[Dessin romantique] Paysage de montagnes et rivière.Livre Rare Book
8 621 résultats
015929[Dessin romantique] Paysage de montagnes et rivière. Lavis, environ 165*155, contrecollé sur une feuille un peu plus grande. Ca.1830. Signé A.L. [229]
23574Paris, Floury (coll. "Anciens et Modernes"), 1938. In-8°, 188p. Broché, couverture illustrée.
196440044N.P.: Privately printed 1964. 1964. 9 1/4" x 6 1/8" in bright colorful pictorial wrap-around covers showing a photograph of the California Zephyr traveling along a mountainside. 4 panels. Text printed in blue ink. Offers 3 entrees with vegetables for $2.25 and an Ala Carte Menu. Inserted is a small card 3 1/4" x 4" offering for the Cafe's Special of the Day. Rusted paperclip mark to top of panel 2 and also to top of the small card offering the special. Lightly soiled and with light wear to the extremities. Very good. Privately printed, 1964. unknown
188937976Chicago: Rand McNally & Co. 1889. 1889. First edition. Copy right 1889 by S.K. Hooper. Verses by Stanley Wood from photographs by W.H. Jackson. 7 1/4" x 9 1/2" in yellow printed cardboard covers tied in burgundy ribbon. 12 leaves 5 being tipped in views from photographs. Views by Jackson of Lake San Christoval Second Tunnel Canon of the Grand River River of Los Souls Animas Canon Eagle River Canon and Mt. Sneffles and Uncompahgre River. 5 pages of verses by Stanley Wood to include "Colorado" "Nature's Gems" "Enchanted Land" "Mountain Moods" and "By Mountain Lakes." Covers soiled and with light wear to extremities. Ribbon beginning to deteriorate. A nice item. Rand, McNally & Co., 1889. unknown
189339779Chicago: Poole Bros. Printers and Engravers 1893. 1893. Eleventh edition. 8 1/4" x 6 5/8" in light green printed wrappers with title in gold gilt. 64 pp. engraved illustrations map. A book of poems descriptive of the scenes among the Rocky Mountains as viewed from trains of The Denver & Rio Grande Railroad. Before each poem is a picture and description of the place described in the poem. Includes poems about Palmer Lake Garden of the Gods Manitou Cheyenne Canon Veta Pass Sierra Blanca Wagon Wheel Gap Toltec Gorge homes of cliff-dwellers Royal Gorge Mount of the Holy Cross the Black Canon Marshall Pass etc. Light soiling to wrappers and with minor wear to extremities. Very good. A nice item with much information. Poole Bros., Printers and Engravers, 1893. unknown
194046529N.P.: Privately printed n.d. ca 1940. 1940. First edition. 8 1/4" x 45" sheet folded to 24 panels. Illustrations. Map. 12 full-color captioned images are printed on one side of the sheet. The opposite side offers 2 cover panels a 6-panel color route map and 4 panels offering information on the Royal Gorge Route and the Moffat Tunnel Route describing what one can expect to see an experience during the trip and offering information on notable Rio Grande Wonder Spots. Minimal soiling and with light rubbing to some folds. Very good plus. Privately printed, n.d. [ca 1940]. unknown
189437701Chicago: Knight Leonard & Co. February 1894. 1894. First edition. 16" x 31 1/2" sheet folded to 32 panels with cover panels showing the Royal Gorge and Marshall Pass. Opens to a 14-panel color map outlining of the United States from Chicago westward and 2 panels with information on excursions along with rates. Backed with time tables and notes on Colorado's resources. Laid in is a 2-panel illustrated advertisement for "The Colorado" at Glenwood Springs with illustration of and information about the resort. Excellent condition. Knight, Leonard & Co., February, 1894. unknown
189437699Chicago: Knight Leonard & Co. May 1894. 1894. 16" x 31 1/2" sheet folded to 32 panels with cover panels showing the Royal Gorge and Marshall Pass. Opens to a 14-panel color map outlining of the United States from Chicago westward and 2 panels with information on excursions along with rates. Backed with time tables and notes on Colorado's resources. Laid in is a 2-panel illustrated advertisement for "The Colorado" at Glenwood Springs with illustration of and information about the resort. Lightly soiled but in very nice condition. Knight, Leonard & Co., May, 1894. unknown
