Vidal LAAonABAA
441 résultats
186553051Paris: Leiber 1865. First edition. 12mo. i 51 pp 2 pp 160 tables 45 pp 1 pp errata. Contemporary publisher's cloth titled in gilt on the upper cover and in blind on the spine. A fine copy. SIGNED and presented by the author on the blank front flyleaf. Appended to the text by Vidal is: MANUEL OPÉRATOIRE POUR L'EMPLOI D'UN PROCÉDÉ USUEL DE COLLODION SEC. by Charles Teisseire and Joseph Jacquemet. <br/><br/>The first published exposure calculator and manual and the prolific author's first book. Roosens and Salu No. 3712. <br/><br/> Leiber hardcover books
188053194Paris: Librairie Ch. Delagrave 1880. First edition. 8vo. xx 493 1 pp. 27 b&w and color plates with tissue guards text illustrations. Quarter cloth and marbled paper over boards tips rubbed. Ownership stamp of nineteenth century French photographer Hubert Bretin on the front and rear free endpapers and an occasional text leaf with same on the title page largely erased leaving a short closed tear; scattered foxing. Near very good. An exceptional treatise on photomechanical techniques with examples of a Woodburytype photoglyptie phototypie photogravure chromolithograph a color carbon photograph as well as monochrome plates as illustrations of color separations etc. <br/> <br/>Roosens and Salu No. 8171. <br/><br/> Librairie Ch. Delagrave hardcover books
188626164Paris: Gauthier-Villars 1886. First edition. 12mo. 151 pp. engraved figures and charts. Half morocco and marbled boards gilt title within raised bands on spine t.e.g.; spine faded and light wear at tips. A very good and bright copy. This manual provides instructions for making negatives/positives for a variety of applications and includes: sensitometry intensifying and reducing photographs photomechanics enlarging etc.<br/><br/>Roosens and Salu No. 6573. <br/><br/> Gauthier-Villars hardcover books
188526369Paris: Gauthier-Villars Imprimeur-Libraire 1885. First edition. 2 parts bound together. 8vo. part 1 xvi 348 pp. phototypie frontispiece illustrations in text; part 2 x 238 pp. gelatin silver portrait frontispiece text illustrations. Half morocco and marbled boards raised bands on spine with gilt title and rules t.e.g.; lightly rubbed. The frontispiece to the second part is detached and is foxed on the blank reverse. A very good copy. An excellent and comprehensive manual covering a wide array of apparatus techniques and processes including platinotype; primarily for landscape and photography in the field. INSCRIBED by the author to his mother. <br/><br/>Roosens and Salu No. 5763. <br/><br/> Gauthier-Villars, Imprimeur-Libraire hardcover books
189153056Paris: Gauthier-Villars 1891. First edition. 12mo. xvi 127 pp. frontis with tissue guard 14 illustrations in text folding diagram of Vogel's spectrographe with tissue guard and one plate with a mounted color chart of the visible color spectrum. Printed paper wrappers. A folded contemporary manuscript of six holograph pages concerned with the color spectrum orthochromatic photography etc. is laid-in. Front wrapper is creased with a short tear at the spine repaited with clear tape. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. An early and important text that furthered the attainment of a true three color photography through spectrology and orthocromatics the process by which photographs of colors are represented by their degree of intensity. <br/><br/>Roosens and Salu No. 7667. <br/><br/> Gauthier-Villars unknown books
189126165Paris: Gauthier-Villars 1891. First edition. 12mo. xvi 127 pp. frontispiece with tissue guard illustrations in text including one plate with a mounted color diagram of the visible color spectrum and a folding diagram of Vogel's spectrographe with tissue guard. Half morocco and marbled boards gilt-title within raised bands on spine t.e.g. The binding shows slight wear with one tip scuffed. A very good copy. An early and important text that furthered the attainment of a true three color photography through spectrology and orthocromatics the process by which photographs of colors are represented by their degree of intensity. <br/><br/>Roosens and Salu No. 7667. <br/><br/> Gauthier-Villars hardcover books
189126332Paris: Gauthier-Villars 1891. First edition. 12mo. xvi 127 pp. illustrations in text including one plate with a mounted color diagram of the visible color spectrum and a folding diagram of Vogel's spectrographe with tissue guard. Quarter morocco and marbled boards gilt-title within raised bands on spine. Some pencilled underlining and marks and rubbing at the edges of the marbled paper else very good. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. An early and important text that furthered the attainment of a true three color photography through spectrology and orthocromatics the process by which photographs of colors are represented by their degree of intensity. <br/><br/>Roosens and Salu No. 7667. <br/><br/> Gauthier-Villars hardcover books
