; 261 pp. Cubiertas originales.
Madrid, 2001. 4to.; 334 pp. Cubiertas originales.
Madrid, Ollero & Ramos, 2000. 4to.; 293 pp. Cubiertas originales.
Société Française d'Ophtalmologie / Paris Masson et Cie 1954, trés fort et grand In-8 broché, 730 pages. 169 figures + 39 tableaux . Trés bon état.
19272080302106808034Unzen Park Toyosaburo Araki 1927. Soft Cover. Fine. Size: 17.8 x 57.5cm Unzen Park Toyosaburo Araki paperback
187560874Philadelphia PA: H.J. Toudy 621 & 623 Commerce Street 1875. One oblong atlas folio hand-coloured lithograph sized 25 x 20.5 in. still retaining fairly wide borders printing below centered image colour-tinted border to image some very minor age toning dustsoiling still an excellent copy preserved in the original quarter-sawn oak wood frame 33.5 x 25.5 in. retaining the original glass newly backed in archival foam core framed w/ archival matting. First edition of this impressive first edition birds-eye view of the buildings and sites Centennial International Exhibition with the fairgrounds set above the Schuykill River. This view depicts the Exposition before it was completed and the Halls featured include the Main Building Machinery Hall Memorial Hall Horticultural Hall and Agricultural Hall. Once the construction was complete Toudy issued another version with fuller buildings as well as some changes to the foreground and center of the image. Toudy fl. 1865-1878 first established with William Toudy his lithography firm at 503-505 Chestnut and later merged with Geroge Wl. Ward & Co. in 1872 lasting less than 2 years. Henry became the sole owner by 1875 and were well known for their atlases maps and city views and he worked on several Stone & Stewart County Atlases from 1866-1877 as well as many of the Mid-Atlantic general surveys. They also managed to outlast a lawsuit over a print based on the drawing by Hermann Schwarzmann architect of the Centennial grounds entitled “Bird’s Eye View†after copyrighting this image in 1875. Firm was destroyed by fire in 1878. Worldcat locates 2 copies AAS DLC another version located at Library Company of Philadelphia. H.J. Toudy, 621 & 623 Commerce Street, unknown
187657711Philadelphia PA: National Publishing Co. 1876. One oblong atlas folio hand-coloured lithograph sized 26 x 20.5 in. still retaining fairly wide borders printing above & below centered image w/ hand-coloured border some minor toning & aging from original backing minor tidemark to upper left corner edgewear slight tears very minor predation scuffing to blank right margin still a nice strong image retaining some of the original colouring. First edition variant issue of this scarce birds-eye view of the buildings and sites at the first World’s Fair in the United States celebrating the Centennial. This depicts the trees grass shrubs pedestrians horse-drawn carriages and walking paths with labels below for the Horticultural Hall Main Exhibition Building Memorial Hall Agricultural Hall Ladies Pavilion Machinery Hall and others. These beautiful birds-eye views were presented to subscribers of the “Centennial History†by sales agents who were also sent extra circulars and liberal commissions as indicated in the margins. These were apparently issued in different sizes and formats with the Huntington hand-coloured copy containing all the text including the imprint at the lower fore-edge and both the Huntington and American Antiquarian Society copies have smaller margins. Bourquin 1808-1897 was a Swiss-American pioneering Philadelphia lithographer who specialized in county maps and atlases but also was known for his innovative lithography and by 1876 maintained between 6 and 20 skilled lithographers to produce portraits and prints. National Publishing Co., unknown
190562003Portland OR: Albert Hess & Co. Lewis & Clark Centennial Exposition 1905. One souvenir postcard. 11.25 x 3.25 in. With birds-eye view by Caughey on recto advertisement for Willson in lower right corner center crease fold as issued; postcard information and cancelled stamp & postmark for Portland addressed to W.H. Bilyen 90 1/2 - 5th St. City Portland Oregon minor dustsoiling slight toning very minor wear at fold crease still VG copy. First edition of this uncommon folding souvenir postcard celebrating the Lewis & Clark Centennial Exposition featuring and reproducing the famed Caughey birds-eye. The birds-eye depicts the Guild’s Lake area of the grounds up and operating now bounded by Reed to Thurston Streets and 31st to 24th Streets in NW Portland. Prof. Willson fl. 1904-1920 began as a dance instructor with the Academy of Dancing located in the Hirsch Building but within a few years of the Exposition set up his own dance studio and was noted instructor of Waltzes. This card advertises the fact that couples could dance for .50¢ while an “Extra Lady†for .25¢ and even better for men in the very hot and humid Portland Pavilion they could dance without their coats in Shirt Waists. Caughey 1851-1925 was an Ohio Civil War veteran an itinerant chalk plate artist and had just created the year before in Feb. 1904 a Birds-Eye view reproduced over two pages in the Lewis and Clark Journal with noted birds-eye artist and cartographer Fred Routledge 1871-1936. Caughey began producing birds eye views in and around Portsmouth NH in the 1880’s and eventually became a commercial artist and newspaper editor in Portland Oregon where he would often produce images for the Mutual Label & Lithographic Co. No copies in Worldcat. See: Birds-Eye View of Lewis and Clark Fair - Routledge-Caughey Lewis and Clark Journal Vol. 1 No. 2 Feb. 1904 pp. 16-17; Richard Candee Tracking the Little Known J.H. Rollin Caughey: Illustrator of New Hampshire’s Victorian Industries 2020; Craig Clinton The Pictorial Maps of Fred A. Routledge Oregon Historical Quarterly Vol. 117 No. 1 2016 pp. 38-75. [Albert Hess & Co., Lewis & Clark Centennial Exposition], unknown