189046818Chicago: R. R. Donnelley and Sons Company 1890. 1890. UTAH. First Edition. 56 pp. Octavo 22 cm Gray illustrated wrappers. Illustrations. Offers a short history of the settlement and growth of Utah and includes profiles of Salt Lake Ogden and the Great Salt Lake. Illustrations include the tramway in Little Cottonwood "The vast improvements wrought by the industrious and frugal pioneers of Utah the great natural resources of the territory the balm of its health giving and invigorating climate the wonders of the majestic mountains the sylvan beauties of its unrivaled valleys the new relations of amity and progress that have sprung into life between all the religious sects of the territory and especially in Salt Lake City the enterprise of energetic railroads the building of great irrigating canals the establishment of manufactories the growth of mining in short all those great strides towards absolute preeminence which Utah has made have been to a great extant ignored in the past." - from the Preface. A small bump to the fore-edges along the upper portion of the front cover and diminishing in size inward very light foxing to the first few pages else a very good tight copy. Not in Flake/Draper. R. R. Donnelley and Sons Company, 1890. unknown
188832743New York: Press of the American Bank Note Company 1888. First Edition. Hardcover. Fair. Oblong quarto. 80 pages. Illustrated with 12 Albertype photographic images other photographs sketches map of the railroad route and illustrated advertisements. Dark brown pebble cloth hardcover with gilt illustrated title on the front cover. A restored repaired copy. New brown cloth backstrip. Hinges repaired. Front and rear end sheets replaced with newer light brown end papers. Cloth covers dyed with matching brown color lower edges of the covers. Light edge wear to the binding. First 6 pages are chipped in the lower corners no missing content and have been patched with white tissue. Presentation copy: Inscribed on the title page "To The Hon. J. Russell Jones with kind regards of James Gorant sp Secretary of the Guarantee Co. of N. America Chicago 2 of 9/88." J. Russell Jones was President of the West Side Rail Way Company in Chicago. 8 of the 12 plates are photographs by William Henry Jackson. Views include Pike's Peak Garden of the Gods Royal Gorge Marshall Pass etc. Contents are clean inside. A fair or better copy. Press of the American Bank Note Company hardcover
201320259Paris, Dargaud, 1980 ; in-4, 48 pp., cartonnage de l'éditeur. Très bon état - E.O.
188145170P., Marescq aîné, 1881, fort in-16, vi-(2)-398-254-82-180-30-179-41-159-10-47-73-29-700-24-63 pp, table de concordance, table alphabétique, reliure demi-chagrin noir, dos à 4 faux-nerfs, titres et fleurons dorés, caissons à froid (rel. de l'éditeur), bon état
1837ABC_47967Rio de Janeiro 1837. Ad 1: 19 x 32 cm. Passe-partout: 365 x 47 cm. Sepia ink on paper. Ad 2: 245 x 34 cm. Passe-partout: 37 x 44 cm. Sepia ink on paper with blue and sepia ink washes. Two ink drawings on paper depicting the same view of Guanabara bay with a banana plantation and the Pao de Açucar near Rio de Janeiro in Brazil. This scene has also been included in Flora Brasiliensis as plate LV in volume 1.1. Plate LV is lithographed after a drawing by Belgian artist and botanist Benjamin Mary 1792-1846 made in 1837. The largest drawing of the two present here ad 1 is believed to be this drawing by Mary.Flora Brasiliensis is a 15-volume work on Brazilian plants edited by botanist Carl Friedrich Philipp von Martius and others. It was published between 1840 and 1906 and systematically categorised the known plants in the region. The numerous plates were designed by many different artists including Benjamin Mary. He lived in Rio de Janeiro from 1832-1837 so his Brazilian drawings were based on his own observations. Although the present drawing is unsigned it can be attributed to Mary due to stylistic similarities with his other works its exact likeness to the litho in Flora Brasiliensis and its provenance both drawings are from the collection of the Von Martius family.The second drawing depicts the same scene but is clearly made by a different artist. It is signed "A. L." in the lower left corner. This work has been attributed to Carl August Lebschée 1800-1877 a German artist who also made drawings for the Flora Brasiliensis. However this is uncertain because he typically monogrammed his work with C. L.Both drawings in very good condition.l Cf. for the Flora Brasiliensis: Borba de Moraes 525 f; Nissen BBI 2248; Stafleu & Cowan 5538. ABE CAT Art History unknown
14132Amsterdam, Henry Desbordes, 1734 ; In-12 ; (1) f. de titre imprimé en rougeet noir-288 pp.-(32) ff. de table des matières-(2) ff. de privilège du Roy ; basane havane, dos à nerfs orné de fers à la toile d'araignée, tr. rouges (rel. ép.). Pièce de titre manquante, plats frottés, mais bon ex.
