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3731995<p>Provincetown “Douglas Roach August 31st 1916â€. Oil painting on masonite board 20 x 12 inches. Unframed some scuffing along bottom edge verso with old staining.</p> <p>A previously-unknown portrait of Douglas Roach 1909–1938 as a seven year-old Provincetown boy by the Cape Cod artist Arthur Vidal Diehl.</p> <p>Described as a “lost American hero†by historian Tukufu Zuberi Roach would grow up to become “one of the best machine gunners in the entire Spanish war. Franco had nobody like him and he was an army by himself.†“Episode 902 Story 2 – Spanish Civil War Eulogy.†History Detectives PBS</p> <p>At Cape Cod’s tip Provincetown claims Roach as one of its distinguished citizens and one of the few Black Americans who lived there in the early twentieth century. Roach’s father was an émigré whaler from St. Vincent. He arrived on the Cape in the nineteenth century and became a farmer.</p> <p>Douglas Roach was one of the few African-Americans to attend UMass Amherst in 1929 where he was a star wrestler. He then worked as a carpenter in the merchant marines and joined the International Seamen’s Union. Afterwards he became the secretary of the Communist Party’s Provincetown Unit arguing forcefully and publicly at one point that the Constitution protected free speech and allowed its citizens to petition its government to redress grievances.</p> <p>In 1936 when the Spanish Civil War began Roach joined the Abraham Lincoln Brigade which held the first non-segregated units in U.S. military history. A subunit the Lincoln Battalion counted ninety African-Americans. Roach then twenty-eight was among them. A comrade-in-arms stated:</p> <p>“Doug was proud of his race. He felt deeply the oppression under which it struggles and gladly gave his aid to help free it. He knew that the cause of the Spanish people was the cause of his own people the cause of all the oppressed races of the world. He spoke many times of his plans to work among the American Negroes when he got back how he was really beginning to see the tremendous role they must play in the fight to preserve democracy in America. He bitterly resented not having done more when he was home.†Building Provincetown</p> <p>According to Benjamin J. Davis Jr.’s eulogy Roach was “one of the first Americans to volunteer in defense of Spanish democracy in the early days of the Madrid siege. An outstanding member of the Tom Mooney machine gun company he often carried his machine gun single-handedly during long marches.â€</p> <p>In a letter sent home published as “Douglas Roach Tells of War in Spain†within The Advocate Sept. 30 1937 Roach stated:</p> <p>“I believe the fight for democracy in Spain is connected with the fight against reaction everywhere against aggressive countries such as Italy Germany and Japan who are dragging the world into another world war. I hope that the people of Provincetown will defend Americanism in this country as bravely as the Spanish people are defending their democratic rights: a government of their own choice freedom of speech freedom of assembly and freedom of worship. I hope that we will not allow our American traditions of liberty and justice to be distorted by reactionaries who preach Americanism and practice the opposite.â€</p> <p>At Brunete Roach received shrapnel wounds:</p> <p>He was “treated at a makeshift Brigade hospital and furloughed to the States. When he got to New York the State Department interrogated him and confiscated his passport before allowing him to return home to Provincetown . He died of pneumonia July 13 1938 . After a memorial service at the Mother A.M.E. Zion Church conducted by Benjamin Robeson Paul Robeson’s brother two Lincoln vets Walter Garland and Paul Burns brought his body home to Provincetown.†“Douglas Roach Biography†via Provincetown History Project</p> <p>Created in “25 minutes from life†Roach’s portraitist Arthur Vidal Diehl exhibited at the Royal Academy 1899 and came to New York c. 1891. “He was best known for his paintings of Cape Cod—and was known to have completed his pictures rapidly from memory while carrying on conversations with prospective customers and onlookers at his studio.†Falk</p> <p>Painted in the fleeting youth of Roach’s boyhood this portrait documents and commemorates Roach’s brief but remarkable twenty-nine-year life of this African American hero.</p> <p>Refs. Roach Douglas Bryan – The Abraham Lincoln Brigade Archives and Building Provincetown… both accessed online. Davis “The Death of a Black Communist†within Black Americans in the Spanish People’s War Against Fascism 1936–1939. Note: Several online sources state that Roach was born in 1900. This is incorrect. He was born June 1 1909.</p> unknown