187053053Paris: Alfred Vibien 1870. First edition. 12mo. 61 1 pp. Publisher's original printed wrappers. Owner's neat signature on the blank flyleaf and small ink stamp on the title page. A fine copy. This is the second volume of a two volume work; however it is an independent work. Roosens and Salu Nos. 1609. <br/><br/> Alfred Vibien unknown books
187353054Bruxelles: Bureau du Bulletin Belge de la Photographie 1873. First edition. 8vo. 51 pp. later cloth-backed marbled paper wrappers. The title page bears the stamp of a chemist as well as a manufacturer of photographic chemicals the later stamp also appears on 2 additional leaves. Occasional light foxing toning and moderate wear. A near very good copy. The Autotype Fine Art Company of London produced a unique form of collotype prints a carbon transfer process. This manual revises and enlarges the 1870 manual by J. R. Sawyer. <br/><br/>Roosens and Salu No. 586. OCLC locates a single copy at the Getty Research Institute. <br/><br/> Bureau du Bulletin Belge de la Photographie hardcover books
187726163Paris: Gauthier-Villars 1877. Third edition First edition. Small 8vo. viii 132 pp. mounted photochrome frontispiece with tissue guard plus 2 mounted photomechanical plates identified as photochromes; other illustrations in text. Half morocco and marbled boards gilt title within raised bands on spine t.e.g.; minor rubbing at the edges. Light occasional foxing. A very good copy. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. This manual covers photomechanical processes invented by Vidal among which is the Photochromie. It further includes the carbon-gelatin phototypie albumen techniques and color. <br/><br/>Although this publication states it as the Third Edition in actuality it is an outgrowth of an earlier treatise on carbon by the author and is indeed a unique work. INSCRIBED by the author to his mother. Roosens and Salu No. 1616. <br/><br/> Gauthier-Villars hardcover books
188126945Paris: Gauthier-Villars 1881. First edition. Small 8vo. xiv 246 pp. photoglyptie Woodburytype frontispiece with tissue guard by Liebert plus another printed by Woodbury; illustrations in text. Half morocco and marbled boards raised bands on spine with gilt title and rules t.e.g. Occasional scattered foxing. A very good copy. A nicely illustrated manual of Woodburytype processes a mechanical method of producing carbon prints and considered by many as the most realistic of the photomechanical processes. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. <br/><br/>Roosens and Salu No. 11126. <br/><br/> Gauthier-Villars hardcover books
190028020Paris: Gauthier-Villars 1900. First edition. Paperback. Small 8vo. xvii 445 pp. 65 illustrations in text. New facsimile paper wrappers with fragments of original wrappers bound-in; first few leaves chipped at corners with no loss of text A good and unopened copy. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. A survey of various methods of photomechanical reproduction including formulary and methodology.<br/><br/>Roosens and Salu No. 8191. <br/><br/> Gauthier-Villars paperback books
187926947Paris: Gauthier-Villars 1879. First edition. Small 8vo. xiv 284 pp. frontispiece is a phototypie by Quinsac with tissue guard plus 3 full-page phototypie plates by C. Relvas; other illustrations in text. Half morocco and marbled boards raised bands on spine with gilt title and rules t.e.g. Scattered foxing frontispiece and photo-plates loose and laid in. A very good copy. A well-illustrated manual covering phototypie a collotype process utilizing greasy-ink on a gelatin plate. We presume this to be Vidal's own copy as it bears his round ink stamp on an endpaper and contains an additional two plates not found in other copies which list only two. <br/><br/>Roosens and Salu No. 8290. <br/><br/> Gauthier-Villars hardcover books
2003109136Paris: Les Editions du Pacifique 2003. First edition. Hardcover. Black and white photographs by Vidal and text by Leperlier. A fine and tight copy in a fine dust jacket. Les Editions du Pacifique unknown books
1876108169Color photograph 9 1/4 x 12â€. Paris: Ateliers de Reproductions Artistiques 1876. Color photograph 9 1/4 x 12†mounted with contemporary mat framing the photo in an oval window with gilt title information printed in red to mat board. Very good. § “Leon Vidal 1833-1906 is not well known today but during the latter half of the nineteenth century was heavily involved with public photographic display instruction in photography promotion of photography and the development of photographically linked printing processes in France.†Hannavy p. 1448. Ateliers de Reproductions Artistiques unknown books
