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18101302843London: M. J. Godwin 1810. Second Edition. Hardcover. Octavos 2 volumes; G; bound in patterned light brown cloth rebacked with brown cloth majority of previous spine preserved including back labels with gilt lettering; some chipping and rubbing to boards; with 20 engraved plates by Blake after drawings by Mulready including frontispieces one for each tale told within some plates offset onto the facing page including the title page for volume 2; Some foxing/spotting throughout; With the bookplate of English Novelist Hugh Walpole on front pastedowns of both volumes; small bookseller sticker to front pastedown of volume 1; Volume 1: xi 1 235 1 Volume 2: 4 261 3 pages; shelved case 0. Lamb says in his preface that he "wished to make these Tales easy reading for young children.for young ladies too it has been my intention chiefly to wrote because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are they frequently have the best of Shakespear by heart before their sisters are permitted to look into this manly book";<br /> <br><br /> <br><br /> Hugh Walpole was a best-selling author in the 1920s and 1930s with a large and varied output. Between 1909 and 1941 he wrote thirty-six novels five volumes of short stories two original plays and three volumes of memoirs. His range included disturbing studies of the macabre children's stories and historical fiction most notably his Herries Chronicle series set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield. As a gay man at a time when homosexual practices were illegal for men in Britain Walpole conducted a succession of intense but discreet relationships with other men and was for much of his life in search of what he saw as "the perfect friend". He eventually found one a married policeman with whom he settled in the English Lake District. Having as a young man eagerly sought the support of established authors he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. wikipedia. 1302843. Shelved Dupont Bookstore. M. J. Godwin hardcover books
196341451Barre Mass 1963. First edition one of 1500 copies. 1 vols. 8vo. Cloth. Fine in slipcase. First edition one of 1500 copies. 1 vols. 8vo. First Book. Bruns L14 unknown books
1901178505London: Dent 1901. Third. hardcover. fine. 2 volumes. Introduction by Augustine Birrell. Frontispiece and b/w illustrations throughout by Charles E. Brock. Decorative title pages. 294 254pp. Small 8vos beautifully bound by Zaehnsdorf in 3/4 green morocco over marbled boards; ornate gilt-decorated spines with raised bands; marbled endpapers uncut edges t.e.g. London: J.M. Dent 1901. Third printing. A fine copy.<br/><br/> Dent unknown books
20159989Bahia Brazil/New York 2015. Limited Edition. Hardcover. Fine in Fine Slipcase. Tight bright and unmarred. Quarterbound tan leather spine in blind lettering at spine printed paper boards colored paper endpages; matching slipcase. Small 8vo. np. Illus. color and b/w plates. Numbered limited edition this being 3 of 3. Signed by artist and poet. <br/><br/>"Random Reports is a series of poems by Barbara Henry derived from vocabulary lists chosen by chance and choice from the first section of The New York Times. They reflect the spirit of the day and are specifically dated and the subject of the poem is strictly a result of the wordlist. <br />They are often titled from the headlines. Many many years ago I asked Barbara to allow me a binding gathering the volumes 1 2 and 3. Time being a theme on all I try my hand at this sat unfinished for about 7 years. After an involved first attempt with low-relief carvings of scaffolding layers on wood covers that were deep enough for the gauging but too thick for the binding its potential baffled the binder: thanks to Barbara’s kaleidoscopic talent with words the number of design venues to explore was vast. Not to mention the weight of my own deflation. Little did I realize how ambitious that first attempt had been. It might photograph well but oh it functions poorly. Under deadline-pressure I even went ahead and submitted it out to be handled. Oh the shame. <br />Trusting the process kernel originally glimpsed however I embraced