182017039London 1820. Elephant 4to 36.5 x 30 cm. R. Ackermann printed by L. Harrison 20th-century gold-tooled black goatskin morocco sewn on 4 recessed cords but with 5 false bands on the spine each board with 2 frames of fillets the inner one with 4 fleur-de-lis cornerpieces marbled endpapers. With 24 unnumbered hand-coloured aquatint plates including 4 folding plate size: 30 x 25 & 32.5 x 50.5 cm; image size mostly: 26 x 20 & 26.5 x 47.5 cm all drawn by Vidal and executed by G. Maile T. Sutherland G. Bluck and D. Havell. XXVIII 115 pp. First printing of beautiful hand-coloured aquatint views of Argentina all conceived and drawn from life by Emeric Essex Vidal in the years 1816 to 1818 accompanied by descriptions of the scenery costumes and habits of the peoples and regions depicted. The plates were executed by various engravers between May and October 1820 and first issued in 6 monthly parts. 750 copies including the present were issued in Elephant 4to format. There was also an issue in Atlas folio and apparently a reprint in large and small 4to still dated 1820 not normally distinguished in the literature from the present first printing Palau and Sabin describe the work as a folio but the Elephant 4to is often described as a folio. Tooley notes "the importance of its subject" and describes this publication as "the only notable colour plate book in English dealing with the Argentine". With the red leather Beeleigh Abbey armorial bookplate of William Alfred Foyle 1885-1963. With two stitching holes from the previous binding in the margins. With old folds in some of the folding plates and occasional minor browning but still in very good condition and largely untrimmed with most deckles intact. With a tiny tear in the morocco of one corner but binding otherwise fine. First printing of beautiful views of life in Argentina in the period 1816 to 1818.l Abbey Travel 698; Palau 363371; Sabin 99460; Tooley 495. ABE CAT Anthropology & Ethnography hardcover
02645London: R. Ackermann 1820. The Only Notable English Color Plate Book Devoted to Early Argentina<br /> One of Fifty Large-Paper Copies of Vidal's Buenos Ayres and Monte Video"<br /> <br /> VIDAL Emeric Essex. Picturesque Illustrations of Buenos Ayres and Monte Video Consisting of Twenty-Four Views: accompanied with descriptions of the scenery and of the costumes manners &c. of the inhabitants of those cities and their environs. By E.E. Vidal Esq. London: Published by R. Ackermann.Printed by L. Harrison 1820.<br /> <br /> First edition. One of fifty large paper copies. Atlas quarto 15 5/8 x 12 1/2 inches; 397 x 317 mm. xxviii 115 1 blank pp. Twenty-four very fine hand-colored aquatint plates four of which are double-page and folding including one with two views. The plates include: "General View of Buenos Ayres from the Plaza de Toros;" "Landing Place;" "Market Place;" "Milk Boys;" "South Matadero Public Butchery;" "Church of San Domingo;" "Pampa Indians;" "Estantia Farm on the River San Pedro;" "Balling Ostriches;" "Guachos Rustics of Tucuman;" "Convoy of Wine Mules;" "Paolistas Soldiers of the East Bank of the Plata;" "A Quinta Farm;" and "A Horse Race." Text and plates watermarked 1818 and 1820.<br /> <br /> Publisher's green morocco-grain cloth with covers decoratively stamped in blind and spine decoratively stamped and lettered in gilt. Yellow coated endpapers. Very slight wear to upper joint inner hinges strengthened. Housed in a green cardboard slipcase. A wonderful copy. <br /> <br /> One of the great illustrated travel books of South America and the earliest substantial color-plate record of Buenos Aires and Montevideo to be published in England. Emeric Essex Vidal a British naval officer and accomplished artist lived in the Río de la Plata region between 1816 and 1818 during a formative moment immediately following the wars of independence. His views were drawn on the spot and record not only architecture and landscape but daily life labor costume and social types with an ethnographic attentiveness unusual for the period.<br /> <br /> Issued by R. Ackermann the leading color-plate publisher of the early nineteenth century the work exemplifies the highest standards of aquatint engraving and hand-coloring. Vidal's plates range from sweeping urban prospects and coastal landings to vividly observed genre scenes - gauchos market vendors soldiers indigenous peoples rural estates and sporting pursuits - together forming an irreplaceable visual document of the region before large-scale European modernization.