1992117517New Haven Connecticut: Yale University Press 1992. Hardcover. VG. Black cloth over boards; Color illus. dj.; Clear mylar covering; 238 pp.; 185 color and bw plates and figures. Yale University Press hardcover books
26852- "Laugh it off!": Oblong octavo 272 x 176 mm. Bifolium. Notated in black ink on 10-stave paper with blindstamp of Lard-Esnault Bellamy Paris. i title with signature and date: October 16-23 1921 2 i blank pp. In 5-stave systems: one for solo voice "Mezzo Soprano ou Baryton" one for chorus up to 4 parts but no voices specified; G clef throughout one blank and two for piano "ad libitum". Part labels and tempo in French; titling and text underlay 2 strophes in English. Text credited to Henry Rutherford Eliot !Elliot. Dedication: "To the dearest friend Walter Damrosch." <br/><br/>- The Manger Song of Mary: Oblong octavo 272 x 176 mm. Bifolium. Notated in black ink on 10-stave paper with blindstamp of Lard-Esnault Bellamy Paris. i title with signature and date: October 16-23 1921 2 i blank pp. <br/>In 4-stave systems: one for solo voice "contralto" one blank and two for piano "ad libitum". Text 4 strophes and all literals in English. Text credited to Edwin Markham. Dedication: "To Mistress Mabel Montgomery Tuttle."<br/><br/>Both manuscripts slightly browned; creased; slight loss to lower outer corner of first leaf not affecting music.<br/><br/>With scribal copies of both songs both in the same hand:<br/>- "Laugh it off" no exclamation point: Folio 346 x 267 mm. Bifolium. Notated in black ink on 10-stave paper "Melodie Trademark No. 0." 4 pp. No date. Some bleeding. Frayed at edges with slight loss not affecting music.<br/><br/>- The Manger Song of Mary: Folio 343 x 278 mm. Bifolium. Notated in black ink on 12-stave paper "Monarch Brand Warranted Nr. 3 - Carl Fischer New York." 3 i blank pp. No date. <br/><br/>Together with:<br/>Copyright forms of the Société des Auteurs Compositeur et Editeurs de Musique SACEM; French authors' rights society and cover letter from the Symphony Society of New York to J. T. Roach of the publisher Hinds Hayden & Eldredge New York. 1 page. August 2 1923. On letterhead typed and signed by the society's manager George Engles. Engles asks Roach to have the papers signed by the poets.<br/><br/>Together with:<br/>Two typed letters from Walter Damrosch's office to J.T. Roach. Oblong octavo. On stationery with Damrosch's letterhead and signed "Lillian Day." The first dated January 3 1921 is the cover letter to a "corrected copy of M. Widor's song Le Chene du souvenir" the song is not present. The second dated November 14 1921 inquires about royalties Damrosch sent to Camille Saint-Saëns and Ralph Vaughan Williams; the writer wants to adjust Damrosch's French bank account; bank receipt Morgan Harjes & Co Paris dated July 8 1921 is attached. Unrecorded and presumably unpublished. The texts are by Henry Rutherford Elliot 1849-1906 a journalist in New York and Edwin Markham 1852-1940 an American poet. "Laugh it off!" is a humorous song in a popular style; The Manger Song of Mary is a lullaby in a more sophisticated style.<br/><br/>The correspondence suggests that both of Vidal's songs were slated for publication by Hinds Hayden & Eldredge in 1923; the scribal copies were most likely intended as engraver's copies. One of the poets Elliot however was no longer alive; there are no materials in the present collection mentioning his heirs. In any case the SACEM forms also Markham's remained unsigned. The publication stalled and the songs were apparently never published.<br/><br/>A French conductor teacher and composer " Vidal is particularly remembered as a fine teacher who was sympathetic to new ideas. At the Paris Conservatoire he taught classes in solfège from 1894 piano accompaniment from 1896 and composition from 1909. Vidal's most successful compositions were the ballet La maladetta 1893 which had been performed nearly 200 times by 1930 and the light opera Eros." David Charlton in Grove Music Online.<br/><br/>Mabel Montgomery Tuttle born Mabel Chauvenet Holden 1873-after 1921 studied piano with Theodor Leschetizky and Teresa Carreño. unknown books
1972130098Amherst NY: Mulch Press 1972. First edition. Softcover. Publisher's Proof edition limited to 125 copies. Introduction by George Economou and with drawings by Basil King. A near fine copy in stapled wrappers with some slight rusting to the staples. Mulch Press unknown books