as propelling force a writing technique known as “hasta pronto adelante“: forward forging ahead from wherever the work is at – a mindset that shares an essence with the poetic constraints of the work. Binding-wise I was in for a trial-and-error loop but at least this time I kind of knew it. Such kindness to myself totally shared a vibe with Barbara’s forbearance: she never once asked me what was going on. <br />Forever forward moving the initial scaffolding dimensional backdrop made its way to the foreground with the recourse of graffiti rubbings: reminiscences of the tactile response one gets from handling inky newspapers the original substratum for the poems. <br />The back covers offer a contrast with this rough reality through the sensuality of leatherwork – alum goat hand-dyed to match Barbara’s color motif – bringing the harsh graffiti input to an immediate association with skins: layered experience in tandem with the poems essence." artist statement hardcover books
1823WRCLIT67959London: Printed for Taylor and Hessey 1823. 43411pp. Small octavo. Full claret crushed levant gilt extra with decorative green morocco inlays into each board a.e.g. by Mounteney. Upper joint broken unfortunately otherwise very good. First edition with the earliest state of the imprint Fleet-Street only and without a half-title as issued. ROFF / LIVINGSTON p.149. GROLIER ENGLISH HUNDRED 74. TINKER 1457. Printed for Taylor and Hessey unknown books
1877241325New York: A. S. Barnes 1877. hardcover. very good. Many engraved plates and text engravings. 2 volumes handsomely bound in 4. Small 4to 3/4 blue morocco over marbled boards gilt decorated spines marbled boards top edge gilt. New York: A.S. Barnes 1877 1880. First Editions. Some light wear to joints still a very good attractive set.<br/><br/> At the time of its publication this work was reputed to be "the most complete history ever published of any city in the world." Kunitz and Haycraft p. 447. Nestler 848.<br/><br/> A. S. Barnes unknown books
196541452Barre MA: Barre Publishers 1965. First edition No. 136 of 200 copies specially bound and signed by the author from an edition of 1500 printed by The Stinehour Press. 1 vols. 8vo. Decorated paper over boards tan calf spine gilt lettered t.e.g. Spine slightly sunned else fine in original publisher's slipcase. First edition No. 136 of 200 copies specially bound and signed by the author from an edition of 1500 printed by The Stinehour Press. 1 vols. 8vo. An engaging collection of sporting anecdotes and reminiscences by the beloved angling writer. Bruns L17 Barre Publishers unknown books
1828239132Philadelphia: Carey Lea and Carey 1828. First edition. The American precedes the English issue of the Second Series. 230 2 pp. 1 vols. 12mo. Original printed yellow-coated boards pink linen spine with fine paper label uncut. Scattered foxing throughout front hinge tender. Half crimson morocco slipcase and chemise. Bookplate of Robert S. Pirie. First edition. The American precedes the English issue of the Second Series. 230 2 pp. 1 vols. 12mo. IN BOARDS. This is an unauthorized edition. The true "Second Series" was not published in England until 1833 under the title of "The Last Essays of Elia." The editor of this present edition mistakenly included two essays by Bryan Waller Proctor and one by Allan Cunningham Roff. Livingston p. 157 Carey, Lea and Carey unknown books
1890248002New York and London: G.P. Putnam's Sons 1890. Part of the Putnam Knickerbocker Nugget series. Ilus. 2 vols. 12mo. Original blue gilt stamped cloth and blure boards. In blue cloth slipcase. Part of the Putnam Knickerbocker Nugget series. Ilus. 2 vols. 12mo. SARA ROOSEVELT'S SIGNED COPIES. From the library of Sara Delano Roosevelt the mother of FDR with her signature and date of 1891 on top right of both title-pages. Mrs. Roosevelt was a strong-willed woman who took charge of every aspect of raising her only son and she would prove to be a dominating force throughout FDR's life until her death in 1941 just months before the bombing of Pearl Harbor. In the year this book was signed young FDR and his mother began a series of trips to the Rineland spa of Bad Nauheim Germany seeking treatment of his father's ailing heart. G.P. Putnam's Sons unknown books