<br /> <br /> The large-paper issue limited to only fifty copies is of exceptional rarity and was intended for connoisseurs and institutional libraries. With its full complement of boldly colored plates generous margins and excellent state of preservation this example represents the book at its finest. Long regarded as a cornerstone of South American iconography and one of Ackermann's most important travel publications Picturesque Illustrations of Buenos Ayres and Monte Video remains indispensable to collectors of color-plate books Latin American history and early nineteenth-century travel literature.<br /> <br /> "In 1820 began a series of books dealing with travel and scenery. The first was Picturesque Illustrations of Buenos Ayres and Monte Video with descriptions of scenery customs and manners by E.E. Vidal. The book was issued in six monthly parts seven hundred and fifty copies on elephant paper and fifty on atlas.The twenty-four aquatints all after drawings by Vidal four of them being large folded plates are engraved by G. Maile J. Bluck T. Sutherland and D. Havell.and possess a subtle charm of their own apart from their historical and geographical value" Martin Hardie.<br /> <br /> Emeric Essex Vidal ca. 1788-1861 born into a naval family joined the Navy in 1808 and spent much of his career as a purser. He was stationed in 1820-1821 at St. Helena as secretary to Admiral Lambert on H.M.S. Vigo. Vidal was a distinguished painter and many of his fine drawings like those of his brother Alexander were adapted for the engraved vignettes on early issues of certain British Admiralty charts.<br /> <br /> Abbey describes only a red cloth binding on his large paper copy. The green cloth of the present copy with slightly different tooling on the spine without the phrase "24 plates coloured" is obviously a variant.<br /> <br /> Abbey Travel 698. Colas 3000. Hiler p. 878. Martin Hardie pp. 107 and 312. Prideaux pp. 355 and 375. Sabin 99460. Tooley 495. London: R. Ackermann, 1820 unknown
182013762London: R. Ackermann 1820. 355x293mm. 14x11½". London R. Ackermann 1820. Ejemplar en gran papel en folio mayor 355 x 293mm. xxviii-115 pp. 24 finas láminas coloreadas en acuarela 4 de ellas a gran tamaño y plegadas. Encuadernación de principios del siglo veinte en marroquén verde estilo jansenista. Primera edición ejemplar en gran papel de esta apreciada publicación ilustrada con 24 bellas láminas grabadas y coloreadas a mano al aguatinta representando vistas de Argentina y Uruguay todas diseñadas por Emeric Essex Vidal 1778-1861. Cuatro de ellas plegadas a gran tamaño. Las láminas fueron ejecutadas por diferentes grabadores a partir de 1820 y distribuidas junto con el texto en seis entregas mensuales durante ese mismo año. La edición se limitó a 750 ejemplares. Se trata de una obra importante y la mejor de todas cuantas se habían realizado para ilustrar el paisaje argentino y las costumbres de sus habitantes. En 1820 empezaron una serie de publicaciones relativas a viajes y costumbres de diferentes países la primera de ellas fue <em>Picturesque Illustrations of Buenos Ayres and Monte Video</em> que resultó también ser la mejor. Muy buen ejemplar. R. Ackermann unknown
1820001307London: R. Ackermann 1820. xxviii 115pp 1; 24 plates. Handsomely rebound by Temple Bookbinders in full morocco raised flat bands spine in six panels title and author labels to second and fourth panels remaining panels gilt covers with double panel design inner panel with black onlay elaborate gilt borders gilt to inner edges with marbled endpapers. Internally some light soiling and offsetting some plates with faint offsetting from text but generally clean folding plates a little creased at outer edge plates with stab-holes to outer margins. Twenty-four colour aquatint plates by T.Sutherland G. Maile and J. Bluck after Vidal four folding. Housed in a modern morocco-backed cloth drop-back box with raised bands spine in six panels title in gilt to second panel author to third date to foot with silver flower device to fourth and fifth panels. "English interest in South America flourished after the capture of Buenos Aires by Commodore Sir Home Popham and Colonel Beresford in 1806 . Ackermann exploited the widespread and substantial interest in South American affairs that these events had aroused through a number of fine publications including these views" Thomson - The Exotic and the Beautiful.Tooley 495 the "only notable colour plate book dealing with the Argentine"; Abbey Travel 698; Thomson 31; Colas 3000; Brunet V:1182/83. First Edition. Hardback. Very Good. Folio. R. Ackermann Hardcover