19792082702114605689Zaimu shuppan 1979. Soft Cover. Fine. Number of books: 1 Zaimu shuppan paperback
194210120Los Angeles: Wetzel Publishing Co. Near Fine in Near Fine dj. c.1942. First Edition. Hardcover. nice tight copy very minor soiling to top edge but no significant wear; jacket bright and clean with a trace of wear at several corners a couple of very tiny tears/chips along top edge. The first of several novels by this midwest-born L.A.-based author "active in club life" and a former "motion picture critic for 'Hollywood Lowdown'" not one of your major trade papers. The book presents "the living breathing story of the Pearson family told intimately and with brutal frankness from the personal viewpoint of the chief character Florrie Pearson the youngest. The mad unsavory escapades of her blood kin are lived through in the book with stirring realism. Early experiences the frustration of abject poverty turbulent times in America during 1917-1942 and last but not least their hot blood mixed with a strain of Cherokee Indian are among the causes that lie back of their sinful guiltiness as Florrie explains it." Last but not least indeed: as the author explains in her 4-page! foreword "the family's problem was one of a common handicap shared by their particular blood kin the problem of 'bad blood' or blood in which racial tendencies were said to be 'bad.' Also the frustration that comes with poverty." But lest you think you've stumbled into a midwestern Tobacco Road the author also assures us that "at no point does the book descend to the stark vulgarity sometimes masquerading under the pose of being merely 'brutal frankness.' But neither do I as an honest author make the unpardonable mistake of prudish understatement where merciless realism is called for by the story." So there you go: brutal frankness but not "merely" thus merciless yet stirring realism not an ounce of prudish understatement which as we all know is unpardonable but rather explicitly racist overtones which apparently are OK. Got it . Wetzel Publishing Co. hardcover books
In 8 (24x17) Brossura illustrata; pp. 122; buono
2008500147606Micro Application 2008 18 6x1x11 8cm. 2008. Broché.
191082170n.p. 1910. Very Good. 18 x 9 cm. Card almost entirely flat unlike most stereo cards. Light scuffing and wear. No caption front or back and no identification of publisher or date. BTW and three other African Americans eight white men are seated in two rowsseated at left end of back row. All men are wearing suits; two are holding white hats. We've seen other stereo card groupings of BTW with the white Tuskegee trustees. We wouldn't be surprised if many if not all of the prosperous-looking whites in this image were trustees. unknown
191082170n.p. 1910. Very Good. 18 x 9cm. Card almost entirely flat unlike some stereo cards. Light scuffing and wear. No caption front or back and no identification of publisher or date. BTW and two other African Americans are seated at left end of back row. All men are wearing suits; two are holding white hats. We've seen several groupings of BTW with the white Tuskegee trustees. This a bit more integrated but we wouldn't be surprised if many of the prosperous-looking whites were trustees. <br/><br/> unknown books
6889album constitué de 24 photograhies,24 épreuve, montées sur carton fort avec légende et filets en encadrement,bleus.240x175 mm et 190x120mm,l’ensemble monté sur onglets dans une reliure demi-chagrin rouge à nerfs,titre et caissons dorés,plats percaline rouge avec titre dans cartouche, dorés sur le premier. Double filet doré sur les plats, tranches dorées, charnières intérieures toilées. 1) vue générale prise de la tour Saint Michel. 2) Le quai de Bourgogne et le port 3) Perspective du quai de la douane et de Bourgogne 4) La place de la Bourse 5) Le Hall du Palais de la Bourse 6) vue générale prise de la Bastide 7) Porte du Palais 8) porte de la grosse cloche 9) La colonne Rostrale et le Quinconce 10 ) le grand Théâtre 11) fontaine de Allée de Tourny 12) escalier d’honneur du grand Théâtre 13) allée de Tourny 14) perspective du cour de l’intendance 15) pont rustique du jardin public 16) église sainte croix 17 portail méridional de l’église Saint –André 18) intérieur de la cathédrale 19) La tour Pey-Berlon et l’église Saint-André 20) La tour Saint Michel 11) église Saint Sernin 22) l’hôtel de ville 23) le pont reliant le chemin de fer d’Orléans et du Midi 21) Saint André de Cubzac pont sur la Dordogne l’ensemble en très bon état
