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192012798Seattle: University Book Store 1920. First Edition. Printed wrappers. Very Good. Oblong 4to. Unpaginated. Illustrated with twelve tipped-in black & white photograph reproductions. Bound in grey printed wraps; front wrap lettered in black with a black & white mounted photograph. Bound with yellow and purple twine ties. Light edge-wear. Laid in is a newspaper clipping of :The Campus from the Air" and a typed poem "Welcome Song" referencing Ryland Hall. Superb photography illustrating a sparse campus with little to suggest that the university would eventually contribute to the very identity of Seattle. Now housed in a clear removable archival sleeve with an acid-free backing. University Book Store unknown
19422090202120600351Kawaideshobo 1942. Soft Cover. Fine. The book is in fine condition. Kawaideshobo paperback
180945298Örebro Nils Magnus Lindh 1809. Stor8vo. Indbundet helt ubeskåret i et senere pragtfuldt hldrbd. med overdådig rygforgyldning Nanna Grönvall. 4336 pp. 32 delvist foldede kobberstukne plancher prospekter portrætter genrer etc. Enkelte kobberstik med en svag fugtskjold på bagsiden. Trykt på skrivepapir. Et yderst attraktivt eksemplar. <br/><br/><em>With folded engraved plate of Port Royal Kingston Harbour Jamaica with 10 pp. of description of Jamaica 2 engraved plates of Vesuv and Etna eruptions and many other engraved plates. </em> unknown
028237552X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
54631London: Printed & Sold by Robert Sayer Print & Map seller at the Golden Buck in Fleetstreet. n.d. c.1760. Original hand-coloured copper engraving. 410 x 215 mm. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob(ert) Sayer Print & Map seller at the Golden Buck in Fleetstreet. [n.d., c.1760.] unknown
54629London: Printed & Sold by Robert Sayer Print & Map seller at the Golden Buck in Fleetstreet. n.d. c.1760. Original hand-coloured copper engraving. 435 x 190 mm. J. Tinney sculp. A prospect of the formal gardens and chateau at the Parc De Sceaux Paris; figures with dogs to foreground. The château depicted here demolished during the Revolution was built by Jean-Baptiste Colbert the minister of finance to Louis XIV and purchased by Louis' illegitimate son the duke of Maine in 1699. His duchesse held court in a salon at Sceaux in the first decades of the eighteenth century. The present château rebuilt 1856-62 in a Louis XIII style is now a museum. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob(ert) Sayer Print & Map seller at the Golden Buck in Fleetstreet. [n.d., c.1760.] unknown
1396679499.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
16098New York. A view taken from the hillside above Cold Spring with a sloop in the river and a large mill building to the right probably the Cold Spring Iron Foundry. New H Series American Views. Sepia photograph approx. 7 x 3.5" mounted on card. Blank back. unknown
34729Ottawa. Published byWilliam S. Hunter. 1855. 25.5x 33.5cm sepia tone lithograph by J.H.Buffords Litho. Boston fine. One of the best views in this Ottawaseries. Buffords fame came mainly as the printer of the Currier Ivesprints. Homer Winslow 1836-1910. "Probably the first book to includelithographs drawn by Winslow Homer who was apprenticed to Bufford's ofBoston at the relatively late age of eighteen for a period of two years.The present work includes the apprentice's first substantial published lithograph the third plate View of the Locks Entrance of Rideau Canalwhich is initialed by Homer and the large title vignette and five otherplates that are attributable to him on grounds of style". Tatham suggeststhat "Interests seeking Ottawa's selection as the nation's Capitol mayhave been behind it or The Ottawa and Prescott Railway which linked thetown to Montreal might have funded it in an attempt to encouragetourism. ". - Tatham. Winslow Homer and the Illustrated Book1992. Ottawa. Published byWilliam S. Hunter. 1855 unknown
2080502106914124Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2080502106914125Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
17893750<p><b>Contemporary Image of the First Capitol of the United States</b></p><p>In September 1788 Congress selected New York City as the temporary site of the new government. "The citizens of New York desirous of testifying their attachment to the new national government and of making their city the place of permanent residence of the Federal Legislature have enlarged and repaired their city Hall and made it a convenient and elegant structure worthy of the respectable body for whose use it is designed." <i>Columbian Magazine</i> p. 473. <br /></p><p> The conversion of City Hall to the "Federal Edifice" or Federal Hall was directed by L'Enfant at a cost of $65000. The Executive offices the Senate and House chambers and the Supreme Court were all housed in this building. It was the nation's first Capitol under the Constitution. Although New York City's tenure as the new nation's capital was brief lasting only until 1790 Federal Hall was the site of several highly significant historic events. Washington's inauguration was held on the balcony of Federal Hall and he gave his inaugural address in the Senate chambers. Also the Hall was the meeting place of the first Congress; it was here that Congress adopted the Bill of Rights. <br /></p><p>There is no engraver noted on the image but several other engravings in <i>The</i><i>Columbian Magazine</i> from this time period have been ascribed to James Trenchard the <i>Magazine's</i> publisher. The image appeared a year before Amos Doolittle's famous and virtually unobtainable engraving which portrays Washington's inauguration on the balcony of Federal Hall. <br /></p><p><b>References:</b> Cresswell <i>The American Revolution in Drawings and Prints</i>: 554 illustrated p. 203. Lewis <i>Guide to Engravings in American Magazines 1741-1810</i>: p. 6. For the Doolittle engraving see Deak <i>Picturing America 1497-1899</i>: 181. <br /></p><b>Condition: </b> A strong clean image with original fold lines present. Lower half of left margin replaced with a portion of the inner and outer neat lines and a tiny portion of the image manually recreated. Otherwise very good. <p>ICN 3112. <br /></p><br /> From the August, 1789 issue of The Columbian Magazine.