25490Londres, par la Compagnie, 1755. 1 vol. petit in-12, veau rouge, dos à faux-nerfs orné de multiples filets dorés, de roulettes dorées et de fleurons à froid, pièce de titre en veau vert, encadrement de deux roulettes argentées et de deux filets noirs sur les plats, petits fleurons dorés aux angles des encadrements de filets, fleuron estampé à froid au centre, roulette dorée sur les coupes, roulette dorée intérieure, tranches dorées. Reliure de Ducastin. Ex-libris gravé au contreplat. Titre en rouge et noir, (1) f., 288 pp., (34) ff.
169821457Paris, Michel Brunet, 1698 ; in-12, veau fauve, dos à nerfs très décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges (reliure de l’époque) ; VIII, 285, [11] pp. Table et Privilège. Imprimerie de Gilles Paulus-Du-Mesnil ; [8] pp. de Catalogue du libraire.
6564Montpellier, Jean Martel, 1731. In 4° de 2 pp. (grande mouillure marginale).
188888405Fall River: Earl & Bamford / George E. Bamford 1888-1904. Six original biennial issues in original wrappers comprising the 11th 12th 14th 15th 16th and 20th editions. Issue for 1888 in glazed printed wrappers 13cm x 8.5cm; remaining issues in uncoated wrappers 14.5cm x 8cm; contents range from 56pp to 72pp. A few with slight discoloration and/or wear to wrappers but all complete sound and unmarked; Very Good overall. <br /> <br /> A collection of six successive issues of this biennial prospectus and directory for the mill city of Fall River Massachusetts intended to advertise the prospects for residency and industry in what was at the time the fastest-growing industrial city in New England known particularly for its output of printed cotton cloth. Each issue includes an updated list of operating textile mills together with a wealth of statistical data including annual yardage produced number of workers employed city population etc. Though clearly written from the manufacturers' perspective these small publications taken together provide valuable background for understanding the social milieu of a late-19th century mill town painting a clear picture of the city's rapid growth from 1.8 million spindles in 1888 to nearly 4 million in 1910 and the enormous wealth produced for mill owners during this period from $18M in capital stock to $34M in the same period - wealth that most certainly did not filter down to a workforce comprised mainly of immigrant millworkers many of whom were children under the age of twelve. Earl & Bamford / George E. Bamford unknown
188026774FÉCAMP 1880 une photographie stéréo originale albuminée en noir, format : 17,5 x 8,5 cm, FÉCAMP - LA RIVIÈRE , sans date (1880), photographe inconnu,
18726400London: F. Harvey 1872. Second edition. Number 6 of 50 copies printed. Small quarto 8 1/4 x 6 inches; 210 x 152 mm. ii blank vi 160 i 3 blank. Etched half-title drawing by William M. Thackeray. Five full-page etchings on india paper by George Cruikshank. Bound ca. 1920 by Rivière & Son stamp signed on verso of front endpaper in full dark blue crushed levant morocco. Both covers richly decorated in gilt with triple borders each surrounding one hundred and seventy nine floral tools in a geometric design; spine with five raised bands richly decorated and lettered in gilt with the same floral tools; double-ruled gilt board edges decorative turn-ins all edges gilt. Front and rear outer joints repaired.<br /> <br /> "Sir William Fraser 1816-1898 was a genealogist archivist and Scottish historian. Trained as a solicitor his professional involvement with peerage cases began a lifetime of research into the genealogy of Scotland's most prominent landed families" Edinburgh University Library. His Colia's Whispers is a collection of poetry inflected by Victorian tastes for historicism and revivalist styles. The text is accompanied by five George Cruikshank etching on India paper are five out of eight compartments of a large plate etched by G.C. for Sir William Fraser in 1870 for Poems by the Knight of Morar. "Only fifty numbered copies were issued of this edition and consequently it is scarce" Cohn. George Cruikshank 1792-1878 was one of the most famous British caricaturists and illustrators during the Regency period. He would form a friendship with Charles Dickens illustrating many of his books and later in life would be active in the temperance movement. <br /> <br /> "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. F. Harvey unknown