18288671Philadelphia: Carey Lea and Carey 1828. First American Edition of Elia True First and First American Edition of Elia. Second Series. 2 vols. 12mo. Full blue morocco elaborately gilt gilt dentelles marbled endpapers t.e.g. other edges uncut by Pomey. Volume two with ownership stamps and signature on title page with part eradicated. A very attractive pair. First American Edition of Elia True First and First American Edition of Elia. Second Series. 2 vols. 12mo. "Elia" volume one is a reprint of the original London edition. "Elia. Second Series" volume two is an unauthorized edition. The true "Second Series" was not published in England until 1833 under the title of "The Last Essays of Elia." The editor of this present edition mistakenly included two essays by Bryan Waller Proctor and one by Allan Cunningham Roff. Livingston p. 153 157-8 Carey, Lea, and Carey unknown books
182826434Philadelphia: Carey Lea & Carey pr. by Mifflin & Parry and J.R.A. Skerrett 1828. 12mo I: 18.4 cm 7.25" II: 16.8cm 6.6". 2 vols. I: 292 pp. II: 230 pp. both vols. without ads. <br><br>First U.S. edition of the official first series and => true first edition of the unofficial second series of Lamb's pseudonymously published essays for the London Magazine. These eloquently written pieces mingle humor and pathos as they describe the experiences of the author and his acquaintances while attending boarding school playing whist listening to music visiting Quaker meetings etc. Food is a recurring topic "A Dissertation upon Roast Pig"; there are two essays on Valentine's Day one in each volume and several on plays and actors.<br>Â Â Â Â The first series made its first appearance in book form in London 1823. The authorized second series was not published until 1833 under the title The Last Essays of Elia; the pieces selected for the unauthorized American second series offered here are different from those contained in that volume and mistakenly include three essays written by other hands. <br>Â Â Â Â <br>Â Â Â Â Shoemaker 33813 & 33814; NCBEL III 1225; NSTC 2L2346. Vol. I: Uncut copy. Publisher's quarter once-red cloth and paper sides covers printed with "Elia" within a simple frame spine with printed paper label; binding rubbed and lightly soiled spine sunned to yellow. Repaired tear to one leaf touching text without loss; remarkably clean and sound. Vol. II: Contemporary speckled sheep spine with gilt-stamped leather title-label; rubbed and head of spine chipped with old refurbishing. Exsocial club library: 19th-century bookplate and call number ticket on front pastedown front free endpaper with inked numerals title-page pressure-stamped. Author's name inked on title-page; front free endpaper and title-page reinforced at fore-edge the latter from the back. Both volumes age-toned with intermittent spots of staining; advertisements absent. The set now housed in a quarter blue morocco and blue clothcovered clamshell case with marbled papercovered sides and gilt-stamped spine. Carey, Lea, & Carey (pr. by Mifflin & Parry, and J.R.A. Skerrett) hardcover books
180931829Dublin: Wilkinson and Courtney 1809. First and only edition bound from 11 original parts 8vo pp. iv xxiv 5-438; includes a 16-p. subscriber list; table of order of battle inserted at p. 158; contemporary marbled boards neatly rebacked; worn; title-page spotted; good and sound. An important eyewitness account by a soldier serving under Burgoyne until captured at Saratoga; who then escaped and served with Cornwallis in the southern theatre. Howes L36 noting that it was originally issued in 11 parts; Clark I 268; Sabin 38724. <br/><br/> Wilkinson and Courtney hardcover books