17883741<p><strong>Harvard College -- "the earliest engraving of the College</strong><strong> which one may reasonably hope to obtain"</strong></p><p>This engraving entitled "View of the ancient Buildings belonging to Harvard College Cambridge New-England" appeared in the December 1788 issue of <em>The Columbian Magazine.</em> Bail notes that the view is based on the Burgis-Price print of 1743 which in turn was a slight modification of the Burgis view of 1726. The view taken from a point in front of the present Johnston Gate shows three College buildings in 1726 from left to right: the second Harvard College the first Stoughton Hall and the still-standing Massachusetts Hall. Although unsigned the engraving is undoubtedly the work of James Trenchard a co-owner of <em>The Columbian</em> <em>Magazine </em>and the engraver of nearly all the plates which appeared in it. <br /><br />Of the<em> Columbian</em> <em>Magazine</em> view Bail states: "In spite of the fact that the print is solely an adaptation it is important because of its early appearance and relative scarcity. This is the earliest engraving of the College which one may reasonably hope to obtain."</p><p>The engraving is accompanied by a disbound example of the December 1788 <em>Columbian Magazine</em> in which it appeared. It includes a 5-page "An Account of the ancient Colleges of Cambridge in New-England." Most of this is a republication of material from "a very scarce and valuable pamphlet" printed in London in 1642. In addition to a description of the College "The edifice is very fair and comely within and without." the rules and curriculum of the College are provided.</p><p>A very desirable engraving of Harvard with an example of the magazine in which it originally appeared.</p><p><strong>References:</strong> For the engraving: Bail <em>Views of Harvard</em>: 13; Plate XVII illustrated. Fielding <em>American Engravers upon Copper and Steel</em>: 1819. <br /><br /><strong>Condition: </strong>Image is age-toned with some generally light foxing. Darkening to margins outside of platemark where previously matted; remnant of strip of masking tape at upper margin on verso. The <em>Magazine</em> is complete and quite bright and clean although several pages are detached from the balance of the text.<br /><br />ICN 3431. <br /><br /><br /><br /></p> Printed for the Proprietors by W. Spotswood.
1942VIEW016418New York. Feb.-March 1942. First edition. Double issue. Broadsheet format: 10 pages. Contributors include Lionel Abel Robert Melville Kurt Seligmann Henry Miller Leonora Carrington Parker Tyler.Horizontal fold crease. Very good indeed. New York. Feb.-March, unknown
1942VIEW016424New York. October 1942. First edition. Royal octavo. 32 pages. Contributors include Roger Caillois Parker Tyler Nicolas Calas William Carlos Williams Wallace Stevens et al. The illustrations include Mallarm�'s double-portrait of Baudelaire and Poe.On the front cover is a faint library stamp. Near fine. New York. October, unknown
1941VIEW016416New York. June 1941. First edition. Broadsheet format: 4 pages. Loosely inserted is the single-sheet View Poets folio 4. Contributions by Nicolas Calas an attack on Dali Parker Tyler and Troy Garrison. Drawings by Tanguy and Seligmann. Among the poets are Thomas James Merton Norman McCaig and Tom Scott.Horizontal fold crease. Short tear to fore-edge of front page which is slightly marked. Very good. New York. June, unknown
1945VIEW001252New York. December 1945. First edition. Quarto. Wrappers. Cover design by Andr� Masson. Contributors include Paul Bowles "The Scorpion" Roman J. Sender and reviews by Parker Tyler and Paul Goodman; also an editorial "Ezra Pound: A Point of View" in which the editor states: 'Maybe we wish to suggest it would be better to give Ezra Pound his martyrdom of a traitor's death.'; reproductions of work by Yves Tanguy Mark Tobey and others.Slightly creased at spine. Very good indeed. New York. December, unknown
1945VIEW001106New York. May 1945. First edition. Quarto. 48 pages. Wrappers. Cover design by Wilfredo Lam. Contributors include Paul Bowles Roman J. Sender and reviews by Parker Tyler and Edouard Roditi; also an editorial "Ezra Pound: A Point of View" in which the editor states: 'Maybe we wish to suggest it would be better to give Ezra Pound his martyrdom of a traitor's death.'; reproductions of work by Yves Tanguy Mark Tobey and others.Rear cover a bit creased. Near fine. New York. May, unknown
51256Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 35 x 51.5cm. Original copper engraving with contemporary hand colouring. With a numbered key detailing the principal buildings in Vincenes. Some small loss to lower left corner and bottom margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
1920224278Meadville PA New York Chicago & London Underwood and Underwood ca. 1910-1920. 1920. 3 3/8" x 6 7/8." Very good. Nice panoramic photo views of Universal City when most of the Valley land was agricultural. To be used in a view-master. F. Hardcover. Meadville, PA, New York, Chicago, & London, Underwood and Underwood [ca. 1910-1920]. hardcover
1416044027.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
SKU0612046Vista Higher Learning 2019-01-01. loose_leaf. New. 10x8x1. New Textbook Ships with Tracking Vista Higher Learning unknown
06D04040B00057NVista Higher Learning 2019-01-01. loose_leaf. New. 10x8x1. Brand New Book. Vista Higher Learning unknown
DADAX15433043972019-01-01. loose_leaf. New. xx. Buy with confidence. Excellent Customer Service & Return policy. unknown
SKU0188507Vista Higher Learning 2019-01-01. Loose Leaf. Good. 10x8x1. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Vista Higher Learning unknown