18356796London: Taylor and Hessey and Edward Moxon 1835. First edition and second edition. Fine. Lamb's Essays of Elia and Last Essays of Elia finely bound by Riviere & Son in full dark brown morocco with a dark green morocco pull-off case. Two volumes octavo. vi 341; xiii 295 pp. complete. Elaborate gilt spines in six compartments with raised bands. Gilt rule to boards and gilt turn-ins. All edges gilt. Teal coated endpapers. Small twentieth-century bookseller's ticket to lower flyleaves. A Fine fresh set in a beautiful binding.<br /> <br /> First edition second issue of Essays of Elia with both the Fleet Street and Waterloo addresses in the imprint bound without the terminal publisher's ads. Second edition of Last Essays of Elia which was first published by Edward Moxon in 1833.<br /> <br /> Lamb's accessible and conversational essays were published under the pseudonym Elia inspired by an Italian man that Lamb had known at the South Sea House and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness Charles Lamb 1775 - 1834 would be celebrated for his literary contributions producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Fine. Taylor and Hessey [and] Edward Moxon unknown
19276401London: Bell and Sons 1927. Octavo 7 1/2 x 5 inches; 191 x 127 mm. xxiv 570 pp. Fifty-seven full-page black and white plates and three text drawings. Handsomely bound by Rivière & Son ca. 1927 stamp-signed on front turn-in in full medium blue morocco with a very ornate multi-fillet gilt frame enclosing a vari-colored morocco onlaid illustration with painted highlights reproducing the black and white plate in the book "So To Bed" facing p.400. Gilt ornamented raised bands. Gilt framed compartments with ornate gilt centerpieces. Gilt tooled edges and turn-ins marbled paste-downs and end-leaves publisher's pictorial end-papers bound in at end all edges gilt. Minimal fading to spine light and almost imperceptible mark on rear cover otherwise fine.<br /> <br /> Samuel Pepys 1633-1703 was an English naval bureaucrat and member of Parliament who is now most famous for his diary. Hailed as a significant primary source for Restoration-era England the diary spans the years 1660-69 as Pepys ages from 27 to 36 years and was "written in Thomas Shelton's system of shorthand or tachygraphy with the names in longhand it extends to 1250000 words filling six quarto volumes." Britannica. Pepys was a highly inquisitive man and filled his pages with lively descriptions of people as well as documented his experiences living through "the Restoration and coronation; the horrors of the Plague; and the Fire of London" Britannica. In this edition of his dairy Ernest H. Shepard's illustrations enliven these first-hand experiences for readers.<br /> <br /> "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. Bell and Sons unknown
19066420London: Macmillan 1906. Fifth edition. Fine. Later issue. A Fine copy. Octavo 7 3/4 x 5 /14 inches; 197 x 133 mm. iv 1-112 pp. Bound ca. 1906 by Riviére for Hatchards stamp-signed in gilt on front turn-in. Full purple morocco covers paneled in gilt front cover elaborately decorated in gilt in an 'art nouveau' style with fifty-six tiny inlaid red morocco circles rear cover with four tiny inlaid red morocco circles spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt board edges and turn-ins marbled endpapers all edges gilt.<br /> <br /> Fitzgerald attributed the original work to the famed astronomer and mathematician Omar Khayyum and this collection of quatrains rapidly became a favored text of the Pre-Raphaelites. "Like the Odyssey or the Vita Nuova it was once the most widely known and quoted work of Victorian poetry in the world" and its place in Western culture at the time was secured by Fitzgerald's "epigrammatic sophisticated often mordant verses that display Fitzgerald's adroitness in handling this stanza form" Warner. Yet with rise of Modernism the Rubaiyat fell out of style for a time its lush and romantic orientalism considered out of step with the concerns of those who were living through a devastating World War. But the beautiful surviving copies in exceptional vellum silk and leather alongside recently released critical editions have helped draw attention back to the Rubaiyat's beauty and its role in inspiring so many monumental pieces of Victorian art and literature. This fifth edition of Fitzgerald's text published posthumously contained some changes from the fourth and was based on his manuscript notations. Fine. Macmillan unknown
