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LAMB Helen B.ABAA

Studies on India and Vietnam

ROOT & SON binders; LAMB CharlesABAA

Specimens of English Dramatic Poets

02654London: Longman Hurst Rees and Orme 1808. A Handsome Root & Son Binding Celebrating the Beauty of Elizabethan Poetry ROOT & SON binders. LAMB Charles. Specimens of English Dramatic Poets Who Lived About the Time of Shakespeare. With Notes. London: Longman Hurst Rees and Orme 1808. First edition. Octavo 7 1/8 x 4 1/4 in; 181 x 108 mm. xii 484 pp. Designed and bound c. 1920 by Root & Son stamp-signed in full brown crushed morocco with double fillet and a secondary gilt-rolled frame with gilt corner-pieces and inlaid dots in green. Gilt decorated compartments. Top edge gilt. A fine copy Elizabethan poets whose work is represented here include Thomas Sackville; Thomas Kyd; Christopher Marlowe; Thomas Decker; Ben Jonson; William Rowley; John Fletcher; Francis Beaumont; etc. Charles Lamb was born in London in 1775. He studied at Christ's Hospital where he formed a lifelong friendship with Samuel Taylor Coleridge. When Lamb was twenty years old he suffered a period of insanity and was confined to a psychiatric hospital. His sister Mary Ann Lamb had similar issues and in 1796 murdered her mother in a fit of madness. Mary was confined to an asylum but was eventually released into the care of her brother. Lamb became friends in London with a group of young writers who favored political reform including Percy Bysshe Shelley William Hazlitt Henry Brougham Lord Byron Thomas Barnes and Leigh Hunt. In 1796 Lamb contributed four sonnets to Coleridge's Poems on Various Subjects 1796. This was followed by Blank Verse 1798 and Pride's Cure 1802. Lamb worked for the East India Company in London but managed to contribute articles to several journals and newspapers including London Magazine The Morning Chronicle Morning Post and the The Quarterly Review. He is best known for his pseudonymous essays for London Magazine collected and published as Essays of Elia 1823 and for the popular evergreen Tales From Shakespeare 1807 his collaboration with his sister. The volume under notice went a long way to popularizing Shakespeare's contemporaries. He died in 1834. The London bindery of W. Root & Son consistently turned-out excellent work both on fine bindings as here and on trade bindings and sets. Packer lists the firm in business in Red Lion Square in 1899-1901 and the December 1942 issue of The Rotarian notes with regret that W. Root had been bombed out uprooted of their premises on Paternaster Row during the 1941 Blitz. London: Longman, Hurst, Rees, and Orme, 1808 unknown books

David Brass Rare Books, Inc. · États-Unis1 950,00 $US≈ 1 649,90 €

Cordero Reiman Karen; Ivan Acebo Choy CoordsABAA

SIN CENTENARIO NI BICENTENARIO: REVOLUCIONES ALTERNAS.

95464México D.F: Espacio Cultural Edif. S Universidad Iberoamericana Ciudad de México octubre 19 a diciembre 4 de 2009 . 21x28cm. Equipo curatorial: Nuria Galland.et al. 175 p b/w and color plates ports. cat. bibl. color pict. wrps. OCLC: 644682596 In the framework of the Mexican Bicentennial/Centennial celebrations this art exhibition focuses on the gender perspective and on the personal implications of the words "revolution" and "independence" examined from the conception of the body in contemporary daily life. Both the texts and curatorial proposal present narrative and alternate cultural and artistic representations that question and redefine the feminine concepts of revolution liberty and independence. Contents: Introducción. El otro lado del Bicentenario / Karen Cordero Reiman -- La representación de lo femenino en la intersección entre arte y ciencia en el siglo XIX / Nuria Galland -- Caras vemos perversiones no sabemos. Fotografías de burdel registro de prostitutas y clasificación teratológica en la segunda mitad del siglo XIX en México / Berenice Pardo Hernández -- Masculinidad y poder en el porfiriato / Guadalupe Barrera Galán -- Moda y masculinidad en México. El bicentenario de una reflexión ausente / Fernando Bermúdez -- El cuerpo vestido: espacio donde confluyen identidades / Claudia de la Garza -- Diversas entre nosotras mismas: Las mujeres y su revolución / Iván Acebo Choy -- Entre esculturas rupestres y acciones de pantalón: El espacio de la revolución y la inestabilidad / Adriana Domínguez -- La matriz como espacio de significación / Minerva Anguiano -- Drop Dead Gorgeous: Muerte por belleza / Marianna de Regil -- Un rostro mas en la lista: Una conversación con Mónica Castillo / Hilda Alejandra Varela Galán -- Revolución en interiores: Narrativas alternas de la convivencia / Fabiola Aguilar D. -- Lista de Obra de la Exposición -- Créditos y agradecimientos. Published on the occasion of the homonymous virtual exhibition held at the Museo de Mujeres Artistas Mexicanas Museum of Female Mexican Artists and where women artists present their artistic perception of the body as "a place of construction of identities" expressed through different art techniques: painting sculpture photography video art and installations. LIMITED EDITION OF 500 COPIES. Espacio Cultural, Edif. S, Universidad Iberoamericana Ciudad de México unknown books

Howard Karno Books Inc · États-Unis75,00 $US≈ 63,46 €

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