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0282709827.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282349839.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1333493800.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1333634056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
152767715X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282548211.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
69-3964New York New York: George Braziller Inc 1965. 4to. Hardcover Clothbound. 205 pp. B&W plates. Very Good Fourth Printing New York, New York: George Braziller Inc, 1965 hardcover
186410253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown
2004Q-0975944037Savanna Press 2004-11-24. Hardcover. New. In shrink wrap. Looks like an interesting title! Savanna Press hardcover
2005570028Vryburg South Africa: Savanna Press 2005. 1st Edition . Hardcover. Fine/Fine. 8vo - over 7¾ - 9¾" tall. Feek Cathy. 417 pp DJ is green and multicolor with green and brown text over a white book with gilt text on the spine. Book has been inscribed by the author to Jim on the cover page and pencil pricing marks on the cover page as well. 6.25x9.25 <br/> <br/> Savanna Press hardcover
0332212939.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260429473.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265788803.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266084087.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1527863123.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
026009031X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
a111123Hicksville NY 1975 first edition. Exposition Press. Hardcover octavo. 308p. End paper maps. VG end paper maps slightly unevenly toned; no owner marks; no wear. Binding secure. "The adventurous account of one of the greatest leaders of all time - An Arab chieftain who taught the world a lesson in brotherhood." dj . hardcover
133288587X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19391Toronto. W.G. Macfarlane for Walter Hall Sydney Cape Breton. c.1902. Soft cover. oblong8vo. 16.5x 22.5cm 32p. with 29 half-tone plate illustrations original colour decorated illustrated gray wraps string tied fine rare "HowSydney has been metamorphosed from a quiet country village at the tip endof the continent to a thriving iron and coal centre and the seat of great industries - its glowing possibilities as a trans-Atlantic terminus." titlepage Includes a double page panoramic view of Sydney in 1902. Toronto. W.G. Macfarlane for Walter Hall, Sydney, Cape Breton. c.[1902] unknown
0259951455.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282666311.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
180010694London: Printed for Bowles & Carver No. 69 St. Pauls Church Yard 1800. Engraving with beautiful hand-colour. In excellent condition with the exception of tape on the verso of sheet. Image size: 9 3/8 x 15 3/4 inches. Vue d'Optique of the Royal Palace in St. James' Park in London<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Printed for Bowles & Carver, No. 69 St. Pauls Church Yard unknown
0282540105.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1760281001760. Print. Very good overall. St. Paul's Cathedral dominates the engraving with tree dotted hills in the distance. River and foreground packed with vessels. Hand colored copper engraving trimmed with fabulous hand color. 16 3/8 x 10" mark in upper left corner otherwise very pleasant. unknown
19932081502111800833Iwanamishoten 1993. Soft Cover. Fine. Volume: 1 Iwanamishoten paperback