18896403London: Kegan Paul Trench & Co 1889. Fine. Sixteenmo 6 3/16 x 3 5/8 inches; 157 x 93 mm. vi 306 1 imprint 5 blank pp. Portrait frontispiece with tissue guard. Title-page printed in red and black. Bound ca. 1920 by Rivière & Son stamp signed in gilt on lower turn-in. Full antelope crushed levant morocco covers decoratively ruled in gilt surrounding a very elaborate floral design in pointillé spine with five raised bands similarly decorated and lettered in gilt in compartments gilt-ruled board edges full dark blue morocco liners elaborately decorated in gilt blue watered silk end-leaves top edge gilt. A wonderful example of the art of 'pointillé'.<br /> <br /> The Scottish author critic and thinker Thomas Carlyle 1795-1881 was a major influence on Victorian society. His novel Sartor Resartus translated as The Tailor Re-tailored among other variations is a satirical look at the work of a fictional philosopher Diogenes Teufelsdröckh. Intriguing in its form the book is structured from the prospective of a skeptical English reviewer consumed by Teufelsdröckh's book Clothes Their Origin and Influence. In crafting Sartor Resartus Carlyle drew on a range of literary influences: Goethe Hegel Sterne and Switft. Carlyle's complicated text not only critiques academic writing and materialism but offers meditations on the meanings of symbols and the search for truth. Although first started as an essay the project eventually developed into a novel which was first published serially in Fraser's Magazine 1833-34. Fine. Kegan Paul, Trench & Co unknown
18726405London: John Camden Hotten and George Routledge and Sons 1872. First editions. Two octavo volumes 7 1/4 x 5 1/4 inches; 184 x 133 mm. & 7 x 5 3/8 inches; 179 x 137 mm. ix 2 14-222 4 adv.; viii 1 14-224 4. adv. pp. Black and white frontispieces with original tissue guards black and white text illustrations throughout. Bound c. 1920 by Rivière & Son for the Gardenside Bookshop Boston in full emerald crushed levant morocco with a gilt decorated broad inlaid border of maroon morocco enclosing an elaborate gilt frame surrounding a maroon morocco border and decorated sunken central panel within which are figures from the text pictorially depicted with multi-colored padded morocco onlays. The Bab Ballads with the onlaid figures of Babette and Jacot page 67 and More Bab Ballads with the onlaid figures of Sir Berkely and William Lee page 122. Lower boards with gilt ruled maroon morocco border surrounding an elaborate gilt border with decorative gilt corner pieces. Spines with five raised bands decoratively tooled and lettered in gilt in compartments gilt ruled board edges elaborate gilt turn-ins cream watered silk liners and end-leaves all edges gilt. Original gilt decorated green cloth covers bound in at end of each volume. Outer front joint of volume 2 with subtle repairs. Housed together in the original felt-lined green cloth slipcase. A fine set.<br /> <br /> This publication evidences how a writer's work is never done. First published as a humorous column in Fun magazine in 1876 Gilbert collected fifty of his favorite poems for the book Fifty "Bab" Ballads:Much Sound and Little Sense it contained one poem collected for the first time titled "Etiquette" and excluded 25 previously published poems. As Gilbert explained: "The period during which they were written extended over some three or four years; many however were composed hastily and under the discomforting necessity of having to turn out a quantity of lively verse by a certain day in every week. As it seemed to me and to others that the volumes were disfigured by the presence of these hastily written impostors I thought it better to withdraw from both volumes such Ballads as seemed to show evidence of carelessness or undue haste and to publish the remainder in the compact form under which they are now presented to the reader" Gilbert. However "Gilbert's readers were not happy with the loss and in 1882 Gilbert published all of the poems that had appeared in either The "Bab" Ballads or More "Bab" Ballads once again excluding "Etiquette." Some twentieth-century editions of More "Bab" Ballads include "Etiquette" Ellis. The poems range from satire to absurdist texts and will surely entertain all who read them.<br /> <br /> "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. John Camden Hotten [and] George Routledge and Sons unknown