1820179207London: R. Ackermann 1820. Stunning views of South America First edition a desirable copy with pre-publication watermarks dated 1818 of "the only notable colour plate book in English dealing with the Argentine" Tooley. The hand-painted aquatints offer some of the finest depictions of early 19th-century life customs and architecture in the Río de la Plata region. The English sailor Vidal 1791-1861 joined the Royal Navy in 1808 serving as a purser for the next five decades. The plates in his book were based on drawings he made when he visited South America with HMS Hyacinth in 1816-8 as secretary to the admiral on the South American Station. They constitute "the main source of pictorial information about early Argentina" Speake p. 39 and "possess a subtle charm of their own apart from their historical and geographical value" Hardie. Some of the scenes included are "Monte Video" "Church of San Domingo" "Beggar on Horseback" "Pampa Indians" "General View of Buenos Ayres from the Plaza de Toros" "Balling Ostriches" "Guachos of Tucman" and "A Horse Race". Vidal depicts the inhabitants of the Pampas and Rio de la Plata Regions outdoor markets and plazas and buildings. "Through E. Vidal's watercolours. you get a sense of the city house facades Vidal never painted any interiors made not of rare stone but of baked adobe bricks called chorizos - sausages" Wilson p. 13. The work was first published in six monthly parts between May and October 1820. The early watermarks here suggest that this volume was possibly bound from the parts rather than from later book-form issues. Ackermann announced 750 small paper and 50 large paper copies. A comparison with the Abbey copy indicates that this example is from the smaller format. Large quarto 325 x 250 mm. With 24 hand-coloured aquatint plates 1 double-page 3 folding. Twentieth-century blue morocco to style spine with raised bands gilt lettering and decoration in compartments covers bordered with blind and gilt frames board edges and turn-ins elaborately gilt grey endpapers edges gilt. Light damp staining to margins of 3 folding plates tape repair on verso of "Buenos Ayres" plate offsetting to contents faintly toned but clean. A very good copy. Abbey Travel 698; Martin Hardie p. 107; Sabin 99460; Tooley 495. Jennifer Speake ed. Literature of Travel and Exploration An Encyclopedia 2014; Jason Wilson Buenos Aires: A Cultural and Literary Companion 1999. hardcover
1890007460Paris: Georges Chamerot Pour les Amis du Livre 1890. Limited First Edition. Full Morocco. Near Fine. No. 109 of 125 limitation. Original wraps bound in. Charming color illustrations of the colorful habitues of the Paris streets -- of those who ply their trade on the streets -- merchants food vendors dog walkers etc. etc. Many of these might be living in the margins of society but they have an outsized role in the theatre that is the city street and in providing a soul to the city. A genre of color plate book popular in the early 19th century that Vidal updated and made his own. 8vo. 24 by 18 cm. 132 pp. 30 hand-colored plates. Plates though printed look as if they were original watercolors. The full morocco binding with Art Nouveau ornamentation was done by a G. Champs. Its beauty is commensurate with the book's contents. A beautiful clean copy. Georges Chamerot (Pour les Amis du Livre) unknown
181240122PALMA: En la Imprenta de Felipe Guasp 1812-1814. Primera edición.- 4º.- Moderna encuadernación lomera y puntas de piel lomera con texto florones y filetes dorados.- 4 volúmenes que abarcan desde el número 1 del jueves 30 de julio de 1812 al número 106 del jueves 28 de julio de 1814.- Colección completa a falta de dos números.- I: Portada.- 310 páginas.- 3 hojas ÃÂndice.- Númro 1 al número 25 del 14 de enero de 1813.- II: Portada.- 356 páginas con errores de paginación pero bien completo.- Números 26 de 21 de enero de 1813 al número 54 de 29 de julio de 1813. Más dos suplementos.- III: Portada.- Sigue la paginación al tomo anterior de la página 357 a la 758 con errores de paginación pero bien completo. A falta del nº 56 de 11 de agosto de 1813.- Del número 55 de 5 de agosto de 1813 al número 82 de 10 de febrero de 1814.- IV: Portada.- 301páginas.- Del número 83 de 17 de febrero de 1814 al número 94 de 4 de mayo de 1814. Al final de este tomo contiene la lista de los Suscriptores. El seminario Cristiano - Politico de Mallorca fundado y dirigido por el Franciscano Fr. Raimundo Strauch y Vidal nació para combatir las ideas y polÃÂticas liberales de la Aurora Patriótica Mallorquina dirigida por Isidoro MarÃÂa Antillón. Los extremos llegados por parte de Fr. Raimundo Strauch le constaron una larga prisión entre el 28 de julio de 1812 al 22 de mayo de 1814. Después de la Guerra de la Independencia fue numbrado el 12 de enero de 1817 Obispo de Vich. Fue vuelto a procesar en 1820 por sus máximas anti-constitucionales y preso otra vez en la Ciudadela de Barcelona. Cuando se le trasladaba a Tarragona fue asesinado en los campos de Vallirana cerca de Molins de Rey. Palau 322879 - Bover 1230 - XVI En la Imprenta de Felipe Guasp unknown