1802304321London: Printed by T. Plummer Seething-Lane for G. and J. Robinson Paternoster-Row 1802. First edition. iv 128 pp. 1 vols. Sm. 8vo. Uncut in publisher's gray-green boards rebacked to style. In custom red morocco-backed slipcase. First edition. iv 128 pp. 1 vols. Sm. 8vo. Lamb's first play and Mary's first appearance in print. Pages 106-7 contain Mary Lamb's poem "Helen" her first appearance in print. At the end are some "Curious Fragments extracted from a common-place book" ascribed to Robert Burton which are in fact by Lamb. Regarding "Helen" Charles Lamb writes in a letter to Coleridge: "How do you like this little epigram It is not my writing nor had I any finger in it. If you concur with me in thinking it very elegant and very original I shall be tempted to name the author to you. I will just hint that it is almost or quite a first attempt."<br/>This copy owned by John Matthew Gutch 1776-1861 Lamb's contemporary schoolfellow and lifelong friend and proprietor of "Felix Farley's Bristol Journal" in which some Lamb writing appeared. Roff pp. 47-52. Provenance: John Gutch holograph transcription of Lamb's "What is an Album" on rfep; Robert S Pirie bookplate Printed by T. Plummer, Seething-Lane for G. and J. Robinson, Paternoster-Row unknown books
180223684London: Printed by T. Plummer for G. and J. Robinson 1802 1802. First edition. Roff Charles & Mary Lamb pages 47-52; NCBEL III 1225 Charles Lamb and 1291 Mary Lamb. Boards somewhat rubbed and worn; some light foxing; very good copy enclosed in a chemise and pull-off morocco box. Small 8vo original drab boards untrimmed. ¶ Lamb's first play - "a tale of witch craft" which was never performed. Upon hearing that it was being published Southey commented: Lamb "is printing his play which will please you by the exquisite beauty of its poetry and provoke you by the exquisite silliness of its story" - Roff. At the conclusion of John Woodvil are some other writings by Lamb and one poem by Mary Lamb "Helen" her first appearance in print. John Woodvil is not a rare book though copies in the original boards as here are uncommon. According to Roff a printed spine label is not called for. <br/><br/> London: Printed by T. Plummer for G. and J. Robinson, 1802 hardcover books
1833WRCLIT67649London: Edward Moxon 1833. xii2831pp. plus 4pp. inserted terminal catalogue. Large octavo. Beautifully bound in full forest green crushed levant raised bands with elaborately gilt compartments boards with heavily gilt ornamented borders surrounding a central frame composed of loops and floral devices gilt inner dentelles and moiré silk doublures and endsheets t.e.g. others wholly untrimmed by Riviere. Occasional scattered foxing a few signatures tanned a bit of rubbing to spine extremities otherwise a very good copy. First British edition preceded by a somewhat corrupt and significantly different unauthorized edition published by Carey Lee & Carey in Philadelphia in 1828. ROFF p.185-9. NCBEL III:1225. Edward Moxon hardcover books
1914283751London: Dent 1914. hardcover. near fine. 12 volumes. Frontispiece many illustrations by C. E. Brock. Small slim 8vo rubricated titles beautifully bound in 3/4 brown crushed morocco tiny bit of fading at base of a few spines t.e.g. uncut edges. London: J. M. Dent 1914. Near Fine.<br/><br/> Dent unknown books
15611335563Lyon France: Guillaume Rouille 1561. Hardcover. Small quarto in vellum with faded letters on spine; in fair condition; substantial shelf wear and soiling; back cover and spine with open tears; loose binding with open gutters; title page heavily discolored with one tear; first few pages have a large stain along gutter; warped paper with tears in a couple of pages; musty odor; shelved case 3. this is a translation in Spanish of the 1553 edition; the second part of the book covers the medals owned since the Christian era to the Reign of Don Carlos. 1335563. Shelved Dupont Bookstore. Guillaume Rouille hardcover books
19091286405London: J.M. Dent and Co 1909. Limited Edition. Hardcover. Quarto; VG; White cloth boards; Gilt titling to spine and boards gilt illustration on front; Cloth ties to fore-edge; Upper edge gilt deckle cut other edges; Some rubbing to boards spine faded slightly; Corners bumped a bit; Some foxing to tissue guarding frontispiece which has slightly affected the facing page; Book has been SIGNED by Rackham on the limitations page and numbered 418 of an edition of 750; This limited edition includes the illustration of Puck facing page 16 which is absent from the trade edition; LP Consignment. Shelved: Case 14. 1286405. Shelved Dupont Bookstore. J.M. Dent and Co hardcover books
