1 029 résultats
1989WRCLIT83947New York: Putnam 1989. Cloth and boards. First edition. Fine in dust jacket. Putnam hardcover books
1989701212NY: G.P. Putnam's Sons. 1989. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. G.P. Putnam's Sons paperback books
2010034949Waterloo: Wilfrid Laurier University Press 2010. xx 340p. music original stiff wrappers. Contains 14 essays by various scholars as a Festschrift for the ethnomusicologist Beverley Diamond. Also includes a bibliography of the honoree. Wilfrid Laurier University Press unknown books
32636New Castle DE: Oak Knoll Press and The British Library 2008. Hardcover. 8vo. Black cloth in green dust jacket. Clean and unmarked. Like New. ISBN: 9781584562450. . LikeNew. Hardcover . Oak Knoll Press and The British Library 2008 hardcover books
200896678New Castle Delaware and London England: Oak Knoll Press and The British Library 2008. hardcover with dust jacket. 6 x 9 inches. hardcover with dust jacket. 240 pages. The history of music printing and publishing has generally formed a self-contained area of research within the study of book history. Bibliographers and book historians have tended to overlook the trade in printed music partly because the means of production reproducing notation rather than letter forms and of distribution often through the specialist sellers of musical instruments and equipment were themselves distinct. On the other hand musicologists have until recently paid less attention to the commercial aspects of printed music concentrating more on the technicalities of composition and performance. <br /> <br /> The original contributions contained in this newest addition to the Publishing Pathways series map some of the common ground between music and other forms of print exploring the ways in which the organization of production and the process of publication of printed music have developed over time. From the production and sale of missals in Renaissance Spain to the complexities of Gustav Mahlers copyrights in late nineteenth-century Vienna these essays raise issues and demonstrate methods of approach that will be of wider relevance to many areas of book history. How composers and publishers worked out their respective financial interests is just one of the recurring themes which will strike a chord with those who study the business of print. Oak Knoll Press and The British Library unknown books
1975WRCLIT29289Knotting Bedfordshire: The Sceptre Press 1975. Stiff wrappers. First edition. One of one hundred numbered copies of 150. Fine. The Sceptre Press unknown books
199024844Kansas: Tansy Press & Friends of the K.U. Poetry Collection 1990. First edition. Loose Sheets. Fine. Tall single sheet of paper containing a single poem by Blaser. 7 1/2 x 12 1/4" tall on yellow paper. One of 100 unnumbered copies. Printed in conjunction with a reading series at Kansas University. Fine. Tansy Press & Friends of the K.U. Poetry Collection unknown books
209201990 to 1994. Vol. 1 # 1 to Vol V #1. A run of 25 issues of the advertising-free issue of this influential feminist magazine of literature and thought. Includes work by Gloria Steinheim Lani Guinier Alice Walker Grace Paley Audre Lord Alicia Ostriker Robin Morgan Adrienne Rich Anita Hill Toni Morrison and many more. VG copy. unknown books
19912272139Four Winds Press 1991. First Edition. Large Hardcover. Near Fine/Near Fine. Alley R.W. First edition. Jacket flaps very faintly toned. 1991 Large Hardcover. We have more books available by this author!. Unpaginated. "Mrs. Toggle and her class prepare for the arrival of a new student whom they expect to be a dinosaur. Four Winds Press hardcover books
2012128920New York NY: Farrar Straus and Giroux 2012. paper-covered boards dust jacket. Bookselling Novel. 8vo. paper-covered boards dust jacket. viii 288 pages. First edition. Table of contents. A novel about strange events at a San Francisco book store. Farrar, Straus and Giroux unknown books
19931330072New Haven and London: Yale University Press 1993. Hardcover. Octavo; pp 115; VG-/G; gray spine with white and blue text; dust jacket has sunned spine; mild wear to exterior otherwise; cloth clean; strong boards; text block has minor wear to exterior edges; slight pencil inside; tight binding;. 1330072. FP New Rockville Stock. Yale University Press hardcover books
197222834New York: Random House 1972. First edition. Cloth. Very Good/very good. First edition first printing of the feminist poet's first book. 86 pp. A very good copy in black cloth binding. Lower edges of the cloth covered boards are worn. The price-clipped dustwrapper is also in about very good condition with a small Doubleday sticker on the rear panel. This copy once belonged to fellow poet Diane Wakoski who has signed her name on the front endpaper. <br/><br/> Random House hardcover books
1972141381New York: Random House 1972. First edition. Hardcover. 86 pages. A collection of poems. A previous bookseller who handled Karl Shapiro's library noted in pencil on the front free endpaper that this copy was his with his notes and marks throughout. Otherwise a tight very good copy in a near fine dust jacket. An interesting copy of Morgan's debut collection. Random House unknown books
200036145Boston:: Houghton Mifflin. Fine in Fine dust jacket. 2000. Hardcover. 0395977657 . Book club edition. Fine in a fine dust jacket. . Houghton Mifflin, hardcover books
1982208696Boston: David R. Godine 1982. hardcover. near fine/very good. 131pp. 8vo cloth dust wrapper. Boston: David R. Godine 1982. Near fine with a very good d.w.<br/><br/> David R. Godine unknown books
19821330095Boston: David R. Godine Publisher Inc 1982. First Edition. Hardcover. 10mo; pp 131; VG/VG-; ivory spine with black and red text; dust jacket has lightly sunned exterior; mylar wrap; cloth has mild shelf wear; lightly bumped tail fore corners; strong boards; text block has deckled fore edges; interior clean; signed by author;. 1330095. FP New Rockville Stock. David R. Godine, Publisher, Inc hardcover books
198212295Boston: Godine. Near Fine in Near Fine dust jacket. 1982. Hardcover. 0879234067 . First edition. Near fine in a near fine dust jacket. . Godine hardcover books