50205Dispuesta por el P. Antonio Vidal de Figueroa Presbitero de la Congregacion de el Oratorio de San Felipe Neri de esta Ciudad de México. Año 1711. Con licencia en Mexico : por los Herederes de Juan Joseph Guillena Carrascoso 1711. Duodecimo 144 x 96 mm marbled paper wrappers; title-leaf pp. 30; a fine copy. A novena devotional prayer intended to be recited over nine days in honour of St. Felipe de Jesús one of the 26 Martyrs of Japan crucified in Nagasaki on 5 February 1597. Recognised as the first Mexican-born saint he is also the patron saint of Mexico City where the pamphlet was published. unknown
18962091202133201137Libraries Imprimeries Reunies 1896. Soft Cover. Fine. Volume: 1 Libraries Imprimeries Reunies paperback
194616668JNew York: Dutton 1946. First Edition First Printing of the Author’s First Book. With a remarkable extensive signed inscription by Gore Vidal to Dr. William Shelton Gray Jr. written over two pages providing details on the development and history of the novel: “For Bill Gray - Twenty years later; this first and onlyedition was 5000 copies - In time all sold - There has never been a hard-cover reprint - The book was written 1944-45 - Begun aboard F.S. 35 at Chesapeake Bay just before New Year's '44. Finished at East Hampton Shortly after Hiroshima – Gore Vidal Jan 2 - 1967 NYCâ€. Vidal’s inscriptions in books are notoriously short even to close friends and this book has the longest Vidal inscription we have encountered anywhere. William Gray was the Chairman of the English Department at Randolph-Macon College in Ashland Virginia who edited Tennessee Williams’ only book of poetry In the Winter of Cities and one of W.H. Auden’s last poems “The Aliens†was dedicated to him. Gray met and befriended Vidal through Williams. Hardcover dust jacket octavo 222 pages. The volume is in very good used condition with some rubbing to the cloth edges in a very good dust jacket with some rubbing some aging and light chipping. Williwaw is the term widely thought to be Native American in origin for a sudden violent Katabatic wind common to the Aleutian Islands. The story combines war drama maritime adventure and a murder plot. The book is a World War II novel set on a U.S. ship in the Arctic waters around the Aleutians in the Pacific Ocean in the middle of the local storm season during World War II. The nervousness and tension of the crew and a handful of passengers at the approach of the Williwaw is stretched to breaking point when the Chief Engineer Duval falls overboard in suspicious circumstances. Dutton hardcover
194857819New York 1948. Vintage silver print docketed on verso by Van Vechten "Gore Vidal / IX ff 5 / Oct 14 - '48"; and with the studio stamp "Photograph by Carl Van Vechten/146 Central Park West/Cannot be reproduced without permission". 1 vols. 8-3/4 x 6-3/4 inches. Fine. Vintage silver print docketed on verso by Van Vechten "Gore Vidal / IX ff 5 / Oct 14 - '48"; and with the studio stamp "Photograph by Carl Van Vechten/146 Central Park West/Cannot be reproduced without permission". 1 vols. 8-3/4 x 6-3/4 inches. Very early photographic portrait of the 23-year-old Vidal taken in the year that the publication of his controversial novel THE CITY AND THE PILLAR scandalized the mainstream press. unknown
1948218953New York 1948. Variant of portrait published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Seated on chair leaning forward. 1 vols. 32.2 x 2 21.8 cm. approx 12-5/8 x 8-1/2 inches. Fine. Verso docketed with holograph notations in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "XV-FF-1". Variant of portrait published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Seated on chair leaning forward. 1 vols. 32.2 x 2 21.8 cm. approx 12-5/8 x 8-1/2 inches. unknown