190024505New York: Lamb Publishing Co 1900. India House Edition limited to 130 numbered sets for subscribers only 8vo 12 volumes; contemporary half red morocco over marbled boards gilt decorated spines t.e.g.; vignette titles printed in red and black 62 engraved plates; spines darkened else very good and sound. Edited with an introduction notes and a Life by Alfred Aingier. <br/><br/> Lamb Publishing Co hardcover books
1823CHL001London: Printed for Taylor and Hessey 1823 First edition first issue published without the half-title with the publisher's single-line Fleet Street address to the tile page lacking publisher's terminal advertisements. Finely bound in full navy morocco with five raised bands to the spine decorative gilt stamping to the spine bands and compartments spine lettered in gilt boards ruled in gilt all edges gilt elaborate gilt turn-ins maroon coated endpapers. Very good or better with some light wear and rubbing to the extremities a hint of toning to the spine front hinge tender with some wear front hinge repaired bright and fresh pages. A clean copy of the scarce first issue in a lovely morocco binding. Elia is a collection of Lamb's popular essays each of which was originally published in London Magazine. Specifically it includes "The South-Sea House" "Christ's Hospital Five and Thirty Years Ago" "Dream-Children; A Reverie" and "Modern Gallantry" among others. Lamb a long-time clerk for the British East India Company began writing essays under the pseudonym "Elia" which he derived from a former colleague's surname. Lamb wrote in a colloquial and conversational style that made his essays beloved by his Edwardian and Victorian readers. Additionally Lamb included many of his friends and family in his writing loosely disguised by initials and pseudonyms. Mary Lamb Charles' sister and co-author of the popular Tales from Shakespeare 1807 appears as "Cousin Bridget." This first collection of Lamb's essays was complemented with a second volume in 1833 entitled The Last Essays of Elia: Being a Sequel to Essays Published under that Name. Interestingly while the American edition of the first collection published by Carey Lea and Carey in Philadelphia was preceded by this first British edition by five years the American issue of the second collection preceded its British counterpart; less restricted by copyright laws in the United States the American publishers were able to issue both Elia volumes simultaneously in 1828. . 1st Edition. Hard Cover. Very Good. London: Printed for Taylor and Hessey hardcover books
1816243095London: Henry Colburn 1816. First edition. ii 295; ii 390; ii 322 pp. lacking half-titles. 3 vols. 12mo. Contemporary half calf and marbled boards spine of vol. I defective missing top half front hinge off; vol II neatly rebacked; endsheets of all three volumes slightly spotted. A good copy however with a contemporary provenance: from the libraries of Dowager Lady Vernon with her signature dated 1816 on each title page; and Edward Lord Suffield with his bookplate both likely acquaintances of Lamb and Byron. First edition. ii 295; ii 390; ii 322 pp. lacking half-titles. 3 vols. 12mo. Lady Caroline Lamb's notorious and deliriously written roman à clé to exact her revenge on Byron for her seduction and abandonment. When our protagonist Calantha encounters Ruthven Glenarvon i.e. Byron her helplessness is described thus:<br/><br/> "The eye of the rattle-snake it has been said once fixed upon its victim overpowers it with terror and alarm: the bird thus charmed dares not attempt its escape; it sings its last sweet lay; flutters its little pinions in the air then falls like a shot before its destroyer unable to fly from his fascination. Calantha bowed therefore with the rest pierced to the heart at once by the maddening power that destroys alike the high and low; but she liked not the wily turn of his eye the contemptuous sneer of his curling lip the soft passionless tones of his voice . " Wolff 3938 lacks half-titles Henry Colburn unknown books