19824183Boston: David R. Godine 1982 First edition. Index. Page edges are beginning to fox and some pages are still uncut. A fine copy in purple cloth with lightly soiled dust jacket. . David R. Godine hardcover books
19821309394Boston: David R. Godine 1982. First edition. Hardcover. Octavo; First edition; VG/VG-; Hardcover with DJ; Spine tan with purple print; DJ has slight edgewear mild peripheral tanning; Boards in purple cloth with silver print clean and strong; Text block clean and tight; Signed in ink by the author on the title page; 131 pages. 1309394. FP New Rockville Stock. David R. Godine hardcover books
2002181842D.Wigmore Fine Arts.Inc 2002-01-01. Paperback. Very Good. 2002 Paperback. Clean has a good binding the pages are crisp and free of markings/notations. lz D.Wigmore Fine Arts.Inc paperback books
199239516London: Hyphen Press 1992. stiff paper wrappers. 8vo. stiff paper wrappers. 206 pages. First edition. Fourteen chapters discussing changes in typography which have occurred over the last two centuries. Near fine.Loosely inserted in a commorative bookplate of William Sihler. Hyphen Press unknown books
200510320Routledge 4/26/2005. Hardcover. Very good. Bright crisp hardcover tight and sweet fresh pages as new. Arriving via Priority Mail. Routledge hardcover books
19392308700Boston: D.C. Heath and Company 1939. Hard Cover. Good/No Jacket. The Walt Disney Studio. Boards soiled some loss to spine head and to spine base pencil name and surface tear on front free endpaper. 1939 Hard Cover. 102 pp. Orange and white colored illustrated end-papers. Told by Robin Palmer and illustrated by the Walt Disney Studio. Chapters include Mickey's Plan Coaxing Aunt Matilda Moving Day War Paint and others. D.C. Heath and Company hardcover books
198917063116Emeryville California: The Lapis Press 1989. Limited Edition. Hardcover. Fine/near fine. Eschner Robin. One of 100 copies no. 23 per frontis quarto size 7 pp. signed by poet on colophon and by artist on frontispiece. William Everson 1912-1994 also known as "Brother Antoninus" was a leading poet of the San Francisco Renaissance as well as being a teacher and small press printer. He worked closely with other leading San Francisco beat poets including Kenneth Rexroth and looked to another famous California poet as his master Robinson Jeffers. The name "Brother Antoninus" by which he also published poetry was taken by him when he joined the Roman Catholic Church in 1951 as a member of the Dominican Order; he thus became known as the "Beat Friar". This achingly lovely little volume was essentially self-published by Everson printed at the Lapis Press and contains a single poem spanning three pages. The volume opens with a signed numbered woodcut by Robin Eschner.<br/><br/>Robin Eschner grew up in a family that explored the natural world. Her father is a geologist whose enthusiasm for the local terrain is legendary. At an early age Eschner understood the connection to and responsibility for plants animals and the landscape. She was educated at the University of California at Davis Graduating with a combination B.S. degree in Botany and Fine Art. As a painter she has spent nearly 25 years exploring those relationships in nature N. B. info from Erickson Fine Art Gallery website.<br/><br/>___DESCRIPTION: Bound in orange cloth with a cream paper label on the spine with black lettering rough-cut edges woodcut illustration by Robin Eschner as the frontispiece orange and black lettering on the title page designed and printed by Les Ferriss at The Lapis Press in Emeryville California; quarto size 10" by 6" pagination: frontispiece 1 title page 2 blank 3-5 blank 6 colophon 7; limited edition this number 23 of 100 copies signed and numbered by the artist on the frontispiece signed by the poet on the colophon; in a glassine wrapper.<br/><br/>___CONDITION: Fine condition with clean vivid orange cloth boards without wear corners straight and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; clean crisp as new. The wrapper near fine with minor wear.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Lapis Press hardcover books
1998108153New Castle DE and Folkestone England: Oak Knoll Press and St. Paul's Bibliographies 1998. pictorial paper-covered boards. small 8vo. pictorial paper-covered boards. 170 pages. In this most recent volume of the Publishing Pathways Series leading scholars from different specialties provide fascinating glimpses of the interaction between science medicine and the culture of print. Booksellers printers collectors readers and the mechanisms of production and distribution across several centuries form the basis of their studies. Michael Harris reveals the medical hazards that constantly threatened the health and safety of London printers in the 19th century. Peter Isaac reveals the close connections between bookselling and the marketing of proprietary and patent medicines. Vanessa Harding uses the evidence provided by Richard Smyth's "Obituary" to reconstruct a complex network of printers and customers in plague-ridden London. Sylvia De Renzi uses the career of Robert S. Whipple a prominent manufacturer of scientific instruments to show how an individual collector could contribute to the emergence of the history of science as a distinct discipline in the 20th century. Lotte Hellinga uses the evidence provided by incunabula to construct chronologies of the spread of ideas as well as to track the spread of particular diseases as they swept across 15th-century Europe. Roy Porter in a wide-ranging argument explores the relationship of print and readers including dire warnings from the past about the effect of reading on mental health. Finally John Symons recounts Sir Henry Wellcome's 40-year omnivorous collecting mania which formed the basis of the Wellcome Institute's library and underlines his immense contribution to the development of the history of medicine as a field of interest. Covers rubbed. Minor bumping of corners. Oak Knoll Press and St. Paul's Bibliographies unknown books