1876266001Paris: Imprimerie de J. Claye 1876. First edition one of 500 copies. 118 engraved plates. 3 vols. 4to. Contemporary half velum and decorated paper boards red morocco spine labels. Light soiling to covers sporadic foxing an attractive set. Large etched bookplate of Gustav Frid in each volume. First edition one of 500 copies. 118 engraved plates. 3 vols. 4to. A beautiful uncut set of this landmark work on the history of the violin. "This is beyond the possibility of doubt the greatest work ever published or which is ever likely to be published on the violin" Fidiculus Bibliographia. Fidiculus Bibliographia 191 Imprimerie de J. Claye unknown
1948144891New York: E.P. Dutton & Company 1948. First edition of this landmark novel from the library of Anais Nin. Octavo original black cloth. Near fine in a very good dust jacket. Accompanied by a clipped dedication page that reads "For Anais Nin" boldly signed by Vidal laid in. Gore Vidal and Anais Nin's friendship emerged from their shared commitment to challenging the literary and cultural orthodoxies of mid-twentieth-century America. While Vidal’s incisive social satire and Nin’s lyrical explorations of erotic subjectivity differed in style both writers pursued themes of identity and transgression which created a foundation of mutual admiration. In fine condition. From the library of Anais Nin. An exceptional association linking these two great writers. Stylistically influenced by Hemingway this work "is distinguished by its honesty and lack of self-pity; the central figure is unexceptional in every respect but his sexual choices" Stringer 690. "One of the best novels of its kind. . . . It isnt sentimental and it is frank without trying to be sensational and shocking" Christopher Isherwood. E.P. Dutton & Company hardcover
1946125772New York: E.P. Dutton & Company 1946. First edition of the author's first book. Octavo original black cloth. Association copy inscribed by the author in the year of publication on the front free endpaper "For Owen Roberts very best wishes -- Gore Vidal 1946." The recipient Owen Roberts was the father of Katherine "Kit" Vidal second wife of Eugene Vidal Gore's father. He was a multimillionaire who bought -- and sold -- a seat twice on the New York Stock Exchange before devoting himself to collecting Chinese art and antiquities. Near fine in a very good dust jacket. An exceptional association. Williwaw was Gore Vidal's first publication and it earned him the reputation as "the best all-around American man of letters since Edmund Wilson"Newsweek. The military novel marked the beginning of his writing career aged twenty-one and is based upon his Alaskan Harbor Detachment duty. Williwaw is a quasi-autobiographical novel and its value comprises not merely Vidal's excellent writing but the insight it offers into the author's experiences. E.P. Dutton & Company hardcover
2014108285T.F. Editores S.L.C. New. 2014. Hardcover. 841525332X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . T.F. Editores, S.L.C. hardcover
2009123134Nodolibri. New. 2009. Paperback. 8497044878 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in Spanish. with a bonus offer-- . Nodolibri paperback
2012103358Rizzoli. New. 2012. Hardcover. 0847838595 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pages; well illustrated with 5 color and many black and white images. -- with a bonus offer-- . Rizzoli hardcover
2008122253Ministerio De Cultura Publicaciones. New. 2008. Paperback. 8481813974 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 91 pages. Flawless copy brand new pristine never opened. Text in Spanish. with a bonus offer-- . Ministerio De Cultura Publicaciones paperback
197338266Westminster Maryland U.S.A.: Random House Inc. As New. 1973. Hardcover. 0394480244 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE PON fep; else flawless. First edition so stated. -- with a bonus offer-- . Random House Inc hardcover
200313616New York New York U.S.A.: Thunder's Mouth Pr/Nations Books. New. 2003. Paperback. 1560255021 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Thunder's Mouth Pr/Nations Books paperback
198410439Westminster Maryland U.S.A.: Random House Inc. As New. 1984. Hardcover. 0394528956 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -- with a bonus offer-- . Random House Inc hardcover
199510432Westminster Maryland U.S.A.: Random House Inc. As New. 1995. Hardcover. 0679440380 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AVOID WEEKS OF DELAY ELSEWHERE. -- with no writing or markings to the text. Light soiling and yellowing to coverboards. First edition so stated -- with a bonus offer-- . Random House Inc hardcover
200213617New York New York U.S.A.: Thunder's Mouth Pr/Nations Books. New. 2002. Paperback. 156025405X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Thunder's Mouth Pr/Nations Books paperback