18904306Paris: Georges Chamerot Pour Les Amis Du Livre 1890. Pretty contemporary binding by G. Champs of brown levant gilt. Gilt filet border on covers with gilt rose in corners; spine gilt-lettered with climbing vine and urn design. Original black and gilt wrappers and spine bound in with colored scenes on each cover. Minor marginal spotting. One of 120 copies. Preface by Henri Beraldi scholar and the most distinguished book collector of his time who initiated a series of illustrated books celebrating life and locales in Paris published in very limited editions. Thirty colored plates and one vignettte by Pierre Vidal depicting peddlers and merchants each with facing text by various authors. In addition to the flower girl street singer and food and drink vendors there is a chair renter for outdoor evnts a man who picks up cigar butts and a ticket scalper. Vicaire I 46. Brown Levant Gilt. Fine. Illus. by Pierre Vidal. Large 8vo. Georges Chamerot Pour Les Amis Du Livre Hardcover books
2000126493San Juan Puerto Rico: Ediciones Alba 2000. Hardcover. VG. Dark blue cloth with color plate affixed to front cover; 227 pp.; 137 bw and color figures. Text in Spanish; A monograph of Puerto Rican painter Jose Campeche focusing particularly on paintings of four women: Dona Maria del Rosario de Quinones de Boguslausky Dona Maria Manuela Diez de Barrio de Martinez Dona Maria de los Dolores Martinez de Carvajal and Dona Ysabel Maria O'Daly de Goyena. Ediciones Alba hardcover books
2015165999San Juan Puerto Rico: Ediciones Alba 2015. Hardcover. VG. Blue cloth boards with color-illustration laid in on front cover and gilt lettering on spine. xiii 208 pp. Mainly color illustrations. Text in Spanish. "Portrait miniatures became popular in Puerto Rico during the 19th century with several artists mainly Creole practicing this type of painting and leaving behind a group of portraits of undeniable aesthetic and historic value. This study explores the functions and uses of portrait miniatures their relationship to those pictorial genres that preceded them and their evolution over the course of the 19th century. Biographical dates and details for some of the greatest Puerto Rican painters of portrait miniatures are also provided. The first chapter of the book looks at small portraits in oil which preceded the miniature in gouache on ivory; the second covers the technique uses special features and creators of the miniature; the final chapter investigates small photographic portraits which began to replace the painted miniature in the middle of the 19th century."-First Search. Ediciones Alba hardcover books
200685777San Juan Puerto Rico: Fundación Luis Muñoz Marín; Ediciones Alba 2006. 28 cm. 108p color plates bibl. color pict. wrps Religious sculptures between the 16th and 19th century in Puerto Rico by noted authority on subject Fundación Luis Muñoz Marín; Ediciones Alba unknown books
200582119San Juan Puerto Rico: Fundación Luis Muñoz Marín; Ediciones Alba 2005. 30cm. 70p b/w and color plates port. frontis. ports. illus. cat. bibl. illus. endpapers color pict. wrps Monographic edition that explores the work of noted artist Campeche b. Puerto Rico 1751-1809 as a portrait painter of colonial society and of religious icons. An English translation of this same study was incorporated in the catalogue of the itinerant exhibition "Retratos: 200 Years of Latin American Portraits" presented in various museums inaugurated in 2004 in New York and that traveled to Miami San Diego and Washington Fundación Luis Muñoz Marín; Ediciones Alba unknown books
200057102San Juan PR: Fundación Luis Muñoz Marín; Ediciones Alba 2000. 26cm. vi 229p. b/w and color plates frontis. map ports. illus. facs. appen. bibliographical references pages 205-217 and index tipped-in color portraits on cloth boards. Monograph on famous Puerto Rican born artist of colonial period expands on publication Tres Retratos Pintados por Campeche which explored portraits of 18th century figures María Manuela Diez de Barrio Martínez María del Rosario de Quiñones de Boguslausky and her husband. Current publication includes contents of the former in its entirety in addition to new texts discusses four society portraits by José Campeche. Subjects of the portraits are: Dona María del Rosario de Quinones de Bogulausky; Dona María Manuela Díez de Barrio de Martínez; Dona María de los Dolores Martínez de Carvajal and Dona Ysabel María O'Daly de Goyena. Contents: Doña María del Rosario de Quiñones de Boguslausky -- Doña María Manuela Díez de Barrio de Martínez -- Doña María de los Dolores Martínez de Carvajal -- Doña Ysabel María O'Daly de Goyena. Fundación Luis Muñoz Marín; Ediciones Alba hardcover books
1999RVIDVIS00MWM. Torres 1999. Fine. Vidal Coy Jose Luis. Visiones de un turista accidental. Visions of an Accidental Tourist. Fuente Alamo Spain: M. Torres 1999. 77pp. Illustrated. 4to. Hardcover. Book condition: Near fine pristine. Dust Jacket Condition: Near fine in plastic protector. Text in both Spanish and English. M. Torres hardcover books