1108Lancaster and New York: American Physical Society. 1st Edition. Soft cover. Fine. FIRST EDITION IN ORIGINAL WRAPPERS of the discovery of the "Lamb shift" "Shortly after World War II Lamb began his work to check the accuracy of the predictions of Paul Dirac as they related to the energy levels and spectral lines of hydrogen. Dirac's quantum mechanical theory predicted that the hydrogen atom had two possible energy states with equal energies. Lamb's accurate work using radiofrequency resonance techniques reported in 1947 revealed that there was a minute difference in these energy levels. Small as it was this Lamb shift necessitated a revision of the theory of the interaction of the electron with electromagnetic radiation. For this work Lamb was awarded the Nobel Prize for physics which he shared with another leader of research at Columbia Polykarp Kusch with whom he had performed wartime research in developing microwave radar" .Biographical Encyclopedia of Scientists. Particle Physics: One Hundred Years of Discoveries: "First measurements of the fine structure of the hydrogen atom the Lamb shift. Nobel prize to W.E. Lamb awarded in 1955 'for his discoveries concerning the fine structure of the hydrogen spectrum.'" IN: The Physical Review Vol 72 No 3 August 1 1947 pp. 241-243. Lancaster PA. and New York NY: American Physical Society 1947. Quarto original wrappers. Tiny bump to outer edge otherwise fine. Rare in wrappers. American Physical Society paperback books
183317956London: Taylor and Hessey & Edward Moxon 1833. First edition. leather_bound. Full late nineteenth century red morocco gilt. Aeg. Fine in fine matching red cloth slipcase. 2 vols. 341 & 283 pages. First edition first issue; Fleet Street address in Vol. I and half title Vol.II. A large portion of Lamb's biography can be taken from the Essays. "His subject was humanity at large but in himself he saw its microcosm. Using his own impressions and recollections as a text for his work he wrote without a trace of egotism or self-assertion."see: CHEL p.195. ASHLEY III pp.50 53. GROLIER English 74. Both volumes lack adverts. Exceptional copies double gilt cover border panels raised bands spine panels decorated with gilt floral motifs elaborate inner dentelles blue watered silk endpapers. Taylor and Hessey & Edward Moxon unknown books
190967599One of 750 Copies Signed by the Artist RACKHAM Arthur illustrator. LAMB Charles and Mary. Tales from Shakespeare. Illustrated by Arthur Rackham. London: J.M. Dent & Co. 1909. Limited to 750 numbered copies signed by the artist of which this is number 304. Quarto. 2 xii 304 pp. Thirteen mounted color plates two full-page illustrations in black and white twenty chapter headings and fourteen tail-pieces. Original white cloth front cover decoratively stamped in gilt front cover and spine lettered in gilt. Rose ribbon ties. Top edge gilt others uncut. Pictorial endpapers lightly marbled. Spine a tad darkened a few tiny soil spots to covers edges browned as usual. With publisher's original note mentioning the extra plate entitled "Puck." Overall a near fine copy. Originally published in 1899 with black-and-white illustrations only: "there is an extra colored plate in this edition not included in the trade edition." Riall 90; see also 32. Latimore & Haskell 33-34; see also 12-13. Jaggard 188. HBS 67599. $1650 J.M. Dent & Co. hardcover books
18893608London: David Stott 1889. 12mo. Two Volumes. Attractive Arts & Crafts style binding by Miss Florence Leicester inscribed in pencil at back of volume 1 "bound by Miss Florence Leicester and signed in gilt pallet on rear dentelle: "19- F-M-L- 02 in crushed tan morocco with shamrock and petal design flowers and vines on both covers i.e. repeated four times gilt-ruled dentelles and spines with similar motif. Large paper edition; one of one hundred copies unnumbered. White endpapers with ruled dentelles featuring shamrocks in each corner. All edges gilt. With the bookplate of Alonzo Weston Kimball noted collector of rare books and fine art. Little is known about Florence Leicester except to say that she was very accomplished and no doubt studied under one of the major bookbinders in London at the turn of the century. Some light rubbing and spine slightly faded. Very small closed crack to the top of the front hinge on vol. II. Only 100 Copies Printed. Both volumes and contents near fine. <br/><br/> David Stott unknown books