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1965005503256Open Space 1965. First Edition. Wraps. Near Fine. 8vo - over 7¾" - 9¾" A great and contrasting pairing which occasioned some controversy of two classic 1960's versions of Gerard de Nerval - the published translation by Robin Blaser and a typescript translation by Robert Duncan. Their differing approaches to Nerval caused considerable controversy at the time and have remained a topic of the scholarly ever since. From the library of noted American poet Denise Levertov with her blindstamped library label to cover flap of Blaser's book which is signed by Blaser. Laid in loose as Levertov kept it is a 5-page typescript a carbon of Robert Duncan's very different translation of Gerard de Nerval's 'Chimeras' a translation which differs somewhat from that which Duncan ultimately published which expressed in poetic form his profound disagreement with Blaser. This Duncan translation likely dates from ca. April 22 1966 or before as Duncan discusses his translation and differences with Blaser on Nerval at length with Levertov in a letter of that date see 'The Letters of Robert Duncan and Denise Levertov' pages 525-526 where he mentions just having sent his version off to the journal 'Audit' with an essay attacking Blaser's work published the prior year. Open Space unknown
1995028751Wright Publishing New York 1995. Book. Fine Condition. Cloth with Board Slipcase. Signed by the Artist. 276 pages. Hardcover. Texts in English. SIGNED AND NUMBERED Signed by the artist both on an introductory page of the book and on the accompanying color print laid in at front. Minimal rubbing to the leather covered board slipcase but everything else about the production is in fine crisp tight and clean condition. Print and presumably the book are numbered 83/1000. The print presumably titled "Mrs. Jenkins' House in Arkansas." is in sharp and clean condition handsomely printed on fine paper. Transcribed conversation between the artist with actor Robin Williams along with Williams' commentary. Dozens of beautifully printed full color reproductions of the artist's unique take on surrealism. This is a gorgeous and luxurious production. Wright Publishing, New York Hardcover
51-4443Paris: Modes de Paris 1888-1904. An unbound set of 160 handcolored steel engravings. 33.3 x 24 cm. 13 x 9.5 inches.Each with a centerfold. OCLC . One split in 2 pieces .OCLC number:1036445681 one print.Ensemble de 160 planches en couleurs en feuilles entre 1888 et 1904 Bel état.Expertise by M. Christian GASCHBoite Postale 40558004 NEVERS Cedex Paris: Modes de Paris, 1888-1904 unknown
19698Fine. Author's original holographic manuscript in a commercial notebook 12-1/2 x 8 inches with notes for the typist and "Reward in case of loss" notice on the pastedown. Laid in are duplicated excerpts from reviews of "Enemy!" "The Green Shade" "Somerset and All the Maughans" and American reviews of the latter. unknown
170395East Hampton NY: Vogel Bindery 2009. Shooting script for the 2009 film. Presentation copy on thick high-quality stock with a tipped-in color photograph of Robin Williams in character SIGNED "All my best / Robin Williams." In a decorative red cloth binding with titles and design in stamped gilt on the front board and spine the front board depicting the mascot from the film's high school "The Fighting Pugs." Page edges gilt yellow endpapers and with a credit for the Vogel bindery in East Hampton NY at the bottom of the last page of narrative text.<br /> <br /> Laid in is a form letter and a self-addressed stamped envelope never used confirming that the book is a donation for charity.<br /> <br /> Bob Goldthwait's masterpiece a brave deep-black comedy-drama that embraces both humanity and satire with no regard whatsoever for who is going to like it. One of the most underrated and ambitious films of the 2000s.<br /> <br /> Shot on location in Seattle. <br /> <br /> Red titled boards noted as Shooting Script on the title page undated with a screenwriter credit for Goldthwait and a WGA number at the bottom left corner. 64 leaves rectos and versos with last page of text numbered 121. Lithographic duplication rectos and versos. Pages in Fine condition faint oxidization to the boards else Fine unread. Vogel Bindery unknown
1781799681781. ROBIN Claude C. Nouveau Voyage dans l'Amerique Septentrionale en l'Annee 1781; et Campagne de l'Armee de M. le Comte de Rochambeau. Philadelphia and Paris: Chez Moutard 1782. 1s ed. ix222pp. Contemporary speckled calf gilt-ruled raised spine bands red morocco spine label all edges gilt-chamfered. A fine copy. HOWES R-361. Clark I:298. "The Abbe Robin who came as chaplain with the French troops to America tells of his observations and experiences in a series of letters beginning in Boston June 14 1781. They marched south that summer and the southern portion of his travels begins in Baltimore in September.He wrote favorably of Baltimore's fine location and rapid growth and commented upon the Acadian community there. Since there were not enough transports at Head of Elk to carry all the army to Virginia some went partway by land including Robin. He was much impressed by the plantations in Maryland and the opulence and culture of Annapolis. At the end of September he sailed from Annapolis to the James River and disembarked near Jamestown. He described Williamsburg briefly and mentioned Professor Charles Bellini of the College of William and Mary. He commented on the agriculture and commerce of Virginia the population white and black and the treatment of slaves. Some of the flora and insects interested him especially the caterpillars and spiders he chanced to see. After the surrender of the British Robin on November 6 described the battle of Yorktown the siege surrender and destruction of property writing from the camp at Yorktown. About a week later he made a lengthy comparison between Burgoyne's military tactics and problems in the campaign of 1777 and Cornwallis's in 1781 in favor of the latter. The final letter of November 15 is a review of events in the colonies leading to the Revolution with reflections on the resources and outlook of the American people" - Clark. unknown
19962657BASTEI-LÜBBE 05-12/1996. 1. softcover. Legende vom Weitseher Die 2823128235 BASTEI-LÜBBE paperback
124199Woodside Ca: Heyeck Press 1986. quarter morocco with marbled paper-covered sides slipcase. Marbling. 4to. quarter morocco with marbled paper-covered sides slipcase. 65 3 pages. Limited to 150 numbered copies signed by the author. A descriptive bibliography of marbling projects by the press with samples of each of the 15 items described. Also has five chapters on the many variables which determine success in Turkish marbling with some samples and a chapter on problems and cures with seven samples six of which demonstrate a specific marbling flaw and text on how to correct the problem. Printed on dampened handmade paper and having a total of 28 samples. Loosely inserted is a bill for this copy made out to the collector Ernest Marshall with a lengthy note by Robin Heyeck written on separate cardstock dated 1987. Includes the prospectus. Heyeck Press unknown
2009250627075Publishamerica Inc 2009-03-23. paperback. Like New. 5x0x8. ~ Like-New Inside and Out! Clean & Crisp Pages. E-mail for more info./pics Publishamerica Inc paperback
196552179New York: Crown Publishers 1965. First edition unclipped dust jacket 8vo pp. 10 341 1; very slight wrinkling of the jacket else fine throughout. Inscribed by the author in green flair: "Robin Moore. This is a rare first edition - full of error & no sweat band shown on the beret on the cover. R. M. Crown Publishers unknown
2015__0470671270Blackwell Pub 2015. Hardcover. New. 1st edition. 3224 pages. 10.50x9.00x8.00 inches. Blackwell Pub hardcover
1994x-0849388732CRC Pr I Llc 1994. Hardcover. New. 1st edition. 310 pages. 10.50x7.50x1.00 inches. CRC Pr I Llc hardcover